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Lot 176

David Shepherd, 1931-2017, Shelter, limited edition print, signed in pencil by the artist, 28 x 42cm, together with Shoeing Time, signed by the artist in pencil, print (2)

Lot 519

Peter Newcombe, b1943, March, limited edition print, signed in pencil by the artist and numbered 49/75, together with another by the same hand, October, signed in pencil by the artist and numbered 52/75 (2)Each 38 x 54cm

Lot 599

Valerie Thornton, 1931-1991, Lavenham, signed print, and numbered in pencil 17/250, with gallery blind stamp, together with a map of Paris, print (2)Lavenham 35 x 47cm

Lot 601

David Gentleman, b1930, The Seven Sisters, signed limited edition print, numbered 12/350 in pencil, with gallery blind stamp, 39 x 50cm, together with another of Ickworth, signed in pencil and numbered 69/350 (2)

Lot 61

A collection of early 20th century and later silhouettes and miniature portraits, largest print 16 x 20cm

Lot 76

Irina Ionesco *ARR, b1930, Nu Feminin, circa 1990, signed and dated unique gelatin print, unframed. This image was used as the cover of Nude Magazine, published in 1997

Lot 575C

Stephen Mangan (Scottish Born 1964) Framed Limited Edition Print 4/50 signed 'York Races' 52cm x 65cmCONDITION REPORT:Behind glass in excellent condition

Lot 631

Mian Situ (Chinese born 1953) ARR Framed limited edition print 5/25 'Chinese Family Laundry 1880' 62cm x 93cm

Lot 428

An 1830 Baxter print "Landing of Her Majesty and Prince Albert in Ireland", 10cm x 14.5cm

Lot 2586

John Cyril Harrison, (1898-1985), Partridges in flight over a cornfield, coloured print, signed in pencil to the margin, 41 x 53cm, together with Roland Green, (1890-1972), Canadian Geese in flight, coloured print, signed in pencil to the margin and with gallery blind stamp, 38 x 55cm. (2)

Lot 2605

After Thomas Sherwood La Fontaine, (1915-2009), A Meet at Easton Grey, print on canvas, 80 x 121cm.

Lot 131

A modern oleograph print of ships in gilt frame, 19cm x 39cm

Lot 151

Vincent Haddelsey (1929-2010) Limited Edition print 163/175 pencil signed 54cm x 88cm. "The Royal Wedding"

Lot 242

ROWLAND HILDER (1905-1993): A framed and glazed limited edition print, "The Mill at Harlow, Essex". Pencil signed and No. 87/150, blind stamped. Image size 43cm x 60cm

Lot 295

PETER NEWCOMBE (XX): A framed and glazed limited edition print, "Winter Evening". Pencil signed and No. 21/100. Image size 35cm x 53cm

Lot 299

DAVID SHEPHERD: Framed and glazed print of London, 74.5cm x 49cm

Lot 371

A framed and glazed print of London - "The Bastion of Liberty" published by Pictorial Maps Ltd., 67.5cm x 55cm

Lot 723

HAMISH MACDONALD, SHORE, ULLAPOOL colour print, signed in pencil and numbered 84/600 34cm x 25cm Mounted, framed and under glass

Lot 83

* LEE STEWART (b. 1972), NUDE STUDY print on paper, signed and numbered printer's proof 29cm x 19cm Mounted, framed and under glass.

Lot 197

* LEE STEWART (b. 1972), NUDE STUDY print on paper, signed and numbered artist's proof 40cm x 28cm Mounted, framed and under glass.

Lot 215

* NEL WHATMORE (BRITISH CONTEMPORARY), FLOWERS hand embellished print 91.5cm x 91.5cm Unframed as intended.

Lot 237

ROCCO N?, THE ANCIENT MARINER print on paper, signed, titled and numbered 38/200 60cm x 50cm Mounted, framed and under (broken) glass.

Lot 247

* ALASTAIR W THOMSON (SCOTTISH b 1929), CAFE print on paper, signed and numbered 32/95 50cm x 37cm Mounted, framed and under glass.

