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Lot 1
A Meissen chinoiserie group circa 1755 modelled by J.J. Kaendler, P. Reinicke and F. E. Meyer, as a seated lady in a yellow ground coat patterned with indianische Blumen over a puce skirt, her right arm supporting a young boy dressed in a puce-lined coat and turquoise breeches sitting on her lap holding two drum sticks, set on a mound base with encrusted flowers and leaves in striped magenta, yellow and red crossed swords in underglaze-blue 14cm., 5in. cymbal and fingers on left hand missing, figure to left missing, some other damage and restoration This group is one of a series of chinoiserie groups modelled between 1750 and 1755. It may be based on a print after Francois Boucher, whose work is known to have inspired other groups from this series, often referred to as the 'Les Delices de L'Enfance' series Literature A similar model was sold at Sotheby's, London, 15th June 1993 lot 209
Lot 1
A Sunderland-type lustre jug, possibly made at Newcastle, printed in black on either side with two verses 'To a Freind' [sic] and 'The Sailor tost [sic] in stormy seas' and with a print of 'A West View of the Iron Bridge at Sunderland' on the front, all enamelled in green, yellow and dark red, surrounded by pink lustre framing, the spout and neck also decorated with dragged pink lustre, height 18.7cm, unmarked, circa 1830-50 (star crack in base, chips to rim and lower handle, chips to the glaze over the surface)
Lot 1
A Mason's Patent Ironstone China jug and dish: the jug of typical octagonal shape with a crabstock handle decorated with a highly coloured print of Chinese figures with remnants of gilding to the rim, height 16.1cm, black-printed crown and drape mark, circa 1820-30; the dish with sponged base, decorated with a design of a Chinese family at tea, extensively coloured, length 31.6cm, black-printed crown and drape mark (no name) and circular impressed mark 'PATENT IRONSTONE CHINA', circa 1813-25. See Godden, 'Mason's China and the Ironstone Wares', plates 206, 260 and 261 for these two patterns on a bulb pot and two punch bowls
Lot 1
A Winding Road pattern dinner plate, possibly by the Leeds Pottery, printed in blue with the continental scene and usual border of stiff leaves and passionflowers, diameter 23.8cm, unmarked, circa 1820-30 (very small chip in rim) See Little 98 for a marked plate; also FOB64 for an original print identifying the scene as Ponte del Palazzo, near Florence
Lot 1
A Stevenson's Acorn and Oak Leaf Border series tea plate, printed in blue with a scene identified as the Rookery in Surrey, within the usual series border, diameter 16.3cm, printed mark with incorrect title for Gubbins in Hertfordshire, circa 1820-30. See Coysh & Henrywood 1 page 307, for other plates by Adams and Riley with the same view together with the original source print
Lot 1
A Springer Spaniel pattern dinner plate attributed to Ralph Stevenson, printed in blue with the scene of the dog flushing a gamebird from cover, within a wide floral border, diameter 24.9cm, unmarked, circa 1820-30. See Coysh & Henrywood 1 page 346, for this pattern on a soup plate and details of the attribution and source print; a marked dish was sold in these rooms during September 2001
Lot 1
A Rogers Greek Statue pattern well-and-tree meat dish with matching vegetable dish, both printed in blue with the classical scene, the meat dish length 52.3cm; the square vegeatble dish with lion knop to domed cover, width 23.1cm, both with impressed maker's mark, circa 1815-30 (meat dish cracked and roughly repaired, cover cracked and chipped, base with chipped footrim) See Coysh 2/78 for this pattern on a dinner plate; also FOB64 for the source print titled 'Ruins of Athens'
Lot 1
A Monk's Rock series meat dish attributed to Minton, printed in blue with the identified scene of the Monk's Rock at Tenby with a bathing machine in the foreground, all within the usual floral border, length 47.6cm, unmarked, circa 1820-30. See Priestamn, pages 127-137 for full details of this series including an illustration of a similar dish and the original source print; also Coysh & Henrywood 1 page 251 for a similar but smaller dish
Lot 1
A selection of Wild Rose pattern dinner wares, all printed in blue with the scene of Nuneham Courtenay and the usual floral border, comprising two meat dishes, lengths 47.1 and 37.8cm, two dinner plates, diameter 25.1cm, and a sauceboat, all unmarked, circa 1830-50. See Coysh & Henrywood 1 pages 399-401 for information on this popular pattern and its makers together with a copper plate and possible source print
Lot 1
