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Lot 256

Martin Meason, Prop from the film "Casablanca" - Humphrey Bogart, for Lumiere Service Ltd - 1999, overpainted print on canvas, 97x75cm.

Lot 77

A Royal Grafton limited edition white porcelain dish W27,5cm, decorated with an iron red transfer print portrait by Michelangelo, Numbered 41/2500 and marked 'Cheesbrough and Guy'. Standing on a wooden stand, mint condition. (2) Provenance: N & L Karantokis Estate.

Lot 85

Collection of six English Bishop & Stonier BEXLEY pattern porcelain dinner plates, with transfer print floral decoration. Diam. 23cm. C19th century. Three with chips to the rims. (6) UNRESERVED

Lot 50

Sandra Blow R.A. (British, 1925-2006)Interaction signed and dated 'BLOW 2000' (on the canvas overlap)pencil and acrylic on canvas244 x 244 cm. (96 x 96 in.)(unframed)Footnotes:ProvenancePrivate Collection, U.K.The present composition relates to a screen print of the same title.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Lot 68

A 2-INCH JOHANN KLINGER TERRESTRIAL GLOBE, GERMAN, MID-19TH CENTURY,twelve hand coloured and printed gores, inscribed The EARTH published by J G Klinger in NUREMBURG, in original cylindrical card case with lid applied with a coloured print of three children inspecting globes together with a leaflet printed in German on one side and English on the other, 2 3/4in (7cm) diametercased 3in x 3in x 3in (7.5cm x 7.5cm x 7.5cm) Footnotes:Johann Klinger (1764-1806) was an engraver and globemaker based in Nuremberg. After founding his workshop at the end of the 18th century, he collaborated with the engraver Johann Bernhard Bauer (1752-1839), with whom he produced globes in a variety of sizes.For a similar globe see E. Dekker, Globes at Greenwich, London, 1999, pp. 384-385.For further information on this lot please visit Bonhams.com

Lot 71

A PAIR OF GABRIEL WRIGHT AND WILLIAM BARDIN TERRESTRIAL AND CELESTIAL TABLE GLOBES, ENGLISH, 1782-1785,the terrestrial globe with cartouche printed Ferguson's Terrestrial Globe Improved by G Wright Wherein all the New Discoveries of the late Capt. Cook & other eminent Navigators are correctly laid down to the present time and below Made & Sold by Wm Bardin No. 4 Hind Court Fleet St, the celestial globe with cartouche printed with Wright's cartouche, both spheres mounted in brass meridian engraved with degree scale, horizon ring applied with calendar and zodiac scales, raised on four mahogany brackets above column and tripod base, each 24in (61cm) high (2)Footnotes:Provenance:Purchased directly from Petworth House, West Sussex. The Stephen Edell CollectionThe first globes made by the partnership of Gabriel Wright and William Bardin were of 9 and 12 inch diameter and were published in 1782. As in this example, Wright claimed that the globes were 'Improved' and in his 1783 publication he describes how he printed hour circles onto the globes around the poles and to print hours around the equator. A small brass pointer was mounted on the meridian ring at the pole.For further information on this lot please visit Bonhams.com

Lot 189

To be sold without reserve Circle of Sir William Nicholson (1872-1949)A pair of vignettesOne of two sailorsOne of a lady carrying a water vessel and a basket in a landscape with a windmill in the background Print (?) OR Original watercolour / gouache on paper (?) Property of a Lady Dimensions:(Frame) 13.75 (H) x 10 in. (W)(Paper) 10.5 (H) x 7 in. (W)

Lot 201

To be sold without a reserve Nancy Wilson-Pajic (b. 1941) Marguerite. Corsage en Tulle de la Collection du Musee des Beaux Arts et de Dentelle (1998). Unique cyanotype print. Signed and dated verso. Property of Stephanie Hoppen Dimensions: 94 x 100 cm (37 in x 39.4 in.)

