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A 19th century coloured print of "Nelson's last prayer" on the morning of the Battle of Trafalgar, narrative at the top right-hand side of the print "England expects every man will do his duty", 2 similar 19th century coloured prints of female figures, 1 with a pony, both stamped with Studio seal "GUW" (3)
A late Victorian photographic print, of the Royal Family of Great Britain 1897, with titled mount, 33 x 42cm, a set of three 19th century Ocean postage envelopes, framed as one, and an unframed black and white photograph - 'The Mountaineers', by Derick Boorne, signed in pencil and inscribed to the mount (3)
English school (19th century)Figure seated by a wooded pool, oil on panel, 13 x 17cm (unframed); together with a small oval oil of figures in a landscape, in gilt frame, a small engraving of a donkey after Thomas Bewick, a print in the manner of Aristide Maillol, depicting two classical females and a goat, and three other prints (7)
Christian Josi after Richard Westall'Innocent Mischief' and 'Innocent Revenge', a pair, stipple engravings, 39 x 30 cm; a further print - The Stafford Children after George Romney, and one other after Joshua Reynolds. (4)A collection of prints and engravings from Woodleys House, near Woodstock. For 141 years until January 2023 the much loved home to four generations of a branch of the Ponsonby family.
A CHINESE TEA BOWL AND SAUCER Jingdezhen, the Dutch decoration circa 1720-25, perhaps by Gerrit van der Kaade, after Adriaen Colliert, and painted in the Kakiemon style, with two parrots in turquoise, red and yellow enamels, highlighted in gilt, the birds perched on a budding rose tree within a scalloped brown rimProvenance: Bt. Phillips, 11th December 1991 lot 168.Literature: Helen Espir op.cif.fig.44 for the print, 45 for a dish.
A George III walnut dressing table/toilet mirror, two frieze drawers, shaped feet, 69cm high, 46cm wide, 23.5cm deep; Fosters of Ashbourne bound cane Airsprite two piece fly fishing rod, cased; John Western , after, Rugby School, print; Brian Glidden, North Shore, Whitby, watercolour, 25cm x 26cm , label verso etc
Herbert James Draper (1864-1920)Design for the ceiling of the Livery Hall at Drapers' HallSigned and inscribed Painted ceiling the Livery Hall/of the Drapers' Company/75ft by 36ft/(centre panel 30 x 20)/Painted by/Herbert Draper (in pencil to the mount)Gravure print72.4 x 33.7cm; 28½ x 13¼inProvenance:Property of the artist;And by family descentLiterature:Simon Toll, Herbert Draper 1863-1920: A Life Study (Antique Collector's Club, 2003), p.136, plate 93
H D Scott - Old Speightown - figures taking on a township street with buildings either side, and a dog looking on, trees and plants to the distance, signed lower right, Century Galleries labels verso, watercolour 52cm x 33cm mounted in glazed frame; Buat - a signed limited edition print of a Tuscany Farm landscape, signed and numbered 22/30 and titled in pencil to lower margin 33.5cm x 45cm mounted in glazed frame; a 19th century framed map of Buckingham 41cm x 32.5cm in glazed frame; and a small 19th century map of Cambridgeshire 26cm x 20cm in glazed frame (4) Location:
A Victorian papiermache desk inkwell floral decorated with flowers and a butterfly, scattered inlaid mother of pearl, two square cut inkwells with brass collars; along with a bronze powdered resin wall plaque entitled The Breakthrough by Shrivaish, limited edition 204/14500 castings, an African tribal art wooden carving of a European man with a gun, a Prince William The Motorist's Prayer pottery mug, and a print after a painting by Charles Burton Barber (1845-1894) titled 'Four in Hand' mounted on a wooden plaque Location:
A mid 19th century map of the city of Glasgow, drann and engraved by H.Winkles and J. Rapkin, arial plan, 36cm x 49cm, mounted in glazed frame, a later reproduction map of Hampshire, unframed, a unsigned contemporary print by a Russian artist, and a limited edition print of 'Palace Conservatory' signed Arthur Byrne in pencil to lower margin (4)
Edward Piper: a limited edition print, "Woman in Flowers", 50/185, in gilt strip frameCondition:The image itself does not appear to have any condition issues.The overall size of the frame is 36" x 44", the frame also has a couple of small chips around the corners and the middle of the bottom section.
Mixed pictures to include Redaelli - Spanish lady with hoop earrings, a 1960's/70's oil on canvas, signed lower right hand corner in white painted frame together with prints of Spanish dancers, a Pears print on metal A/F and another, a Rhum Negrita advert, framed A/F, and a RW Thorne print of two 1768 soldiersCondition: some water damageLocation: A4B
A mixed group of ceramics and glass comprising Meissen dark blue and gilt vase, 20th century, decorated with opposing gilt-scrolled cartouche of flowers and an Antoine Watteau-esque scene of lovers in garden setting, painted blue crossed swords and incised shape number, 16.2cm high; together with an early 20th century Meissen coffee cup and saucer, painted in iron red with two fighting cockerels and stylised dragons, painted blue crossed swords, impressed '13', coffee cup 6.5cm high, saucer 14cm diameter; a Meissen teacup and saucer, decorated with floral cartouches against cobalt ground, a small German cream jug, a Royal Worcester cream jug, Coalport cream jug transfer-printed with a Caughley-style print, 10cm high; a pair of Flight Worcester spiral fluted tea bowls, and a pair of engraved 19th-century glass vases and a small optic cut liqueur glass, 10cm high (qty)One Flight Worcester tea bowl and the Coalport cream jug restored.Meissen blue cup and saucer - chip to underside of saucer.Meissen red cup and saucer- short scratch through the enamels to one cockerel on the saucer. Firing crack through base terminus of handle.Meissen vase - no damages.
A John Rose Coalport hybrid hard-paste porcelain jug, early 19th century, transfer-printed in the Caughley Pine Cone print below a wide Fitzhugh and cell diaper border, unmarked, 15cm highShort firing crack to interior of spout. Two small glaze faults to upper rim, near the handle. Hairline across the handle and the spur of the handle is missing, however this has been glazed over and is a manufacturing flaw.
A group of six assorted English cream jugs, early 19th centurycomprising two Spode imari jugs, a further Spode bat-printed jug decorated with two swans (pattern 557), unusually further decorated with an iron red and gilt border, together with two Chamberlain's Worcester cream jugs and a further unmarked cream jug, tallest jug 14.5cm high (6)Smallest Spode imari jug- heavy loss of gilding around foot rim. Tall Chamberlain's jug - scratches and some wear to orange enamel, some light gilding wear.Smaller Chamberlain's jug - again scratches and rubbing to the orange ground, with some heavier gilding wear, mainly to the handle.No damages or repairs to any of the pieces. The bat print jug has some scratches through the printed decoration and wear to gilding at the top of the handle spur.
Two 18th/19th century embroidered panels, both of oval aspect, the first depicting a maiden standing beside an urn inscribed 'Mausolus', amid crewelwork trees, within a giltwood frame, 26cm (frame 31cm high); the second depicting a rustic boy carrying a basket, in a later pressed brass mounted frame, 11cm (frame 16cm); together with a small cartoon print 'The Turnpike Gate'. (3)

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314753 item(s)/page