A Copeland & Garrett Indian Sporting series vegetable dish, printed in blue with 'Hunting a Buffalo' within the usual series strip border of animals, length 27.7cm, printed and impressed 'New Blanche' marks with printed title, circa 1833-40 (crack in one corner, no cover) See Drakard & Holdway P904-5 for this scene on a meat dish and P904-6 for the source print
Lot 1
Three children's plates with guardian angel prints: one by J. & G. Meakin, the rim moulded with wheatear, tulip and lily-of-the-valley, the centre printed in black and enamelled in colours with a scene and verse 'I lay my body down to sleep ...', diameter 15.8cm, impressed mark; another with a moulded rim of arches and union flowers, the centre printed in brown with a scene and verse 'Hush my dear lie still and slumber ...', diameter 17.4cm, unmarked; the third with a daisy-moulded rim and similar central print enamelled in colours, diameter 19.1cm, unmarked; generally circa 1845-70 See Riley, 'Gifts for Good Children', plate 914 for a related Meakin plate, and plates 915-6 for similar central prints
Lot 1
Four assorted children's plates: one with daisy-moulded rim and a central print from 'The Bottle' series, unmarked; an octagonal plate registered by Bailey & Ball with a centre of a 'Missionary', printed registration mark for 1847; a plate with a floral-moulded rim and a brown-printed centre 'Summer's sun is warm and bright ...', unmarked; and a Pountney & Goldney plate with painted flowers on the rim and brown central print 'At twelve years old he talk'd with men ...', impressed mark; diameters between 15.7 and 19.9cm, mid-19th century (some faults) See Riley, 'Gifts for Good Children', plates 1063 and 1066 for other scenes from the same 'The Bottle' series, and plate 978 for a similar 'Missionary' plate
Lot 1
George Frederick Watts O.M., R.A., 1817-1904 A COLLECTION OF EARLY WORKS, INCLUDING: PORTRAIT OF ADMIRAL LORD LYONS; A BOY ON HORSEBACK (AFTER STUBBS); THE DEATH OF THE STAG (VERSO, STUDY OF A CLASSICAL HERO); STUDIES OF A GREYHOUND; TWO VARIANT STUDIES FOR THE GOOD SAMARITAN; LUCRETIA; APPROXIMATELY TWENTY-THREE COPIES AFTER OLD MASTERS (INCLUDING TITIAN, DEL SARTO, VAN DYCK, TINTORETTO); STUDY FOR JACOB AND ESAU; A RECLINING LADY, one inscribed l.r.: Admiral Lord Lyons; another signed and dated l.l.: Geo. F. Watts Del. Sep. 1831.; bears an inscription on an old label pasted to the reverse: A copy from a drawing/ by Stubbs made by Signor/ aged thirteen/ He remembered copying the print/ stroke for stroke, two pen and ink; another pen and ink with wash; one pencil and white chalk; approximately 26 watercolours; one oil on canvas; one pencil, sold with eight watercolour landscapes by Mary Watts, largest 14x33cm.; 5Ix13in. (39) Exhibited Laing Art Gallery, Newcastle-Upon-Tyne, George Frederick Watts Memorial Exhibition, August 1905 no.205 (Portrait of Admiral Lord Lyons 1850)
Lot 1
The sea chest of Captain Thomas Manners (1750-1824), dimensions 33" x 17" x 133/4", of skin covered wooden construction with traces of fur, edges bound in brass studs, gilt brass folding carrying handles, iron strip binding overall. In the top centre an oval brass disc engraved with the family crest - a peacock in pride. Keyed lock on front (no key). Interior of blue patterned paper, the inside lid with a coloured print of the Royal George engraved after a drawing by Thomas Baston. Generally worn overall with signs of old worm holes. See inside front cover.These lots to be viewed by appointment only.
Lot 1
After Yosl Bergner- Two figures in hats by a tree of birds; reproduction print in colours, signed in Hebrew and numbered 177/250 in pencil, 42x29.3cm: Yakonsky- Rabbis in a Synagogue; black felt tipped pen, signed in Hebrew and dated 1971: together with a pen and watercolour drawing of a dancer and two other pictures by different hands, (5), (part unframed)
Lot 1
Lombardi, Brighton- An albumen print of a lady seated full-length at a table with a book, arched gilt mount, gilt gesso inner frame, plush velvet lined mahogany box frame outer, 45.7x40.6cm: British School early 20th century- 'The East Gate Exeter Entry of the Judges of Assize, 1784'; gouache: together with a silhouette portrait of Thomas Clough, 1712-1786, and an oval stipple engraving, (4)
Lot 1
Suzanne Humbert- "Le quatorze Juliet"; lithograph in colours, signed and numbered 62/65 in pencil, 32.7x43cm: Jean Francois Raffaelli- "La Neige, Soleil Couchant"; etching printed in colours, signed in pencil, both bear Redfern Gallery Labels verso: together with two etchings by Margery Perret, one bearing Zwemmer Gallery label, and a reproduction print after George Harcourt, (5)
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314766 item(s)/page