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Lot 375

LANDSCAPE PRINT, ALONG WITH A CANDLE HOLDER AND A PORTRAIT the portrait in a gilt frame, oil on canvasportrait 54cm x 44cm

Lot 791

PAIR OF VICTORIAN CHROMOLITHOGRAPHS, ALONG WITH A VICTORIAN PRINT OF CUP TOSSING, after N.J. Crowley, engraved by C.W. Sharpe, all framed and under glass

Lot 168

* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008), SUILVEN AND LOCHINVER limited edition print on paper, signed, titled and numbered 184/500mounted, framed and under glassoverall size 50cm x 52cm

Lot 342

MARITIME PRINT, framedoverall size 48cm x 52cm

Lot 3

Sir Henry Raeburn R.A. (British, 1756-1823)Portrait of Alexander, Lord Abercromby of Tullybody (1745-1795) oil on canvas 67 x 44cm (26 3/8 x 17 5/16in).Footnotes:ProvenanceAnon. sale, Sotheby's, London, 6 April 1993, lot 45.Anon. sale, Sotheby's, London, 12 July 1995, lot 41.Private collection, UK (acquired at the above sale).The sitter was the son of George Abercromby of Tullybody, Clackmannanshire, and brother of General Sir Ralph Abercromby. After studying in Edinburgh, in 1766, he was admitted as a member of the Faculty of Advocates. In 1783, Abercromby was one of the founders of the Royal Society of Edinburgh. He found favour with Henry Dundas, then Lord Advocate of Scotland, and built up a considerable practice, and in 1792 took his seat on the bench of the court of Session. Shortly afterwards he was appointed one of the Lords of Commissions of Justiciary. He assisted Henry Mackenzie in setting up the Mirror, published Edinburgh 1779, and contributed to both this and the Lounger.A mezzotint engraving of this subject, published 1800, is in the collection of the National Portrait Gallery (NPG D7130), however this print provides a less cropped view of the sitter.For further information on this lot please visit Bonhams.com

Lot 192

A GIANNI VERSACE SILK SCARF, equine print, 34 x 34"

Lot 1292

JAMES BATEMAN (BRITISH, 1893-1959)A Westmorland Farm signed, dated and titled in pencil 'J Bateman 1929' (in lower margin) woodcut print 13.5 x 16.7cm ARR (unframed) Provenance Private collection, UK

Lot 1297

LAURENCE STEPHEN LOWRY (BRITISH, 1887-1976)Sailing Boats signed in pencil 'L. S. Lowry' with Fine Art Trade Guild blind stamp (in lower margin), no. 807/850 print in colours 29 x 34cm ARR The present work is being sold to benefit Sussex EmmausCondition reportThe sheet is sound with strong colour throughout; framed and under glass, unexamined out of frame.  Stamped '851' (lower right margin) according to the Fine Art Trade Guild it was common practise to print extra copies, particularly if a copy was spoiled in the printing or stamping process.

Lot 1477

FABIAN PEREZ (ARGENTINIAN, B. 1967)Tango signed 'f perez' (lower right) and numbered '76/195' (lower left) print in colours 56 x 75cm Provenance DeMontfort Fine Art; Forest Gallery, Guildford; Private collection, UKCondition reportAppears in generally good condition.Frame has a few light knocks and scratches.

Lot 1478

FABIAN PEREZ (ARGENTINIAN, B. 1967)For a Better Life signed 'F Perez' (lower right) and numbered '51/75' (lower left) giclée print on canvas 91 x 121cm (unframed) Provenance Sargent's Fine Art; Private collection, UK

Lot 1488

KEN KIFF (BRITISH, 1935-2001)Dawn Chorus signed, titled and numbered in pencil 'Ken Kiff 22/35' (in lower margin) woodcut print image size 16.5 x 58.5cm ARR Provenance Marlborough Graphics Ltd, Dover Street, London; Private collection, UK

Lot 123

Three bolts of late 20th Century home upholstery fabric to include pink velour, maroon chenille and a cream ground with butterfly print. Location:GIf there is no condition report shown, please request

Lot 386

William Russell flint - Under the Palace, print signed in pencil 44cm x 60cmLocationIf there is no condition report shown, please request one

Lot 128

Mixed fabrics to include a bolt of green furnishing fabric having a swirl design and backed in a lightweight grey canvas 140cm width, various remnants to include a floral chintz and 148cm width x 7meters long by repute of a red Jacquard print together with 5metres by repute of green braidLocation:If there is no condition report shown, please request

