YOSHU CHIKANOBU (1838-1912), TOYOHARA KUNICHIKA (1835-1900), MIZUNO TOSHIKATA (1866-1908), UTAGAWA FUSATANE (FL. CIRCA 1854-1897), AND OTHERSMeiji era (1868-1912), late 19th/early 20th century10 oban triptychs and a single print of mainly bijinga by various Meiji-era artists, some with all three sheets joined, others in three separate sheets, including: one triptych and one single sheet by Chikanobu, including one from the series Tokugawa jidai kifujin no zu (Elegant Ladies of the Tokugawa Period); one by Kunichika from the series Azuma kofu (Old Fashion of the East); and one by Fusatane titled Kaiko yashinaigusa: Shogi kurabe (Silkworm Cultivation: Comparison of Courtesans) with English captions, variously published and variously signed; each in a plastic sleeve except for three mounted on carboard. The smallest: 37cm x 24.7cm (14 9/16in x 9¾in); the largest: 37cm x 76cm (14 9/16in x 29 15/16in). (11).For further information on this lot please visit Bonhams.com
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KOBAYASHI KIYOCHIKA (1847-1915), MIZUNO TOSHIKATA (1866-1908), MIGITA TOSHIHIDE (1863-1925), AND OTHERSMeiji era (1868-1912), late 19th century10 oban triptychs and one diptych (incomplete sheets from a triptych) print depicting the Sino-Japanese War and one triptych of a Chinese legend, some with all sheets joined, others in separate sheets, including: two triptychs by Kiyochika, one titled Heijo gekisen wagagun daishori no zu (Our Military's Great Victory after the Fierce Battle in Pyongyang); and two by Toshikata, titled Higuchi Taii (Captain Higuchi) and Awata Taii (Captain Awata) respectively; variously published and variously signed; each in a plastic sleeve. The smallest: 35cm x 70cm (13¾in x 27½in); the largest: 37.5cm x 72cm (14¾in x 18 3/8in). (12).For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Taisho era (1912-1926), dated 1924An oban yoko-e print, titled along the left margin Izumo, Hinomisaki (Hinomisaki in Izumo [present day Shimane]) from the series Tabi miyage dai sanshu (Souvenirs of Travel, Third Series), depicting a coastal night scene with a view out to the turbulent sea seen through a cluster of weathered pines in the foreground, dated Taisho jusannen saku (Work of Taisho 13 [1924]), published by Watanabe Shozaburo with a round Watanabe seal at bottom right corner; signed Hasui with Kawase seal. 26cm x 38.5cm (10¼in x 15 3/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Taisho era (1912-1926), dated 1924An oban tate-e print, titled Iwami, Arifuku onsen (Arifuku Spa, Iwami) from the series Tabi miyage dai sanshu (Souvenirs of Travel, Third Series), depicting an evening scene in a secluded spa town nestled at the foot of a mountain forest, steam rising from the naturally hot water source in the bottom left corner with a woman filling wooden tubs, a second woman carrying a wooden bucket of water passing a man in a yukata in the middle foreground, dated Taisho jusannen saku (Work of Taisho 13 [1924]), published by Watanabe Shozaburo, with Hanken shoyu Watanabe Shozaburo seal along bottom right margin; signed Hasui with Kawase seal. 39cm x 26cm (15 3/8in x 10¼in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1930An oban tate-e print, titled along the left margin Omiya Hikawa Koen (Hikawa Park in Omiya), depicting tall Japanese cedar trees rising high into the early morning sky, their tops bathed in orange hues by the sunrise, gentle white clouds drifting between the trees, dated Showa gonen saku (Work of Showa 5 [1930]), published by Watanabe Shozaburo, with a Hanken shoyu fukyo mosha Watanabe Shozaburo seal along the lower right margin; signed Hasui with Kawase seal. 38cm x 26cm (15in x 10¼in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1930An oban tate-e print, titled along the left margin Magome no tsuki (Moon at