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Lot 188

A Framed Print of A Cottage and Garden.

Lot 191

A Framed limited Edition Print, Pathway to The Bridge, Signed by The Artist.

Lot 200

A Framed Print Depicting Welsh Landscape, After The Rain by David Price, Signed in Pencil by The Artist.

Lot 308

A Box of Books Including Mrs Beeton, Print Etc.

Lot 63

A Framed Print Depicting Seated Girl and Boy Playing as Soldier.

Lot 92

A Framed Oriental Print of Maiden in Clothes.

Lot 179

Margaret Thatcher: Signed letter, 10 Downing Street headed paper and a print of Kettering Conservative Club, (2).

Lot 334

After J E Beadle, Captive Eagle, hand coloured print, 44cm x 58cm.

Lot 338

After Doyly John, Town Square, colour print, canvas, 44cm x 56cm and other pictures.

Lot 341

After David Shepherd, African Bull Elephant, signed, limited edition colour print 762/850, 55cm x 50cm.

Lot 342

English School, A Gentleman Seated, over painted photograph, arched, 26cm x 20cm, in a gilt frame within a rosewood frame, and another over painted print, similarly presented, (2).

Lot 349

After Basil Nightingale, All Brandy! and Mostly Water!, a pair of colour prints, 30cm x 47cm, a print of a Huntsman after Alfred Munnings, (3).

Lot 356

After Terrence Cuneo, The Underwriting Room at Lloyds, colour print, 47cm x 60cm.

Lot 357

Homage to Velazquez, Still Life, a print, 39cm x 74cm.

Lot 367

Skyscraper by Highflyer, 1789, reproduction print, 35cm x 49cm.

Lot 371

Rowing Club, Reproduction panel, 61cm x 79cm, photograph, Rockefeller Centre, New York, 1932, and a coloured print of a Rugby match after William Barns-Wollen, (3).

Lot 373

After Lionel Edwards, The Chase, signed colour print, 23cm x 34cm, un-framed, a collection of un-framed prints and a tray with embroidered panel.

Lot 1035

Kurt Hutton (1893 - 1960), gelatin silver print - 'Care Free', Southend 1949, in glazed frame, inscribed verso, 17.5cm x 19cm NB. In his autobiography, Kurt Hutton writes in detail about this photograph: "Fair pictures can be very disappointing. Probably because so much of the atmosphere of a fair is a deliberately calculated effect, meant to get to work on human senses and not on the hard, unwinking stare of a lens. The glitter is bogus and all that is real about a fair are a number of hard-working people who are shrewd and very skilful about their jobs. There is no reason why one should not try to photograph that glitter, but it hardly ever comes off and the fun of the fair escapes - unless it is caught as it is reflected in people's faces. The photograph nearly drove me mad. The editor asked for some pictures of Southend fun fair, so I roamed all over the place and took an endless number of photos. Then the editor said: 'They're no good. I don't want to a series. I need one striking picture.' Southend seemed a long way to go again...so I went to Hampstead Heath. To make sure I took a pretty model with me. This time the editor said the photos were all right, but the girl was modelish - not really full of life, joy and laughter. 'Well,' said the editor, 'get something on the caterpillar. You know the sort of thing. It's quite easy.' I felt like asking 'Is it?'...so the next day I set off for Southend with a young actress. The photographs were very nice. 'This is it,' said the editor. 'Only I'd much rather have two girls. And this girl is fine but she looks more like an Oxford undergraduate than the Southend type.' By now I was beginning to feel slightly irritable...Next morning I met the two girls I had chosen and found one presented no problems, but the other was far from faultless to photograph. As we neared Southend the storm broke...so we just waited. Eventually it did clear up and with a wind blowing at a somewhat rude angle and with the right side of my difficult model's face to the camera, I got my picture. An easy picture such as you might pick up with a bit of luck any fine day." The image was taken on October 8th 1938 and the original caption was 'Two young women enjoying themselves on a rollercoaster at Southend Fair'

Lot 1036

*Laurence Stephen Lowry (1887 - 1976), signed print - The Level Crossing, Burton On Trent, with Fine Art Guild blindstamp, in glazed frame, 45.5cm x 58cm CONDITION REPORT Faded overall, blindstamp lower left, hard to say if it has been stuck down. Signed in pencil lower right. The blindstamp is initialled D.K.B

Lot 1037

*Laurence Stephen Lowry (1887 - 1976), signed print - Children's Playground, inscribed from Lowry 'With Best Wishes', signed in pen, in glazed frame, inscribed verso, 51cm x 66cm CONDITION REPORT Signed and inscribed in ink which has lost its colour. The image is behind non-reflective glass so the colour is good. Appears not to be stuck down. No blind stamp

Lot 514

19th century cameo glass miniature portrait of Pope Pius IX (1792 - 1878), 5.2cm high, oval in ebonised frame, together with miniature mezzotint of a gentleman within an 18th century carved and giltwood frame and a reverse painted print miniature

Lot 767

Henry Frederick Lucas Lucas (1848-1943) black and white print - Linlithgow and Stirlingshire Hunt, Golfhall 1922, in original glazed oak frame, 61cm x 81cm

Lot 768

Sir Alfred James Munnings (1878 - 1959), signed print - After the Race, inscribed 'Tom Slocombe stood for the central figure holding the horse, also for the jockey about to get off him. AJM.', also 'To Tom Slocombe from Alfred Munnings', in glazed frame, 50cm x 63cm

