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Lot 1

A group of five, Including a mezzotint of William John Cavendish by Thomas after F. Grant; three portrait engravings by Houbraken, and a print of a lady signed T. Hamilton Crawford. (5)

Lot 1

Robin Owen - 'Victory No.28' - Nigel Mansell winning his 28th Grand Prix at Silverstone on 12th July 1992, photographic colour print, signed limited edition 157/3000; four signed framed photographs of racing drivers including Nigel Mansell (with certificate of authenticity) and Mario Andretti.(5)

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A coloured print, Coaching scene Unsigned 30cm x 50cm

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Vanity Fair Print, The Winning Post Titled and dated Dec 8.1888 36cm x 55cm

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Paul Henry (1876-1958), Cottages in an Irish landscape Fine Art Trade Guild Print Signed in pencil 36cm x 40cm

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Laslett John Pott (1837-1898) The Ruling Passion A coloured print 43cm x 68cm

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After Louis Wain, Series of cat portraits Coloured print Signed 35cm x 24cm

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19th century framed print "Fort William, Bengal"

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20th century Florentine School "Choir of Angels", coloured print and gilded panel, bears paper label verso, d. 23 cm, with gilt frame

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AFTER G ROBERTS, COLOURED PRINT, ‘A rough customer’, 21" x 17", (maple framed)

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AFTER COROT, COLOURED PRINT, Maidens dancing in a wood, 20" x 30"

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R A RICHARDSON, SIGNED IN PENCIL TO MARGIN, TWO LIMITED EDITION COLOURED PRINTS, (23/400) and (137/200), Bird studies and a further UNSIGNED PRINT by the same artist, various sizes, (3)

Lot 1

LIONEL EDWARDS, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, ‘The Holcombe’ (Hunt), 1939, 12" x 18"

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CARL MOSER, COLOURED WOODBLOCK PRINT, Three figures conversing, 15" x 16"

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GEORGE BAXTER OR LE BLOND, COLOURED OIL PRINT, ‘The Mountain Stream’, CL 346, 15" x 11"

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AFTER WEBSTER, COLOURED PRINT, ‘A Bunch of Roses’, (Calendar print for 1913 for Ceylindo Tea), 20" x 15", (A/F)

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AFTER A CHAVELL, COLOURED PRINT, ‘Donovan’, (horse portrait in burr elm frame), 17" x 20"

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DAVID DIPNALL, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT, (109/850), ‘Puddles’, 10" x 16"

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DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT WITH BLIND STAMP, ‘(447/2000), ‘Burning Bright’, 17" x 29"

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DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT WITH BLIND STAMP, (1746/2000), ‘Jungle Gentlemen’, 17" x 29"

Lot 1

DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT WITH BLIND STAMP, (621/1500), ’Teenage Tiger’, 8" x 12"

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AFTER T CUNEO, COLOURED PRINT, ‘The Para’s Are Landing’, 14" x 17"

Lot 1

DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT, (41/1300), ‘Indian Siesta’, 16" x 26"

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PETER SCOTT, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, Published 1947, Geese in flight over water, 13" x 20"

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AFTER PETER SCOTT, SIGNED IN PENCIL TO MARGIN BY PHILIPPA SCOTT, LIMITED EDITION COLOURED PRINT, (271/500), Published 1988, Brent Geese, 17" x 24"

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VICTORIAN SCHOOL, PAIR OF MIXED MEDIUM PICTURES, (on print bases), Young girl at a spinning wheel and Young girl holding a book, 4 ½" x 4", (2)

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SNAFFLES (CHARLES JOHNSON PAYNE), SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, ‘Gentlemen unafraid’, 11" x 19", unframed, A/F

Lot 1

M WOOLLACOTT, SIGNED WATERCOLOUR AND GOUACHE, Flower study, 19" x 29" and A MIXED MEDIA, print based picture of Vencie, 14" x 22", (2)

Lot 1

JULIAN TREVELYAN (1910-1988), 'Bolton washing day', etching with aquatint, pencil signed in the margin, titled 6/30, 16 1/2" x 21 1/2" and one other print by Helena Markson entitled 'Everton from Browside'. (2)

Lot 1

JOHN PIPER (1903-1992), The Geffrye Museum, print in colours, pencil signed in the margin and 30/100, 18" x 24 1/2".

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AFTER THOMAS DAVIDSON, 'Nelsons Last Signal at Trafalgar', reproduction print in colours, 16" x 23 1/2".

