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Lot 111
GASCOIGNE BAMBER. Images of Richmond. Sgnd. ltd.ed. 275, this a Binders Extra copy. Many illus. Quarto. Orig. buff cloth in slip case. The famous publisher, Tom Maschler`s copy with his bookplate & a signed inscription to him from the author "Apologies for the slightly flawed copy but St. Helena Press doesn`t print as many copies as Cape", the flaws referred to apparently being marginal tears with loss of paper but not not text at leaves 61/62 & 63/64. Saint Helena Press, 1978.
Lot 118
FRANCIS JULIAN. Tom Chadwick and the Grosvenor School of Modern Art. Ltd. ed. 210 with original print as frontis. Tipped in reproductions of engravings, col. & other plates & illus. Lge. quarto. Orig. red quarter cloth with lettered brds. Fleece Press, 2012. Lovely clean condition, as images. V faint 1" horizontal line and a couple of tiny marks on boards.
Lot 38
Artist's proof etching signed in pencil, signed and dated 1889 in the plate.plate size 25cm x 52cm (9.75in x 20.5in)Condition report: The print is in good, original condition. The paper has browned universally and there is some cockling across the sheet. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 40
Hand-coloured engravings.each 21.5cm x 87.5cm (8.5in x 34.5in)Qty: 3Condition report: The prints are in good, original condition with strong colours. The condition varies on each print but there are spots of foxing and browning across the prints and some tears and surface scratches. The prints are all ornately framed and glazed. The frames have numerous knocks and losses.
Lot 59
Engraved by Charles William Sharpe (act.1848-1883), published 1874, engraving.35.5cm x 116.5cm (14in x 45.75in)Condition report: The print is in good, original condition. There are some light stains and spots of foxing and browning across the sheet. There are some surface scuffs and scratches across the paper. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 7
Signed in pencil in the margin, published by Richard Wyman & Co, London, colour print.image size 33cm x 63.5cm (13in x 25in)Condition report: The print is in good, original condition with strong colours and no obvious faults to report. The paper in the margins has browned universally and there is some staining on the mount board. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
![Canaan. Speed (John), Thomas Bassett & Richard Chiswell, 1651 [1676], hand-coloured engraved map, inset plan of Jerusalem](https://cdn.globalauctionplatform.com/c0cb1ef4-1c7a-45bd-b802-acf50116941e/1c7036aa-d7e7-47f5-99ab-ad0900f7b4d0/468x382.jpg)
Lot 75
Canaan. Speed (John), Thomas Bassett & Richard Chiswell, 1651 [1676], hand-coloured engraved map, inset plan of Jerusalem.41.5cm x 54.5cm (16.25in x 21.5in)Footnote: * Speede's maps usually showed the land as it was experienced. Even if not to the levels of accuracy of a modern ordnance survey map, they strove to show the locations as they related to each other and the land on which they were situated. From the first though, Canaan was different. Canaan is a land created in two places. The first is on the ground, in the towns, rivers, mountains and other features of geography, both natural and man-made. The other is in the mind, particularly of Christians, who will be comparing the land they see with that they first experienced through the words of the Bible. This was especially true for readers of the King James Version for whom this map was an integral part of their reading of the Bible. The map was first featured in the Geneva Bible as published by Robert Barker. Speede was still a tailor when he first became involved with this map - his first cartographic work. John More (credited on the map) did the first work on it whilst a Fellow of Christ's, Cambridge. After his death in 1592 it was passed to Speede who finished it and received a licence to print and insert it in the KJV for ten years from 1610. By the time the KJV was first published in 1611, Speede was already one of the most important cartographers in England, and busily working on his famous county maps, many of which feature in this sale. Interestingly, this map did not feature in the first issue of Speede's Prospect, but was added later. Despite current knowledge, Speede's map contains oddities to the modern eye. Most specifically the coastline follows the Ptolemaic slump, despite the actual coastline being known. This is part of the purpose of this map. The map is not the territory. The map does not even follow Ptolemy's desire to be accurate (within the limits of contemporary knowledge), but rather to use Ptolemy's coast as a short-hand to evoke the era. This map sets out to create a place that never existed, it is not a tool for explorers of anything but the words on a page. Speede's map shows events, places, people, and details from across Biblical history. The Dead Sea is the Lake of Sodom, Pharoah's armies (equipped as expected in Jacobean armour) drown even as Judas hangs himself. Ancient Kingdoms share space with Jewish settlements. The inset map of Jerusalem lists important places in the story of the Passion, but they are not a