Lot 769

Sir Alfred James Munnings (1878 - 1959), signed print - Portrait of Major J. Bouch, M. F. H. with the Belvoir Hounds, inscribed 'To Tom Slocombe from Alfred Munnings 1956', signed again bottom right, in glazed frame, published by Frost & Reed, 55cm x 63cm

Lot 770

Sir Alfred James Munnings (1878 - 1959), signed print - October Meeting, inscribed 'To Tom Slocombe, the everlasting, from Alfred Munnings Sept. 1957', signed again bottom right, in glazed frame, published by Frost & Reed, 44cm x 75cm

Lot 771

Sir Alfred James Munnings (1878 - 1959), signed print - inscribed 'Mr Brady Junr: New Jersey. U.S.A.', signed, in glazed frame, 46cm x 52.5cm

Lot 807

*John Piper (1903 - 1992), signed coloured print - Backcloth design by John Piper for Benjamin Britten's opera Death in Venice, in glazed frame, 42cm x 69.5cm Overall very good condition CONDITION REPORT Overall very good condition

Lot 843

*Philip Sutton RA (b. 1928), signed limited edition lithograph - Pacific, 26 / 250, in glazed frame, Curwen print 1966, 52.5cm square

Lot 558

A print after Graham Isom, Racing interest, The Tale 'Cheltenham Gold Cup Chase' 1994, signed

Lot 601

A print after Helen Bradley, April Boating Lake, signed

Lot 602

A print after Helen Bradley, Fred Walmsley's Concert Party, signed and a watercolour, E. Greig Hall, Thrlmere, signed and dated '87 and attributed en verso

Lot 611

A Limited Edition print after William Heaton Cooper, A Lakeland Farm, signed

Lot 623

A print after Helen Bradley, Miss Carter in parkland, signed

Lot 641

A Limited Edition print after Rob Hefferan, African sunset, signed, with certificate

Lot 655

A Limited Edition print after Monteith, Golden Harvest

Lot 656

An oil painting, F Robinson, Freshwater fish, Loch Vrigall, August 10th 1897 and a Limited Edition print, after Beningfield, Peregrine Falcon, signed

Lot 660

A pair of Limited Edition prints after Peter Taylor, historic maritime scenes, Liverpool and Clyde, signed and an Edwardian print, The Leopard Skin

Lot 114

Metronome, oak biscuit barrel, Imari plates, tea and coffee ware, Minolta camera and accessories cased, violin bow, brassware, lacquered pen box, print etc

Lot 411

William Russell Flint, Unwelcome Observer, print, signed

Lot 412

William Russell Flint, Mirror of the Ballet, print, signed

Lot 422

Collection of pictures including spy print, etchings, etc

Lot 47

Collection of railway related print blocks and copper plate printing blocks mostly featuring engines

Lot 519

Oak draw leaf dining table and four chairs, oak barley twist hallstand and framed print (7)

Lot 1030

An upholstered stool in antler print fabric, on block feet, 44cm square, 49cm high

Lot 1200

BRITISH SCHOOL, 20th century A sectionally, constructed print, of a red telephone kiosk, with graffiti marks in black and silver, in acrylic case frame, 1.67m x 64cm

Lot 1216

INDISTINCTLY SIGNED "Night Creatures", a limited edition colour print, no.25/35, dated (19)93

Lot 1218

A late 20th century print and collage on canvas, a decorative figure interior with bird cage and vase of flowers, 65cm x 47cm in gilt frame

Lot 1222

AFTER HIERONYMUS BOSCH Group of satanic figures, reproduction print, 121cm x 64cm

Lot 1226

After DAVID HOCKNEY (British, b.1937) Richard, Jim and Felix, reproduction print, (the OZ trials defendants from one of the longest cases in British legal history) 71cm x 91cm, signed in pencil

Lot 1240

BRITISH SCHOOL, 20th century RAF Pilot asleep in a chair, print, 35cm by 23.5cm

Lot 1244

AFTER HENRI MATISSE Reproduction print, 28.5cm by 43cm

Lot 1249

JAPANESE SCHOOL 20TH CENTURY Reproduction print on fabric, 65cm by 60cm (sight)

Lot 1250

AFTER BOB KANE (American, 1916-1998) Enlarged cells from Detective Comics No. 27, depicting the origin of the character " Batman", print, 98cm by 137cm (sight)

Lot 1252

JOE REED Mana Standing Still 2, print with watercolour, signed and dated 1975, 33cm by 23cm

Lot 1272

R WOODLAND Blind III, screen print, 90cm by 63cm (SH), signed, numbered and titled in pencil

Lot 1282

RALPH IDRIS STEADMAN (British, b.1936) Hunter S Thompson on a Ducati, coloured print, edition 95/100, 59cm by 84cm (SH)

Lot 1285

S. W***, 2006 "Chanel - The Dog" wearing sun glasses, red ground, Giclee hand enhanced print, limited edition 17 of 99, signed and numbered, 99cm x 74cm, unframed

Lot 1298

CATHERINE HAVARD "Autumn" a vase of flowers, limited edition colour print, signed in pencil, titled and numbered 12/20, 61cm x 46cm

Lot 1299

CATHERINE HAVARD "Blue Lilies" a vase of Arum and Tiger lilies, a limited edition colour print, signed in pencil, titled and numbered 13/25 to lower margin, 67cm x 46cm

Lot 1302

BRITISH SCHOOL 20TH CENTURY Portrait of Queen Victoria, reproduction print, 54cm by 40cm

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