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Various books, art related, etc., Baldass (Ludwig) Giogione and Giogionism, Thames and Hudson London, hardback with plates, Man (Felix H) Eight European Artists, various other hardback books on art, Man (Felix H) Artists' Lithographs, George W Master of Master Printers, various other art related books, Women Engravers, Print Making Today, Skiram Expressionists and Expressionism in slip case, various others. (a quantity)
Rembrandt Harmensz. van Rijn, Dutch 1606-1669- A beggar in a high cap, standing and leaning on a stick; etching, 1631, a fine, clear impression of this rare print, watermark Coat of Arms (cf Churchill 288), with narrow to thread margins almost all round, 15.6 x 11.8 cm. Provenance: Collection of Akram Ojjeh.; Anon. sale, Christie's, London, 30 November 1999, lot 114 (£1,840).; The estate of the late designer Anthony Powell. Literature: Hind 15; Bartsch, Hollstein 162.Please refer to department for condition report
Jacques Callot, French 1592-1635- The Pont Neuf and the Tour de Nesle, Paris; etching on laid paper, inscribed 'Callot fec.' (lower right), c.1630, the plate 16.8 x 34 cm. Meune 714, Lieure 668 ii/iv. Provenance: With Thomas Agnew & Sons, London.; Private Collection, UK.; By descent. Exhibited: London, Thomas Agnew & Sons, ‘Old and Modern Master Prints’, 27th June-28th July 1989, no.25. Note: A good, well printed impression before the publisher Silvestre's name has been added. With small margins all around the plate mark. Examples of the first and second states of this print are rare (the first extremely rare). Before the additions of Silvestre's name and privilege, they are, as it were, pre-publication proofs, remarkable, as here, for the richness of the impression. The Tour de Nesle, which dominates the subject, was part of Philip Augustus' fortifications of the city, guarding the point where the river broke the surrounding wall. It was destroyed in 1663. This print, and one Callot made of the opposite bank of the Seine including the Louvre, were known under the title 'Les Deux Grandes Vues de Paris'. Callot drew the scenes during his visit to Paris in 1629 and the plates were etched after his return to Nancy in 1630. Lieure comments: 'Pour les deux vues de Paris, les deux premiers états sont les plus beaux et les plus recherchés'.Please refer to department for condition report
Brown (Louise Norton) Block Printing and Book Illustration In Japan, 4to, cloth, illus., facsimile edition, Geneva, 1973; Henderson (Harold G.) and Ledoux (Louis V.) The Surviving Works Of Sharaku, 4to, cloth, illus., New York, 1939; Ozaki (Yukio) Romances of Old Japan, 4to, printed cloth, illus., for Simpkin, Marshall, Hamilton, Kent & Co., c.1928; and other books on Hokusai and Japanese Print Making. (9)
A VICTORIAN HAND COLOURED FOLD OUT BOOK OF BRITISH MONARCHS FROM WILLIAM THE CONQUEROR TO QUEEN VICTORIA, eighteen pages with sovereigns titles in English and French with dates of reigns, card bindings, height 12.5cm x length 17cm, total length of fold out approximately 277cm, together with a 19th century watercolour and gilt crest and motto on card 'SERVE. GOD. AND. HONOR. KING.', framed and glazed, image 22.8cm x 20.5cm, seventeen early 19th century hand tinted cards from John Marshall (publisher) - The Infant's Cabinet Of The Cries Of London, 'Pub Sept 7 1802 by J Marshall...., comprising of nine in Vol. I' and eight in Vol. II, the engraved cards with pictures of Mason and Fishmonger, Shoemaker, Fruiterer, Grocer, Painter, Bookbinder, each measuring 71mm x 49mm and an unframed early 19th century print behind glass of a seated 18th century man painting a portrait of a lady, 8.2cm x 5.9cm (4) (Condition report: the monarchy booklet is well worn with some staining, tears and creases, the cards are well worn and commensurate with use and age, the crest is loose in the frame and stained, the glass over the print is cloudy)
ALEXANDER MILLAR (BRITISH CONTEMPORARY) 'GIMME THE MOONLIGHT', a limited edition, hand embellished print on canvas depicting a male figure holding a traffic cone, number 8 from an edition of 95 with certificate signed by Millar, approximate sizes print 88cm x 68cm frame 112cm x 92cm (Condition report: print is in good condition, some damage to the frame)
A modern Chinese blue and white moon flask,in the Ming style, painted with leaves and flowers, four-character mark to base,25cm hightogether with a Chinese Jian ware tea bowl, 12cm diametera Japanese wood Buddhist lion, standing turning its head to the back, 26cm long, and a collection of further miscellaneous,comprising two Japanese pottery sake bottles, a vase, a black-glazed tea bowl, a ceramic tubular wall decoration, and a bijin-ga woodblock print, framed and glazed (9)Condition ReportJian ware tea bowl - small chips to rim. Vase - small chips to rim.Buddhist lion - chips in various locations. Woodblock print - did not examine outside of frame, creasing and cockling throughout, tired. The rest with no obvious faults.

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314783 item(s)/page