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Lot 267
Large group of Minnesotan fossils including: crinoids and assorted shells including resserella, rafinesquina, plaesiomys, among others, and various snails. Additionally included is a now out of print 1965 "Guide to Fossil Collecting in Minnesota" from the Minnesota Geological Survey.Condition: Likely wear and minute losses throughout. Please note that each fossil has not been inspected. Wear and staining to the guide book.
Lot 482
David Rathman (American, b. 1958). Etching and aquatint on paper titled "Montana's Killing Me." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Signed along the top edge of the print.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. The sheet has light undulation throughout. The sheet is floating on the frame; all four margins are visible. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 339
Cy DeCosse (American, b. 1929). Hand coated platinum palladium print photograph titled "Queen of the Night," depicting a flower, 2012. Pencil signed and dated along the lower right. Part of the artist's "Midnight Garden" series. DeCosse graduated from the Minneapolis College of Art and Design (MCAD) in 1952.Sight; height: 29 1/4 in x width: 21 1/2 in. Framed; height: 31 in x width: 23 1/2 in.Condition: There are no visible tears, losses, or restorations when inspected under UV light. There appears to be a tideline - moisture exposure - extending from the lower edge upwards approx. 1.5" that runs the length of the work. Light wear to the frame; framed under TruVue glass; not inspected out of frame.
Lot 477
Mike Lynch (American, b. 1938). Lithograph on paper print titled "Toy Car," depicting a 1930s style toy car, ca. 1972. Pencil signed along the lower right; inscribed "Artist Proof" along the lower left.Provenance: from the collection of an important Minnesota institution.Sight; height: 8 in x width: 13 in. Framed; height: 16 1/2 in x width: 20 1/2 in.Condition: The print is in great condition with no visible tears, rips, or losses. When inspected under UV light, there is no visible sign of restoration. The paper is toned. Not inspected out of framed. Framed under UV light. Very light wear to the frame.
Lot 332
Lynn Geesaman (American, 1938-2020). Large silver gelatin print photograph depicting a landscape view of likely Italy or Germany.Sight; height: 18 1/2 in x width: 18 in. Framed; height: 28 in x width: 27 1/2 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. The emulsion appears to be smooth and great. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 509
Group of six lithographs from the Martin Gallery's "Survival Editions" produced by six Midwest artists, 1971. Each 44 out of limited edition of 100. With the original packaging. Including:Hugh Kappel (American, 1910-1982). Lithograph on paper titled "Dawn" depicting a brightly colored abstract scene, 1971. Pencil signed along the lower right; numbered 44/100 along the lower left; titled along the lower center.Brian F. Leo (American, b. 1940). Lithograph on paper titled "In the Capitan Mountains" depicting an abstract scene in deep red, 1971. Pencil signed along the lower right; numbered 44/100 along the lower center; titled along the lower left.Gordon Mortensen (American, b. 1938). Untitled lithograph on paper depicting a still life of vegetables, 1971. Pencil signed and dated along the lower right; numbered 44/100 along the lower center.Carl A. Grupp (American, 1939-2019). Untitled lithograph on paper depicting a juggling clown in a surreal room, 1971. Pencil signed along the lower right edge; numbered 44/100 along the lower left edge.Gerald E. Martin (American, b. 1941). Lithograph on paper titled "Saxon" depicting abstract shapes, 1971. Pencil signed along the lower right; titled and numbered 44/100 along the lower left.Jerry Rudquist (American, 1934-2001). Untitled lithograph on paper an abstract shape in black and white with seven views of the object below it in blue, 1971. Pencil signed and numbered 44/100 along the lower right.Envelope; height: 12 in x width: 15 1/2 in. Prints; height: 11 1/4 in x width: 15 in.Condition: None of the prints have tears, losses, or restorations. All prints have light wear along the deckled edges, some minute creases along the corners or along the edges from handling. The prints by Rudquist and Martin have a few scattered areas of foxing throughout. The print by Mortensen is unevenly toned. There is a larger crease along the lower left and upper right edges of the Leo print. There is a streak of soiling where it appears something rubbed against the print along the upper right corner of the Martin print. All unframed. Wear to the packaging material as expected from age and use.
