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Lot 1068
From the private collection of the recently deceased John Fabb of A.R. Fabb, a maker and supplier of military and sci-fi costume patches and crests for the film industry. Over the course of his career, John worked closely with John Mollo, known for his award-winning costume work for the Star Wars film series, Berman and Nathans, and costume designers from films such as Alien (20th Century Fox, 1979) and Superman (Dovemead Ltd., 1978). A group of approximately 50 ephemera items related to various movies starring Sean Connery. This lot includes seven concept sketches/inspiration sheets of paper, and a single beaded patch related to The League of Extraordinary Gentlemen (Angry Films, 2003); seven color photo prints, a black and white magazine clipping, and a color photo print on cardstock (with a print of Stanley Kubrick's Barry Lyndon on back), related to The Man Who Would Be King (Columbia Pictures, 1975); and one color photo print, nine concept sketches/designs, and a film book titled Robin and Marian related to the 1975 film of the same name.9.25 x 12 inches (largest)
Lot 1118
A limited edition (257/300) Roy Lichtenstein three-color print poster for the 1967 Aspen Winter Jazz Festival, numbered and signed by Lichtenstein to the lower left corner.Accompanied by a 1975 receipt from The Elaine Horwitch Gallery listing the poster and Satya de la Manitou, his close friend and supporter, as the consignor.The pair's relationship is explored in Nick Ebeling's documentary film Along for the Ride (The Orchard, 2017).41 x 27.25 inchesPROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1131
A limited edition (18/450) Roy Lichtenstein designed three-color silscreen with foil print poster for the 1968 Minnesota Theatre Company production of the play Merton of the Movies, numbered and signed by Lichtenstein to the lower left corner.The poster can be seen in the background during the filming of The American Dreamer (Corda Productions, 1970), which documented Hopper and his circle in Taos, New Mexico.PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1139
An advertising print plate for The Monkees film, Head (Columbia Pictures, 1968).Head was produced by Bert Schneider's Raybert Productions, which was also responsible for Easy Rider (Columbia Pictures, 1969), among others.11.75 x 10.75 inchesPROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1146
A group of six black and white photographs taken by Dennis Hopper, together with one black and white print of an assemblage.The photos depict a storefront with mannequin, modified phrenology model head, and an assemblage, and each is accompanied by a photo of the photo in a gallery setting.The photo of the phrenology head in the gallery and the assemblage print both feature extensive scribbling and writing on the verso.8.25 x 10.25 inches (largest)PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1147
An original black and white photograph taken by Dennis Hopper of framed artwork of rocks hanging in a gallery. Together with a print of a segment of the rock artwork that has been labeled '11" object on left side / canvas" on the back. Together with a poster advertising a Dennis Hopper show at the Primus-Stuart Galleries on La Cienega Blvd. in Los Angeles.17 x 11 inches (largest)PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1219
A pair of vintage African-print tunics, personally-owned by Dennis Hopper. This lot includes a cotton, multi-colored, long-sleeved tunic with an African-print throughout, a mock neck, and side slits, no size or label present; and a cotton, multi-colored tunic with a gradient African-print throughout, a slit neckline, flared quarter-length sleeves, and side slits, no size or label present.PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1235
A matted and framed limited edition "Derelict" 12-color serigraph print (9/35) from the personal collection of Dennis Hopper, numbered and signed by artist Paul Gallagher in pencil.16.25 x 21 inches (framed); 9 x 11 inches (sight)PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1238
