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Lot 46

SIGNED RUSSEL FLINT PRINT, A FURTHER PRINT OF A STILL LIFE AND ONE OTHER (3)

Lot 49

SMALL WATERCOLOUR OF BOATS BY BERNARD COULTER, A VERNON WARD PRINT AND A FURTHER PRINT OF THE MONA LISA ETC (4)

Lot 511

BEADWORK POLE SCREEN, A MIRROR AND A WHITE FRAMED FLORAL PRINT

Lot 58

ORIENTAL PRINT OF A CROW TOGETHER WITH TWO FURTHER STILL LIFE WATERCOLOURS (3)

Lot 62

BEECHWOOD FRAMED RACING PRINT

Lot 84

FRAMED PRINT OF THE ROYAL WEDDING AT ST PAUL’S CATHEDRAL OF THE PRINCE OF WALES AND LADY DIANA SPENCER BY ROBIN KELVIN

Lot 67

William Geldart, Halle Orchestra limited edition 239 along with Cremona framed print.

Lot 77

Leonard Cambell Taylor artist proof print 'September Flower' signed by the artist having been reframed with original back panel and artist label.

Lot 150

A collection of framed pictures and mirrors to include Steven Brown limited big malky cow print, limited edition Gainsborough and River Trent print signed in pencil by the artist.

Lot 78

A framed still life print, titled to the back Study in Scarlet.

Lot 241

A collection of horse brasses, along with a George Hartfield Horse Brasses reference book, print 1965.

Lot 392

John Worsdale, a collection of Horse Racing prints, Shergar, Sir Ivor, Aldaniti, Grundy Royal Palace, Nijinsky along with print of Lester Piggott.

Lot 265

A box of miscellaneous ceramics Aynsley, Johnson Bros, Royal Doulton painted enamel ware and Wade, along with a Winnie the Pooh print.

Lot 146

A framed Pieter Bruegel print, along with three equestrian prints and four British uniforms of the Napoleonic war prints.

Lot 69A

Edmund Blair Leighton (1853-1922) large framed print titled OFF, 65cm x 55cm.

Lot 1440

Four DC prints of female DC Villains and Heroes including Catwoman, Batgirl and others as well as a Marvel X-Women print, signed by the artist, largest measures approx 53cm x 77.5cm.

Lot 1430

A large, limited edition, pencil signed print by Sturgeon, depicting a lively town scene.Approx 75x94cm

Lot 1680

A limited edition Rolling Stones 1973 Australian tour print from 2011 Musidor, 93/200, approx 52cm x 67.5cm.

Lot 1434

A molly Brett framed print teddy and friends 50 by 45 cm

Lot 1510

A limited edition, Kinnear aircraft print bearing various pilot signatures

Lot 463

A box of wooden print blocks

Lot 606

A framed engraving "Framlingham Castle"; David Green pencil signed limited edition print "View of Bawdsey"; watercolour study of "The Vicarage" and one other watercolour

Lot 610

A framed map of Suffolk; a pencil signed Graham Baxter print "Ipswich Golf Club"; various other pictures and prints

Lot 623

A collection of various pictures and prints to include a Military print; portrait prints; life drawings etc

Lot 389

A World War One propaganda print of the Kaiser and Crown Prince on horseback titled Good-Bye-EE, by Cross & Co London

Lot 106

A local interest print after Judy Boyes depicting Martindale fells

Lot 107

A photographic print on canvas and selection of small prints

Lot 120

A print , after Dorothee Burton Hyde, badgers

Lot 129

A print after John Constable and similar

Lot 219

A period monochrome print 'Day Dream'

Lot 222

A print after Heaton Cooper of Lakeland landscape

Lot 226

A framed carriage print after Edward Lawson, River Spey, a framed print Lady Henderson loco and tender, a pair of framed prints after Eric Bottomley and similar unframed locomotive prints

Lot 311A

A poster print, Munich Olympic related (1972)

Lot 167

A large framed print "Approaches to Felixstowe, Harwich and Ipswich, with the Rivers Stour, Orwell and Deben"

Lot 179

A pencil signed limited edition print; together with a wool work embroidery

Lot 185

A print of a continental street scene

Lot 195

A large gilt framed coloured print depicting a still life scene

Lot 216

A gilt framed advertising print Lazebys Harveys Sauce

Lot 284

A David Shepherd print depicting elephants; and one other David Shepherd print depicting a harvest scene

Lot 30

After Sir William Russell Flint, print depicting nude females

Lot 397

A Whistler print; together with two London prints etc.