Lot 212

An 18th century Robert Mordan map of Shropshire and a Handley Page ' Victor' KMK2 of No 55 Squadron Royal Air Force print (the planes were later used as refuelling planes at the Falklands)Location:If there is no condition report shown, please request

Lot 257

Pictures to include a Peter Scott print, a watercolour street scene, and others Location:If there is no condition report shown, please request

Lot 302

Robert Taylor -Dambusters - The Impossible Mission, the collectors edition, a limited edition print No 292/400, signed by the artist, along with signatures of the Dambusters veterans in pencil to lower margin including Les Munro, Grant S McDonald, Beck Parsons, Kenneth luces, George L Johnson and Raymond Grayston, with military certificate of authenticity, 44 x 82cms, mounted in a glazed frameLocation:If there is no condition report shown, please request

Lot 43

A late 19th Century Kalamkari South East Indian block print panel/prayer mat in printed and dyed cotton, the central mihrab filled with floral botehs on crimson ground, surrounded by multiple scrolling floral borders and registers, lined 138 x 92cm. Location:If there is no condition report shown, please request

Lot 122

A quantity of 1960's/70's ladies clothing to include a Ann Reeves & Co pink floral Summer dress 32" chest, a full length grey glitter evening gown 36" chest, a Bill Gibb woollen jacket UK 10/12, a Berry Sherrard 2-piece formal linen outfit 34" chest having an animal print over coat and belt and a 1960's Petite Francais turquoise dress with beaded neckline UK12.Location:RailCondition: Berry Sherrard dress and overcoat have slight underarm and neckline stains, Wallis dress has underarm tear

Lot 138

Vintage fabric remnants to include 1970's large floral print remnants together with vintage tablecloths, tea towels and rabbit fur cushion covers together with 2 tins of 1930's-1970's buttons, a wooden concertina sewing box A/F and contents and a quantity of cotton reelsLocation:If there is no condition report shown, please request

Lot 294

Vinyl Records – 7” Singles and 10” LP’s – 7” singles including Slim Whitman – The Singing Hills – 45-HL8091; Slim Whitman – Ride Away / Beautiful Dreamer, gold print – 45-HL8080; Johnny Bragg – They're Talking About Me, orange vinyl – HEAT 2; Slim Whitman – Tumbling Tumbleweeds – 45-HL-U.8230; Emile Ford – Hold Me, Thrill Me, Kiss Me – 7N.35116; Stu Stevens – Dream It Back / Cherokee Mountain – Ash 021; Stu Stevens – “Sad Old Spanish Guitar” – YB 0084; Dave Barry – Speak Softly Love – JHEPS.217; Alan Tweedie – Medley-Star Trek – DOG 16, with signed photograph; Slim Whitman – Cara Mia – UP 36110; Buddy Ebsen – Ballad Of Jed Clampett – MGM 1233; Slim Whitman – Slim Whitman Sings, No.2 – RE-P 1258; Slim Whitman – Serenade – 45-HL-U8287; The Ryman Country Band – Bandy The Rodeo Clown – LK/EP6436; Hoyt Axton – There Stands The Glass – Jeremiah 1015; Ral Donner – Don't Let It Slip Away, green vinyl – HEAT 3; T. Rex – Get It On; Various – Country Guitar; other artists including The Bee Gees, Jona Lewie, The Who, Toto Coelo, Red Lipstique, T-Rex, Shakin’ Stevens, Rod Stewart, Cliff Richard, The Look, David Essex, Ricky Nelson, Sammy Davis Jr., The Ink Spots, Little Eva, The Platters, Billy Fury, Buddy Holly, Billy J Kramer, Elvis Presley, The Beatles, Freddie and the Dreamers, Roy Orbison, Eddy Arnold, Hank Snow, Frank Ifield, Emile Ford, Billy Fury, etc; 10” LP’s including Howard Keel, Ann Blyth, Fernando Lamas, Marjorie Main, Bert Lahr – Rose Marie – MGM-D-128; Bing Crosby – When Irish Eyes Are Smiling – LA 8606; Kenneth McKellar – My Song – ABL501; etc (quantity)

Lot 241

A 19th century brass Indian elephant, 17cm high; another similar, smaller; three brass Indian claw elephant bells, chased with florals; a group of three Indian litho print manuscript pages (8)

Lot 57

Print, after Boris O'Klien

Lot 255

Norman Wade, limited edition 41/60 print, 'York Minster' signed and dated **71, 41 x 62cm

Lot 257

Bernard Buffet, print on board, 'View of Sacre-Coeur Cathedral', 45 x 60cm

Lot 254

Sir Charles Holroyd (1861-1917), engraving, 'Fishing boats at the harbour side', 25 x 29cm and print by James Priddy, 'Midsummer Morning' and another Geoffrey S. Garnier, 'The Old Harbour Newlyn'

Lot 669

A framed 1960's print Blue Monday by Tretchikoff, 29 x 38cm.