Lot 479
Mike Lynch (American, b. 1938). Lithograph on paper print titled "Houses by the Trucks," depicting a row of houses, 1978. Pencil signed and dated along the lower right; inscribed PP and numbered 2/4 along the lower left. Printed by Vermillion Editions Limited, Minneapolis.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 17 3/4 in x width: 20 3/4 in. Framed; height: 21 in x width: 24 in.Condition: The item is in good condition with no visible tears, losses, or major creases. The paper is floating on the mat; all four margins are visible. Light undulation. Along the margins, there are networks of minute dots that are florescent under UV light; however, it does not appear to be restored. Along the lower margin, there is a line crease; please see the listing image. No visible sign of restoration under UV light. Framed under plexiglass; not inspected out of frame. Light wear to the frame.
Lot 338
Cy DeCosse (American, b. 1929). Hand coated platinum palladium print photograph titled "Queen of the Night" depicting a blooming cactus flower, 2007. Signed, titled, and dated in pen along a slip of paper affixed to the verso. DeCosse graduated from the Minneapolis College of Art and Design (MCAD) in 1952.Sight; height: 9 in x width: 7 in. Framed; height: 13 in x width: 11 in.Condition: There are no visible rips, losses, or restorations. The emulsion appears smooth with no breaks. The artwork is framed under a matboard. Wear to the frame; framed under TruView glass; not inspected out of frame.
Lot 507
FAILE, Brooklyn, New York. Serigraph on paper print depicting a coat of arms featuring a lion, a horse, and a pigeon. With a scroll reading "New York," underneath the animals. Pencil signed and dated 2003 along the lower right.FAILE is a Brooklyn-based collaboration between Patrick Miller, born in Minnesota, and Patrick McNeil, born in Alberta, Canada. The name comes from an anagram of their first project together, "A Life." Japanese street artist Aiko Nakagawa (Lady Aiko) was once a part of their collective.Provenance: from the collection of an important Minnesota institution.Unframed; height: 40 in x width: 31 1/2 in.Condition: There are no visible rips, losses, or restorations. Light creases throughout, possibly from handling or hinging. The work is floated in the frame. Light wear to the frame; framed under plexiglass - there is some wear and scratches to the plexi; not inspected out of frame.
Lot 335
David Goldes (American, b. 1947). Group of two photographs including:One archival pigment print titled "Untitled (Folded Paper with Graphite)," from the series "Electrified Drawings" depicting one of the artists part-science part-art artworks, 2012. Signed, titled, and dated along the verso.One silver gelatin print titled "Bubble" depicting a large soap bubble on a stand, 2002. With a copyright stamp and a sticker identifying the artwork along the verso.Electrified Drawings; height: 19 in x width: 13 in. Bubble; height: 10 in x width: 8 in.Condition: The emulsion of each are smooth. Both are free from tears, losses, or restorations. Both sheets have a slight undulation - "Bubble" more so. The edges lift slightly. "Bubble" has a sticker from the artist affixed along the verso.
Lot 483
David Rathman (American, b. 1958). Etching and aquatint on paper titled "That’s as Fair as I Know How to Make It." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Titled along the top edge of the print.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. The sheet is floating on the frame and has light undulation throughout; all four margins are visible. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 484
David Rathman (American, b. 1958). Etching and aquatint on paper titled "It's Just my Rough Habits, I Guess." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Titled along the top edge of the print.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. The sheet has light undulation and floating on the frame; all four margins are visible. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 425
Eugene Larkin (American, 1921-2010). Group of two artworks on paper prints including:One ink on rice paper painting titled "Pine Tree with Sky" depicting a group of towering pine trees. Pencil signed along the lower right.One woodcut print titled "Pines and Rocks 3" depicting two tall pine trees. Pencil signed along the lower right; titled along the lower left, numbered 9/26 along the lower center.Provenance: Distinguished corporate collection, Minnesota.Pines and Rocks 3; sight; height: 38 in x width: 21 1/2 in. Framed; height: 46 in x width: 29 in. Pine Tree with Sky; sight; height: 24 1/2 in x width: 19 in. Framed; height: 35 in x width: 28 1/2 in.Condition: Both works appear to be free from tears, losses, or restorations. There is a natural texture throughout both sheets due to the type of paper they are on. Both sheets are slightly toned. Each are framed under a matboard. Light wear to the frame; framed under plexiglass; not inspected out of frame.