Lot 449

A reproduction print, Perspective view of Brighthelmstone, 41 x 60cm and a print of 'The Last Supper', in ornate possibly Arundel Society frame,

Lot 483

Charles Johnson Payne - Snaffles, pencil signed print, 'The Sparrow, Catchin Sort', blind stamped, 43 x 43cm

Lot 490

Susan Ryder, limited edition print, The Studio Lamp, signed, 148/200, 87 x 59cm, with two prints by Tom Coates and one by Jane Corcellis, all unframed

Lot 351

Selection of mixed pictures including a silk print an Egyptian Papyrus and four prints

Lot 207

Ernest William Watson (American, 1884 - 1969) Color linocut print. Pencil signed lower right. Numbered (10/75) lower left. Titled "Deserted". Executed with 5 blocks and 12 colors. He is known as a master printmaker and book author. Sight Size: 8 x 10 in. Overall Size: 18 x 20 in. Framed behind glass.

Lot 272

REPRODUCTION PRINT, of life magazine cover 1969, Apollo 11 Moon landing, framed and glazed, 115cm x 85cm.

Lot 90

JAMIE REID 'Never Mind the Bollocks', 1997, screen print, edition of 200, signed, dated and numbered in pencil by the artist, 115.5cm x 87.5cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Lot 157

ANTONY GORMLEY (British b. 1950) 'Body', 2014, giclée print on Hahnemule etching paper, signed, titled, dated and numbered in pencil 194/250 to verso, 28cm x 22cm, framed and glazed either side. (Subject to ARR - please see Buyers Conditions)

Lot 158

GILBERT & GEORGE 'Death after Life', 2010, archival ink jet print in colours on wove paper, signed in black ink and inscribed 'AP' in pencil, aside from the edition of 100, 24.2cm x 45.7cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Lot 192

Original vintage travel poster - All Roads Lead to Rome - featuring a stunning design by Severo Pozzati (1895-1983) depicting the flags of America, Japan, Nazi Germany, Great Britain, Switzerland, France and Belgium in bright red, blue, white and yellow sweeping out of the top left corner and forming arrows pointing towards the red and white bulls eye target of Rome, creating a dynamic impression of movement with the colours contrasting against the dark background. Printed in Italy by the ENIT Italian State Tourist Department - Stampatonelle, Off. Graf Coen & C Milano. Excellent condition, some print marks, backed on linen. Country: Italy, year of printing: 1936, designer: Severo Pozzati, size (cm): 100x62

Lot 179

Original vintage London travel advertising poster for Upminster featuring artwork by John Mansbridge (1901-1981) depicting a windmill at the top of a grassy hill with birds flying overhead, fields and trees in the background, the sun streaming through the clouds in the blue sky and the only text being Post Upminster Slip Here in the bottom margin. The suburban town of Upminster is located in east London in the London Borough of Havering; the windmill is probably the historic Abraham's Mill (a smock mill built in 1803), now a museum and known as Upminster Mill. Number 287 of 1000 print run. Printed by Sanders Phillips and Co, Baynard Press. Good condition, restored paper losses, restored tears, restored creases, restored pinholes, light staining, backed on linen. Country: UK , year of printing: 1927, designer: John Mansbridge, size (cm): 101.5x63

Lot 46

Original vintage travel calendar Blackfeet Indian Greath Nortern Railway. Text reads: Sundance - Piegan Chief - Glacier National Park Painting by Winold Reiss. A beautiful colorful print of Winold Reiss’s series “Route of the Empire Builder Between Chicago and the Pacific Northwest Via Glacier National Park” entitled Sundance-Piegan Chief-Glacier National Park. The piece features a seated Native American holding a pipe and is copyrighted 1941 by Great Northern Ry., St. Paul, U.S.A The Piegan are an Algonquian-speaking people from the North American Great Plains. They were the largest of three Blackfoot-speaking groups that made up the Blackfoot Confederacy; the Siksika and Kainai were the others. The Piegan dominated much of the northern Great Plains during the nineteenth century. After their homelands were divided by the nations of Canada and the United States of America making boundaries between them, the Piegan people were forced to sign treaties with one of those two countries, settle in reservations on one side or the other of the border, and be enrolled in one of two government-like bodies sanctioned by North American nation-states. These two successor groups are the Blackfeet Nation, a federally recognized tribe in Montana, USA, and the Piikani Nation, a recognized "band" in Alberta, Canada. F. Winold Reiss (1886 – 1953) was a German-born American artist and graphic designer. In 1913 he immigrated to the United States, where he was able to follow his interest in Native Americans. In 1920 he went West for the first time, working for a lengthy period on the Blackfeet Reservation. Over the years Reiss painted more than 250 works depicting Native Americans. The Empire Builder was the flagship passenger train of the Great Northern Railway (1889-1970), originally operating a steam powered service that was re-equipped in 1947 to a streamliner service; it was relaunched in 1971 when it was taken over by Amtrak and now runs daily intercity services between Chicago and Seattle and Portland. Fair condition, missing the bottom part, metal bar on top of the poster, tears on margins Country: USA, year of printing: 1930s, designer: Winold Reiss, size (cm): 55x40.6