Lot 235

To be sold without a reserve James Ostrer (b. 1979) Ribbons 4 (Maria Kochetkova). Chromogenic print. 30 x 20 cm (11.8 x 8 in.) Signed, dated and numbered 1/5 in on the reverse of the frame. Property of Stephanie Hoppen Provenance: Collection of Stephanie Hoppen

Lot 236

To be sold without a reserve [a]  Circle of Émile Jean-Horace Vernet (1789 - 1863) Napoleon I, Emperor of France, in exile on Elba (c. 1815) Watercolour on card Framed Property of Stephanie Hoppen Dimensions: (Paper) 7.5 (H) x 6 in. (W) [b]  J. Longhi after Legros Engraving of Napoleon Bonaparte (1798) Framed and glazed Dimensions: (Framed) 28 (H) x 21.5 in. (W) (paper) 20 (H) x 13.5 in. (W) [c] A Print of Napoleon with Sequins  Dimensions: (Framed) 7.5 (H) x 6.5 in. (W) (Paper) 4.5 (H) x 3.75 in. (W) [d] A Stylised Portrait of Napoleon, German Campaign of 1813 Dimensions: (Framed): 7.25 (H) x 6 in. (W) (Paper): 5.5 (H) x 4 in. (W)

Lot 523

Trevor Parkin (b.1935)'Untitled Country seasons with Grouse', pair of watercolours, signed, 22cm x 35cm, C J Keep, 'Study of a woodcutter', watercolour, signed, 31cm x 50cm, and a Spy cricketing print, 21cm x 12cm (4)The Spy study has some heavy foxing , mainly on the edge and mount. Glass is broken.

Lot 534

John Piper (1903-1992) 'Stones and bones', double-sided lithograph print, signed in pencil lower right, 50cm x 69cmOverall with some scuffs and small marks to the frame. Old gallery label sticker to one side. Minimal foxing in places, very hard to see, otherwise seems ok.

Lot 533

An 18th/19th century oak cheese print mould or cheese vat lidOf circular form, carved to the centre with an eight-petal flowerhead, with a further band of petals and an outer band of leafy-lunettes, the underside with flanged edge, diameter 36.5cm

Lot 62

Vary rare Tri-ang Minic 1:1200 scale Commando Ship HMS Albion, grey ship with paper deck and mast, no number to base, in a yellow HMS Albion box, condition: good few minor chips, paper deck, lifted in three places, box good little dirt5y and red print to ends faded. Only 1,000 of these un-numbered model were issued and given to HMS Albion crew members under the command of Capt. Adams.

Lot 225

W.Monk-An antiquarian print of a post tudor building, signed in the lower right margin, limited edition animal prints by Gary Hodges and a map of Derbyshire, mixed prints, a Folio Society book 'The Sun King and his Loves' by Lucy Norton 1982 and an 1893 2nd Dragoons- The Royal Scots Greys 1678-1893 illustrated book

Lot 256

A small group of cut glass decanters and stoppers, and others to include a Venetian decanter with applied strawberry print and rigaree tracking, scent bottles, and a collection of various glass stoppers to include an Edinburgh crystal thistle decanter stopperLocation:

Lot 269

A mixed lot of pictures to include a Jeremy King limited edition print, In the style of Degas - The Dancing Lesson - watercolour, unsigned 42cm x 36cm, mounted in glazed frame, Richard Smythe - Lady Burdette Day, a Society portrait coloured print, and one other by the same artist, signed in pencil to lower margin, glazed frames, and others together with three mirrorsLocation:

Lot 282

A large Whitewall abstract print, 180cm x 120cmLocation: FOYER

Lot 283

A large Whitewall abstract print, 180 x 120Location: FOYER

Lot 318

Four Oriental framed prints to include a Chinese print of figures in a garden of fragrant peonies, Qingxiaoyun Pingchang Tang Yin. Location:BWR

Lot 353

Russell Flint - The Beach, a print 34cm x 22cm signed in the margin in pencil, mounted in an early 20th century painted frame, together with three others by the same artist in varying sizes Location: A1F

Lot 354

Russell Flint - Flamenco Dancer, a print 63cm x 49cm signed in the margin in pencil, mounted in a brushed gilt frame, together with two others by the same artist of similar proportions Condition: The glazing of one A/F Location: RWF

Lot 381

Mixed pictures to include an oil on board seascape, 19th century engravings, Steven Dews print entitled Rainbow and Endeavour, and others, together with a Moss Bros top hat Location:

Lot 490

Four A Watson Turnbull signed etchings, three Chinese landscape paintings and a print Location:

Lot 510

David Young-An oil on board of horses and sheep grazing, signed lower right hand corner together with a print by the same artist and another oil. Location:

Lot 214

Graeme W. Baxter, after, Edinburgh Castle, signed, limited edition number 363/850, bicker print; pair of Rex Preston lithographs, (3).