Lot 330
Katherine Turczan (American, b. 1965). Group of four photographs - three silver gelatin prints and one toned silver gelatin print - from the series "Women in the Ukraine," taken in Kiev, Ukraine, 1995. Including "Elena Lykiemetz, Student, Kyiv, Ukraine," "Novices, Frolovsky Monastery, Kyiv, Ukraine," a portrait of a young girl standing amongst laundered clothes in Kyiv in 1991, and a couple identified as Mariana and Danio in a hospital in Lviv, Ukraine in 1995. Turczan is a faculty member at the Minneapolis College of Art and Design (MCAD).Exhibition: Minneapolis Institute of Art (Mia), "From where my parents came: Portraits from the Ukraine," December 19,1997 - February 8, 1998.Each; height: 8 in to width: 10 in.Condition: The emulsion of all is smooth. There are no tears, losses, or restorations. All photographs have a slight undulation to the sheet. A copyright sticker from the artist is affixed to the verso of each. A sheet of paper indicating previous exhibition history is affixed to the verso of each with two pieces of clear tape.
Lot 481
David Rathman (American, b. 1958). Etching and aquatint on paper titled "Butterfly Mornings, Wildflower Afternoons." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Titled along the top edge of the print.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: There are no visible rips, losses, or restorations when inspected under UV light. Slight undulation to the sheet. The artwork is floated in frame. Light wear to the frame; framed under plexiglass; not inspected out of frame.
Lot 411
Malcolm Haynie Myers (American, 1917-2002). Intaglio print titled "The Journey" depicting a knight on a horse, 1956. Pencil signed and dated along the lower right; numbered 20/30 along the lower center; titled along the lower left.Sight; height: 20 in x width: 24 1/2 in. Framed; height: 29 in x width: 33 3/4 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. Due to the original color of the sheet, it is difficult to discern whether the paper is toned or not. Along the margins, there are a few scattered light brown marks; please see the listing image. Along the lower margin, there is soiling. The surface appears to be stable. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 328
Group of two silver gelatin print photographs by Gary L. Hamilton and JoAnn Verburg:Gary L. Hamilton (American, b. 1940). Silver gelatin print titled "Leah Glaspoole (On the Shore of the Mississippi River, Wabasha, MN." depicting a woman stretching along the Mississippi River's banks, 1988. Pencil signed, dated, and titled along the verso.JoAnn Verburg (American, 1950). Silver gelatin print titled "Untitled (Pat and Ed. No. 2)" depicting ; "Untitled (Pat and Ed No. 2)" depicting to figures in water, 1982.Hamilton; Height: 19 1/2 in x width: 23 1/4 in. Verburg; height: 24 in x width: 34 1/4 in.Condition: The emulsion of each photo appears smooth. Both are free from tears, losses, or restorations.There is a slight undulation to the Hallman photograph. It lifts slightly along either edge. There is a small crease about 1.5" above the figure's raised foot. Light wear along the edges; there is a crease along the upper right edge; the lower left and right corners have small creases.The Verburg photograph has small creases throughout: the most notable being about 3 inches to the right of the left figure's face and about 2 inches above the right figure's shoulder. There is a very slight undulation to the sheet. The edges lift slightly. There is a minute pinhole along the upper right corner.