Lot 1

FOLLOWER OF CECIL ALDIN, Portrait of two Boston terriers, signed with initials and inscribed 'With Love from Josh and Henry', pencil heightened in white, 8" x 6"; and a reproduction print after Ernst Dorn. (2)

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JOHN PIPER (1903-1992),A continental cathedral print no. 69 of 70, 22 1/2" x 30 3/4"

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A large Worcester armorial mug printed by Sadler circa 1760-5 of cylindrical shape with a slightly flared foot, printed in black with the full arms of the Honorable Society of Bucks within rococo scrollwork, flanked on one side by a figure of Fame and on the other Justice, each resting upon a cloud, strap handle. signed amidst print Sadler Liverpool 15.2cm., 6in. A similar example was included in The Norman Stretton Collection, sold by Phillips, 21st February 2001, lot 53. Here it is noted the original engraving is likely to have been completed by Jeremiah Evans.

Lot 1

An unusual large fawn bonbonniere, Staffordshire, circa 1770 the shy beast with speckled hide resting among camouflaging leaves, the base transfer-printed and coloured with the swimming stag print, stamped gilt-metal mounts width 9.2 cm, 3.625;in

Lot 1

Print after William Russell Flint, three ladies carrying bundles on their heads down a corridor, 9" x 13"

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Print after Cecil Aldin, interior of an inn with landlord bringing in the Christmas pudding, various figures seated and standing around a table, 12" x 21"

Lot 1

Three prints comprising: Book print of Christ's Hospital, coloured print of a cathedral; and a print of Ruins. Various sizes

Lot 1

John Piper, 'Fawley Bottom Farmhouse', signed limited edition print, 54/70, 17 x 23" (not seen out of frame)

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John Piper, 'Llangloffan', signed print, 18 x 24" (not seen out of frame)

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John Piper, 'Arbroath', signed limited edition print, 84/100, 17.5 x 23.5" (not seen out of frame)

Lot 1

Three prints comprising Graham Clark: Thomas Hardy's cottage, artist's proof, 13½" x 18"; Graham Clark, print entitled 'Fred', signed limited edition 131 of 300, 15½" x 18"; John Brunsdon, print, 'Rievaux Abbey', signed limited edition print 39 of 150, 12" x 5"

Lot 1

Sir William Russell Flint 'Corisande', limited edition print, 380 of 850, published in 1979 by Michael Stewart Fine Art Ltd, 12½" x 19½"

Lot 1

*Australia & New Zealand. A group of mostly albumen print views, c. 1870s and later, including approx. twenty-four Australian views including Melbourne, Sydney, Adelaide, Brisbane, Hobart, Bush Scenes in Queensland, two panoramas, and approx. 35 photos. of New Zealand topography, including Lyttelton, Mount Eden, Mount Tarawera, Napier, Auckland, Launceston, and Panoramic Views of Dunedin and Auckland Harbour (approx. 60)

Lot 1

*Cabinet Cards. A group of approx. 260. albumen print cabinet cards, c. 1870s and later, mostly unidentified men and women, but including some notables of the day including Ibsen (with publisher's markings), General William Booth, Catherine Booth, Robert Browning, Disraeli, Thackeray (from a drawing), and others, together with an assorted group of stereocards, including a few handpainted (appro. 260)

Lot 1

*Cameron (Julia Margaret). A group of five albumen print cartes-de-visite, c. 1864-68, all group portraits, approx. 82 x 57 mm and sl. smaller, all mounted with usual gold borders, one with copyright imprint at foot, versos blank The titles are 'Paul and Virginia', [1864], partly faded; 'King Ahasuerus & Queen Esther', [1865]; The Minstrel Group, [1866]; Summer Days, [1866], faded; The Rosebud Garden of Girls', [1868]. (5)

Lot 1

*Cartes-de-visite. An album of ninety-nine window mounted Neopolitan-style hand-col. albumen print cartes-de-visite portraits, c. 1870s, including religious figures, military figures, women and family group scenes, partial manuscript index, contemp. diced calf with gilt clasps, upper joint broken and contents det., 4to (1)