Lot 215

Pictures and prints - l. Voinet, 'Path beyond the woodland edge', signed, oil on board, 34cm x 19.5cm; another, 'Lakeside Villa', oil on board; Saint Marks Square, Venice, lithograph; Pictures and prints - six 19th century French engravings, pastoral and maritime scenes; 'La Conversation Des Fermierres', 'Le Port de Fecamp'; Pictures and prints - continental school, cattle by a river, watercolour, 21cm x 28cm; a coloured etching, ‘Le Depart Pour La Chases’; another, F. Boscher, print; B. Mallet, Bouquet of Lilac and Roses, signed, gouache, 47cm x 62cm; Maurice de Vlaminck, after, Bouquet de Fleur, lithograph print, qty.

Lot 26

Donald Ayres, after, 'On the Moor', limited edition lithographic print, signed in pencil to margin, limited edition number 44/500, 37cm x 68cm.

Lot 274

Leprosy ARTBotanical Studieswatercolour, painted with fingers, 37cm x 24cm; Annie Tempest, by and after, The Labrador, limited edition coloured print, 521/1000 (2)

Lot 115

Gill, Eric (1882-1940) Album of erotic prints and sketches, 1928 Folio (28.5 x 19cm), marbled paper wrappers, containing: 3 original sketches, i.e. [Two lovers], mixed media, 10.5 x 19cm, 'First love', pencil and watercolour, titled and dated (15th November 1928) in pencil at foot, 18.5 x 13.2cm, [Priapic Hermes], black and red ink, signed in pencil 'EG', 21.7 x 18.5cm; 6 wood-engravings, one inscribed in pencil 'D A from E G', various dimensions; and a photograph (gelatin silver print) of an erotic relief sculpture by Gill; all tipped inNote: Note: According to an accompanying typescript catalogue note by bookseller G. F. Sims the recipient of this album was Donald Attwater, Catholic writer and the author of Eric Gill: Workman (1945), the first work in a series of books titled Modern Christian Revolutionaries.Provenance: Property of an English collector.

Lot 138

Golden Cockerel Press Ecclesiastes or the Preacher [London]: Golden Cockerel Press, 1934. First edition, one of 247 copies, folio, original quarter vellum, orange cloth sides, wood-engravings by Blair Hughes-Stanton, headings and initials printed in orange [Chanticleer 97];Idem. The First Crusade. The Deeds of the Franks and Other Jerusalemites, translated into English for the first time by Somerset de Chair. [London]: Golden Cockerel Press, 1945. First edition, one of 500 copies, original half vellum, original cloth sides, wood-engravings by Clifford WebbNote: Note: According to the colophon, Ecclesiastes was the hundredth book printed at the Golden Cockerel Press. It receives an approving write-up in the press's bibliography: 'Our press-work in this book is judged to be almost perfect. The engravings, which have their finest white line (which must not be lost) in the midst of full-blacks (which require heavy inking) are the hardest in the world to print. They were, however, printed at one impression with the type'.Provenance: Property of an English collector.

Lot 146

St Dominic's Press Songs Without Clothes Ditchling: St Dominic's Press, 1921. 8vo, original wrappers (slightly soiled), small mark to lower fore corners of early leaves [Evan Gill 8]Note: Note: First edition, presentation copy from Eric Gill to his future son-in-law, inscribed by Gill 'Denis Tegetmeier from Eric Gill sd, 19.11.'21' in pencil on the initial blank. Denis Tegetmeier, a letterer, engraver, cartoonist and former Trappist monk, married Gill's daughter Petra in 1930. The print-run comprised 240 copies.Provenance: Property of an English collector.

Lot 17

Wilson, Francesca Rambles in Northern India With Incidents and Descriptions of Many Scenes of the Mutiny, including Agra, Delhi, Lucknow, Cawnpore, Allahabad, etc. London: Sampson Low, Marston, Low, and Searle, 1876. 4to, original green cloth, rebacked and relined with original spine laid down, [8] 86 [2] pp., 12 carbon-print photographs (mounted within lithographic borders as issued), all edges gilt, covers slightly marked, Newcastle University deaccession ink-stamps to half-title, title-page, final page and versos of plates, one plate (Cashmere Gate, Delhi) guard loose, light spotting to a couple of mountsNote: Note: Rare in commerce, eight copies traced in British and Irish libraries. Notable photographs include the tomb of Ranjit Singh (last ruler of the Sikh empire) at Lahore and the Golden Temple at Amritsar.

Lot 55

Rossetti, Dante Gabriel (1828-1882) Autograph sentiment signed, 1865 'To J. Noel Paton Esq, with [...] regards, D G Rossetti 1865', in triple-aperture mount together with an albumen print photograph of Rossetti's painting 'Hesterna Rosa', and manuscript title at headNote: Provenance: By direct descent from the recipient Sir Joseph Noel Paton (1821-1901), Scottish painter, sculptor and poet.

