* ANNE MENDELOW (SCOTTISH b. 1947), PINK AND RED FLOWERS oil on board, signedframed and under glassimage size 23cm x 16cm, overall size 41cm x 34cm Note: "I was born in South Africa (1947) and been an artist for more than 50 years, using most of the traditional methods like watercolour, oils and drawing with pastels but in more recent years favouring hand screen printing and mono printing. I love colour. My favourite subject is the female form whether drawing or using photography to capture images for composing complex screen print images. The wonderful beauty of England and Scotland have inspired me to look at the landscape too. In 1988 I opened my own small art gallery (The Gatehouse Gallery) in Glasgow selling artwork by many contemporary artists whose work opened my eyes to the Scottish art traditions. I now live in south east England working as a full-time artist. Travel to far flung parts of the world has inspired my photography and focussed my mind and eyes to see new things."
We found 314783 price guide item(s) matching your search
There are 314783 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
314783 item(s)/page
* JIM NICHOLSON (BRITISH 1924 - 1996), NORTH END, IONA limited edition print on paper, signed and numbered 805/850, titled versomounted, framed and under glassimage size 41cm x 51cm, overall size 60cm x 70cm Note: Jim Nicholson came to Edinburgh and worked for an advertising company for nine years, before joining the National Trust for Scotland in 1964, as its first artist designer. He retired in 1983 with the title of Art Director and had contributed immensely to the Trust's growth and effectiveness. He visited St Kilda; many of his paintings were of that world-renowned archipelago, and Trust work there always had his special interest. While being a full time artist by then, he was also a keen hill walker which enabled him to gain access to other remote parts of Scotland, particularly the North-West and Hebridean Islands. Since the 1970's Jim held over 40 one-man exhibitions throughout Scotland and in London, his work being in great demand. Many of his paintings are in public and private collections in America, Australia, Canada, Germany, Hungary, Japan, South Africa and New Zealand, and throughout Britain, including that of HM Queen Elizabeth the late Queen Mother.
* ANDA PATERSON RSW RGI PAI (SCOTTISH 1935 - 2022), THE PATRIARCHS artist's proof etching on paper, signed, titled and numbered A/P label versomounted, framed and under glassimage size 24cm x 48cm, overall size 49cm x 70cm Note: Painter and administrator, born in Glasgow, married to the artist James Spence. With him she founded the Glasgow Group in the late 1950s, which did much to promote an interest in contemporary art in the west of Scotland and elsewhere. Paterson studied at Glasgow School of Art, in Spain and Portugal. She was elected RSW in 1966 and to Royal Glasgow Institute of the Fine Arts in 1978, and was a winner of the Anne Redpath and Latimer Awards. She showed in mixed exhibitions in Scotland and abroad and had a solo show at Compass Gallery, Glasgow, in 1971, being included in The Compass Contribution at Tramway, Glasgow, in 1990. Paterson was noted for her unusual pictures of ordinary people, often old, lonely and hard-up, which she treated with sympathy. Her work is held by Scottish Arts Council, Arts Council of Northern Ireland and New York Print Workshop.
* ALASDAIR GRAY (SCOTTISH 1934 - 2019), FROM AN EASTERN EMPIRE limited edition silkscreen print on paper, numbered 15/200, inscribed 'Alasdair, to Kenny Renata, 3rd April 1983' unframedoverall size 42cm x 30cmNote: Along with John Byrne, Alasdair Gray has been described as one of the great Polymaths of the Scottish modern arts movement. Prolific writer and artist since graduating from the Glasgow School of Art in 1957. He published novels, short stories, plays, poetry and translations, and wrote on politics and the history of Scottish and Enlgish literature. Gray trained in mural painting, and his Glasgow murals include those in the Hillhead subway station and in the Oran Mor, an arts and music venue at the head of Glasgow's iconic Byres Road. His paintings, drawings and prints are well-known and widely collected. Examples of his paintings, drawings and prints are currently housed in various public collections, including The Victoria and Albert Museum, The Kelvingrove Art Gallery and Museum, The Museum of Modern Art, The Scottish National Gallery of Modern Art, The National Library of Scotland, The Hunterian Museum and The Arts Council of England collection. His art was celebrated in 2014-15 with a major retrospective exhibition at Glasgow's Kelvingrove and in 2014 the BBC aired a one hour documentary to honour the 80th year of this 'giant of Scottish arts'.
* HANNAH FRANK (SCOTTISH 1908 - 2008), DREAM lithograph on paper, signed in pencil and numbered 182/250,mounted, framed and under glass.image size 37cm x 29cm, overall size 53cm x 43cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print (Dream) was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* JIM NICHOLSON (BRITISH 1924 - 1996), POPPIES & THE BASS ROCK limited edition print on paper, signed and numbered 478/500, titled versomounted, framed and under glassimage size 37cm x 49cm, overall size 59cm x 69cm Note: Jim Nicholson came to Edinburgh and worked for an advertising company for nine years, before joining the National Trust for Scotland in 1964, as its first artist designer. He retired in 1983 with the title of Art Director and had contributed immensely to the Trust's growth and effectiveness. He visited St Kilda; many of his paintings were of that world-renowned archipelago, and Trust work there always had his special interest. While being a full time artist by then, he was also a keen hill walker which enabled him to gain access to other remote parts of Scotland, particularly the North-West and Hebridean Islands. Since the 1970's Jim held over 40 one-man exhibitions throughout Scotland and in London, his work being in great demand. Many of his paintings are in public and private collections in America, Australia, Canada, Germany, Hungary, Japan, South Africa and New Zealand, and throughout Britain, including that of HM Queen Elizabeth the late Queen Mother.
