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Tate Ward
Lot 217

Zevs (French 1977-) ‘Liquidated Atlas World Wide’, 2010, screen print in colours on 310gsm paper, signed and numbered from an edition of 75 in pencil, published by Lazarides; 85 x 115cm inc frame ARR

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Tate Ward
Lot 218

Zevs (French 1977-), 'Liquidated Louis Vuitton', 2011, screen print on 300gsm Fabriano 5 paper, signed and numbered from an edition of 50 in pencil, published by Lazarides;77 x 57cm inc frame

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Tate Ward
Lot 22

Connor Brothers (British 1968-), 'I Wondered If I Would Spend The Rest Of My Life Inventing Complicated Ways To Depress Myself', 2017, giclee print with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 50 in pencil; sheet: 41.5 x 29cm (framed) ARR

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Tate Ward
Lot 220

Andy Warhol (American 1928-1987), 'Siberian Tiger, from Endangered Species', 1983, screen print in colours on Lenox Museum Board, test print aside from the main edition of 150, published by Ronald Feldman Fine Arts, Inc., New York; sheet: 96.5 x 96.5cm (Framed)

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Tate Ward
Lot 23

Connor Brothers (British b.1968 ), 'I Can Resist Everything Except Temptation', 2016, giclee print with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 50 in pencil; sheet: 41.5 x 29cm (framed) ARR

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Tate Ward
Lot 240

David Shrigley (British 1968-), 'Art Will Save The World', 2019, screen print in colours with varnish overlay on wove paper, signed, dated and numbered from an edition of 125 in pencil to the sheet verso, published by Nicolai Wallner Galleri; sheet: 75 x 55cm ARR

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Tate Ward
Lot 251

Jonas Wood (American 1977-), 'Vote', 2018, screen print in colours on Coventry Rag paper, signed, dated and numbered from an edition of 300, published by Downtown For Democracy; sheet: 40 x 25.5cm (Framed)

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Tate Ward
Lot 254

Julian Opie (British 1958-), 'Ruth With Cigarette 4', 2005, Lambda print on Fujicolour Digital Archival Paper, matt-sealed and dry mounted onto Dibond, contained in an aluminium frame as specified by the artist, signed and numbered from an edition of 11 APs in black marker verso, outside of the main edition of 50, published by Alan Cristea Gallery; 88.7 x 67.3cm inc frame ARR

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Tate Ward
Lot 255

Katherine Bernhardt (American 1975-), African Violet', 2019, screen print in colours on 300gsm Somerset Velvet White paper, signed, titled, dated and numbered from an edition of 200 in pencil, published by Counter Edition; sheet: 60 x 76cm

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Tate Ward
Lot 26

Connor Brothers (British 1968-), 'There's Nothing So Seductive As A Dangerous Idea', 2019, giclee print on wove paper, signed, dated and inscribed AP in pencil, outside of the main edition of 95; sheet: 42 x 29cm ARR

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Tate Ward
Lot 262

Mehdi Ghadyanloo (Iranian b.1981), 'Under The Blue Umbrella', 2016, screen print in colours on stock paper, signed and numbered from an edition of 50 in pencil; 94 x 94cm inc frame

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Tate Ward
Lot 264

Michael Kagan (American 1980-), 'We Leave As We Came', 2018, silkscreen print in colours on 410gsm Somerset paper, signed and numbered from an edition of 10 APs in pencil, outside of the main edition of 100, published by Avante Art; 83 x 82cm inc frame

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Tate Ward
Lot 266

Roy Lichtenstein (American 1923-1997), 'Composition IV', 1995, screen print in colours on BFK Rives paper, signed, dated and numbered from an edition of 120 in pencil, co-published by the Artist and Kennedy for Senate, printed by Brand X Editions; 65 x 78cm inc frame

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Tate Ward
Lot 27

Connor Brothers (British Duo), 'I Can Resist Everything Except Temptation', 2019, pigment print with silkscreen varnish on wove paper, signed, dated and numbered from an edition of 50 in pencil, published by Maddox Gallery; sheet: 130 x 80cm ARR