Lot 62

Annan, Thomas, Photographer The Old Country Houses of the Old Glasgow Gentry Glasgow: James Maclehose, 1878. Second edition, 4to, 100 mounted carbon-print photographs and 3 plates, contemporary red morocco with a custom red morocco gilt book jacket

Lot 65

Lowry, L. S. (1887-1976) The Paintings of L. S. Lowry Oils and Watercolours. With an Introduction and Notes by Mervyn Levy. London: Jupiter Books, 1975. First edition, trade issue, 4to, original blue cloth, dust jacket, signed by Lowry and Levy on the title-page, together with a limited edition print, '"L. S. Lowry" sketch for a bronze plaque bas-relief', one of 300, signed by the artist Louis Solomon, dust jacket spine sunned, spotting to top edge of text-block

Lot 92

Tragara Press Large collection of proof copies from the publisher's archive Unbound (in loose sheets or bifolia) unless otherwise stated, most unbound items preserved in envelope or card chemise, many items with printer's manuscript corrections, the collection comprising:1) Oscar Wilde. Hellenism, 1979. Proof copy (before the edition of 95), wrappers;2) Oscar Wilde. A Study by John E. Barlas, 1978. Proof copy on pink Ingres paper (before the edition of 100), initialled by Alan Anderson;3) Vincent O'Sullivan. Selected Letters, 1993. 2 copies: corrected proofs; proof copy on Abbey Mills paper, initialled and dated by Alan Anderson, wrappers (eventual print run: 50 copies);4) John Gray. The Kiss. Translated from the French of Theodore de Banville, 1983. Corrected proofs (before the edition of 145);5) Aubrey Beardsley. An Obituary Memoir by John Gray, 1980. Proof copy (before the edition of 95);6) Some Unpublished Poems by John Gray, 1987. Corrected proofs (before the edition of 145);7) Stéphane Mallarmé. Poésies, translated by Arthur Symons, 1986. Proofs (before the edition of 150);8) W. B. Yeats. A Reminiscence by Frank O' Connor, 1982. Corrected proofs (before the edition of 125);9) A Garland for Stephen Spender. Arranged by Barry Humphries, 1991. Corrected proofs (before the edition of 150);10) Uncollected Poems by Lillian Bowes Lyon, 1981. One of 6 copies proof copies on Glastonbury paper (before the edition of 95), initialled and dated by Alan Anderson, wrappers;11) A Perfect Description of Scotland attributed to Sir Anthony Weldon, [no date]. Uncompleted trial copy (annotated by Alan Anderson, 'a reprint commissioned by the late Ian Grant, bookseller, who 12) intended to write an introduction. This was never done, and the work was abandoned'), wrappers;13) Roy Fuller. Mianserin Sonnets, 1984. Corrected proofs (before the edition of 135);14) Twelfth Night. A Personal View by Roy Fuller, 1985. Corrected proofs (before the edition of 135);15) Poetry and Fiction. Reflections on three Nineteenth Century Authors by Lionel Johnson, 1982. Corrected proofs (before the edition of 95);16) Hand and Eye. An Anthology for Sacheverell Sitwell, 1977. 'Proofs in first state' (annotation to card chemise);17) Vernon Watkins. Elegy for the Latest Dead, 1977. Proof copy on Turkey Mill paper (before the edition of 120), with label on envelope reading 'Unique trial copy', wrappers;18) John Sanderson. Reefs Bibliophilic. An Address to the Amtmann Circle, 1984. Proof copy (before the edition of 200), wrappers;19) 1948 and 1984 by Julian Symons. The Second Orwell Memorial Lecture, 1984. Corrected proofs (before the edition of 135);20) Herbert Read. Pursuits and Verdicts. With a Preface by Graham Greene, 1983. 2 copies: proofs and corrected proofs (before the edition of 125);21) To Newbury to buy an Old Book. Lawrence Clark Powell, 1973. Proof copy (marked 'rough proof - spoiled sheets'), before the edition of 120;22) Memoirs of Frieda Lawrence by Martha Gordon Crotch. Proof copy on hand-made paper (before the edition of 175);23) Theodore Wratislaw. Three Nineties Studies. W. B. Yeats, John Gray, Aubrey Beardsley, 1980. 3 copies: galley proofs, corrected proofs, and proofs on Amalfi paper;24) From the Nineties. Some Translations of Baudelaire and Verlaine, 1982. Various sheets (label on envelope: 'The printer's first rough proofs and corrected proofs');25) The Object of an Affair and Other Poems. Julian Symons, 1974. Incomplete proof sheets;26) Ten Poems by Morley Jamieson, 1978. Corrected proofs (before the edition of 210);27) 'Proofs of Holy Writ' by Rudyard Kipling, 1981. Corrected proofs (before the edition of 125);28) Montague Summers. A Talk by Timothy d'Arch Smith, 1984. Corrected proofs (before the edition of 110) (approx. 30)Note: Note: The Tragara Press was founded in Edinburgh in 1953 by printer Alan Anderson (1922-2016) and operated until 1991.