Lot 350

GERARD BURNS, GIRL WITH SALTIRE colour print, signed in pencil and numbered 21/29 mounted, framed and under glass 82cm x 82cm overall

Lot 55A

LIMITED EDITION PRINT OF JACK NICHOLSON, signed by R. Chadwick

Lot 63

RICHARD CHORLEY LIMITED EDITION PRINT OF ST. ANDREWS GOLF COURSE, signed by the artist, framed, 58cm x 75cm, along with two other pictures (3)

Lot 2

(See English version below)Larry Sultan (New York 1946 – 2009 Greenbrae, Kalifornien). Antioch Creek, aus der Serie „Homeland“, 2006–2009. 2008C-Print. 101 × 126 cm (127 × 152,4 cm) ( 39 ¾ × 49 ⅝ in. (50 × 60 in.)). Auf der Rahmenrückwand ein Galerieetikett mit gedruckten Werkangaben sowie weiteres Galerieetikett, darauf von Larry Sultan mit schwarzem Filzstift signiert.[2022] Gerahmt. Provenienz: Privatsammlung, RheinlandWir berechnen auf den Hammerpreis 30% Aufgeld.Larry Sultan (New York 1946 – 2009 Greenbrae, California). Antioch Creek, aus der Serie ”Homeland”, 2006–2009. 2008C-print. 101 × 126 cm (127 × 152,4 cm) ( 39 ¾ × 49 ⅝ in. (50 × 60 in.)). On the back of the frame a gallery label with printed work information as well as another gallery label, thereupon signed by Larry Sultan in black felt-tip pen.[2022] Framed. Provenance: Private Collection, RhinelandWe charge 30% premium on the hammerprice.

Lot 9

(See English version below)William Eggleston (Memphis, Tennessee 1939 – lebt in Memphis, Tennessee). H. C. VARNER GRO.[CERY]. 1970Dye-Transfer-Abzug, 1972. 30,9 × 46 cm (40,4 × 50,7 cm) ( 12 ⅛ × 18 ⅛ in. (15 ⅞ × 20 in.)). Im Blattrand unten rechts mit rotem Wachsstift bezeichnet: „Ex 1“. Auf Originalkarton (43 × 51 cm) aufgezogen, rückseitig mit Bleistift signiert und mit Datum des Abzugs.[2005] Provenienz: Privatsammlung, RheinlandWir berechnen auf den Hammerpreis 30% Aufgeld.William Eggleston (Memphis, Tennessee 1939 – lives in Memphis, Tennessee). H. C. VARNER GRO.[CERY]. 1970Dye transfer print, 1972. 30,9 × 46 cm (40,4 × 50,7 cm) ( 12 ⅛ × 18 ⅛ in. (15 ⅞ × 20 in.)). Inscribed in the margin lower right with red wax crayon: „Ex 1“. Laid down on original cardboard (43 × 51 cm), signed in pencil on the reverse and with date of the print.[2005] Provenance: Private Collection, RhinelandWe charge 30% premium on the hammerprice.

Lot 1

** Balloon flight.- Jean Piccard's first multi-celled, or, cluster, balloon "The Pleiades" made up of 98 latex rubber balloons which ascended 3,350 metres, Rochester, Minnesota, 18 July 1937, vintage gelatin silver print, top part of vintage press caption loosely inserted, in a modern card mount, c.280 x 180 mm (11 x 7 in). ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 101

** Apollo 13.- Earth, centred on the south-eastern United States, April 1970, vintage large-format gelatin silver print on matt paper, [NASA AS13-60-8588], one or two minor surface creases, c.350 x 280 mm (14 x 11 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 114

** Apollo 16.- The near full Moon photographed by the Fairchild Metric Camera, in the SIM bay of the Service Module, as the spacecraft left lunar orbit on its journey to Earth, June 1972, vintage gelatin silver print, NASA caption to verso, faint ink-stamp to top margin, minor creasing, 255 x 205 mm (10 x 8 in). ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 122