Lot 668

A framed 1960's print Self Portrait by Tretchikoff, 30 x 37cm.

Lot 670

A framed 1960's print Ballerina by Tretchikoff, 35 x 42cm.

Lot 667

A framed 1960's print Mother and child by Tretchikoff, 26 x 33cm.

Lot 205

A 19thC framed coloured print of Lord Nelson in original bronzed hammered tin frame, frame size. 16 x 19cm.

Lot 666

A framed 1960's print Melon time by Tretchikoff, 51 by 29cm.

Lot 328

A 19thC gilt framed Baxter print of the Holy family. With a framed needle point and pencil sketch, largest 29 x 34cm.

Lot 348

A gilt framed 19thC lithograph of the British Royal family with a guide to their titles, frame size 39 x 49cm. Together with a framed print of Napolean with the French army.

Lot 156

A framed contemporary print, frame size 55 x 55cm.

Lot 542

Tsukioka Yoshitosh (1839 - 1892)A Japanese wood block print, Oban, dated 1886, from the series Yoshitoshi musha burui, depicting Akushichibyoe Kagekiyo (right) battling Mionoya Shiro Kunitoshi on the shore of Yashima, 32 x 22cm, measured to the printed area.

Lot 539

Toshi Yoshida (1911-1995) Morning in Spring, 1951Woodblock print, signed with a seal of the artist, framed and glazed, 37 x 24.5cm, printed area only.Condition Report: Generally good condition.

Lot 366

Wu Guanzhong (1919 - 2010)'Parrots (II)', dated 1990Artist-signed collotype print on rice paper, signed Wu Guanzhong in Chinese and dated; edition no.108/300, stamped with the artist's seal (lower right); inscribed in Chinese and stamped with the artist's seal (upper left), 67.3 x 67.3 cm.吳冠中鸚鵡(二)藝術家親簽版畫紙本款識:吳冠中 108/300 藝術家鈐印(右下)鸚鵡前頭人語喧 誰人不敢言 藝術家鈐印(左上)一九九〇年作版數 108/300

Lot 378

A group of auction catalogues of Chinese snuff bottles, Chinese paintings, and Japanese art salesSnuff bottles, 1965-1997, paintings, 1977-2015, Japanese art, 1969-2023Comprising: on snuff bottles, Sotheby's catalogues, mostly London, eight from 1965-1981 and twenty from 1985-1997; seven Christie's London catalogues, 1977-1987; and a 1996 Paris auction catalogue; on paintings, twenty-seven Christie's catalogues, various locations, 1984-2015; seventeen Sotheby's catalogues, various locations, 1985-2013; thirteen Martyn Gregory's catalogues, 1977-1991; three Maggs Bros catalogues, only one on Asian art, 2002-2006; two Chinese language catalogues and one high-quality photographic print mounted on silk paper of 'Ten thousand miles of the Chang Jiang'; on Japanese art, seven Sotheby's catalogues, of which one on Korean art, various locations, 1969-2019; nine Christie's catalogues, various locations, 1975-2016; three Woolley & Wallis catalogues, 2020-2023; and three dealers catalogues (non-consecutive runs, duplicates, qty) [sold lot subject to no return].中國鼻煙壺、繪畫及日本藝術品拍賣圖錄(此組拍品售出後不得退還)

Lot 543

Toyohara Chikanobu (1838 – 1912)A Japanese woodblock print, oban triptyque, depicting Nitta Yoshisada at the Castle of Minato-Gawa, dated 1910, signed and sealed, framed and glazed, 69.5 x 39cm.

Lot 544

A Japanese wood block print of an official20th centuryDepicting an the official seated on a throne wearing grey robe, signed by the artist with a seal, 35 x 19.5cm, framed and glazed.