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Tate Ward
Lot 278

Banksy (British 1974-), ‘Police Riot Van (Dismaland Gift Print)’, 2015, and embellished digital print in colours, signed in black pen, with unique dedication in black pen, originally released as a Gift Print to members of staff at Dismaland; 25 x 18cm ARR

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Tate Ward
Lot 279

Banksy (British 1974-), 'Toxic Mary', 2004, screen print in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm (Framed) ARR

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Tate Ward
Lot 281

Banksy (British 1974-), ‘Trolleys’, 2007, two colour screen print on Arches paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 56 x 76cm ARR

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Tate Ward
Lot 282

Banksy (British 1974-), 'Applause’, 2006, screen print in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 76 x 114cm ARR

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Tate Ward
Lot 284

Banksy (British 1974-), ' CND Soldiers', 2005, screen print in colours on wove paper, numbered from an edition of 350 in pencil, published by Pictures On Walls; 86.5 x 65.5cm inc frame ARR

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Tate Ward
Lot 284a

Banksy (British 1974-), 'Flag (Silver)’, 2006, screen print on silver cheomalux paper, numbered from an edition of 1000 in black pen verso, published by Pictures On Walls, bearing Pictures On Walls blind stamp; sheet: 50 x 70cm (Framed)ARR

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Tate Ward
Lot 290

D*Face (British 1978-), 'Sadamned', 2006, screen print on canvas, signed, dated and numbered from an edition of 25 verso; canvas: 35 x 83cm ARR

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Tate Ward
Lot 294

Hijack (American b.1992), 'The Beating Heart', 2014, screen print in colours on archival paper, signed and numbered from an edition of 92 in pencil, published by Mr Brainwash; sheet: 96.5 x 96.5cm

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Tate Ward
Lot 295

Invader (French 1969-), 'Rubik Kubrick I - Alex', 2006, screen print in colours on wove paper, numbered from an edition of 300 in pencil, publoished by Pictures On Walls; sheet: 50 x 70cm ARR

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Tate Ward
Lot 296

Invader (French 1969-), 'Sunset (Gold & Blue)', 2018, embossed screen print in colours on wove paper, signed, dated and numbered from an edition of 100 in pencil, published by Over The Influence; sheet: 41.5 x 41.5cm ARR

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Tate Ward
Lot 298

Invader (French 1969-), 'Repetition Variation Evolution', 2017, screen print in colours on 300g BFK Rives paper, signed, dated and numbered from an edition of 150 in pencil, published by Space Shop; 80 x 100cm inc frame ARR

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Tate Ward
Lot 3

Anthony Micallef (British 1975-), 'Judgement Day', 2006, screen print on wove paper, signed and numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 76 x 114cm ARR

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Tate Ward
Lot 302

JR (French 1983-), 'Giants. ' Léonie Periault From France, Botafogo © Comité International Olympique , Work In Progress, Rio de Janeiro, Brazil', 2017, unique, relief ink jet print, laser cut cardboard, vinyl, printed duraclear, metal and plexiglass, singed and dated in pen to the label verso, stamped with the artists' stamp to the label verso, titled to the label verso; 65 x 105cm inc frame ARR

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Tate Ward
Lot 311

Kaws (American 1974-), 'Gone', 2019, screen print on Arches Aquarelle 300gsm paper, signed, dated and numbered from an edition of 750 in pencil, published by NGV Melbourne, accompanied by a signed and numbered book, which the print was originally sold with; sheet: 38 x 30.5cm

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Tate Ward
Lot 317

Martin Whatson (Norwegian 1984-) & Snik (British), 'Fix The Sky', 2017, hand embellished screen print in colours on 300gsm Somerset Satin paper, signed by both artist's, dated and numbered from an edition of 25 unique works in pencil, published by Graffiti Prints; sheet: 97 x 52cm (Framed) ARR