The square plexiglass frame that housed Andy Warhol's "Mao" screen print, shot two times by Dennis Hopper in his home in the late 1970s.According to Alex Hitz (family friend and trustee of Hopper's estate): "One night in the shadows, Dennis, out of the corner of his eyes, saw the Mao and he was so spooked by it that he got up and shot at it twice, putting two bullet holes in it. Andy saw it [and] loved it." Together, Warhol and Hopper circled the bullet hole to the lower right and labeled it "warning shot" and did the same for the bullet hole to the upper center (which pierced Mao's image through the left eye), labeling it simply "bullet hole."Includes the original backing board which has been inscribed "For Dennis Hopper / With Love / 25 Feb, 1976" by artist Edmond Gaultney, as well as a small reproduction of the print once contained by the frame.36.25 x 36.25 inchesPROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1263
A collection of posters that belonged to Dennis Hopper. Included are a poster for "An Evening with Salvador Allende," a print of Picasso and his assistants, an illustrated poster featuring a poem by Jack Hirschman, a poster of the bank Lynyrd Skynyrd, a vintage poster for the film Painting The Clouds With Sunshine (Warner Brothers, 1951). A collection of correspondence includes a copy of an unsigned typewritten letter to Hopper, dated February 5, 1971, reminding him to fill out and mail in his "Academy nominating ballot," a copy of a telegram, dated Jannuary 30, 1970, informing Hopper that the International Laurel Awards Poll had voted hiim the number five position in the "top ten new stars," copies of letters Hopper mailed to studio executives, a solicitation letter from an aspiring cinematographer attached to a glossy photograph of a nude woman, letters from publicists seeking to represent Hopper.Also included is a binder featuring a business model for an Italian restaurant with correspondence sent to Hopper and a copy of a photo he signed to the owner, a mockup for a KPFK Annual Annual in which Hopper contributed photography, vintage fact sheets about IMAX projection, programs and flyers for various film festivals, various studio press releases, and a pressbook for the film version of The Concert For Bangladesh (20th Century Fox, 1972).12 x 11 x 15 inches (overall)PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1281
Press materials for the films Dirty Dingus Magee (MGM, 1970), Fritz the Cat (Cinemation, 1972), and Vanishing Point (20th Century Fox, 1971) addressed to Dennis Hopper at The El Cortez Theater in Taos, New Mexico, including: press books (some with portions clipped out, perhaps to be used by Hopper in his collage and assemblage work), an advertising print plate, and an exhibitor's merchandising manual.11 x 14.5 inches (largest, folded)PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1304
A group of six photographs taken by Dennis Hopper with Kodak projection print scale wheels at the center.Introduced to photography by James Dean in the 1950s, Hopper took up the camera as a way to develop his eye. He would take, sell, and publish thousands of photos over the course of his lifetime.11 x 14 inchesPROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1373
A rectangular portion of an exhibition art piece owned by Dennis Hopper. A glossy black and white print adhered to cardboard features a bearded man with a tassle, with a flag and part of a series of circles. "1 A Top" is written on the back in ink.19.5 x 3.25 inchesPROVENANCE Property from the Life and Career of Dennis Hopper
Lot 1379
A group of four vintage t-shirts, personally-owned by Dennis Hopper. This lot includes a brown cotton-blend, short-sleeved t-shirt with a white printed graphic on the front that reads, " WANT AD: FAR-OUT DUDE. Like's sailing, sunsets, poetry & dancing. Desires meaningful relationship," labeled "Devknit," size M; a black, 100% cotton, short-sleeved t-shirt with a graphic of what appears to be Toshiro Mifune holding a sword in The Samurai Trilogy film series, and reads "Mifune Coolidge Corner Moviehouse," labeled "Hanes," size M; a gray cotton, short-sleeved t-shirt with a graphic print that reads, "CAL-NEVA nuclear power authority - Linear Valley" on the front, and "Shakey Pictures Human Highway" on the back, related to the 1982 film Human Highway, label is faded from age, no size present; and a navy blue cotton, short-sleeved t-shirt with a white horshoe graphic and text that reads, "The Osterman Bunch" on the front, likely related to the 1983 film The Osterman Weekend and "Who hung in when it counted - [orncias]" on the back, label is faded from age, no size present. PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 143
