Bunbury after Tomkins ''The Mouse's Petition'' Coloured engraving, together with a companion print and six further examples to include: Cipriani after Bartolozzi ''Innocence Taught by Love and Friendship'', Tomkins after Bartolozzi (on silk) ''Affection & Innocence'', C Knight after H Bunbury ''Love & Jealousy'' and ''Love and Honour'', another black and white print and a hand coloured lithograph after J F Herring, 35cm by 45.5cm and various other sizes (8)
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Graduated set of three glass measures, two Kodak Thermometers, colour Separation guides, Test Cards, Tray Siphon, Masking Board, Pro-Lux, Transparance Illuminator, measuring cylinders, Developing Tanks, Print Wash Tank, Proofer & Copyboard, etc mostly boxed, Provenance: Property of Gordon Taylor, professional photographer, lecturer in photography at Regent Street Polytechnic, member of BIPP Condition Report Click here for further images, condition, auction times & delivery costs
Durst M70 Photographic 35m & medium format enlarger with Modular 70 Micro Memory with probe, 50mm & 80mm lenses, Variable colour Dark Room light, other accessories including 2 packs of Ilford 30.5x40.6cm Multigrade MF paper, Baeuerle BS 785 automatic timer, Kodak Portra 400 film Patterson micro-focus filter, Photax tray warmer, RRB 16x12 easel, print drying rack, Hammer developing tank for 35mm & medium format film, various developing trays & measuring cylinders, etc Condition Report Click here for further images, condition, auction times & delivery costs
'THE BEATLES' INTERESTa small collection of items including framed and other film cells ('A Hard Day's Night' noted), framed print, postcards, playing cards, CD, and various books - titles include 'The Beatles Illustrated Lyrics', 'The Beatles - then there was music', 'How they became The Beatles' and 'A Photographical Journey of The Fab Four'
An etching titled The Collector of Japanese prints 1/5, signed lower right, 13" x 17", a W.Merz print of a continental mountain and lake scene, an indistinctly signed etching of a male figure in rapture, 14" x 7" plus Janinet after Lavreince 18th Century coloured print L'indescretion, 15" x 11"
HITCHCOCK AND GRANT - Lot to include ltd edition glicee print of Hitchcock in Paris, issue #4 of DeAgostini's Hitchcock - The Ultimate Collection on Video series, a 60x80 North by Northwest poster from the Times' classic poster series, a 29cm by 44cm Vertigo poster from Universal plus 12x related books.
A 19th century portrait miniature of a woman, framed and glazed, 5.7 x 4.3cm, also a contemporary miniature of a man, framed and glazed, coloured engraving of Napoleon arranged as a portrait miniature and further printed examples as well as a Victorian daguerreotype of a gentleman. CONDITION REPORT: There is a hairline crack running down first portrait miniature from top to bottom, second portrait miniature of gentleman displays some damage with areas of loss to the paint and areas of discolouration. Image second from left, bottom row (the man in robes with a hat) is a print.
Quentin Blake (British, b.1932). Limited edition print 'Mr Twit felt that his hairiness made him look terrifically wise and grand', blind stamped 'Official Collector's Edition', and numbered 359/495, 20cm x 23.5cm, and an oil on board after Maurice Sendak from 'Where The Wild Things Are', 21.5cm x 25cm, (2).
Collection of limited edition silk screen prints including Frightfest Originals for film titles; Friday the 13th by Dan Mumford 85/150, The Wicker Man by Brandon Schaefer 47/50, Martyrs by Ghoulish Gary Pullin 38/75, Razorback by Luke Insect 42/50, American Mary by Chris Everhart 1/50, plus smaller prints including Flight of the Conchords by Rhys Cooper (075), An American Werewolf in London 103/135, Psycho 53/125 plus different style in gold print 51/125 & The Thing 40/135. All in excellent condition (11)
Sporting/Dogs/Coaching/Fox Hunting interest. 'Dash, A Valuable Pointer, in the possession of Col. Thornton', reverse painting on glass after the 1788 engraving published by Gilpin & Pollard. Together with a Regency hand-coloured aquatint of a coaching scene, a 19th-century watercolour of a fox hunting scene in the manner of Henry Alken, and a print after George Morland, 'The Warrener'. (4)

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