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Lot 2802

William Russell Flint (1880 - 1969), a print of gypsies on a Mediterranean beach, published in 1969 by Frost & Reed Ltd of Bristol and London England, artist's blind stamp to bottom left, print signed in pencil on bottom right, 95cm x 75cm, framed

Lot 2807

Graham Clarke (born 1941), a limited edition print, 78/250, primus time, first published in 1997, signed in pencil bottom right-hand corner, 34cm x 38cm, framed

Lot 2817

A large Antique maple-framed coaching print, The Duke of Beaufort Coach, starting from Bull and Mouse Regents Circus, Piccadilly, London 1841, published by I. W Laird, 1 Leadenhall St., 80cm x 93cm

Lot 2819

Oil on canvas, salmon fishing, reverse of canvas has print G. Rowney & Co, London, unsigned, 63cm x 89cm, framed

Lot 2822

A Tibetan Tanka print, an Antique French print, a pair of signed coloured etchings etc, largest 45cm x 58cm (8)

Lot 2831

A group of various engravings, including an 18th century engraving of Farnham Castle, Surrey, an attractive Antique print of 19th century Piccadilly, and a signed print of the Irongate Glasgow dated December 1837 (6)

Lot 2837

A 19th century coloured print of "Nelson's last prayer" on the morning of the Battle of Trafalgar, narrative at the top right-hand side of the print "England expects every man will do his duty", 2 similar 19th century coloured prints of female figures, 1 with a pony, both stamped with Studio seal "GUW" (3)

Lot 2855

A group of Oriental woodblock pictures, and a print of an eagle owl, from the Biltmore House library (5)

Lot 2857

A circular framed and glazed sepia engraving, Angelica Kaufman published 1805, a framed Victoria erotic print, a framed lithograph, exotic flower, and a Victorian print, London from Greenwich Park (4)

Lot 2858

A framed and glazed print, Royal Palace Windsor, published 1751, 2 Victorian watercolours, 1 Marlow 1874, and a Victorian print of Greenwich (4)

Lot 2859

A framed and Victorian glazed print "the Brighton day mails passing over Hookwood Common", 1867, 96cm x 72cm, and another Victorian print, "the age Brighton coach in 1852", published May 20th 1867, 96cm x 72cm, both framed (2)

Lot 2861

After Snaffles (Charles Johnson Payne, 1884 - 1967), a Snaffles print, "Happy are they who hunt for their own pleasure and not to astonish others", pencil signature to bottom left, with blind stamp, published by Richard Wyman and Company, 62cm x 85cm, framed

Lot 221

Simon Norfolk (b.1963), A View Of Kabul City from Bala Burj, 2011, archival pigment print, edition 1/7, certificate of authenticity and label to the back. H.48 W.64cm

Lot 202

An Aesthetic movement 19th century Royal Worcester twin spout teapot with crane and foliate design on a floral print background with gilded details sitting on four ball feet. Kite mark to base. (lid and spout chipped) H.15 W.22 D.17cm.

Lot 428

After Pablo Picasso, Baigneuses (Bathers), (1918), Giclée print on archival paper, edition 84/500. H.48 W.38cm

Lot 427

After Picasso, Trois Femmes à la Fontaine (printemps) (Three Women at the Fountain Spring), 1921, giclée print on archival paper, edition 37/500. H.45 W.38cm

Lot 239

A gilt framed coloured print on silk portrait of Angelica Kauffman, a carved gilt framed hand coloured engraving of Spencer Percival and a etching of Victorian figures, signed Margaret Hamilton. H.34 W.46cm (largest) Angelica Kauffman one is on silk

Lot 172

Peter Blake (b.1932), 'Morning Glory', signed limited edition print, 19/100, letter from artist verso. H.48.5 W.38.5cm

Lot 3

Two framed and glazed prints and an unframed drawing, Chagals Le Cantique des Cantiques IV, label verso, a signed print by Michael Reid and a pen sketch of a Continental street scene, indistinctly signed. Largest H.75cm W75cm

Lot 175

After Pablo Picasso (Spanish 1881-1973), The Couple, colour print. H.79 W.61cm.