Lot 538

Uehara Konen (1878-1940)MoonriseA Japanese wood block print depicting a scene of moon rising above trees and watery landscape, with a seal of the artist, 37 x 16cm.Condition Report: The top of the print is glued onto the mount, minor creasing.

Lot 541

Tamamura Shimohiro (1878–1926)A single Japanese print, woodblock printed with metallic pigments on paper, from the album Shiki Nishiki (Brocade of the Four Seasons), a textile pattern design book, reviewed by Kamisaka Sekka, framed and glazed, 31 x 23cm, measured to mount.cf. to view the complete album, please refer to Museum of Fine Art Boston, accession no.2009.4963Condition Report: Good condition, general surface wear to frame. Please not this lot has not been examined out of the frame.

Lot 536

Iwao Akiyama (1921 - 2014)A woodcut print of a lady, signed 1986, edition no. 2/200, signed in pencil to the bottom right corner with a red seal, 59.5 x 43.5cm, measured to mount.Condition Report: Creasing and minor foxing to the print, a crack in the glass. Please note this lot has not been examined out of the frame.

Lot 99

A fishing scene in Brittany, a print by Richard Wintz, framed and glazed. 50cm x 93cm.

Lot 330

Jonson (Ben). [The Workes, 2 parts only, London: Richard Bishop, 1640], comprising Volpone, or The Fox. A Comedy, and The Alchemist. A Comedy, both disbound folio, loosely contained in modern sprung binder, together with:Frend (William). Evening Amusements; or, The Beauty of the Heavens Displayed. In which several striking appearances, to be observed on various evenings in the heavens, during the year 1805, are described; and several means are pointed out, by which the time of young persons may be innocently, agreeably, and profitably employed within doors, London: Printed for J. Mawman in the Poultry, 1805, six engraved plates of celestial bodies, single publisher's advertisement leaf at end, occasional light spotting, untrimmed, original boards, worn, 12mo,Aesop. Fables of Esop and others: Translated into English, with instructive applications; and a print before each fable, by Samuel Croxall, D.D., Late Archdeacon of Hereford, Derby: Henry Mozley, 1819, wood engraved frontispiece with early signature George Walmsley to verso (with some show-through), wood engraved vignette to title, numerous woodcut illustrations, light dust-soiling and few marks, endpapers renewed, top edge gilt, contemporary sheep, rebacked, 12mo,Knight (T. A.). A Treatise on the Culture of the Apple & Pear, and on the Manufacture of Cider & Perry, 2nd edition, enlarged, Ludlow, H. Procter, 1801, ink stamp at foot of title and manuscript number to verso (repair to gutter), library ticket and stamps to front endpaper, modern cloth, 12mo, plus other miscellaneous antiquarian etc. including A Short Introduction to the Latin Grammar, for the use of the Lower Forms, in Westminster School, London: W. Ginger, 1810; A Dialogue on the Distinct Characters of the Picturesque and the Beautiful..., with Remarks on the ideas of Sir Joshua Reynolds & Mr Burke..., by Uvedale Price, Hereford: J. Robson, 1801 (with few library stamps); Practical Measuring made easy to the meanest capacity by a new set of tables..., by E. Hoppus, 10th edition, London: J. F. and C. Rivington [et al.], 1777 and The Farmer's Tour through the East of England, volumes 2-4 only, 1771, etc.QTY: (approx. 45)

Lot 208

* Gillray (James). Doublures of Characters; - or - Striking Resemblances in Phisiognomy. "If you would know Men's Hearts, look in their Faces" J. Wright, Nov. 1st 1798, for the Anti Jacobin Review, uncoloured etched caricature, 255 x 355 mm, mounted, framed and glazedQTY: (1)NOTE:BM Satires 9261. In 1798 the Anti-Jacobean Review published the explicit Doublures of Characters; - or - striking Resemblances in Physiognomy. This print played on the recent success of the English translation of J.K Lavater's Essay on Physiognomy which offered rules interpreting facial features. Gillray ironically unveiled the 'true' faces of the opposition party by linking their caricatures to their various weaknesses for drink, gambling or debt.

