HERMES VINTAGE DUSTY PINK SILK SUIT, two piece jacket and trouser set, jacket with two front pockets, notched lapels with iconic Hermes equestrian style print also featured in lining, jacket belt, tapered trousers, two front zips, leather tabs, belt loops, concealed side zip and button fastening, size 40 (UK size 12, small/medium), (good condition).
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HERMES AND VERSACE SILK SCARVES, two in the lot, Versace square scarf, ornate print of gold interlocking patterns, classical pattern, trademark Versace look, deep purple and gold tones, 'Atelier Versace', rolled edges, 85 X 85, Hermes, small scarf, hanky/pocket size, square shape, equestrian themed, interlocking chains, buckles, navy, gold, dusty white and red tones, 'L'Instrvction Dvroy' by 'Antoine de Plvvinel', rolled edges, both 100% silk, (great condition).
FIVE NICOLE DE BEAUVON, PARIS, SCARVES, five in the lot, one navy, pearl and brown tones with equestrian themed print, 84 X 84, one in gold, yellow and brown tones with equestrian themed print, 84 X 84, one in silver, gold and grey tones with a vintage pattern and walking stick feature with various dog heads at top of sticks, 84 X 84, one in baby pink, brown and gold tones with an equestrian themed print, 84 X 84, one in baby blue and gold, with a large gold chain print, 88 X 88, (all in good condition, small signs of use).
Four Signed Limited Edition Coloured Aquatint Landscapes by Michael Fairclough; three 13 ins x 14½ ins (33 cms x 37 cms), one 18 ins x 20 ins (46 cms x 26 cms). And a signed limited edition print of a tree 'Spring Shagbark Hickory' by Tessa Beaver, 26 ins x 21½ ins (66 cms x 54.5 cms). All in glazed silver wood frames.
Original Howard Chapelle Blueprint Original blueprint of the Sloop of War "Chaleur" , taken off at Woolwich in November 1768. This plan was drawn by Howard Chapelle in 1930. The plan shows a profile view, a whole view and stern view along with a scale and dimensions. The print is fitted to a silver painted frame. Howard Irving Chapelle (February 1, 1901 – June 30, 1975) was an American naval architect, and curator of maritime history at the Smithsonian Institution, Washington, D.C. In addition, he authored many
Ship Model of a LCS3 Naval Vessel Detailed model of a LCS 3 Naval vessel. Expertly built to scale and showing great attention to detail with deck fittings, armament and print work, all top notch. Mounted onto a display case. Case dimensions: 24 1/2" x 6 1/2" x 11". Model dimensions 20" x 4" x 9"
Framed Photograph of Ocean Liner Mauretania S.S. Mauretania, the largest vessel in the world, a photograph in frame. Shown at dock in a shipyard. Matted and framed. On Sight: 16" x 22 1/2". Overall Dimensions: 22" x 29". Framed photo print titled: "QTSS Mauritania ' the Largest Vessel in the World' ". Vessel is shown at dock. Possibly in wartime livery. Ex Christie's: March 2000. On sight: 16" x 22". Overall: 22" x 28".
A GROUP OF TWO UKIYO-E PRINTS FROM THE SERIES ONE HUNDRED FAMOUS VIEWS OF EDO, UTAGAWA [ANDO] HIROSHIGE (JAPANESE 1797-1858) 1. The Pine of Success, original 1856, color woodblock print, plate size: 34 x 22.5 cm (13 3/8 x 8 7/8 in.), number 61 from the series “One Hundred Views of Edo”, publisher’s stamp trimmed on the left2. Nihon Embankment, Yoshiwara, original 1857, color woodblock print, plate size: 32.7 x 19.9 cm (12 7/8 x 7 3/4 in.), number 100 from the series “One Hundred Views of Edo”Accompanied by Gian Carlo Calza`s Poem of the Pillow and other stories by Utamo, Hokusai, Kuniyoshi and other artists of the Floating World, (London: Phaidon Press Limited, 2010)PLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Asian and Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 254. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 3:00 PM New York Time and goes from Lot 500 through Lot 676. We sell approximately 70 lots per hour.