** Apollo 17.- The "Blue Marble", c.1992, dye-transfer print, numbered 18 of 250 in black pen in margin, verso signed and numbered by the printer Dennis Ivy, minor marginal creasing, c.580 x 555 mm (23 x 22 in).⁂ Printed from the original transparency at Johnson Space Center. Only the final Apollo mission saw the Earth fully illuminated and largely free of cloud. This has become one of the most reproduced images in history.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 128

** Skylab 3.- Astronaut Owen Garriot working on the telescope mount, August 1973, vintage chromogenic print, borderless, on resin-coated paper watermarked "Kodak Professional Paper", c.205 x 255 mm (8 x 10 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 130

** Apollo-Soyuz Test Project.- The Soviet spacecraft Soyuz seen from the Apollo spacecraft, July 1975, vintage chromogenic print, borderless, on resin-coated paper watermarked "Kodak Professional Paper", tiny minor crease to left edge, c.255 x 205 mm (10 x 8 in.). ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 140

** Voyager 1.- Jupiter's moon Callisto, 1979, vintage oversize chromogenic print, "Kodak" watermarks to verso, loose in mount, c.505 x 405 mm (20 x 16 in). ⁂ The second largest of Jupiter's moons, and the third largest moon in the solar system, after Ganymede and Saturn's largest moon, Titan. ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 143

** Voyager 1.- Earth, the "Pale Blue Dot", 14 February 1990, printed 2010, digital colour print, loose in card mount, c.330 x 480 mm (13 x 19 in). ⁂ Astronomer Carl Sagan requested that NASA direct Voyager's narrow-angle camera to capture this extraordinary image from a distance of 6 billion kilometres.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 151

** Space Shuttle STS-61.- Night Launch of Endeavour, the first mission to service the Hubble Space Telescope, 1993, vintage chromogenic print, on a NASA card mount, inscribed and signed by 6 (of the 7) crew, one or two very faint abrasion marks, image c.245 x 200 mm (9 3/4 x 8 in in). ⁂ The crew for this flight included: Richard O. Covey, Kenneth D. Bowersox; Kathryn C. Thornton; Claude Nicollier, ESA; Jeffrey A. Offman; F. Story Musgrave and Thomas D. Akers. Story Musgrave is the only astronaut to fly on all five Space Shuttles. ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 3

** Astrophotography.- Unknown photographer Orion Nebula, c.1955, vintage chromogenic print, abrasion marks to margins where old tape removed, one or two small marginal tears, minor creasing, in a modern card mount, c.405 x 505 mm (16 x 19 3/4 in). ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 35

** John Glenn undergoes pre-flight tests, 1962, 6 vintage gelatin silver prints, all but the last with NASA captions to versos, 2 numbered NASA S-61-1796 and S-61-2582, faint marginal stain to one print, minor creasing, some surface cracks, c.255 x 205 (10 x 8 in), (6). ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 53

** Karsh (Yousuf) Portrait of Yuri Gagarin, c.1965, printed later, vintage gelatin silver print, signed by Karsh in ink to lower left corner, photographer's credit to verso, 340 x 265 mm (13 1/4 x 10 1/2 in.)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 6

** U.F.O.- A Flying Saucer, or a still from a science fiction film, c.1955, vintage gelatin silver print, minor surface cracks, one or two faint spots to verso, c.255 x 205 mm (10 x 8 in).⁂ Possibly taken from the 1956 film, "Earth vs. the Flying Saucers."** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 70

** Apollo 8.- Both sides of the Atlantic Ocean photographed as the spacecraft left Earth orbit for the first time, December 1968, vintage chromogenic print, "A Kodak Paper" watermark to verso, NASA caption verso, three small surface cracks in dark sky area, small loss to right margin, c.260 x 205 mm (10 1/4 x 8 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 73

** Apollo 8.- An oblique view of the lunar horizon, December, 1968, vintage chromogenic print, NASA caption and watermark "A Kodak Paper" on verso, c.205 x 255 mm (10 x 8 in).⁂ An uncommon subject.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 74