An original precogs machine square prop as seen used in Steven Spielberg's Minority Report (20th Century Fox, 2002) starring Tom Cruise.Cruise plays, "John Anderton," Chief of the Department of Pre-Crime in the futuristic District of Columbia, which uses technology to read the minds of "precogs," people who can predict future crimes and stop them before they happen.In the film, the names of the perpetrator and victim are read from the precogs' minds and carved on to wooden balls which are delivered to the police. This style of prop can be seen in the film's opening moments, when a machine carves one such ball from a wooden cube. The wooden cube is framed with a film poster art print and a Certificate of Authenticity from 20th Century Fox on which "MIR1089 Pre-Cog Square Prototype" has been handwritten.23.75 x 10.75 x 1 inches (frame); 2 x 1.75 x 1.75 inches (cube)
Lot 343
An outfit for Emily Bergl as "Rachel Lang" in the thriller The Rage: Carrie 2 (United Artists, 1999).The outfit includes an oversized grey, cotton-blend t-shirt with a graphic print of the band Garbage posing in front of their star on the Hollywood Walk of Fame, with "Garbage Tour '96" printed on the back, no size or label present; and a pair of blue, green, and black, 100% cotton plaid pants with a drawstring waist, front zipper, two side pockets, and two back pockets, no label, handwritten in black ink on the care instructions reads, "Rachel," size M. The Rage: Carrie 2, the sequel to the 1976 film starring Sissy Spacek, follows Rachel Lang, the half-sister of telekinetic (and now deceased) Carrie White, who after learning she has the same gift as Carrie, suffers a similar fate when learning her best friend's suicide was caused by their popular classmates.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 4
A limited edition (257/500) lithograph print depicting seven characters from Star Trek (Desilu Productions, 1966-1969), signed by the corresponding cast members: Walter Koenig ("Pavel Chekov"), Nichelle Nichols ("Nyota Ahura"), DeForest Kelley ("Leonard McCoy"), William Shatner ("James T. Kirk"), George Takei ("Hikaru Sulu"), Leonard Nimoy ("Spock"), and James Doohan ("Scotty").28 x 22 inches
Lot 459
An ensemble as seen worn by the stunt double of Cameron Diaz as "Natalie Cook" in the action/comedy Charlie's Angels: Full Throttle (Columbia Pictures, 2003). Together with a costume tag. The ensemble includes a red 100% silk, off-the-shoulder blouse with a navy and cream floral print, scalloped trim, arm slits, and navy blue ribbon ties on each bottom sleeve, with a label that reads, "It's all possible" and "Breathe the stars," no size present; a pair of grey denim flare pants, with a low waist and zipper pocket on the right leg, labeled "YA-YA" with "Donna Stunt" handwritten in black ink, size 8; a black padded bustier vest with Velcro closures and a blue satin interior lining, with "Natalie" handwritten on a cream label in the interior, no size present; and a black bustier bra with strap attachments, labeled "Wacoal," size 34B. Charlie's Angels: Full Throttle, the second installment in the reboot film series, follows the Angels as they must solve a series of murders following a security breach in the WPP (Witness Protection Program) server. The ensemble is featured in the scene filmed at Griffith Park, where the Angels learn that Madison Lee (Demi Moore) is the true mastermind. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 543
From the private collection of the recently deceased John Fabb of A.R. Fabb, a maker and supplier of military and sci-fi costume patches and crests for the film industry. Over the course of his career, John worked closely with John Mollo, known for his award-winning costume work for the Star Wars film series, Berman and Nathans, and costume designers from films such as Alien (20th Century Fox, 1979) and Superman (Dovemead Ltd., 1978).An original John Mollo costume sketch print related to Stanley Kubrick's war/adventure film Barry Lyndon (Warner Bros.,1975) starring Ryan O'Neal and Marisa Berenson. The sketch depitcs a Prussian Infantry Officer, c. 1750, with various costume notes such as "white gaiters for dress. black for service" and "silver embroidery and loose tassels." 12.75 x 17.5 inches