* ANDA PATERSON RSW RGI PAI (SCOTTISH 1935 - 2022), PEOPLE OF GLASGOW mixed media on board, titled label versoframed and under glass image size 14cm x 15cm, overall size 24cm x 25cm Exhibition label verso: Christmas '74, Compass Gallery, GlasgowNote: Painter and administrator, born in Glasgow, married to the artist James Spence. With him she founded the Glasgow Group in the late 1950s, which did much to promote an interest in contemporary art in the west of Scotland and elsewhere. Paterson studied at Glasgow School of Art, in Spain and Portugal. She was elected RSW in 1966 and to Royal Glasgow Institute of the Fine Arts in 1978, and was a winner of the Anne Redpath and Latimer Awards. She showed in mixed exhibitions in Scotland and abroad and had a solo show at Compass Gallery, Glasgow, in 1971, being included in The Compass Contribution at Tramway, Glasgow, in 1990. Paterson was noted for her unusual pictures of ordinary people, often old, lonely and hard-up, which she treated with sympathy. Her work is held by Scottish Arts Council, Arts Council of Northern Ireland and New York Print Workshop.
* SIR BILLY CONNOLLY CBE (SCOTTISH b. 1942), SCOTTY POSER XV limited edition giclee print on paper, signed and numbered 12/24, titled and dated 2022 certificate verso, from the Born on a Rainy Day series framed and under glass image size 57cm x 77cm, overall size 65cm x 86cm Note 1: Certificate verso by Washington Green Fine Art. Note 2: The world-famous comedian’s iconic artworks have no less impact than one of his legendary comedy sketches. The faceless figures possess an extraordinary self-awareness and humanity. Devoid of emotion or expression, their anonymity opens them up to individual interpretation, creating a unique bond with the viewer. Featured by The Times and documentaries including Billy Connolly: It's Been a Pleasure, his minimalist drawings have been described as 'poignant', 'funny' and 'enigmatic' by critics. It was on a rainy day in 2007 that Billy first put pen to paper. Taking refuge from the grey drizzle of Montreal, Canada, he entered an art shop with a twinkling curiosity and left with an armful of supplies and the urge to create. Back in his hotel room, his felt-tip pens and sketchbook formed a portal for his imagination, and over the next five years his drawings evolved into his debut fine art collection, Born On A Rainy Day, which launched in 2012. Billy's highly-collectible series of limited edition prints and stainless steel sculptures is as humorous as his own comedy, with elements of his own life unexpectedly appearing throughout. Billy Connolly is unarguably one of the world’s finest stand-up comics. He has also been an acclaimed actor and musician; now he has turned his rich talents into visual art, with many hugely popular collections of limited edition prints and steel sculptures. “I’d never drawn in my life until this point, but I just started drawing weird islands and carried on drawing.” Billy creates his art at his Florida home, where he draws a plethora of wondrous images, from extinct Scottish cats and horses with two legs, to Teddy Boys and flying babies. Whatever takes his imagination, he gets down on paper for his avid collectors. In 2023, a coffee-table book of Billy’s art was published by Castle Fine Art, featuring over 300 published and unpublished works, and he was thrilled with the result. “I didn't know there were so many pieces. I thought I must have 12 or 20. I don't know how many, but there are over 300 in the book. 300! That's ridiculous. It's lovely.” “Some of them are quite virginal and purist and they go for the good side of life. And others are quite dodgy and a bit bad taste, which pleases me greatly. They're of a world of their own. There's no similarity whatsoever in writing a book and drawing; drawing oozes from you. It takes hold of part of what's in your head and makes you do it on paper”.