Lot 248

Book of Hours. Illuminated manuscript on vellum, Northern France or Flanders, circa 1500, 160 leaves (from folio 117 added later in the 16th-century), single column, 17 lines of lettre batârde, capitals touched in yellow and red rubrics, 1-line initials in blue with red penwork or liquid gold with black penwork, 2-line initials in liquid gold on blue and burgundy heightened with white penwork, larger initials in blue or pink with scalloping white penwork enclosing foliage and on burnished gold grounds, gold and coloured bar border along outer margin and decorated foliage borders at head and foot, 5 full-page arch-topped miniatures with full borders of sprays of coloured acanthus leaves and other foliage, hand-coloured helmet with surmounted dragon to verso of front free endpaper, coloured print of St. Anne and the Virgin by Theodorus van Merlen (1609-1672) of Antwerp to front pastedown, rear pastedown with indistinct notations in black ink, mid-17th-century French or Flemish polished full calf gilt, original brass clasps intact, top edge of covers neatly refurbished, rubbed, small 8vo (leaf size 14.5 x 10 cm)QTY: (1)NOTE:Content: a Calendar (fol. 1r); an added gathering of prayers from the later sixteenth century (fol. 13r); the Gospel Readings (fol. 17r); the Hours of the Cross (fol. 22r); the Hours of the Holy Spirit (fol. 24r); the Hours of the Virgin, with Matins (fol. 29r), Lauds (fol. 37r), Prime (fol. 45v), Terce (fol. 49v), Sext (fol. 54r), None (fol. 56r), Vespers (fol. 59r), and Compline (fol. 64r); the Seven Penitential Psalms (fol. 69r), followed by a Litany; the Office of the Dead (fol. 83r); the Obsecro te (fol. 105r), and O Intemerata (fol. 108r); to this has been added a large collection of prayers in the sixteenth century, including prayers to various saints, an appeal for indulgence claiming to be taken down from the wall of a church dedicated to St. John in the Lateran in Rome, the ‘Verses of St. Bernard’.Illumination: The large miniatures comprise of the Crucifixion with a bird and a human-headed snail emerging from a shell in border; Pentecost, with a bird perched on a snail shell in border; the Annunciation to the Virgin, with foliage set on dull-gold fleur-de-lys in borders; King David kneeling in a grassy landscape before a river and a medieval walled town, gazing up at God who appears in the heavens; the raising of Lazarus, with Christ gesturing as Lazarus steps up out of his grave, dressed in a shroud, with two birds and a drollery creature in border.

Lot 367

Ottley (William Young). St Christopher, circa 1816, hand-coloured woodcut on laid paper, with caption at foot 'Christofori faciem die quacumque tueris. Illa nempe die morte mala non morieris. Millesimo CCCC.o xx.o tercio (translates to 'On any day when you look upon the face of Christopher, on that day you will not die an evil death. 1423'), central horizontal fold, slight spotting, sheet size 28.6 x 20.6 cmQTY: (1)NOTE:This woodcut is understood to be "The earliest [woodcut] print, bearing a date..." (Ottley, op. cit., pp. 89-91).

Lot 295

Chaucer (Geoffrey). The Workes of our Antient and Learned English Poet, Geffrey Chaucer, newly printed. In this impression you shall find these additions: 1 His portraiture and progenie shewed. 2 His life collected. 3 Arguments to euery booke gathered. 4 Old and obscure words explaned. 5 Authors by him cited, declared. 6 Difficulties opened. 7 Two bookes of his neuer before printed, 1st Speght edition, London: Adam Islip, at the charges of Bonham Norton, 1598, black letter text in double column, engraved portrait of the author by John Speed (torn with losses) title within elaborate woodcut architectural border (some light dust-soiling and margins a little frayed), 3 other divisional titles with woodcut borders, woodcut initials, head- and tail-pieces, occasional small marginal worming obscuring a few letters of catchwords, occasional light toning and small damp stains, later calf, rebacked, some wear to corners, folio, 31 x 21 cmQTY: (1)NOTE:Pforzheimer 177 (different imprint); STC (2nd ed.) 5078; Grolier 43 English.'From the form of imprints it would seem that Bishop, Norton, and Wight commissioned Islip to print this edition, and judging from the frequency with which copies with their imprints occur it is probable that Bishop took the largest share and Norton the next' (Pforzheimer).First edition of Thomas Speght’s definitive edition of the complete works of Chaucer and the first to contain an engraved portrait of the author. this copy the Islip and Norton issue. Speght, a somewhat obscure schoolmaster, was assisted in its production by the chronicler John Stow, Francis Thynne, Francis Beaumont (father of the dramatist of the same name), and Robert Glover.