Lot 608
A screen-matched ensemble worn by Helen Mirren in Woman in Gold (BBC Films, 2015), together with a costume tag from the production. The ensemble includes an Anna Cardian grey, cotton long sleeve button front cardigan sweater, House of Hackner blue with white print cap sleeve blouse, and beige Brooks Brothers skirt. In the fact-based film, Mirren plays Maria Altmann, an elderly Jewish refugee living in California who fights a lengthy legal battle against the Austrian government to take back a priceless painting which the Nazis stole from her family. Mirren wears the ensemble in the scene where lawyer Randy Schoenberg (Ryan Reynolds) visits her at the boutique she runs to express interest in taking her case.Size 8 (skirt)
Lot 725
An ensemble as seen worn by Katharine Towne as "Sinead" in the comedy/drama But I'm a Cheerleader (Cheerleader LLC, 1999).The checkered green and cream apron features a floral print, a single front pocket, and a tie waist. No size or label is present.But I'm a Cheerleader follows high school cheerleader Megan (Natasha Lyonne), who is sent off to conversion therapy after her friends and family begin to suspect she is a lesbian. Towne, as Sinead, wears the apron while cleaning during "Phase 2" of the program. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 735
A blouse for Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The sheer button-down blouse features a pink and black medallion print. No size or label is present.Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.Link to image of Vega wearing the blouse available upon request. PROVENANCE From the Collection of Reel Clothes and Props
Lot 744
A nightgown for Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The white, 100% cotton midi nightgown features a pink, blue, and green floral print with a six-button closure neckline and short sleeves. Labeled "Aria."Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English. The nightgown was featured in the film's trailer. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.Size SmallPROVENANCE From the Collection of Reel Clothes and Props
Lot 746
A set of sleepwear as seen worn by Paz Vega as "Flor" in the romantic comedy Spanglish (Columbia Pictures, 2004).The cotton slip features lace trim and thin straps, labeled "Calvin Klein," no size present. The pink, 100% cotton bathrobe features a magenta, yellow, blue, and green floral print, with two front pockets and a tie belt, labeled "Lati Fashion," size S. Spanglish follows Flor and her daughter Christina, who migrate to the U.S. for better opportunities. When Flor finds a job as a housekeeper for the Claskys, a dysfunctional family that adores her daughter Christina, the two agree to move in with the family to their Malibu vacation home for the summer, even though Flor does not know English. Flor wears the outfit at the beginning of the film, while she and her daughter are still living in Mexico.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 775
An ensemble as seen worn by Keanu Reeves as "Theodore 'Ted' Logan" in the adventure/comedy Bill and Ted Face the Music (Hammerstone Studios, 2020). Together with two costume tags. The ensemble includes a crimson cotton button-down featuring an abstract print, with a single breast pocket, no size or label present; a gray, double vent suit jacket with three front pockets, two interior pockets, and gray plastic buttons, no size or label present; a pair of matching gray suit pants, no size or label present; a pair of navy blue socks with a yellow smiley face pattern, no size or label present; and a pair of slate gray Converse Chuck Taylor high-top sneakers, with "Hero 2" handwritten on the interior of each sneaker, size US 10. Bill and Ted Face the Music, the third film in the series, follows aging musicians Bill and Ted, who must write the ultimate song to unite the human race before the space-time continuum is destroyed.