Lot 429

After Pablo Picasso, Les Pigeons (the pigeons), (1957), Giclée print on archival paper, edition 174/500. H.66 W.56cm

Lot 265

Shepard FAIREY (Né en 1970)BASQUIAT CANVAS PRINT, 2010 Sérigraphie couleursSignée et numérotée 148/45060,5 x 45,5 cmFor further information on this lot please visit Bonhams.com

Lot 118

20th century Still life study of fruit and wineOil on canvasTogether with a watercolour of a barn and a print

Lot 10

Frances St Clair Miller (b.1947)Caprinus, signed in pencil and numbered 55/560, coloured print, with five further similar, all numbered from the edition of 560, 41.5 x 30cm (6)

Lot 109

An 18th century reverse print on glass Charles I,16 x 13.5cm, oval; and companion, a pair (2)

Lot 11

A late Victorian photographic print, of the Royal Family of Great Britain 1897, with titled mount, 33 x 42cm, a set of three 19th century Ocean postage envelopes, framed as one, and an unframed black and white photograph - 'The Mountaineers', by Derick Boorne, signed in pencil and inscribed to the mount (3)

Lot 12

After John Piper'View from the Upper Common Room, The Queen's College', print in colours for The Oxford Almanack 1972, 69 x 49cm; and four further (5)

Lot 14

After Charlie Johnson Payne (Snaffles)'The Blessed Yaffle laughing loud Fore-telling the South-West rain (Kingsley)', print with hand-colouring, signed in pen and dated Xmas '59, 13 x 12cm

Lot 18

After Archibald ThorburnCoastal scene with snipe, monochrome print pub c. 1903 by Baird-Carter, pencil signed in the margin, 35 x 50cm; and Turner after Sillett - 'Red Grouse, etching with aquatint, hand-coloured, 35 x 44cm (2)

Lot 202

English school (19th century)Figure seated by a wooded pool, oil on panel, 13 x 17cm (unframed); together with a small oval oil of figures in a landscape, in gilt frame, a small engraving of a donkey after Thomas Bewick, a print in the manner of Aristide Maillol, depicting two classical females and a goat, and three other prints (7)

Lot 31

After John Tunnard'Holiday', print in colours printed at the Baynard Press for School Prints Ltd, 48 x 74cm

Lot 38

A reverse glass print - 'Carlos Tercero Rey de Espana Y De Las Indias', hand-coloured, 37 x 26cm

Lot 42

After Lucien Pissarro (1863-1944)'In the Field', coloured wood cut print, 10 x 7cm; together with: Richard Shirley Smith - 'Portrait of Pepe', a Christmas card design by Robert Maynard, with verse in Welsh below, Gregynog Nadolig 1922, and a pair of miniature prints framed as one (4)

Lot 70

Christian Josi after Richard Westall'Innocent Mischief' and 'Innocent Revenge', a pair, stipple engravings, 39 x 30 cm; a further print - The Stafford Children after George Romney, and one other after Joshua Reynolds. (4)A collection of prints and engravings from Woodleys House, near Woodstock. For 141 years until January 2023 the much loved home to four generations of a branch of the Ponsonby family.

Lot 76

After D GerolinoPheasant shooting - Woodcock Shooting, reverse print on glass, 25 x 35.5cmA collection of prints and engravings from Woodleys House, near Woodstock. For 141 years until January 2023 the much loved home to four generations of a branch of the Ponsonby family.

Lot 98

After Maurice UtrilloCabaret du Lapin, print with hand-colouring

Lot 165

A CHINESE TEA BOWL AND SAUCER Jingdezhen, the Dutch decoration circa 1720-25, perhaps by Gerrit van der Kaade, after Adriaen Colliert, and painted in the Kakiemon style, with two parrots in turquoise, red and yellow enamels, highlighted in gilt, the birds perched on a budding rose tree within a scalloped brown rimProvenance: Bt. Phillips, 11th December 1991 lot 168.Literature: Helen Espir op.cif.fig.44 for the print, 45 for a dish.