** Apollo 8.- Earthrise above the lunar surface, December 1968, vintage gelatin silver press print, U.P.I caption dated 30/12/68 to recto and printed credit verso, minor creasing to top corners, not affecting image, c.205 x 255 mm (8 x 10 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 75

** Apollo 8.- Anders (William) The First colour photograph of Earth taken by an astronaut, December 1968, vintage chromogenic print, "A Kodak Paper" watermarks to verso, numbered NASA AS8-16-2593 in red to upper margin, fingerprints, some creasing and surface cracks, 205 x 255 mm (8 x 10 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 80

** Apollo 11.- Buzz Aldrin poses beside the U.S. flag, July 20, 1969, vintage gelatin silver print, U.P.I. caption recto, credit stamps verso, signed verso in pencil by Aldrin and dated "July 20 1969", further dated 9-5-04, minor creasing to corners, 205 x 255 mm (8 x 10 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 82

** Apollo 11.- Armstrong (Neil) Portrait of Buzz Aldrin, the "visor" image, 1969, vintage gelatin silver print, signed verso in pencil by Aldrin and dated "July 20, 1969", further dated 9-5-04, NASA caption verso, short tear (20 mm) into image at top left, small abrasion mark to top margin, minor creasing and surface cracks, 255 x 205 mm (10 x 8 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 83

** Apollo 11.- Armstrong (Neil) An uncommon close-up view of Buzz Aldrin's gold-plated visor, reflecting the U.S. flag, the Lunar Module and Neil Armstrong, the photographer, July 1969, vintage gelatin silver press print, U.P.I. caption to recto, credit stamp to verso, minor creasing to left edge, faint surface cracks, 255 x 205 mm. (10 x 8 in). ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 89

** Apollo 11.- Buzz Aldrin sets up the Passive Seismic Experiment, July 1969, vintage chromogenic print, watermarked verso "A Kodak Paper", [NASA AS11-40-5949], c.205 x 255 mm (8 x 10 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 9

** Project Manhigh.- Joseph Kittinger in the capsule which will take him by balloon to a record altitude of 96,700ft, 2 June 1957, vintage gelatin silver press print, International News Photos credit to verso, minor creasing, 235 x 180 mm (9 1/4 x 7 in). ⁂ This feat, to investigate human space flight into the stratosphere as part of a U.S. Air Force programme, earned Kittinger a Distinguished Flying Cross.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 90

** Apollo 11.- The Lunar Module "Eagle" and the U.S. flag, July 1969, vintage chromogenic print, verso watermarked "A Kodak Paper", c.205 x 255 mm (8 x 10 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 93

** Apollo 11.- Buzz Aldrin stands next to the seismic experiment, the Lunar Module in the background, July 1969, vintage chromogenic print, [NASA AS11-40-5948], verso watermarked "A Kodak Paper", c.205 x 255 mm (8 x 10 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Lot 4013

Arthur Elsey, after, A Private Rehearsal, a monochrome print, 47.5cm x 67cm

Lot 4023

English School (early 20th century), Sex Appeal, a comical print shooting print with hounds and a hare, titled in pencil, Copyright by Ch Ducher [...], Paris, [n.d., c. 1910], chromolithograph, 31cm x 42cm

Lot 4030

Henry Alken, after, I Clark, by, A Prize Flight, coloured print, 23cm x 32cm; Characteristics of England, Ireland and Scotland, 22cm x 21cm (2)

Lot 4032

Japanese School (Meiji period), a Samurai warrior, woodblock print picked out in colour, 36cm x 24.5cm

Lot 4039

Thomas Gainsborough, after, portrait of The Right Honourable Henry Seymour Conway, monochrome engraving, 64cm x 42cm; Sir Joshua Reynolds, after, The Hon. George Seymour Conway, monochrome print, 51.5cm x 37cm (2)