Magome) from the series Tokyo nijukkei (20 Views of Tokyo), depicting a clear full moon seen through pine branches, a light shining from the window of a thatched farmhouse in the lower foreground, dated Showa gonen saku (Work of Showa 5 [1930]), published by Watanabe Shozaburo, with a Hanken shoyu Watanabe Shozaburo seal along the lower right margin and a round Watanabe seal at bottom right corner; signed Hasui with Kawase seal. 38.4cm x 26cm (15 1/8in x 10¼in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1939An oban yoko-e print, titled Izu Nagaoka shimo no asa (Frosty Morning in Nagaoka, Izu), depicting a snow-capped Mount Fuji soaring above a field of haystacks, dated Showa juyonen nigatsu saku (Work of February Showa 14 [1939]), published by Watanabe Shozaburo with Hanken shoyu Watanabe Shozaburo seal along bottom right margin; signed Hasui with Kawase seal. 28cm x 40.2cm (11in x 15¾in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1934An oban yoko-e print, titled along the left margin Sanuki kaigan Teranohama (Teranohama, Sanuki Coast) from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), depicting the tranquil coastline of the Inland Sea, the roots of five pines and their reflections defining the foreground, dated Showa kunen gogatsu saku (Work of May Showa 9 [1934]), published by Watanabe Shozaburo, with a Hanken shoyu Watanabe Shozaburo seal along the lower right margin; signed Hasui with Kawase seal. 26cm x 39.2cm (10¼in x 15 3/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1932An oban yoko-e print, titled Imaibashi no yudachi (Evening Shower at Imai Bridge) depicting an evening scene showing a lone woman hunched beneath an umbrella on a deserted bridge, caught in the torrential rain, dated Showa shichinen hachigatsu saku (Work of August Showa 7 [1932]), published by Watanabe Shozaburo, with a Hanken shoyu fukyo mosha Watanabe Shozaburo seal along bottom right margin; signed Hasui with Kawase seal. 26cm x 39cm (10¼in x 15 3/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1934A chuban tate-e print, titled Nigata, Ishizue-cho (Ishizue, Nigata), depicting a tranquil evening scene of a lone figure walking along an embankment lined with willow trees, the reflection of the moon and light from a window glimmering in the water, a moored boat and a parked cart in the left foreground, dated Showa kyunen saku (Work of Showa 9 [1934]), published by Watanabe Shozaburo (unsealed); signed Hasui. 26cm x 18.5cm (10¼in x 7¼in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Taisho era (1912-1926), dated 1924An oban tate-e print; titled along the left margin Shiba Zojo-ji (Zojo-ji Temple in Shiba), from the series Tokyo nijukei (20 Views of Tokyo), depicting a woman walking past the iconic vermilion facade of the Zojo-ji Temple, huddled beneath an umbrella during a snow blizzard, dated Taisho jusannen (Taisho 13 [1924]), published by Watanabe Shozaburo, with Hanken shoyu Watanabe Shozaburo seal along the lower right margin; signed Hasui with Kawase seal. 38.8cm x 26.7cm (15¼in x 10½in).For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), dated 1931 and 1954 Comprising one oban tate-e and one oban yoko-e print, the first titled along the bottom left margin Meguro Fudodo (Fudo Hall in Meguro), dated Showa rokunen saku (Work of Showa 6 [1931]), 37.5cm x 25.7cm (14¾in x 10 3/16in); the second also titled along the left margin Ikegami Honmonji no to (Pagoda at Honmon Temple, Ikegami), dated Showa nijukyunen saku (Work of Showa 29 [1954]), 26.7cm x 39.5cm (10½in x 15½in); both published by Watanabe Shozaburo with a round Watanabe seal at the bottom right corner, both signed Hasui with Kawase seal. (2).For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Showa era (1926-1989), one circa 1930A yotsugiriban tate-e wood-block print and one yoko-e postcard: a