Lot 313

A George III walnut dressing table/toilet mirror, two frieze drawers, shaped feet, 69cm high, 46cm wide, 23.5cm deep; Fosters of Ashbourne bound cane Airsprite two piece fly fishing rod, cased; John Western , after, Rugby School, print; Brian Glidden, North Shore, Whitby, watercolour, 25cm x 26cm , label verso etc

Lot 191

English School - Our Lord Appearing to St Margaret Mary at her Convent, Paray-Le-Monial, St Mary's Sguido, Chaddesden Derbyshire, over painted print, 76cm x 54cm; gilt framed wall mirror; books interiors etc

Lot 192

After Jean-François MilletLa VeilléeReproduction print14.1 x 11cm; 5½ x 4¼in (image)Provenance:Private Collection, Wiltshire

Lot 36

Herbert James Draper (1864-1920)Design for the ceiling of the Livery Hall at Drapers' HallSigned and inscribed Painted ceiling the Livery Hall/of the Drapers' Company/75ft by 36ft/(centre panel 30 x 20)/Painted by/Herbert Draper (in pencil to the mount)Gravure print72.4 x 33.7cm; 28½ x 13¼inProvenance:Property of the artist;And by family descentLiterature:Simon Toll, Herbert Draper 1863-1920: A Life Study (Antique Collector's Club, 2003), p.136, plate 93

Lot 470

H D Scott - Old Speightown - figures taking on a township street with buildings either side, and a dog looking on, trees and plants to the distance, signed lower right, Century Galleries labels verso, watercolour 52cm x 33cm mounted in glazed frame; Buat - a signed limited edition print of a Tuscany Farm landscape, signed and numbered 22/30 and titled in pencil to lower margin 33.5cm x 45cm mounted in glazed frame; a 19th century framed map of Buckingham 41cm x 32.5cm in glazed frame; and a small 19th century map of Cambridgeshire 26cm x 20cm in glazed frame (4) Location:

Lot 472

A Victorian papiermache desk inkwell floral decorated with flowers and a butterfly, scattered inlaid mother of pearl, two square cut inkwells with brass collars; along with a bronze powdered resin wall plaque entitled The Breakthrough by Shrivaish, limited edition 204/14500 castings, an African tribal art wooden carving of a European man with a gun, a Prince William The Motorist's Prayer pottery mug, and a print after a painting by Charles Burton Barber (1845-1894) titled 'Four in Hand' mounted on a wooden plaque Location:

Lot 50

A mid 19th century map of the city of Glasgow, drann and engraved by H.Winkles and J. Rapkin, arial plan, 36cm x 49cm, mounted in glazed frame, a later reproduction map of Hampshire, unframed, a unsigned contemporary print by a Russian artist, and a limited edition print of 'Palace Conservatory' signed Arthur Byrne in pencil to lower margin (4)

Lot 95

Mixed 20th century prints and frames A/F, together with mixed oils on canvas to include a print of a white dog and a Venetian sceneCondition: There are some with signs of historic water/damp damage, and mixed frames, together with a mirror Location:

Lot 125

Utagawa Kuniyoshi: a mid 19th century wood block print from "The Forty-Seven Ronin" series, in ebonised frame, another two, unframed, and three other similar loose 19th century Japanese wood block prints

Lot 355

Edward Piper: a limited edition print, "Woman in Flowers", 50/185, in gilt strip frameCondition:The image itself does not appear to have any condition issues.The overall size of the frame is 36" x 44", the frame also has a couple of small chips around the corners and the middle of the bottom section. 