Lot 327
Paul Lundquist (American, 20th/21st c.) Giclee print, possibly titled "35W Bridge Collapse, 40 Minutes After," depicting the catastrophic failure of the I-35W Mississippi River bridge collapse taken 40 minutes after the collapse on August 1, 2007. Pen signed along the lower right.Provenance: Sold by the artist at the Minnesota State Fair, 2010; Private Minnesota Collection.Sight; height: 14 3/4 in x width: 44 in. Framed; height: 20 1/4 in x width: 48 1/4 in.Condition: No visible sign of restoration under UV light; no visible tears, creases, or losses. The color is bold and bright; the emulsion appears to be smooth and great. There is a very light surface stretch to the center of the sky at a critical angle under racking light. Framed under plexiglass; not inspected out of frame.
Lot 516
Caroline Kent (American, b. 1975.) Silkscreen on paper print titled "Players, Shadows, Figments and Forms" depicting a colorful abstract scene, 2018. Pencil signed along the lower right; numbered 8/40 along the lower left.Sight; height: 31 1/2 in x width: 23 in. Framed; height: 40 1/2 in x width: 32 1/4 in.Condition: No visible tears, creases, or losses. The surface appears to be stable, and the color is bold and bright. No visible sign of restoration under UV light. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 480
Samuel Chatwood Burton (American, 1881-1947). Group of three etchings on paper including:One print titled "Cliff Dwellers, Cuenca, Spain" depicting a cluster of cliffside houses. Pencil signed along the lower right; titled along the lower center.One print titled "Sunlight & Shadow, Morocco" depicting a hooded figure walking through pointed archways. Pencil signed along the lower right; numbered 2/25 along the lower left; titled along the lower center.One print titled "Pine Cones - Taylor's Falls Minn." depicting towering pine trees. Pencil signed along the lower right; titled along the lower right below the signature; signed in plate along the lower center of the image.Height ranges from 11 1/4 in to 13 in; width ranges from 8 1/4 in to 10 in.Condition: Taylor's Falls: There are no rips, tears, or restorations. the sheet is toned unevenly, likely from display. There is a network of minute spots of accretions along the upper left. There a few minute spots of singular accretions throughout the work. There are four thin pieces of brown tape that affix the print to the matboard - two along the front and two along the back - along the upper right and left edge.Sunlight & Shadow: There are no rips, tears, or restorations. There are areas of light wear throughout, particularly along the edges. Some wear to the deckled edges. The sheet is toned. There is soiling to the lower left and right corners.Cliff: There are no rips, tears, or restorations. The sheet is toned. Light soiling to the verso; there is one spot along the center of the back of the print. There are four thin pieces of brown tape that affix the print to the matboard - two along the front and two along the back - along the upper right and left edge.
Lot 485
David Rathman (American, b. 1958). Etching and aquatint on paper titled "I Forgot It Was Sunday." Pencil signed and dated 2002 along the bottom edge. Editioned 14/18 along the bottom right edge. Titled along the top edge of the print. From a suite of five prints.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 17 in x width: 15 in. Framed; height: 21 1/2 in x width: 19 in.Condition: No visible creases, tears, or losses. No visible sign of restoration under UV light. The sheet has light undulation and is floating on the frame. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Lot 277
Silver gelatin photographic print depicting the 48th Minnesota legislative session. Signed along the verso by Representative Carl J. Eastvold Jr. Depicting the House of Representatives standing and seated on the steps of the state capitol in St. Paul, Minnesota. The photograph captured on January 4, 1933.Height: 7 in x width: 14 1/4 in.Condition: There is an undulation to the sheet; the right and left sides curl inwards slightly. Wear along the edges. There are several small tears and minute losses along the edges. There are small creases throughout.