pilgrim map, rather a reminder, a positioning in a space not physical but mental. Despite all this, there are suggestions that the map inhabits a 'real' world and is not merely a fairytale realm. The new habit for framing the map in longitude and latitude is followed. Whilst a traveller could never hope to find a location using them, it reminds the reader that the place (and by extension the events depicted and remembered) is real. The leviathan frolics in the depths but this is not to say there are literal monsters beneath the waves (nor even to recall Jonah's whale) but rather to remind of the troubles of travel. Even the choice of name is suggestive. Whilst Christians today might accept 'The Holy Land', to a Protestant this would be redolent of Papistry, whilst other more accurate names might be overly Jewish in suggestion. Canaan is the ancient name, all other names (whether Israel or Outremer) are tranistory compared to the Biblical truth which underlies all. In Protestant eyes, the holy places had no intrinsic spiritual value and visiting them was unnecessary - as the map reminds us, ''Nether in Ierusalem, nor in this Mountaine shal ye worship''. The idea of pilgrimage was, if not anathema, highly suspicious. Whilst English ships crossed the seas, they did so for trade, and there was little to trade in Palestine - not even treacle in Gilead. For the strict Protestant Englishman, the critical thing was your relationship with God through Christ, the rest was confusing trappings which got in the way. This map was all you needed to give a context to your reading of the Bible, and the experience of the Word would open you to God's Grace.Condition report: The map is in good, original condition. There is some light time staining and browning around the edges of the paper near the mount board. There are one or two minor tears and holes around the edges of the paper and one small hole in the paper within the map. There is some creasing and cockling across the paper and some minor spots of foxing across the sheet. The map is framed and glazed.
Lot 310
Two early 19th Century Indian hunting prints 'Hunting a Hog Deer' and 'Driving Elephants Into A Keddah', 31cm x 43.5cm, framed and glazed Condition: Some slight elements of foxing on the hog deer print. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 319
Cecil Aldin print, 39cm x 31cm, together with two P. Cornish black and white engravings, one of Canterbury Abbey, the other Oundle:South Aspect, all framed and glazed Condition: **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms. Pictures - The inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part.
Lot 446
Frank Shipsides - Signed limited edition print - St. Mary Redcliffe, Bristol, the floating harbour, signed in pencil, lower right, numbered 237/850 lower left, 35.5cm x 50.5cm, framed and glazed Condition: **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 464
Alan Zie Yongder (Chinese, b.1944) - Signed limited edition print - 'Fishing Community', 8/12, signed and dated '68 lower right, 32cm diameter excluding surround, framed and glazed, together with four further works (5) Condition: One work is unframed, otherwise sound. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 610
Hardwood seaside deckchair with canvas print by Jenny Price 'Oyster Catchers' issued by The Clevedon Pier & Heritage Trust Condition: Still in original wrappers and we assume unused - **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 61
JULES JACQUET (1841-1913) AFTER JEAN-LOUIS-ERNEST MEISSONIER (1815-1891) 1806, Napoleon surveying the field from horseback, signed by Jacquet in pencil to the margin, engraving, the image 54cm x 84cm; together with another Napoleonic battle scene 'The Battle of Friedland, 1807' engraving, published by Arthur Tooth & Sons, 1890, the image 47cm x 84cm; and a coloured print of an Officer of the 2nd Dragoons Royal Scots Guards on horseback, 18cm x 29cm (3)
Lot 3055
A group of framed and glazed pictures comprising: a large print of an Italianate scene, 80 x 90cm; a trio of prints of Russian soldiers in a single mount; an oil on board still life by Stan Richards 38 x 28cm; a lithograph of country churches 53 x 25cm; a print entitled 'The Life of a Soldier' 39 x 29cm and a further print of an interior 75 x 60cm (6)
Lot 3072
Alice Riviere (wife of Briton Riviere R.A.), a set of three botanical watercolours, approx 28.5cm x 21cm; E.W. Rawling, Snow Capped Mountains, watercolour, signed and dated 1923 approx 23.5cm x 49.5cm; Lionel Edwards, Newmarket 1962, print, signed in pencil; another Lionel Edwards coloured print; after Egon Schiele, framed print (7)Provenance: The late vendor, Helen Park-RIviere, was the granddaughter of Briton Riviere R.A
Lot 3499
A collection of Derbyshire interest books along with children's titles (Q)A signed cricket bat, early 1990's, Derbyshire interest, including: John Morris, Dominic Cork, Bernie Maher, Peter Bowler; Martin Jean-Jacques and others, twenty signatures in total.Cricket Interest: A framed and glazed print, Newlands Cape Town, by Richie Ryall, 505/875, signed lower left, frame measuring approx. 33" x 24".