A GROUP OF 5 PRINTS BY JACQUES HNIZDOVSKY (UKRAINIAN 1915-1985)Group of Five Prints: Owl, Eve, Endymion, Poplar Trees, Bowl of Cherries, 1. Owl, 1974, woodblock print, #4/120, 23 x 15.2 cm (9 x 6 in.) [sight], signed, titled, dated and numbered lower center2. Eve, 1967, woodblock print, #49/150, 21.5 x 19 cm (8 1/2 x 7 1/2 in.) [sight], signed, titled, dated and numbered lower center3. Endymion, 1964, woodblock print, #25/75, 15.5 x 15.1 cm (6 1/8 x 6 in.) [sight], signed, titled, dated and numbered lower center4. Poplar Trees, 1977, woodblock print, AP 24/30, 67 x 27.5 cm (26 3/8 x 10 3/4 in.) [sight], monogrammed, signed, titled, dated and numbered lower center5. Bowl of Cherries, 1978, color woodblock print, #78/150, 32 x 26.7 cm (12 1/2 x 10 1/2 in.) [sight], monogrammed, signed, titled, dated and numbered lower centerPLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Asian and Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 254. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 3:00 PM New York Time and goes from Lot 500 through Lot 676. We sell approximately 70 lots per hour.
TATIANA [TRET] TRETYAKOVA (RUSSIAN 20TH-21ST C.)Smithereens of Time, digital print and assemblage on aluminum101.7 x 101.7 cm (40 x 40 in.)initialed lower right, signed on versoPLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Asian and Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 254. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 3:00 PM New York Time and goes from Lot 500 through Lot 676. We sell approximately 70 lots per hour.
[ILYA KABAKOV] INSTALLATIONS 1983-2000 CATALOGUE RAISONNE AND A PRINTIlya Kabakov Installations 1983 - 2000. Catalogue Raisonne, (Dusseldorf: Richter Verlag, 2003). 305 x 236 mm. Hard cover. Two volumes in a box set. Edited by Tony Stooss, texts by Oskar Betschmann and Boris Groys. Artist`s gifting inscription on the title page. Sold together with a print Why didn`t you paint my beautiful back?, 20 x 27.8 cm (7 7/8 x 10 7/8 in.), signed and numbered 220/250 lower rightPLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Asian and Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 254. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 3:00 PM New York Time and goes from Lot 500 through Lot 676. We sell approximately 70 lots per hour.
A GROUP OF THREE SHUNGA PRINTS, JAPAN, 19TH CENTURY 1. Attributed to Utagawa Kinisada (Japanese 1786-1865), Couple Engaged in Intimate Acts as the Mans Pour Tea, 1830s, color woodblock print, 9.2 x 12.5 cm (3 5/8 x 4 7/8 in.) 2. Unknown artist, The Intimate Couple, 1840s, color woodblock print, 9.2 x 12.2 cm (3 5/8 x 4 3/4 in.)3. Unknown artist, An Erotic Cleaning, 19th century, color woodblock print, 24 x 36 cm (9 1/2 x 14 1/8 in.) [sight]PLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Asian and Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 254. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 3:00 PM New York Time and goes from Lot 500 through Lot 676. We sell approximately 70 lots per hour.
TWO ANTIQUE PRINTS, JAPAN, 19TH CENTURY 1. Chushingura, Act IV, color woodblock print, 21.2 x 32 cm (8 1/4 x 12 5/8 in.) [sight]2. The Coming of Age Ceremony, color woodblock print, 34 x 22.7 cm (13 3/8 x 9 in.) [sight]PLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Asian and Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 254. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 3:00 PM New York Time and goes from Lot 500 through Lot 676. We sell approximately 70 lots per hour.
A PORCELAIN FIGURE OF A FOX, MEISSEN, PAUL WALTHUR, 20th CENTURYrealisticaly modeled black fox walking across a snowy ovoid base, with impressed paw print on base, underglaze blue crossed swords mark and incised V189 on underside, height: 17 cm. (16 3/4 in.)RELATED LITERATURESee R. Rontgen, The Book of Meissen, Second Edition, 1996, plate 75 for a similar example. PLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Asian and Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 254. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 3:00 PM New York Time and goes from Lot 500 through Lot 676. We sell approximately 70 lots per hour.