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Tate Ward
Lot 318

Martin Whatson (Norwegian 1984-), 'Connection (Dark Grey Acrylic)', 2018, screen print in colours on 6mm clear acrylic, signed, dated and numbered from an edition of 2, published by Graffiti Prints; 81 x 61cm inc frame ARR

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Tate Ward
Lot 319

Martin Whatson (Norwegian 1984-), 'Zero Tolerance', 2016, hand embellished screen print in colours on 300 gsm Somerset paper, signed, dated and inscribed PP, outside the main edition of 100 unique works, published by Graffiti Prints; 65 x 105cm inc frame ARR

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Tate Ward
Lot 321

Mr Brainwash (French 1966-), 'Vintage Lennon', unique screen print in colours on vintage paper, signed in pencil; 85 x 65.5cm

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Tate Ward
Lot 322

Mr Brainwash (French 1966-), 'Fame Moss (Black On Grey)', 2015, two colour screen print on archival paper, signed in pencil front, dated and bearing the Artists' thumb print verso, from an edition of 65; 98 x 98cm inc frame ARR

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Tate Ward
Lot 325

Paul Insect (British 1970-), 'Crystal Habits (Gold)', 2019, screen print in colours with diamond dust, glitter and varnish finished on 410gsm Somerset Radiant White paper, signed, dated and numbered from an edition of 20 in pencil, published by Avant Arte, printed by Coriander Studios; sheet: 105 x 79cm inc frame ARR

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Tate Ward
Lot 327

Pejac (Spanish b.1977), 'Heavy Sea', 2014, hand embellished screen print in colours on 250 gsm paper, signed, titled and numbered from an edition of 70 in pencil, sheet: 73 x 102cm ARR

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Tate Ward
Lot 342

Shepard Fairey (American 1970-), ' Liberte , Egalite , Fraternite', 2018, letterpress and screen print in colours on wove paper, signed, dated and numbered from an edition of 90 in pencil; sheet: 76 x 58.5cm

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Tate Ward
Lot 345a

Stik (British 1979-), 'Walk (Red)', 2012, screen print in colours on Somerset paper, signed and numbered from an edition of 50 in pencil, published by Squarity; sheet: 112 x 42cm (Framed)ARR

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Tate Ward
Lot 347

Kaws (American 1974-), 'Tension (#3)', 2019, screen print in colours on 425gm Saunders Waterford HP hi-white paper, signed, dated and numbered from an edition of 100, published by NGV Melbourne; sheet: 89 x 58.5cm

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Tate Ward
Lot 348

Kaws (American 1974-), 'Tension (#5)', 2019, screen print in colours on 425gm Saunders Waterford HP hi-white paper, signed, dated and numbered from an edition of 100, published by NGV Melbourne; sheet: 89 x 58.5cm

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Tate Ward
Lot 35

David Shrigley (British 1968-), 'Untitled (Language)', 2014, Lino print on 300gsm Fabriano 5 Liscia paper, signed, dated and numbered from an edition of 100 in pencil, published by Dundee Contemporary Arts; sheet: 45 x 34.5cm (Framed) ARR

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Tate Ward
Lot 351

Kaws (American 1974-), 'Chum vs Astroboy', 2002, screen print on black stock paper, signed and dated in pencil, from an edition of 50, published by Elms Lesters; sheet: 90 x 67cm

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Tate Ward
Lot 353

Kaws (American 1974-), 'Companion vs Pikachu', 2002, screen print on black stock paper, signed and dated in pencil, from an edition of 50, published by Elms Lesters; sheet: 90 x 67cm

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Tate Ward
Lot 357

Banksy (British 1974-), 'Get Out While You Can (Pink)', 2004, screen print in colours on wove paper, numbered from an edition of 175 in pencil, published by Pictures On Walls, bearing Pictures On Walls blind stamp; sheet: 50 x 35cm (Framed) ARR

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Tate Ward
Lot 358

Banksy (British 1974-), 'Laugh Now', 2004, screen print in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm (Framed) ARR

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Tate Ward
Lot 360a

Banksy (British 1974-), 'Barcode', 2003, screen print on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 50 x 70cmARR