print depicting a lady sheltering beneath an umbrella walking across a bridge in the snow enclosed within a paper lantern, signed with the artist's seal Hasui inside the image, with a square Watanabe seal on the margin, 19.3cm x 12.3cm (7 5/8in x 4 7/8in); a postcard titled Kan'i Hokenkyoku (Postal Life Insurance Office [ex Akabane Post Office]), commissioned to commemorate the new government building in 1930, with a seal Hasui; 9cm x 14cm (3 9/16in x 5½in). (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Dated Showa era (1926-1989), 1927, 1940, 1950 and 1957, but all printed in the Heisei era (1989-2019), late 20th/early 21st centuryComprising three oban tate-e and one oban yoko-e print, the first of Tazawako Kansanomiyagu (Kansanomiya Shrine at Lake Tazawa), dated on the lower left Showa ninen saku (Work of Showa 2 [1927]), 26cm x 39cm (10¼in x 15 3/8in); the second of Tagonura no yu (Dusk at Tagonura Beach), dated on the lower left Showa jugonen saku (Work of Showa 15 [1940]), 39.1cm x 27cm (15½in x 10 5/8in); the third of Daigo Denpoin, Kyoto (Daigo Denpo Temple, Kyoto), dated on the lower left Showa nijugonen saku (Work of Showa 25 [1950]), 39.5cm x 26.5cm (15½in x 10 3/8in); the fourth of Hiraizumi Konjikido (Hall of the Golden Hue, Hiraizumi), dated Showa sanjuninen saku (Work of Showa 32 [1957]), 40cm x 27.2cm (15¾in x 10¾in); each sheet published by Watanabe Shozaburo, with the long rectangular Heisei era Watanabe seal, the second and fourth also with a round Watanabe seal; all signed Hasui with Kawase seal. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Dated Showa era (1926-1989), 1930, 1950 and 1951, but all printed in the Heisei era (1989-2019), late 20th/early 21st centuryComprising three oban tate-e and one oban yoko-e print, the first of Omori kaigan (Omori Coast), dated on the lower left Showa gonen saku (Work of Showa 5 [1930]), 26cm x 39cm (10¼in x 15 3/8in); the second of Kyomizudera no bosetsu (Evening Snowfall at Kiyomizu Temple), dated on the lower left Showa nijugonen saku (Work of Showa 25 [1950]), 39.2cm x 26.3cm (15½in x 10 3/8in); the third of Ginkakuji no yuki (Snow at the Silver Pavilion), dated on the lower left Showa nijurokunen saku (Work of Showa 26 [1951]), 40cm x 27cm (15¾in x 10 3/8in); the fourth of Shigure no ato Kyoto Nanzenji (After Autumn Rain at Nanzen Temple, Kyoto), dated Showa nijurokunen saku (Work of Showa 26 [1951]), 39cm x 26cm (15 3/8in x 10¼in); each sheet published by Watanabe Shozaburo, with the long rectangular Heisei era Watanabe seal, the first, second and fourth also with a round Watanabe seal; all signed Hasui with Kawase seal. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KAWASE HASUI (1883-1957)Dated Showa era (1926-1989), 1931, 1932, 1933 and 1951, but all printed in the Heisei era (1989-2019), late 20th/early 21st centuryComprising three oban tate-e and one oban yoko-e print, the first of Shinagawa (Shinagawa), dated on the lower right Showa rokunen sangatsu saku (Work of March Showa 6 [1931]), 39cm x 26cm (15 5/16in x 10¼in); the second of Yuki no Mukojima (Mukojima in Snow), dated on the lower left Showa rokunen junigatsu saku (Work of December Showa 6 [1931]), 39cm x 26.2cm (15 5/16in x 10 5/8in); the third of Kyoto, Kiyomizudera (Kiyomizu Temple, Kyoto), dated along the bottom Showa hachinen junichi gatsu saku (Work of November Showa 8 [1933]), 39cm x 26.2cm (15 5/16in x 10 5/8in); the fourth of Hoodoin no bosetsu (Dusk at Phoenix Hall), dated along the left margin Showa nijurokunen saku (Work of Showa 26 [1951]), 26.5cm x 39.3cm (10 3/8in x 15½n); each sheet published by Watanabe Shozaburo, with the long rectangular Heisei era Watanabe seal, the second and third also with a round Watanabe seal; all signed Hasui with Kawase seal. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
