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Lot 405
FRANCIS PLACE (1647 -1728); "Scarborough with the Castle, Port and Spaw", Watercolour, with dedication to John Boulter of Gawthorpe and with a key to the major buildings and sights. 16" (41cms) x 40" (102cms). N.B. An almost identical print by Johannes Kip is in the Government Art Collection.
Lot 407
JOHN WILSON CARMICHAEL (1799-1868); "The Officers and Seamen of the Fleet on shore at Nargen", Watercolour with figures in the foreground and the fleet in the middle ground, signed and titled twice, dated 1855 (fold lines). 9 1/2" (24cms) x 27" (69cms). N.B. Presumably one of the Crimean War drawings that Carmichael carried out for London Illustrated News. An almost identical print entitled "A Sailor's Pic-nic on the Island of Nargen, Revel in the distance" is in the National Maritime Museum, London.
Lot 763
A late 19th century walnut table top polyphon, with a crank wind movement and two combs, No. 34933, playing 15.5inch disc, the lid inset a photographic print of a chateau and trade label for 'Henry Klein & Co, London, W.' the case with carved decoration, burr walnut veneers and floral marquetry, with forty five discs, 12.25in (31cm) h, 22.25in (56.5cm) w.
Lot 428
Ball Brothers, Depford Pottery, Sunderland, a pink lustre Sunderland bowl, transfer printed in green, with Wear Bridge, verses etc & The flag that braved a thousand years, this print marked "Dixon Phillips & Co Sunderland," late 19th Century (9ins 23cms wide) NB Despite being marked Dixon Phillips, this bowl was made at either Ball Brothers (or possible Scott's) using an older copper plate purchase after Dixon Phillips closed in 1865
Lot 241
George II: 'George II by the Grace of God King of Great Britain, France and Ireland, Defender of the Faith Duke of Brunswick Lunenburg (sic), Elector of Hanover, Arch Treasurer and Prince of the Sacred Roman Empire Ec', printed for & sold by Robert Sayer, Map & Print Seller, Fetter Lane, Fleet Street, price 1s6d, 360x255mm, original frame, circa 1760
Lot 242
Duke Ferdinand of Brunswick: 'Ferdinand Duke of Brunswick Wolsenbuttle, Lieutenant General in Prussian Service, Governor of Magdebourg and Commander in Chief of his Brittanick Majesty's Army upon the Lower Rhine Born 12 January 1721' de Morgens Pinxt, Rich Houston fecit, London, printed for Robert Sawyer, Print & Map Seller opposite Fetter Lane, Fleet Street, 360x255mm, original frame, circa 1760. * Following a brilliant victory at the Battle of Minden in 1759 George II awarded Ferdinand the Order of the Garter and he was accorded the thanks of the British Parliament
Lot 595
WORLD WAR II: A colour 24 x 20 print by artist Robert Taylor entitled Spitfire (1979) depicting two Spitfire aircraft in flight above a coast line. The First Edition print has been signed by both Douglas Bader (1910-1982, British World War II Ace, 22.5 victories, recognised for his important role during the Battle of Britain) and Johnnie Johnson (1915-2001, British RAF Fighter Pilot of World War II) individually. Both have signed their names alone in bold pencil to the lower border beneath the image. Rolled, EX
Lot 596
TUCK ROBERT STANFORD: (1916-1987) British Fighter Pilot of World War II. A colour 24 x 20 print by artist Robert Taylor entitled Hurricane (1979), the First Edition print depicting four of the aircraft in flight, together with a second colour 24 x 20 print by artist Robert Taylor entitled Victory Over Dunkirk (1983) depicting Tuck claiming an ME110, one of three enemy aircraft he shot down over Dunkirk on 23rd May 1940. Both of the prints have been signed by Tuck in bold pencil with his name alone to the lower borders beneath the images. Rolled, EX, 2
Lot 597
WORLD WAR II: A colour 27 x 20.5 print by artist Robert Taylor entitled Memorial Flight (1984) depicting a Spitfire, Hurricane and Lancaster in flight together for the RAF Battle of Britain memorial flight, individually signed by Leonard Cheshire (1917-1992, British RAF Bomber Pilot of World War II, Victoria Cross winner), Johnnie Johnson (1915-2001, British RAF Fighter Pilot of World War II) and Peter Townsend (1914-1995, British RAF pilot who flew in the Battle of Britain). All three have signed with their names alone in bold pencil to the lower border beneath the image. Rolled, EX
Lot 601
FROST JOHN: (1912-1993) British Major General, leader of the small group of airborne forces at the Battle of Arnhem, 1944. A colour 24 x 20 print by artist Alan Fearnley entitled The Bridge at Arnhem (1980) depicting the battle in progress. The First Edition print has been signed by Frost with his name alone in pencil to the lower border beneath the image. Rolled, EX
Lot 603
MARTIN HAROLD: (1918-1988) Australian Air Marshal with the RAF, participated in Operation Chastise, the Dambusters Raid, 1943. A colour 24 x 20 print by artist Robert Taylor entitled The Dambusters depicting Martin piloting his bomber aircraft, having just released the bouncing bomb. Signed ('Mick Martin') in bold pencil with his name alone to the lower border beneath the image. Rolled, VG
Lot 342
ARTISTS: Selection of A.Ls.S. by various Victorian artists and painters, all to the art director at the publishers Cassell, Petter & Galpin, including Luke Fildes (2), Marcus Stone, Edward Poynter, Elizabeth Butler, William Yeames, George Boughton, Erskine Nicol, Frank Holl, Noel Paton, Philip Calderon, William Calder Marshall, Ernest Crofts, George Frederic Watts, Seymour Lucas, George Vicat Cole, John Gilbert etc. Many of the letters refer to specific works and the majority concern photographs and engravings that the publishers were to print. A little duplication. VG, 34
Lot 469
BARNUM P. T.: (1810-1891) American Showman. A.L.S., P. T. Barnum, one page, 8vo, Bridgeport, Connecticut, 1st August 1881, to Frederick Gutekunst, on Barnum's printed stationery featuring a fine head and shoulders portrait of the showman. Barnum announces that he has found the notepaper among his papers although doesn't know who printed it, continuing 'If you print such photographs, or any kind on note paper, at a price that would bring it within a proper limit for use as business notepaper, I would like to know it.' Barnum further remarks 'The last pictures (Phototypes) which you took of me, I carried to England & gave to my English friends who admired them beyond any pictures they ever saw before.' With blank integral leaf. At the head of the page are a few pencil calculations, evidently reflecting the cost of producing different quantities of the notepaper. One very light stain, just affecting a few words of text, although still perfectly legible. VG. Frederick Gutekunst (1832-1917) German-born American Photographer.
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