Lot 337

Donne (John). Poems, by J. D. with Elegies on the authors death. To which is added divers Copies under his own hand never before in Print, London: Printed by J. Flesher, and are to be sold by John Sweeting at the Angel in Popeshead-Alley, 1654, [8],392,[24]pp. (A4, B-Z8, Aa8, aa8, bb4, Bb-Cc8), lacking nine leaves (I5, N5-6, R5-6, X5-6, and Bb5-6), lacks engraved portrait frontispiece by William Marshall, title with early ownership signature at head 'Guil: Lake', additional ink ownership signature of Edmund Gosse to verso of front pastedown, and bookplate of Edmund Gosse to rear endpaper, additional copy of the final leaf of preface (A4) with a different typographic setting loosely inserted at end, contemporary sheep, somewhat worn to spine and outer corners, with loss to lower portion of spine, small 8vo, together with:Cleveland (John). J. Cleaveland Revived: Poems Orations, Epistles, and other of his Genuine and Incomprabable Pieces, never before publisht. With some other Exquisite Remains of the most eminent Wits of both the Universities that were his Contemporaries, 1st edition, London: printed for Nathaniel [Brook, at the Angel in Corn-hill, 1659], [16],127,[9]pp., lacking engraved portrait frontispiece, title with early ownership inscription 'Isaac Howard his book' and with lower outer corner missing (affecting part of the imprint), toning and dust-soiling throughout, browning to margins of initial leaves, contemporary sheep, upper board detached, lacking spine and lower board, worn, small 8vo,Butler (Samuel). Hudibras. The First Part [& The Second Part], 1st authorized edition, London: Printed by J. G. for Richard Marriot, under St. Dunstans Church in Fleet-street, 1663-64, two parts in one, some light damp-staining, 20th-century blind-panelled and decorated calf, rubbed and some marks, 8voQTY: (3)NOTE:Donne: Wing D1870; ESTC R5320; Keynes 83.Cleveland: Wing C4674; ESTC R23713Butler: Wing B6300 & B6309.

Lot 131

WW 2 Print titled IN THE PRESENCE OF MY ENEMY - FRAMED COLLECTOR'S PIECE by John D Limited 218/300. Shaw. Multi signed by the artist John D Shaw and veterans, Oberleutnant Franz Stigler and Charles L Brown. Framed print measures 38 inch by 36 inch appx. Good condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 364

Gathering of Eagles Aces High Edition WWII multi signed 31x25 mounted and framed print 5, signatures include artist Robert Taylor , Hugo Broch, Eric Carter, Ian Blair, Ken Cockram, Karl Fritz Schlossstein. Rare print we think only 35 issued. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 34

WW2 Colour Print Titled Ram raiders by Robert Tomlin. Measures 17x13 inches appx. Very Good Condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 33

WW2 Colour Print Titled Circuits and Bumps by John Young. Limited 295 of 600 Chelsea Green Editions. Comes in Cardboard Frame in original cellophane. Measures 33x27 inches appx. Very Good Condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 52

WW2 Colour Print Titled Train Busters by Nicolas Trudgian. Limited 13 of 800. Signed in Pencil by Nicolas Trudgian the Artist and Flight Lieutenant Charles A. Krause. Measures 17x14 inches appx. Very Good Condition. Est £. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 31

WW2 multi signed veterans print titled NO TURNING BACK by Robert Taylor Mounted and Framed Limited 144/200 signatures include Artist Robert Taylor, Bill Reid VCFlight Sergeant STAN BRADFORD, Group Captain WILLIAM FARQUHARSON, Flight Lieutenant BOB KNIGHTS, Group Captain DUDLEY BURNSIDE, Squadron Leader LAWRENCE CURTIS, Flight Lieutenant DOUGLAS NEWHAM, Flight Lieutenant DENNIS WOOLLEY, Flight Lieutenant KENNETH WOLSTENHOLM. Measures 37 inch by 30 inch appx. Good Condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 437

WWII Double Signed Simon Smith Colour Print Titled The Shining Sword 53 of 850 Signed by The Artist, William (Bill) Reid, VC, Measures Approx 17 x 24. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 358

Robert Taylor signed American Bomber print. Mounted and framed. Approx overall size 16x12inch. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 396

WW2 Print by artist Robert Taylor Limited. Picturing WW2 plane flying over a field, USAF wings inserted. Framed print measures 24 inch by 19 inch appx. Good condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

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