Lot 362

A Japanese colour print, geisha lighting fireworks, unframed

Lot 373

Daphne Pepper: two signed limited edition prints, "Tree by the Pond", 3/40, and "Over the Field", 6/40, in strip frames, a similar print, After Charles King: a colour print, winter sunset, a number of other landscape pictures and three bird pictures

Lot 380

An 18th century engraving, "The wards of Farrington within and the Baynards Castl" in the City of London, black and white print Ludgate, in the time of Henry VIII, and a hand-coloured print, Pembroke College Oxford 1924

Lot 1

A William Russell Flint print entitled 'Three Groups' signed to the lower right margin 59cm x 45cm framed Location:

Lot 110

Mixed pictures to include Redaelli - Spanish lady with hoop earrings, a 1960's/70's oil on canvas, signed lower right hand corner in white painted frame together with prints of Spanish dancers, a Pears print on metal A/F and another, a Rhum Negrita advert, framed A/F, and a RW Thorne print of two 1768 soldiersCondition: some water damageLocation: A4B

Lot 115

An elaborately framed print of a country gent greeting a shepherd with a sheep and dog together with a framed picture of a seated musketeerLocation: A2B

Lot 154

A quantity of prints and a framed plaque to include David Roberts reproduction print of his original engravings depicting his travels in the mid 19th century together with a farmland watercolourLocation:

Lot 260

A Pietro Penigino print of three panels depicting The Archangel Michael, The Virgin and Child, Tobias and The Archangel Raphael 106cm x 79cm Location:

Lot 141

A mixed group of ceramics and glass comprising Meissen dark blue and gilt vase, 20th century, decorated with opposing gilt-scrolled cartouche of flowers and an Antoine Watteau-esque scene of lovers in garden setting, painted blue crossed swords and incised shape number, 16.2cm high; together with an early 20th century Meissen coffee cup and saucer, painted in iron red with two fighting cockerels and stylised dragons, painted blue crossed swords, impressed '13', coffee cup 6.5cm high, saucer 14cm diameter; a Meissen teacup and saucer, decorated with floral cartouches against cobalt ground, a small German cream jug, a Royal Worcester cream jug, Coalport cream jug transfer-printed with a Caughley-style print, 10cm high; a pair of Flight Worcester spiral fluted tea bowls, and a pair of engraved 19th-century glass vases and a small optic cut liqueur glass, 10cm high (qty)One Flight Worcester tea bowl and the Coalport cream jug restored.Meissen blue cup and saucer - chip to underside of saucer.Meissen red cup and saucer- short scratch through the enamels to one cockerel on the saucer. Firing crack through base terminus of handle.Meissen vase - no damages.

Lot 187

A John Rose Coalport hybrid hard-paste porcelain jug, early 19th century, transfer-printed in the Caughley Pine Cone print below a wide Fitzhugh and cell diaper border, unmarked, 15cm highShort firing crack to interior of spout. Two small glaze faults to upper rim, near the handle. Hairline across the handle and the spur of the handle is missing, however this has been glazed over and is a manufacturing flaw.

Lot 199

A group of six assorted English cream jugs, early 19th centurycomprising two Spode imari jugs, a further Spode bat-printed jug decorated with two swans (pattern 557), unusually further decorated with an iron red and gilt border, together with two Chamberlain's Worcester cream jugs and a further unmarked cream jug, tallest jug 14.5cm high (6)Smallest Spode imari jug- heavy loss of gilding around foot rim. Tall Chamberlain's jug - scratches and some wear to orange enamel, some light gilding wear.Smaller Chamberlain's jug - again scratches and rubbing to the orange ground, with some heavier gilding wear, mainly to the handle.No damages or repairs to any of the pieces. The bat print jug has some scratches through the printed decoration and wear to gilding at the top of the handle spur.

Lot 366

Two 18th/19th century embroidered panels, both of oval aspect, the first depicting a maiden standing beside an urn inscribed 'Mausolus', amid crewelwork trees, within a giltwood frame, 26cm (frame 31cm high); the second depicting a rustic boy carrying a basket, in a later pressed brass mounted frame, 11cm (frame 16cm); together with a small cartoon print 'The Turnpike Gate'. (3)

Lot 1774

Framed print of the Union-Castle Line liner or ship RMS Pretoria Castle, overall size 56 x 86cm

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