Lot 778
A screen-matched framed print of Geronimo which hung on the wall in the seating area behind the bar on the set of the classic sitcom Cheers (NBC, 1982-93). The verso of the wooden frame features a picture of a wooded cottage and the Cheers logo.The print originally hung in the dressing room of Nicholas Colasanto, who played bartender "Coach" Ernie Pantusso in the series' first three seasons. After he died in 1985, his character passed as well (he was replaced by Woody Harrelson as Woody). The print was moved to the show's set and can be seen in many scenes throughout the series beginning in its fourth season. At the end of the touching series finale, Sam Malone (Ted Danson) straightens the picture while closing the bar for the last time. On the final episode of the beloved series Ted Lasso, Mae (Annette Badland), a sports-loving pub owner and bartender who is one of Coach Ted Lasso's only early supporters, straightens a print of the same picture of Geronimo, paying homage to Cheers and Colasanto.Colasanto was a WWII veteran who planned to have a career as a bookkeeper and accountant until he was inspired by Henry Fonda's performance in Mister Roberts (Warner Bros., 1955) to pursue acting. After rejection from the American Academy of Dramatic Arts, he ultimately became a successful actor and television director. He was most well known for his role on Cheers but also appeared in films like John Huston's Fat City (Columbia Pictures, 1972), Alfred Hitchcock's Family Plot (Universal Pictures, 1976), and Martin Scorsese's Raging Bull (United Artists, 1980), his final major film role. Television shows he directed included Hawaii Five-O (CBS, 1968-80), Starsky & Hutch (ABC, 1975-79), Bonanza (NBC, 1959-73), Columbo (NBC, 1971-78), and CHiPs (NBC, 1977-83). Includes a DVD of the final episode.21.25 x 17.25 inches (frame); 19.5 x 15.5 inches (sight)
Lot 789
A production costume for Fran Drescher as Fran Fine from the The Nanny (CBS, 1993-1999), Season 6 Episode 19, "Maggie's Wedding."David Hayes silk pink and black digital-hounds-tooth-print-shift-dress, with a lapped seam at the center front, crew-neck line, light-padded-shoulders, with bracelet length sleeves, concealed zipper at the back with a loop-button fastening at the nape of the neck. The dress is lined in bubble-gum pink silk, the designer label on the neckline reads, "DAVID HAYES," marked a size 8, fabric content tag lists the fabric as 100% silk. The dress, although not used in filming, was a part of an ensemble, the jacket of the ensemble was worn in the episode but with a Christian Lacroix dress. Fran wears the pastel pink silk jacket with digital-houndstooth-print accents at the cuffs, front pockets, and lapel. Fran is helping her step-daughter Maggie shop for a wedding dress. Fran comforts Maggie about her upcoming wedding and how to relay her happiness to her father, in a comedic, heart-warming episode in the final season.Davis Hayes was an actor-turned-designer, starring in musical productions abroad, he lived in Paris for three years, and during his time in the city he developed an interest in fashion and upon returning to Los Angeles enrolled at UCLA and earned a degree in Fashion Design. He worked for the clothing manufacturer DeGraff of California as lead designer for seven years and then started his label. Hayes designed well-tailored garments and separates, which became a staple for many actresses like Audrey Hepburn, Joan Collins, and the Gabor sisters, sold in luxury department stores like Neiman Marcus and Saks Fifth Avenue.Size 8PROVENANCE From the Collection of Reel Clothes and Props
Lot 790
A Christian Lacroix two-piece ensemble as seen worn by Fran Drescher in The Nanny (CBS, 1993-1999) Season 5 Epsiode 21, "The Best Man."A two-piece Bazar de Christian Lacroix ensemble, cropped jacket and matching high-waisted-mini-skirt with multi-color geometric square print. The jacket and skirt are made of an acetate-cotton blend, a mix of soft and dark colors: pinks, reds, orange, and brown. The jacket is fitted and cut at the waist, features a dramatic peak lapel, structured/padded shoulders, and asymmetric two-button closure, the buttons are two-tone, gold with red enamel. The interior is lined with a script pattern in orange, pink, and red. The skirt is A-line with 18 welt seams to keep the interior fan pleats secure. There is a hidden seven- and half-inch zip closure at the back with a hook-and-eye fastener. The label reads, "Bazar de Christian Lacroix," marked a size 40.The ensemble