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Lot 640
After Fra Angelico - The Annunciation, a 19th century chromolithographic print with gilt haloes, probably 1864 by Storch & Kramer after the 1863 watercolour by Marianecci for the Arundel Society (now in the Birtish Museum), in turn after Fra Angelico's original fresco in the Convent of San Marco, Florence, 31cm x 41.5cm including margins, within altarpiece-type gilt frame with traces of inscription 'Ave Maria Gratia Plena Dominus Tecum Be'di'ta [Benedicta] Tu', under glass, 46.5cm x 53cm overall For the Marianecci watercolour and detail of the 1864 print see https://collections.vam.ac.uk/item/O1011138/copy-after-the-annunciation-fra-watercolour-angelico-fra/
Lot 526
Joachim Christian Geelmuyden Gyldenkrantz Frich (1810-1858) Norangsfjord, Stranda muncipality, Møre og Romsdal county, Norwayoil on board21 x 29cmThe present view is known from an 1848 print after the original by Frich.36 x 45cm framedOverall appears in good, original, stable condition with no signs of restoration under UV light. One small area of loss to the outer edge of the board, top centre. Very light surface dirt commensurate with age. Framed and glazed, the frame with evidence of repairs, with one area of repair now absent (see image).
Lot 570
A group of 7 Cornwall and Suffolk related pictures, 20th century, to include John Higgins, Cornish ruins, signed (lower right), watercolour, 29 x 34.5cm; George Miller, Orford Castle, signed (lower right), watercolour, 21.5 x 16cm; Alan Dunkley, St Just, ink, 8 x 13cm; Diana Marsden, South Lookout, Aldeburgh, signed (lower right), ink and wash, 21 x 14.5cm; Margaret Seekins, Ding Dong Mine, Near Penzance, signed (lower right), hand coloured print, 19.5 x 15.5cm; a facsimile engraving of Cornish Tin Mines, 23 x 34cm; and a metal relief picture of a tin mine, 16 x 11cm (7)
Lot 362
A 19th century pearlware pottery table centre piece. Decorated in blue and transfer print, height 11cm together with various other 19th century and later blue and white pearlware including two small tureens and covers, a tureen stand, twin handled loving cup, two soup plates, three diner plates, small bowl and a teacup. (12)
Lot 113
New Zealand The first part of an extensive collection, the QV to early QEII, in three stockbooks, laid out to accommodate the various printings on the 19th and early 20th century issues, 19th century used starting with 17 perf Chalons, then 68 different QV profile heads of different perf formats, group of over 30 back-print advertising, early pictorials again by printing to 2/-, Christchurch exhibition set clean mint (SG.370/373, cat. £275), 1935-36 pictorial set used with extra perf varieties incl. on 2/- and 3/-, 1936-42 version the same but MNH, continuing solidly parallel MNH and used incl. 1953 mounted queen set. The third smaller volume has a good range of officials incl. 2/- SG.O66 used, 1940 set MNH, life insurance with 34 different lighthouse types, postal fiscals from QV, gum toning as often on the later issues, incl. SG.F191 to F202 run of twelve MNH or vlh on lower values (cat. £730), 1942 11/- on 11/-, etc, etc.
Lot 214
De Jong: a signed limited edition print, "Regatta", in aluminium strip frame, a pair of signed limited edition colour prints, sailing boat scenes, in aluminium strip frames, another signed limited edition etching, Asthall Leigh, 45/150, in aluminium strip frame, a colour print after Matisse Le Poissons Rouge 1911, in strip frame, a similar Impressionist poster and a colour photograph, downhill skiing, in strip frame
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314796 item(s)/page