Lot 263

Original vintage WWI propaganda poster: La Grande Guerre - La Guerre en Montagne - Une Rencontre entre Skieurs (Text translates as: The Great War - War in the mountains - A meeting between skiers). Woodcut print with hand colouring through stencils by Eduardo Garcia Benito (1891-1981) featuring a group of Chasseurs Alpins, or Alpine troops, chasing Germans soldiers in the Vosges department, through snowy slopes with pine forests and mountains ranges depicted in the distance. The elite mountain troops were trained to operate in mountainous terrain. They were given the nicknamed Les Diables bleus ('blue devils') because of their uniform, which at the time was more modest than the regular French army. They wore a large black beret, known as la tarte, a short jacket and puttees (like gaiters, but wrapped spirally up the leg from ankle to knee, also worn by the BEF or British Expeditionary Force). Print no. 46 from the 2nd series La Grande Guerre. Published by Tolmer & Co. Eduardo Benito was a Spanish fashion illustrator and painter, noted for his Vogue covers of the 1920s and 1930s. He studied at the Mignon studio, and later trained under Daniel Vierge. In 1912 he moved to Paris, he later spent 15 years painting Vogue covers. Among Benito's subjects as a portrait painter were Alfonso XIII of Spain, Paul Poiret, and the Chinese Royal family. Also in 1912, he won a scholarship to study at L’École des Beaux-Arts in Paris. Good condition, small tears in bottom margin, folds, foxing and staining in margins. Country: France, year of printing: 1915, designer: Eduardo Garcia Benito, size (cm): 32.5x39.5 (Horizontal)

Lot 363

Rare original vintage London Transport map issued for the Olympic Games in 1948 - How to get there by London Transport. Amazing piece of social and sport history, this Visitors London map lists all major venues with corresponding London Underground stations, consulates, art galleries, museums and other useful addresses and places of interest. The print edition of the map is 450 copies, which is very low and most likely due to austerity measures after the war. Horizontal. Good condition, folded as issued, minor repaired tears. Country: UK, year of printing: 1948, designer: Unknown, size (cm): 58x44.5

Lot 265

Original vintage WWI propaganda poster: La Grande Guerre - La prise de Przemysl (Text translates as: The Great War - The capture of Przemysl). Woodcut print with hand colouring through stencils by Eduardo Garcia Benito (1891-1981) featuring Russian soldiers walking in the snow. Przemysl was a fortified town on the Austro-Hungarian border with Russia (in present day Poland, 125 miles east of Kraków). The siege was the longest of the war, beginning on 24 September and ending on 22 March 1915 (with a brief cessation in October). It was a major defeat for Austria-Hungary. The text on the print expressed the view of many, that the fall of the garrison would give Russia access into Hungary. Print no. 53bis from the 2nd series La Grande Guerre. Published by Tolmer & Co. Eduardo Benito was a Spanish fashion illustrator and painter, noted for his Vogue covers of the 1920s and 1930s. He studied at the Mignon studio, and later trained under Daniel Vierge. In 1912 he moved to Paris, he later spent 15 years painting Vogue covers. Among Benito's subjects as a portrait painter were Alfonso XIII of Spain, Paul Poiret, and the Chinese Royal family. Also in 1912, he won a scholarship to study at L’École des Beaux-Arts in Paris. Very good condition, fold in top left corner, small tears, foxing and staining in margins. Country: France, year of printing: 1915, designer: Eduardo Garcia Benito, size (cm): 32x40.5 (Horizontal)

Lot 1

An old Vanity Fair colour print - 'Mr John Ball'.

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