appears in season five, episode twenty-one, "The Best Man." Fran finds herself in a hot water, her fiancé Maxwell Sheffield's brother is in town for their wedding, who she hasn't seen since they almost eloped in season four. Even when Fran is in a tight spot, she always serves stylish looks that are as vibrant as her character.Christian Lacroix started his brand in 1987 and his diffusion line in 1994. Lacroix's designs had elevated craftmanship along with bold colors and patterns, until the label closed in 2008; his designs are still highly sought after for their opulence and extreme editorial design, his fall/winter 1988 collection featured a Byzantine cross-embelished-jacket, his design was on the cover of American Vogue, the piece was paired with blue jeans, this was Anna Wintor's editorial debut for the magazine, November 1988.This lot comes with a DVD season five box set. PROVENANCE From the Collection of Reel Clothes and Props
Lot 799
Two bold printed jackets as seen worn by Wendi McLendon-Covey as Beverly Goldberg in the television production The Goldbergs (Sony Pictures Television 2013-2023) Season 1 Episode 10 “Shopping.”Two jackets with bold large-scaled prints as seen worn by Wendi McLendon-Covey on the sitcom's first season. One jacket is a baroque-print cotton-faille jacket with the label “Carla Kops Jeans,” size 3. The other jacket has a scaled red rose print on a cotton faille with a label reading, “Bergamo Studio,” size 12.These jackets were worn by Wendi McLendon-Covey as Beverly Goldberg, in an episode where her daughter gets her first job at a retail store in the mall. Beverly in the show thinks she is entitled to special discounts and treatment, leading her daughter to create a shoplifting setup, where her mother will be banned from the store.PROVENANCE From The Collection of Beverly Goldberg
Lot 800
Two 1980s nautical novelty sweaters as seen worn by Wendi McLendon-Covey from the production The Goldbergs (Sony Pictures Television, 2013-2023).Two hand-knit cotton novelty sweaters with nautical motifs. One is a Berek sweater with a V-neck featuring a large ship on the front and a popped bottle of champagne with glasses on the back. The second sweater has a Jack Be Quick New York City label, this is an intarsia knit with helms, anchors, and dolphins featured throughout, both sweaters are marked size large. Both items come with hand-written index cards by Beverly Goldberg documenting the sweaters, the Berek card reads, “Worn By Real Beverly Goldberg on ‘The Goldberg Girls’ Season 5 Episode 11, Also Worn By Me (1980-) And Wendi.” The Jack Be Quick sweater’s index card reads, “Worn By Real Linda Schwartz- Goldberg Girls, Episode, Season 5 Episode 11.”Both these sweaters were worn multiple times during the series by Wendi McLendon-Covey, who played a fictional Beverly Goldberg, this particular episode guest starred Beverly and her long-time friends who also have fictional counterparts in the show.This lot comes with wardrobe tags and photo-print-outs of production images with Beverly Goldberg's hand-written notations.PROVENANCE From The Collection of Beverly Goldberg
Lot 831
A set of pajamas as seen worn by Jonathan Lipnicki as "George Little" in Stuart Little 2 (Columbia Pictures, 2002).The raglan-style top features a mint green shade on the body, and a hunter green on the arms, no size or label present. The cotton-blend, forest green pajama pants feature a rustic cabin print and an elastic waistband, no size or label present.In the opening of the film, George wears the pajamas in bed while attempting to wake up in the morning.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios. PROVENANCE From the Collection of Reel Clothes and Props
Lot 832
An ensemble as seen worn by Julia Sweeney as "Mrs. Keeper" in Stuart Little (Columbia Pictures, 1999).The ensemble includes a polyester-blend, lemon yellow button-down shirt with a Peter Pan collar and yellow buttons, no size or label present; a blue, polyester-blend button-down blazer with an allover bug print as well as teal buttons, two front pockets, and a nylon interior lining, with a matching pencil skirt, no sizes or labels present.In the film, Sweeney as Mrs. Keeper can be seen in the ensemble when the Little family comes back to visit the orphanage they found Stuart in. After Stuart decides to live with the people he believes are his "biological parents," the family learns from Mrs. Keeper that his real parents were killed years back, and the people who took Stuart are dangerous kidnappers.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Lot 842