Lot 6
Pokémon TCG - Base Set - Team Rocket Collection. This lot contains a collection of original Wizards of the Coast era Pokémon cards from the first 4 sets. Containing over 260 cards this collection includes partially complete Base Set, Jungle and Fossil all organised in the way of the Pokedex. This collection contains over 60 holographic cards and barring a few cards across each set contains close to full sets of the first four expansion. This lot also contains a number of Black Star Promos such as Ancient Mew, Pikachu 27, Mewtwo 14 and many others. This collection contains a number of 1st Edition Cards and 4th light/print cards. All cards are neatly stored in the original Wizards ring binder. Condition Report: With over 260 cards in this collection the majority of cards are in Excellent condition. The condition of the Base Set Charizard is Poor The condition of the Base Set Blastoise is Played The Fossil Draginite is in Good condition The Fossil Gengar is in Excellent condition The Team Rocket holo Dark Charizard is in Excellent condition
Lot 2
Pokémon TCG - Base Set Complete Set 102/102 This lot contains a complete Base Set, the first Pokémon TCG set released in 1999. The set is neatly organised in an official 4-page binder and in Near Mint condition. The majority of this set is made up of 4th print cards (every common, uncommon and rare has the 1999-2000 date).
Lot 7
Pokémon TCG - Vintage Collection 1300 Cards This lot contains two massive custom made ring binders each containing 600+ cards from the Base to Neo era of the game. Containing over 35 holos, including the Base Set Charizard and over 75 non-holo rare cards, including a Dark Charizard this is a massive collection that spans the early years of the Pokemon TCG. This collection features 1st edition, 4th print and unlimited cards Condition Report: This is a massive childhood collection that features near mint to poor condition cards.
Lot 80A
Yu-Gi-Oh! TCG - LOB - DB1 Collection This lot contains a collection of cards from the early era of the game. Some highlights include a 1st edition Sacred Phoenix of nephthys, DB! exodia the forbidden one, SDY Dark Magician (American print) and a large selection of Dark Beginnings 1 rares. The cards are all stored in an original wizards of the coast Pokémon box. Condition Report: The cards range from near mint to good condition.
Lot 143
Michael Canney (1923-1999)Blasted Oak, Shoreham, 19472/25, signed, dated, and numbered in pencil (in the margin)etching23 x 20cm. Provenance:The collection of Paul Whitfield (1942–2018)Paul Whitfield’s distinguished auctioneering career began in the furniture department at Christie’s in 1965 rising quickly through the ranks to become managing director at King Street by 1969. Later, he was instrumental in the setting up of Christie’s South Kensington. He was the son of the poet and writer Christopher Whitfield, an early friend of Michael Cardew in the 1920s, and a supporter of Frederick Landseer Griggs.After Christie’s, he worked in roles at Bonhams, Sotheby’s, and finally Phillips. Passionate about his craft, he had a deep knowledge of many areas, including bronzes, furniture, ceramics, and modern British painting. This passion was reflected in his own collection, avidly compiled over his lifetime and housed at his Cotswold home outside Chipping Campden.In retirement, he provided invaluable support to the north Cotswolds’ museums, as a trustee of the Guild of Handicraft Trust and the Court Barn Museum, as well as loaning works of art to the Winchcombe archive collection.Faint scratch to the the left margin and to the bottom right margin. Print area looks in good condition. Framed and glazed.
Lot 3
Prunella Clough (1919-1999)Wall and Scrap, 196219/50, signed and numbered in pencil (lower right)lithograph58 x 51cm. Provenance:Curwen & New Academy Gallery, London;The collection of Margaret Bailey.minor creases visible to the margins. Print area looks good with no damage and bright colours. Well framed and glazed.
Lot 80
Claude Flight (1881-1955)Abstract Dancing6/50, signed and numbered in pencil (lower left)linocut29 x 24cm. Provenance:Michael Parkin Gallery, London;The collection of Margaret Bailey.Yellow sections not as clear as in other strikes of this print; not sure if this is how it was printed or if the yellow sections are faded. Paper appears good and other colours in the print seem bright. Well framed and glazed.
Lot 24
Norman Ackroyd (b.1938)Sound of Sleet, 1987artist's proof, signed, titled, and dated in pencil (in the margin)etching31 x 30cm. Provenance:The collection of Margaret Bailey.Unframed, in original folio paper slip. condition looks very good and the print area is very clear. Some very small black dots appear in the bottom margin.
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314783 item(s)/page