Lot 299
CARRIE GRABER (AMERICAN, CONTEMPORARY) 'Morning Light' Limited edition print Signed in pencil and numbered 79/100 lower right, sold with Certificate of Authenticity, artists biography and original invoice 60cm x 76cm Condition Report : no condition issues, a large and attractively framed picture - framed uniformly with the following lot, appears to have been bought from the same Princess Cruises auction. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 302
AFTER HONORE DAUMIER (1808-1879 'La Soupe' Print 21.5cm x 30.5cm Condition Report : some foxing visible lower left, some dirt/dust trapped between glass and mount Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 303
PAUL HENRY RHA (1876-1958) 'Evening on Killary Bay' Coloured print Signed in pencil lower right, Fine Art Trade Guild blindstamp lower left, Fred Keetch gallery label verso Condition Report : no signs of any damage to print or frame, a few thrips/flecks of dirt trapped under glass Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 304
PAUL HENRY RHA (1876-1958) A Village by the Lake, Connemara' Coloured print Signed in pencil lower right, Fine Art Trade Guild blindstamp lower left, Fred Keetch gallery label verso 35cm x 40cm Condition Report : generally good, though there is a loss to the frame bottom left, a few thrips/flecks of dirt trapped under glass Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 308
PAUL HENRY RHA (1876-1958) 'The Blue Hills of Connemara' Coloured print Signed in pencil lower right, Fine Art Trade Guild blindstamp lower left 44.5cm x 53.5cm Condition Report : quite a bit of foxing, mostly on the mount or beneath the glass rather than on the image, though there is one spot on the sky toward the top on the right Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
![ROBERT TAVENER, R.E. (ENGLISH, 1920-2004) 'Sussex Foreshore', lino-cut print, limited edition 1/150, signed and dated [19]7](https://cdn.globalauctionplatform.com/51259f05-0d95-447b-9efb-acde00b55ab1/14090d32-ac57-4f36-9c01-ad0500e441e9/468x382.jpg)
Lot 490
ROBERT TAVENER, R.E. (ENGLISH, 1920-2004) 'Sussex Foreshore', lino-cut print, limited edition 1/150, signed and dated [19]72 lower right, 32cm x 45cm, unframed. Provenance: Rachel Ann Le Bas, N.E.A.C., R.E. (1923-2020). *This lot may be subject to Droit de Suite (Artist's Resale Right) Condition Report : Some marginal creasing, not affecting image or immediate surround. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 539
CRESTED CHINA - ASSORTED GOSS Thirty-one pieces, comprising a large Bath Roman Jug (Administrative County of Somerset / Weston-super-Mare / Somerset), 15cm high; large Brading Roman Ewer (Cowes / Isle of Wight), 11.5cm high; Old Horse Shoe (Fulham); Oxford Ewer found at Exeter College, with matching arms (Exeter College); Plymouth (Spanish) Jug, with matching arms (Plymouth); Scarborough Jug, with matching arms (Scarborough); Goodwin Sands Carafe, with matching arms (Deal); Goodwin Sands Carafe, with matching arms (Margate); three-handled loving cup (Sir Francis Drake / City of Exeter / See of Exeter); three-handled loving cup (Sir Walter Raleigh / City of Exeter / See of Exeter); Glastonbury Vase with sepia transfer print (Wymondham Church); and others. Condition Report : Generally good; one piece with flake from footrim and one with flake from rim (neither among those pieces named). Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 540
MILITARIA - TERENCE CUNEO, C.V.O., O.B.E., R.G.I., F.G.R.A. (BRITISH, 1907-1996) 'First Air Post (Folkestone-Koln 1919)', colour print, signed lower right, 57cm x 70cm, framed and glazed. Condition Report : Generally good condition; light, isolated foxing to upper margin. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 541
MILITARIA - MICHAEL TURNER (BRITISH, B.1934) 'Eagles Over the Channel - Messerschmitt Bf 109E's... come in low over Beachy Head', colour print, limited edition 56/850, signed by the artist lower right, and by the pilots Major Gerhard Schopfel, Generalleutnant Adolf Galland, and Major Fritz Losigkeit, 39cm x 44cm, framed and glazed. Condition Report : Generally good condition; light foxing to left-hand and upper margins. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
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