A silver gelatin print of pre-fame Marilyn Monroe, circa 1946, taken by photographer Andre de Dienes. The image features Monroe, then known as Norma Jeane Baker at the beach wrapped in a dark blanket, smiling, with her hair blowing in the wind. The print is matted in a frame. De Dienes' stamp is on the back of the print in two places.Accompanied by Certificate of Authenticity.22 x 26.5 x 1.75 inches
Lot 845
A black and white photograph of Marilyn Monroe wearing a swimsuit kneeling on a beach in Tobay Beach (Tobay being an acronym for Town of Oyster Bay) in Long Island, NY in 1949 by André de Dienes. The photograph is a later print with a semi-gloss finish and on double weight paper.14 x 11 inches
Lot 899
A vintage gelatin silver portrait print on double-weight matte paper of Greta Garbo as Rita Cavallini in Romance (MGM, 1930) taken by photographer George Hurrell. Hurrell's photographer blind stamp to the lower right of the portait print.13 x 10 inchesPROVENANCE Lot 148, "Property From The Estate of Greta Garbo," Julien's Auctions (Sale #52), December 14, 2012
Lot 935
A navy and cream dupioni silk dress with polka-dot pattern accents designed for Maureen O'Hara as Min Wead in the film The Wings of Eagles (MGM 1957) starring John Wayne. An original costume design by Walter Plunkett, who designed Maureen O'Hara's wardrobe for the film. The dress has a fitted bodice with princess seams, tailored sleeves, and a fold-over collar with a cream and navy polka-dot print; the print accents the center front of the dress, running from the neckline to the hem. There is a raw hemline probably from the hem coming untacked or it was in the process of being altered for the actress. The skirt of the dress is open and features inverted pleats. The dress has two labels, the bias tape label reads "1701 5369 Maureen O'Hara," and an orange paper MGM label with a handwritten number "26413."The film is based on pilot Frank W. "Spig" Wead who is working to improve the navy's aviation program. His life centers around aviation and piloting, causing his family to take a back seat. One night he becomes paralyzed after falling down the stairs, he turns away from his wife played by O'Hara. He recovers and goes on to write screen-plays on his life as a pilot, but re-enlists during World War II. His patriotic duty is his priority until his health in the end forces him to retire. Walter Plunkett designed all of Maureen O'Hara's costumes in the film; he also designed her costumes as Esmerelda in The Huntchback of Notre Dame.
Lot 962
An original costume for Audrey Hepburn as Jo Stockton in Stanly Donen’s film Funny Face, costumes credited to Edith Head (Paramount 1957). A straw wide-brim hat with tri-color hand-gathered chiffon, designed by Edith Head for Audrey Hepburn and her musical number “How Long Has This Been Going On.” Three colors of mango, cantaloupe, and melon green chiffon are hand-gathered and tacked, appearing like delectable meringues. The underside of the hat’s brim is lined with yellow chiffon, and a wire wrapped in avocado green velvet goes around the lip of the brim to keep its shape and structure. There is a faded stamp on the interior of the dome, reading, “PARAMOUNT.” There is no label or size marker, the brim measures 17 inches in diameter and the chiffon ties measure 70 inches in length (the edges are machine sewn to keep the fabric from fraying. Audrey sings and dances with the hat as she begins to acquaint herself with the world of fashion and questions her feelings that are developing for Fred Astaire’s character Dick Avery. A Cinderella story of a young woman coming into her identity, which Audrey portrays remarkably. The costumes, setting, and romance between Hepburn and Astaire make this Gershwin musical “S' Wonderful.” Hepburn’s Paris wardrobe, while credited to Edith Head was designed by haute couturier Hubert de Givenchy. Audrey’s beautiful gowns, dresses, and outfits are brought to life in this beloved classic. This lot comes with a print of an Edith Head design sketch of the hat being modeled in the film.
Lot 976
An 1960s sleeveless top belonging to Elizabeth Taylor with a novelty print of green deer, blue flowers, and brown base color. The top is embellished with gold corded applique at the collar and hem. No labels or size present.PROVENANCE From the Collection of Jorjett Strumme, Elizabeth Taylor's assistant
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314783 item(s)/page