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Tate Ward
Lot 38

David Shrigley (British 1968-), 'It's All Your Fault', 2019, screen print in colours with a varnish Overlay on Somerset Tub Sized 410gsm paper, signed, dated and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 76 x 56cm ARR

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Tate Ward
Lot 39

David Shrigley (British b.1968), ‘Don’t’, 2018, screen print in colours on Somerset 410 gsm paper, initialled, dated and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 76 x 56cm ARR

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Tate Ward
Lot 4

Antony Micallef (British b.1975), ‘God I Want To Be Bad’, 2007, screen print on paper, signed and numbered from an edition of 1000 in pencil, published by Pictures On Walls; sheet: 106 x 76cm ARR

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Tate Ward
Lot 5

Anthony Micallef (British 1975-), 'Dirty Deluxe', 2006, giclee print on Hahnemuhle 308gsm paper, signed and numbered from an edition of 95 in pencil, published by Eyestorm; sheet: 71 x 66cm ARR 

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Tate Ward
Lot 54

JJ Adams (British 1978-), 'Cooler King', 2015, colours giclee print on paper, signed and numbered from an edition of 195, published by Wishbone Publishing; 65 x 90cm inc mount ARR

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Tate Ward
Lot 55

JJ Adams (British 1978-), 'Full Metal Twiggy', giclee print in colours on paper, signed and numbered from an edition of 195 in pencil, published by Wishbone Publishing; 104 x 89cm inc frame ARR

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Tate Ward
Lot 56

JJ Adams (British 1978-), 'Kate (Black & White)', giclee print on paper, signed and numbered from an edition of 95 in pencil, published by Wishbone Publishing; 105 x 90cm inc frame ARR

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Tate Ward
Lot 58

JJ Adams (British 1978-), 'When You're On A Mission From God!', giclee print in colours on paper, signed and numbered from an edition of 95 in pencil, published by Wishbone Publishing; 89.5 x 104.5cm inc frame ARR

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Tate Ward
Lot 60

Julian Opie (British 1958-), 'Woman Taking Off Man's Shirt. 5', 2003, screen print in colours on paper, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf; sheet: 100 x 60cm ARR

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Tate Ward
Lot 61

Katrin Fridriks (Icelandic 1974-), 'Nobel Awakening', 2016, archival pigment print with one-colour screen print on Somerset Velvet 330gsm, signed, dated and numbered from an edition of 100, published by Lazarides Gallery; sheet: 70 x 50cm ARR

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Tate Ward
Lot 62

Katrin Fridriks (Icelandic b.1975), 'Awakening Ride', 2018, embossed silk screen and ink jet print on 410gsm Somerset enhanced radiant white satin paper, signed and numbered from an edition of 77 in pencil, published by Avant Arte; sheet: 85 x 85cm ARR

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Tate Ward
Lot 63

Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019, canvas print with gold leaf an UV pen, signed and dated front, inscribed AP 1 of 1 to the canvas overlap, the work includes the names of those whom fell victim to knife crime in 2019 written in UV ink; canvas: 67 x 51cm  

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Tate Ward
Lot 71

Mehdi Ghadyanloo (Iranian b.1981), 'Divide By Zero', 2018, screen print in colours on wove paper, signed and numbered from an edition of 50 in pencil, published by Howard Griffin Gallery; sheet: 95 x 95cm inc frame

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Tate Ward
Lot 72

Mike Lee (American b.1983), ‘I’ve Missed You Print Edition, (I’m Sorry & Sweetheart)’, 2018, a pair of 5 layer monochrome screen print on Hahnemuhle 300 gsm 100% cotton paper, both signed, dated and numbered from editions of 75 in pencil, published by The Garage; sheet: 60cm diam each (2)

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Tate Ward
Lot 77

Phil Fisk (British), 'British Directors - Banksy', 2011, C-type print on Fuji archival paper, signed and numbered from an edition of 15, produced for the BAFTA event and souvenir broacher photo essay; sheet: 40.5 x 51cm ARR

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