UEMURA SHOEN (1875-1949), KITANO TSUNETOMI (1880-1947), AFTER TOSHUSAI SHARAKU (FL. CIRCA 1794-1795), AND OTHERSTaisho (1912-1926) and/or Showa (1926-1989) era, early 20th century; Meiji (1868-1912), Taisho (1912-1926), or Showa (1926-1989) era, early 20th century 17 oban tate-e shin-hanga prints, illustrating the works of the famous playwright Chikamatsu Monzaemon (1653-1725), by leading Taisho-era artists as follows: (1) Semimaru in Semimaru by Suga Tatehiko (1878-1963); (2) The heroine Matsukaze in Matsukaze murasame sokutai kagami by Nakazawa Hiromitsu (1874–1964); (3) Lady Hagi probably in Kanhasshu tsunagi-uma by Ogawa Usen (1868-1938); (4) The sailor Kezori Kuemon in Hakata kojoro nami makura by Noda Kyuho (1879-1971); (5) The heroine Ochiyo in Sunju yoi koshin by Kitani Chigusa (1895-1947); (6) A swordsman by Yamaguchi Sohei (1882-1961); (7) A female ghost by Uemura Shoen (1875-1949); (8) The deity Fudo and the priest Mongaku by Tomita Keisen (1879-1936); (9) The heroine Osan in Daikyoji mukashi-goyomi by Okada Saburosuke (1869-1939); (10) The heroine Yugiri in Yugiri Awa no Naruto by Shima Seien (1892-1970); (11) The heroine Umekawa in Meido no hikyaku by Kitano Tsunetomi (1880-1947); (12) A bunraku puppet in the role of Kongomaru Terutada in Shibaraku by Nishimura Goun (1877-1938); (13) The spirit of wine in Shuten Doji by Tamamura Hokuto (1893-1951); (14) The heroine Koman in Tanba Yosaku by Yamamura Kouka (1885-1942); (15) The heroine Koharu in Shinju ten no amijima by Kikuchi Keigetsu (1879-1955); (16) Princess Kinshojo in Kokusenya Kassen by Nishiyama Suisho (1879-1958); (17) The heroine Toragozen in Soga by Ishikawa Toraji (1875-1964); variously signed, originally published between 1922 and 1926 as a series of 18 prints and supplement to a set of 16 volumes of Monzaemon's work titled Dai Chikamatsu Zenshu (The Complete Works of Chikamatsu), some with an engraver and printer's names, this set probably containing both original and later editions; last a reproduction woodblock print depicting the actor Segawa Tomisaburo II as Yadorigi, the wife of Ogishi Kurando from the play Hanayama Bunroku Soga (The Iris Soga of the Bunroku Era); inscribed Toshusai Sharaku ga. The smallest: 29cm x 44cm (11 7/16in x 17 5/16in); the largest: 47.5cm x 29.8cm (18¾in x 11¾in); Sharaku: 38cm x 25.5cm (14 15/16in x 10in). (18).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
KASAMATSU SHIRO (1898–1991) AND YOSHIDA TOSHI (1911-1995)Showa era (1926-1989), late 20th centuryOne oban and one chuban fukei-ga print: the first an oban tate-e of Kasumu yube, Shinobazu ikehata (Hazy Evening on the Shore of Shinobazu Pond), published by Watanabe Shozaburo, with a round Watanabe seal, signed Kasamatsu Shiro with seal Shiro, originally published in 1932 but reprinted later, 39.2cm x 36cm (15 7/16in x 14 1/8in); the second a chuban tate-e of Hakone Shinsenkyo, Sangetsuan (Sangetsu-an, Hakone Museum), dated 1954, probably reprinted later, signed Toshi Yoshida in Roman script on the margin and Toshi with seal Yoshida in Chinese characters within the image, 27.5cm x 20cm (10 13/16in x 7 7/8in). (2).For further information on this lot please visit Bonhams.com
YOSHIDA HIROSHI (1876-1950)Showa era (1926-1989), dated 1931An oban yoko-e woodblock print, titled along the left margin Benaresu no Gatto (Ghat in Beneres), dated Showa rokunen saku (Work of Showa 6 [1931]), with jizuri seal, signed at the bottom right corner Yoshida with Hiroshi seal; framed and glazed. Overall: 45.6cm x 58cm (17 7/8in x 22 11/16in); image: 26.1cm x 39cm (10¼in x 15 3/8in).For further information on this lot please visit Bonhams.com