Lot 4053

Local Interest, Derby and Derbyshire - a collection of maps and ephemera, comprising, Derby, Board of Health Map, 120in: 1 mile, engraved and a printed in colour by Bemrose 1852, originally in four sheets each of 99 x 66cm: two copies SW section, also NW and NE sections; County Borough Council, Architects? office, C. H. Aslin, CBE, Central Improvement Plan phase 2 1944 (not built), in which it was envisaged that the centre of the town would be entirely rebuilt around a new plaza on the site of the Market Place: map of intended layout of Market Place from Albert St to the Cathedral, also map of revised traffic flow in and around the town centre, of which only Traffic Street was built 95 x 98cm each; Derby map, 1815, complied from original sources and drawn on cartridge paper by Kevin Archer of Littleover, with key to locales, armorials, MS signature of the compiler with date April 2001, 55 x 76cm; Allestree Lordship map, 1727, copy drawn from the original by Kevin Archer of Littleover, cartridge paper, Mundy armorial 36 x 45cm; Facsimile map of Derby 1791 after George Moneypenny, on cartridge paper, 33 x 30 cm; Derby OS 1:2500 map 1884 edition, copies of sheets XLIX.16 (California), L.13 (Derby E), LIV.4 (Littleover and Normanton (two), LIV.8 (Sinfin), LV.1 (Peartree & Osmaston) & LV.5 (Cottons); two reproduction prints of Bemrose lithographs showing Derby from the Meadows, and Derby from Exeter Bridge, c. 1847, both printed on cartridge paper and named, each 40 x 30cm; Conduct and Proceeding of the Rebels in Derby, reproduced in facsimile from the Derby Mercury 9/12/1745, being the paper?s account of Bonnie Prince Charlie?s stay in Derby 4-6th December 1745, with other similar extracts printed in facsimile on the reverse; Ashbourne, facsimile of the 1830 map of the town by the ?pupils of Mr. Jones?s Academy? scale 44yds: 1in., with two vignettes (church and hall) 63.5 x 43.5cm; Bolsover Civic Society poster 88 x 62cm printed on cartridge paper with descriptions, plans and elevations of buildings including the Castle 1982; Egginton, map printed on cartridge paper embellished with vignettes and descriptions, drawn 1994 in aid of St. Wilfrid?s parish church at the request of Sir Henry Every, Bt., signed by the artist, 64 x 45cm; Long Eaton Hall: three copies of Erewash Borough Council drawings made in 1922 by H. Raven, Long Eaton Urban District Council surveyor when it was proposed to purchase the property as the town hall: block site plan 46 x 77cm; plans of the hall and outbuildings by H. Raven scale 8ft:1in, 100 x 70cm & east, south and west elevations of the hall 8ft: 1in H Raven 75 x 54cm; Radbourne, three plans copied from originals in the County Record Office: plan of 1711 drawn by Thomas Hand showing the previous house and immediate surroundings 84 x 59cm; copy of a plan of part of the estate, mid-18th century 42 x 29.5cm, also copy of William Emes?s map of 1790 showing his proposed alterations to the landscape 83 x 60cm; Renishaw Hall glossy poster 42 x 59cm advertising exhibition John Piper at Renishaw September 1999 with large colour print after Piper of Montegufoni (Sir George Sitwell?s Italian house); South Wingfield, facsimile of the tithe award map 1845 (DRO 13b) 86cm x 86cm; Genealogy: two hand scrivened pedigrees relating to the Tymperley family: pedigree of George Arderne and Sibyll Arderne of Tymperley, Cheshire, showing descent from Sir John Tymperley via John Chatterton, abstracted from the Heralds? Visitation of Cheshire 1580, 48 x 60cm, also pedigree of Tymperley of Hintlesham, Suffolk, abstracted from the Heralds? Visitation of Suffolk, 1664, 31 x 45cm, the latter in clear plastic carrying tube, (qty)

Lot 206

HUGH SWANSTON 'HARRY AT BOULOGNE' original watercolour, 29cm x 23cm, another Swanston of a man riding a bike, and an amusing motoring print (3). Provenance: The Estate of the Late Rufus Eyre

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