![[Emin, Tracey] 2014 Tracey Emin high quality inkjet print on silver-edged card of a blue reclining female nude, with invitati](https://cdn.globalauctionplatform.com/c781b44d-75b4-4d5e-af4e-b1d400b8f60c/04354ea1-0be4-41a9-9dd8-b1dd016d80e7/468x382.jpg)
[Emin, Tracey] 2014 Tracey Emin high quality inkjet print on silver-edged card of a blue reclining female nude, with invitation letter to her brother Paul Emin. This very limited edition print was only produced for these personal invitations to close friends and family. The Jay Jopling invitation is for the preview of Emin’s exhibition ‘The Last Great Adventure is You’ at White Cube Bermondsey. Also with an invitation to a launch party
Edgar Degas (1834 Paris 1917)Les amoureuxUm 1879Vernis mou und Radierung auf festem Japan8,2x7,1 cm, Plattenkante; 27,8x21 cm, BlattgrösseSignaturRückseitig mit dem roten Stempel der Vente Degas "Atelier Ed. Degas"WerkverzeichnisReed/Shapiro 45Delteil 44ProvenienzVente Degas, Estampes, Paris, 22.-23. November 1918, Nr. 109Slg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913bAusstellungenBoston/Philadelphia/London 1984/1985, Museum of Fine Arts/Museum of Art/Arts Council of Great Britain-Hayward Gallery, Edgar Degas: The Painter as Printmaker, Kat. Nr. 45Vevey 1998, Musée Jenisch, Degas et Pissarro, Kat. Nr. 49ZustandSehr schöner Druck, rückseitig Spuren alter Montierungen, in tadelloser GesamterhaltungErläuterungenReed/Shapiro nennen den Druck einen "experimental print", weil Degas wohl verschiedene Medien kombinierte, um neben der Dame schemenhaft eine zweite Person anzudeuten. Das Blatt wird daher auch "Les amoureux" genannt. Es ist eine geheimnisvolle Arbeit, die im Nachlass des Künstlers verblieb und 1918 in der Atelier-Auktion verkauft wurde. Es sind lediglich zwei Exemplare bekannt.MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)12.09.2024; 10:15 h (MEST)VersandkostenSchweiz / Switzerland: CHF 115.-Europa / Europe: CHF 185.-Übrige Länder / Other countries: CHF 235.-
Camille Pissarro (Charlotte Amalie 1830 - 1903 Paris)Port de Rouen (Saint-Sever)1884Radierung, Schaber und Kaltnadel auf Bütten mit Wasserzeichen14,8x19,4 cm, Plattenkante; 27,5x36 cm, BlattgrösseSignaturLinks im Unterrand von der Hand des Künstlers in Bleistift "1er état Nr. 1 / Port de Rouen (St-Sever) / cuivre épreuve unique". Und im Unterrand, wohl für Delteil bestimmt, mit dem Vermerk "à reproduire"WerkverzeichnisDelteil 45. Ergänzung "Print Quarterly", Vol. 19, 1932, S. 66ff. Dort wird dieser Druck als einziges Exemplar erwähnt, aber mit der wohl irrtümlichen Vermutung, dass es sich um einen I. Zustand von Delteil 46 handeltProvenienzAuktion Galerie Kornfeld, Bern, 15. Juni 2017, Los 459Auktion Swann Galleries, New York, 10. März 2022, Los 83ZustandMit breitem Rand und rückseitig mit Montierungsresten. In tadelloser Druckqualität und ErhaltungErläuterungenWohl das einzig bekannte Exemplar dieser wichtigen Hafenansicht, entgegen der Angabe bei Delteil, dass es 9 spätere Drucke gibt. Diese Information wird im Text von "Print Quarterly" korrigiert.MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)12.09.2024; 14:50 h (MEST)VersandkostenSchweiz / Switzerland: CHF 115.-Europa / Europe: CHF 185.-Übrige Länder / Other countries: CHF 235.-
Gerard Byrne, Irish b.1969 - ITN4004, 2003; Fuji Crystal archive print on paper, 50 x 60.3 cm (ARR) Provenance: with Green on Red Gallery, Dublin (according to the inscribed label attached to the reverse of the frame); private collection, London, purchased from the above in 2004 Note: according to the previous owner this work is 2 from an edition of 4
Norman Adams RA, British 1927-2005 - Rain over the Sea, 1970; watercolour on paper, signed with initials and dated lower right 'N.A. 70', titled lower left 'Rain over the sea', 24.5 x 30.8 cm: together with a print on paper by Norman Stevens, British 1937-1988, 'Lillies', 19.6 x 27.2 cm (ARR) (2)
Carol Bove, American b.1971 - Netting, 2010; polymer gravure on Magnani Litho 350gsm paper, signed, dated and numbered on the reverse 'Carol Bove 2010 24/60', 35.5 x 51.5 cm (image) Provenance: Cubitt Artists Curators’ Choice Print Box; private collection, London, gifted from the above on their retirement as Trustee in 2016
T-REX - plus THE DAMNED - Original Handbill flyer in very good condition. 1977 Off white paper with purple print. Dates from March 10th to 18th. It measures approx 15cm by 21 1/4 cm. Tyrannosaurus Rex fronted by guitarist/vocalist Marc Bolan (born Mark Feld). They became glam rock pioneers and shortened their name to T. Rex in 1970. They had a series of top ten hits in the UK, including four number one singles. In America, the group only had one major hit - "Bang a Gong (Get It On)". The Damned English punk band formed in 1976 by Dave Vanian (vocals), Brian James (guitar), Ray Burns aka Captain Sensible (bass then guitar), and Chris Millar aka Rat Scabies (drums).The group was the first British punk band to release a single (New Rose in 1976). They turned to a more psychedelic and gothic sound in the 1980s
Loading...-
314783 item(s)/page