Lot 216

After Herbert Thomas Dicksee (1862-1942), "In The Enemy's Country", monochrome print.

Lot 526

Two soapstone carved figures and print.

Lot 632

Assorted mainly Chinese porcelain comprising two blue and white prunus vases bearing Kangxi marks, a ginger jar, a rice bowl, two jardinieres, together with a transfer print pot.

Lot 773C

Various paintings, pictures and prints including Linda Jane Smith signed ltd edition print, etc

Lot 778

Three bevelled mirros, a print 'La Toilette after Edgar Degas and a pair of prints 'Bridge Problems after L Raver Hill.

Lot 780

A print "Water lilies", after Claude Monet, 62.5cm by 50cm, framed and glazed together with a gilt framed mirror, 90cm by 115cm overall.

Lot 784

A mid 20th century print after J.H. Lynch "Autumn Leaves", 45cm by 57.5cm.

Lot 785

A Tiffany style leaded glass framed mirror together with an oval gilt framed mirror, a watercolour and a Lowry print.

Lot 810

D Brown, woman with geese, pastel 38cm x 28cm, together with a retro print after Endre Komaromi Kacz.

Lot 814

A print after Lowry, 59cm x 39cm, glazed and framed.

Lot 818

After L.S. Lowry, "Going to Work", limited edition colour print, 58cm x 43cm, no. 73/850, unsigned, glazed and framed 85cm x 71cm.

Lot 829

Two watercolours, one signed 'Ainsworth', the other 'Wakefield', together with a print.

Lot 837

Assorted pictures comprising a watercolour depicting Jeffrey Hill by T Davis, a print of Lytham Windmill after Jim Ridout, a print of Stoneyhurst College by after and signed by Wainwright, a gilt frame and four other prints.

Lot 926

An Edwardian tub chair, a teak bookcase and a large framed print.

Lot 184

Home Guard Books consisting History Of The Cheshire Home Guard printed 1950. Together with A War Revised 1940 Map Northwich and Macclesfield. F Company No 2 Northwich Bn HG 1941 guard map ... The 9th Hertfordshire Battalion Home Guard printed 1946 ... They Took Up Arms. The Story Of B Company 7th Batt Gloucestershire Regiment Home Guard (copy print).

Lot 10

A group of Motor Racing prints, comprising James Toseland World Superbike Championship 2007 print, Ducati 916SP print, two Sporting Legends Carl Fogerty by Stuart McIntyre, King Carl by Derek Mark, and a British Championship print and a Carl Fogerty Foggy The Explosive Autobiography, of the four times Superbike World Champion. (6)

Lot 14

Two railway related signs, to include a metal Stop Look Listen And Beware Of Trains sign, 61cm x 40cm, and a print of the Silver Jubilee LNER railway sign on later mounted board, 76cm x 52cm, and two after Cuneo Mallard and Evening Star railway prints. (4)

Lot 15

Terence Cuneo (1907-1996). The Flying Scotsman, print on canvas in elaborate gilt frame, 77cm x 101cm.

Lot 23

A Pentogon Calicut rally car print, 85cm x 61cm.

Lot 366

A Matchbox Models of Yesteryear Swan Leyland Titan TD1 vehicle, in presentation pack, framed photographs of diecast vehicles, print and a display cabinet. (a quantity)

Lot 53

A group of railway ephemera, to include LNER 1418 on off steam dial, Morse code box, and a British Railways heavy freight express 1955 print. (3)

Lot 54

Four pictures, comprising after Philip Jerome Wainfleet Station, 21cm x 33cm, The Little Gem steam print, 34cm x 44cm, London and North Western Railways number 792 print, 25cm x 42cm, and The Midland Railway number 118 print, 25cm x 43cm, each framed. (4)

Lot 7

Terence Cuneo (1907-1996). Castle On The Coast, limited edition print, signed in pencil to margin, number 38/500, 44cm x 72cm.

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