Lot 1

*Cartes-de-visite. An album of approx. 210. window-mounted cartes-de-visite, c. 1860s, including royalty, authors, actresses, and other celebrities, num. ports. identified in pencil on mounts, including Charles Dickens (full length, seated, wearing bowler hat and stroking dog), Professor Owen, Garibaldi, Victor Hugo, Professor Wheatstone, Prince Bismarck, Queen Victoria, Disraeli, Gladstone, The Moncrief and Dudley Family, H. M. Stanley, Captain Speed & Son of Theodore, Sir Garnet Wolsey, Gustave Dore, The Prince Imperial, Queen Isabella of Spain & Daughter, The Sultan of Turkey, The Shah of Persia, Pasha of Egypt, Mr. and Mrs. Kendal, William Wallace, Adelina Patti, The Seyid of Zanzibar, interleaved with pasted in albumen print photos. of paintings, etc., occn. spotting and soiling and a few mounts torn, hinges broken and contents det., contemp. embossed leather with gilt clasp, a little wear, oblong folio (1)

Lot 1

*Cartes-de-visite. A group of approx. 300+ albumen print cartes-de-visite, c. 1860s and later, including num. portraits of European Royal Families, British politicians, famous people and celebrities, incl. Abraham Lincoln, Jefferson Davis, Edwin Landseer, David Livingstone, Hans Liszt, Lucia Zarate, and many others (300+)

Lot 1

*Cartes-de-visite. A miscellaneous assortment of albumen print portraits, etc., c. 1860s and later, the vast majority unidentified, men, women and children (approx. 2000)

Lot 1

*Great Britain and Europe. An assorted collection of mostly mounted albumen print views, c. 1870s and later, including some geology interest, various sizes, many identified in ink on mounts, plus four related albums (2 cartons)

Lot 1

*Italy. An assorted group of nine albums of mostly mounted albumen print views, c. 1870s and later, including large format views, photos. of buildings and sculptures, etc., various bindings, generally worn, large oblong folio/4to (9)

Lot 1

*Japan. A group of seventeen albumen print views, late 19th c., including some hand-col., mostly large format, mounted, together with a small Japanese concertina album with fifty mounted hand-col. views, some soiling, orig. decorated lacquer boards, sl. wear, oblong 8vo (18)

Lot 1

*Misc. Albums. A group of five albums of mounted albumen print views, etc., c. 1870s and later, including group photos., views of Simla, Agra, Scandinavia, Guernsey, Isle of Wight, Appledore, Scotland, etc., some photos. and leaves removed, contemp, half morocco, some wear, 4to (5)

Lot 1

*Naviel (A., Photographer). Ballon Captif [at the] Exposition Universelle de 1900, mounted gelatin silver print showing a group of six people in a tethered balloon basket, image 20.5 x 13.5 cm, printed caption and details to mount, sl. soiled (1)

Lot 1

*Nobility. A group of fifteen album leaves, containing over eighty mounted albumen print images, c. mid-1850s, all portraits of titled men and women, military officers, overseas royalty, etc., mostly carte-de-visite size and some sl. larger, many with pen and ink borders and largely identified in ink on mounts, tall folio (15)

Lot 1

*North Africa, Europe, etc. A group of five assorted albums, late 19th c., containing numerous mounted albumen print views of Egypt, Venice, England, Scotland, etc., various sizes and bindings, together with misc. large format mounted photos., assorted loose photos. and photographic book interest (a carton)

Lot 1

*Petit (John Louis & Delamotte, Philip Henry). Anastatic drawings [so titled on spine], n.d., late 1860s, mounted albumen print, port. frontis. of Petit, ninety b&w anastatic drawings of European churches, etc., on india paper, each approx. 12 x 18 cm, or similar, some heavy spotting, front free endpaper inscribed 'Philip H. Delamott, Twickenham, 1866 & 67 & 68 [all inked over pencil] & King's College' and beneath in pencil, and possibly the same hand, 'drawings by Rev. J. L. Petit for new book. Printed by Cowell' and the signatures of L. B. Burtt and E. M. Burtt, the latter dated Aug 03, contemp. blue half morocco gilt, some wear, large 8vo Petit and Delamotte had produced a book entitled 'Architectural Studies in France' in 1854. This seemingly unpublished work had been the printer's proof illustrations which remained with him when the author died in 1868. (1)

Lot 1

*Scandinavia. Three assorted albums of mounted albumen print and gelatin silver print views, late 19th and early 20th c., including one album entitled 'Trips in Norway on Board the Steam Yacht "St. Sunniva", July 1887', with photographs identified in the images, and one entitled 'Kongefaerden til Island, Juli-August 1907', mixed bindings, somewhat worn, all oblong folio (3)

Lot 1

*Yorkshire - Leeds? Building and Construction Work of A Canal Lock, possibly Leeds, Yorkshire, c. 1860s, a mounted albumen print in three sections, showing pullies, ladders, workers and a brick lock-house on the far side, approx. 27 x 80. cm, mounts somewhat soiled (1)

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