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*John Holt (b.1949) . "Bohemia". Signed and extensively inscribed on a label verso, pastel drawing, 20cm by 70cm, He attended Stockport College of Art to study advertising and graphic design. Having completed the final year of his degree at Salford College of Art, he was awarded a Bursary Award from the Royal Society of Arts. After graduating in 1973 he embarked upon a career in advertising. Working as an art director he designed and illustrated books for the European market. It was during this time that he became increasingly inspired by Spanish and French post-impressionist painters. His love of fine art grew as he visited local and national art exhibitions and he discovered a great affection for the Fauvist masters, Matisse and Braque. He has also been recognised by the industry; he was nominated as Best Up-and-Coming Artist in both 1999 and 2000 by the Fine Art Trade Guild. John has had numerous group and one-man exhibitions both in the UK and abroad, The artist`s work is being produced in print form by the Ikea group.
A Set of Six 18th Century Chestnut Fauteuils upholstered in floral print damask, the oval padded back supports within a beaded and leaf carved frame, the padded downswept arms with acanthus leaf carved uprights, the carved seat rail decorated with trailing flowers flanked by flower carved spandrels, on fluted tapering legs See illustration
Tosa School, 19th century: Daimyo and Attendants, in a pavilion by a waterfall, ink, colours and gold leaf on paper, 23cm by 16.5cm, with pasted label and inscription below The Genuineness of this painting is guaranteed by S M Shiba Miyanoshita as atested by his seal: similar to that on the back lower corner of this print, genuine Tosa 150 years old See illustration
Edward Bawden C.B.E., R.A. (1903-1989). "The Guild Hall". Signed artist`s proof, limited edition, 27/75, coloured linocut print, 66.5cm by 50.5cm (pl), Born in Braintree, Essex, studied at Cambridge School of Art, taught by Paul Nash at the Royal College of Art and studied engraving and book binding at Central School of Art and Crafts. His first one man show was at the Zwemmer Gallery in 1934, and exhibited at the Royal Academy being elected a member in 1956. He became an official war artist during World War II. The Imperial War Museum and Tate Gallery hold his work.
After Lawrence Stephen Lowry R.A. (1887-1976). "Family Discussion". Limited edition numbered print 735/850, bearing blindstamp for Henry Donn Publications, black and white reproduction, 37cm by 25cm, The work is inscribed on an old label A Man Trying to Convince his Mother about Something, chuckled Lowry, printed in 1973.
After Lawrence Stephen Lowry R.A. (1887-1976). "Peel Park" . Signed in pencil, with blindstamp for the Fine Art Trade Guild, from an edition of 850, inscribed Published in 1975 by Venture Prints Ltd, Bristol, together with copyright details, also bearing a label for the Fine Art Trade Guild verso certifying the print, colour reproduction, 38cm by 65cm, Provenance: Cornwater Fine Art, Ravenshead, Nottinghamshire. See illustration
After Lawrence Stephen Lowry R.A. (1887-1976). "Man Holding Child". Signed in pencil, with blindstamp for the Fine Art Trade Guild, from an edition of 350, also bearing a label for the Fine Art Trade Guild verso certifying the print, colour reproduction, 48cm by 73cm, Provenance: Cornwater Fine Art, Ravenshead, Nottinghamshire
After Lawrence Stephen Lowry R.A. (1887-1976). "Going to the Match". Signed in pencil, with blindstamp for the Fine Art Trade Guild, from an edition of 300, also bearing a label for the Fine Art Trade Guild verso certifying the print, a colour reproduction, 56.5cm by 70.5cm, Provenance: Cornwater Fine Art, Ravenshead, Nottinghamshire, This is perhaps the best known of the artist`s signed proofs. It portrays a crowd of fans on their way to Bolton Wanderers` ground Burnden Park. The Football Association hold the original oil painting, purchased for £1.9m in 1999.. See illustration

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