UEMURA ENSHU (BORN 1955)A Gold-Lacquer Three-Case Inro with Matching Manju Netsuke Showa (1926-1989) or Heisei (1989-2019) era, late 20th/early 21st centuryThe inro lacquered in gold and polychrome togidashi maki-e with a bust portrait of the famous courtesan Wakaume of the Tamaya, after a woodblock print design by Kitagawa Utamaro (1753-1806), one of her kamuro (child attendants) shown peering from behind the courtesan's back on the reverse, the interior of rich nashiji, the base of the inro signed in gold lacquer Enshu; the manju netsuke similarly lacquered with same green brocade design as on courtesan's kimono on one side and cherry blossoms on the other, unsigned; with a pale blue and green mottled glass ojime. The inro: 7.7cm (3in) high; the manju netsuke: 3.3cm (1¼in) diam.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
UEMURA ENSHU (BORN 1955)A Lacquer Three-Case Inro with Matching Manju Netsuke Showa (1926-1989) or Heisei (1989-2019) era, late 20th/early 21st centuryThe inro embellished in silver and polychrome togidashi maki-e with Yamauba and Kintoki after a woodblock print design by Kitagawa Utamaro (1753-1806), the former suckling his mother's breast on one side and a basket filled with shells on the reverse, inscribed on one side Utamaro, the interior of rich nashiji, the base of the inro signed in gold lacquer Enshu; the manju netsuke similarly lacquered with the head and shoulders of Yamauba, adjusting a comb in her coiffure, signed in gold lacquer Enshu; with a pale blue glass ojime. The inro: 7.6cm (3in) high; the manju netsuke: 3.3cm (1¼in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
JAPANESE 19TH CENTURY DIPTYCH WOODBLOCK PRINT ? SHIGENOBU. Two posing actors with Mount Fuji in the background. Osaka School, c. 1860. Dimensions: 37cm (14.5 inches) x 25.5cm (10 inches). Provenance: From the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Sir Roy Yorke Calne (British, b.1930), sun in a landscape, signed and dated 'Roy Calne 89' (lower right), watercolour on paper, provenance: given to the present owner directly from the artist, 30 x 39cm (49.5 x 57cm framed); together with four other sea and landscapes, two photographs of boats, a reproduction Chinese print, and after Margaret Tarrant, all things bright and beautiful45 x 56cm. nine in the lot (9)
After Charles Murray (1842 - 1923) A Busy Dockyard, etching; a coloured map of Wales and the friontispiece for The Marchants Mapp of Commerce, 1638, together with Edwin Hayes RHA RI ROI (1819-1904) Yarmouth Pier, signed and dated 1883, pencil, 7 x 12.5cm; three 18th/19th century coloured prints of Orford, an early 19th century print of the monastery at Dunwich and a print of Angel Lane, Ipswich
A. Claud Wright (20th Century), The Bridge of Sighs, St Johns College, Cambridge, titled (lower left); signed 'A. Claud Wright (lower right), watercolour on paper, 34 x 48cm (59 x 72cm framed); together with, two prints of Cambridge, Kings College Chapel from the Backs and Kitchen Bridge, St Johns College, coloured print on paper, 30 x 43cm pl. (43.5 x 56.5cm framed); a coloured print of 'Cricket at Lord's in 1822', 35 x 40cm pl. (43.5 x 51cm framed); a contemporary print of a street scene, Black Stocking, indistinctly inscribed (lower right), numbered '86/195' (lower left)
A Collection of Framed Pictures to include a French folk art style acrylic painting, depicting a stylised racecourse, together with a watercolour of a cottage marked F G Fraser, an etching depicting a cottage dated 1923 signed Wm. B Robins, and a Percy Lancaster engraving depicting an antique dealer, and a Rosalyn S Evans Limited Edition print No.2/50.
3 framed & glazed pictures of farmyard animals. Comprising: a signed watercolour of a Maltese Goat by local artist Alan Barlow, a limited edition & numbered print by Laura Boyd entitled "The Pigging Order" (68/500) and a Ltd Edition print of a cockerel by Caroline Hawkey. Largest frame size approx. 42.5cm x 38cm.
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314796 item(s)/page