LITERATURE: Selection of A.Ls.S. and T.Ls.S (2) by various writers and novelists etc., comprising John Galsworthy (agreeing to make one speech at a minister's luncheon, 1922), Hall Caine (seeking news of his correspondent's safe arrival and discussing plans for forwarding a bag and suitcase to him by ordinary goods train), Hugh Walpole (explaining that he is so very busy that there 'is no chance of my going through the autographs in detail or entering into correspondence'), Arnold Bennett (letter of condolence to Lady Sykes on the death of her father, 'He was a most lovable and charming man. I say nothing of his great public work, which I am quite incompetent to judge. I think of him in his capacity as a private individual. He must surely have endeared himself to everybody he met; and he has gone away too soon', 1923), Kingsley Amis (remarking that some bookplates had fallen into his cornflakes, 1988) and Michael Bond (briefly referring to Paddington's autograph and paw print, 1978). Generally VG, 6
LITERATURE: Small selection of A.Ls.S. and T.Ls.S. by various writers, novelists and poets etc., comprising John Masefield (asking to see a print, 1909), Walter de la Mare (enquiring of his correspondent, Rev. H. C. Muncey, as to 'how precisely the book you suggest I should send will be made use of in helping those who are in need', 1927), J. B. Priestley (stating, in part, 'Before “The Good Companions” I wrote “Farthing Hall” with Hugh Walpole, & before that “Benighted”', 1940), Hilaire Belloc, Oliver Wendell Holmes (attractive partially printed signed card, Boston, December 1881), Paul Gallico (informing his correspondent where he can find a list of books, 1973) and L. P. Hartley (referring to several of his books, including The Go-Between, and remarking 'It is hard to think of new subjects in the present day', 1972). VG to EX, 7
[VICTORIA]: (1819-1901) Queen of the United Kingdom Great Britain & Ireland 1837-1901. Vintage unsigned cabinet photograph by Lafayette of Dublin, the sepia image showing Queen Victoria in a head and shoulders pose with one hand raised to her chin. Photographer's partial imprint and facsimile signature of the Queen to the lower mount (neatly trimmed with large loss of text) and with the stamp of William Luks of London, and with imprint of Lafayette to the verso. About VG William Luks (1840-1911) British Photograph and Fine Art Publisher and Print Dealer.
MANCHESTER UNITED: A colour 11.5 x 15.5 print entitled The Treble by artist Stephen Doig, the composite image issued to commemorate Manchester United's treble winning season of 1998-99, individually signed by fifteen members of the Manchester United squad including David Beckham, Roy Keane, Paul Scholes, Teddy Sheringham, Denis Irwin, Dwight Yorke, Ryan Giggs, Nicky Butt etc. All have signed in bold black inks with their names alone, largely to clear areas of the image. With a small oval authentication sticker neatly affixed at the base of the image. Framed and glazed in a plain black frame to an overall size of 14 x 18. VG
Pair of prints to include one E D YATES framed, glazed, signed, 20th Century, title to print ‘Dove Cottage Grasmere’, depicting a single thatched cottage behind a low stone wall framed by woodland in the background, and one framed, glazed, indistinctly signed, 20th Century, title to print, landscape depicting a large castle sat on a rocky outcrop overlooking the sea and small house and trees below, 17cm x 21cm, 18cm x 20cm (2).
After GEORGE MORLAND (1763-1804) Pair of framed, glazed, 19th Century, engravings, including one portrait of a well dressed woman holding a basket and feeding chickens in a park with title to print ‘Morning employment’, and one portrait of a well dressed woman with her dog watering a bed of flowers with title to print ‘Evening Employment’, 40cm x 31cm (2).
Set of four works to include one GRACE FIELD framed, glazed, signed, dated 1881, watercolour on paper, landscape depicting a still lake surrounded by woodland with a small building nestled in the trees to the left, one framed, glazed, unsigned, 20th Century, watercolour on paper, landscape depicting a fisherman stood on the edge of a river in a wooded glade, one framed, glazed, unsigned, 19th Century, watercolour on paper, landscape depicting a still river winding through a meadow with woodland and mountains to the background, and one framed, glazed, indistinctly signed, numbered, dated 1907, print, landscape depicting snow covered country lane framed by bare trees receding towards two thatched cottages, 15.5cm x 33cm, 16.5cm x 27cm, 15.5cm x 33cm, 21cm x 33cm (4).
Set of three works, to include one PEG FOSTER framed, signed, dated 2002, acrylic on canvas, portrait of an angel in gold robe and hat holding a small globe against a purple background, one PEG FOSTER framed, signed, dated 2007, acrylic on canvas, portrait of the head of a young girl in clowns attire against a blue background, and one framed, glazed, unsigned, 20th Century, print, depicting a row of dancers stretching, 90cm x 49cm, 49cm x 38cm, 28cm x 82cm (3).

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314796 item(s)/page