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Lot 1

Raoul Dufy (1877-1953) unframed pochoir print, Three nudes before a town, no. 4/20, 10.5 x 12.75 ins.

Lot 1

Glyn Philpot (1884-1937) unframed watercolour, Head study, 5 x 6.5 ins. three pen and ink book illustrations by another hand and a print of The Coast of Britain.

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Japanese School woodblock print, Actors, 14.5 x 9 ins. and three folios of later Chinese prints.

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Cecil Aldin colour print, Barges on the Thames, signed with blindstamp, 12 x 17.5 ins.

Lot 1

Modern Masters of Etching - Thirteen monographs, namely Salaman, Malcolm C., intro., Alphonse Legros, No.9 in the series. London: The Studio, 1926. 1st edn, oblong 4to, 12 tipped-in monochrome plates, blue-grey boards with applied title label; with vols on Sir Francis Seymour Haden (No.11); F.L. Griggs (No.12); Charles Meryon (No.14); Francisco de Goya (No.15); William Walcot (No.16); E.S. Lumsden (No.17); H. Rushbury (No.18); G.L. Brocklehurst (No.19); Rembrandt (No.20); Malcolm Osborne (No.21); Levon West (No.24); and Robert Austin (No.25), uniformly bound, the latter two with dustjackets (No.24 lacking lower board); and Masters of the Colour Print No.7 - Bresslern Roth. London: The Studio, 1930. 1st edn, 4to, tan boards with applied title labels, dustjacket (jacket torn with loss), (14).

Lot 1

An L.M.S. Railway System Map Monochrome print 89cm x 82cm; together with a quantity of other sheet and folding maps, (box).

Lot 1

Michael Stokoe (born 1933) 'Sun Up' Colour screen print Pencil signed, titled, dated (19)69, artist's proof 41cm x 39.5cm; Peter Hedegaard (born 1929) Untitled Colour screen print Pencil signed, dated (19)67 and limited edition 6/38 46cm x 46cm, (2)

Lot 1

After Sir William Russell Flint, RA Cecelia and Her Studies Offset litho print Limited edition 323/850 Published by Michael Stewart April 1987 with blindstamp 26cm x 37.5cm

Lot 1

William The Lawless (1970) Newnes. Richmal Crompton, illustrations by Henry Ford. The last William hard-back book, low print run. Boards fresh and new, book unread, white pages. Bright dustjacket, price unclipped. Rubbed edges and lower right front with no loss. Book [nm], dj [vg+] Scarce.

Lot 1

Ushiku "Birds in a Nest", limited edition coloured print, no. 40 of 80, signed in pencil to the mount, 42 x 23 cm, framed and glazed

Lot 1

AFTER L S LOWRY, 'The Reference Library', reproduction print, pencil signed in the margin and with blindstamp, 9 1/2" x 13 1/2".

Lot 1

WILFRID R WOOD (1880-1976), Tenby Harbour, linoblock print, pencil signed in the margin, 8 1/2" x 11"; a lithograph of Manchester Grammar School, an etching by Harold Thornton of Canterbury, all unframed. (3)

Lot 1

ANTONY MOORE (20th century), Abstract design with ladder and face masks, print in colours, pencil signed by the artist, 35/50, 26" x 22 1/2"; and another similar. (2)

Lot 1

AFTER DAVID MUIRHEAD BONE, 'The Canterbury Quadrangle, St Johns College 1936', reproduction print, pencil signed by the original artist, 12 1/2" x 18", and a colour engraving - Theatre, printing office etc. (2)

Lot 1

FOLLOWER OF DAVID COX, Cattle in a meadow with castle in the distance, 8 1/4" x 12" and five others to include a print of Brasenose College, a floral study by D Clarke, a wooded pool and two further prints. (6)

Lot 1

19TH CENTURY ITALIAN SCHOOL, View of a Roman forum, oil on canvas, 9" x 12 1/2", and a print after Sir Frank Brangwyn. (2)

Lot 1

V B METTLER, Harbour scene, signed and dated 1958, 14" x 23"; and an unframed print by the same hand. (2)

Lot 1

LOUISA DOCKRAY (19th/20th century), 'Oxford from Harberton Estate, Headington Hill', signed and inscribed verso, oil on canvas, 9 1/2" x 17 1/2"; three further oils by the same hand, a print of Dulwich College Chapel and a watercolour of a church spire. (6)

Lot 1

Baxter (George). Exterior View of the Crystal Palace, c. 1850s, col. print, approx. 120 x 290 mm, period oak frame with gilt mount, glazed, together with six other small format Baxter prints, four of which are related to the Crystal Palace, including a view of Crystal Palace with its fountains and grounds, and prehistoric animals to foreground, pub. 1854, all framed and glazed (7)

Lot 1

A carved bone bodkin case in the shape of a parasol, the top incorporating a peep-hole showing a view of the Crystal Palace, together with a similar carved bone whistle, plus a treen egg-shaped container, with transfer-print view of Crystal Palace, Sydenham, a similar napkin ring, a miniature moulded glass twin inkwell, the base inset with a view of the Crystal Palace, and eight other souvenirs (13)

Lot 1

A collection of approximately forty Crystal Palace decorative china souvenirs, incl. two 1851 white china tankards with black transfer-print view of the Crystal Palace (one badly cracked), a 1911 Coronation tumbler with sepia transfer-print decorations, a barrel-shaped jam pot with lid, various cups and saucers, jugs, etc. (approx. 40)

Lot 1

A group of eight miniature heraldic china souvenirs, comprising a model of a lobster trap by W.H. Goss, with Crystal Palace transfer-print, plus a miniature 'Old Armchair', with Crystal Palace War Museum & Exhibition transfer-print, and six other items (8)

Lot 1

A collection of eighteen items of pink lustre souvenir china, mostly decorated with a transfer-print view of the Crystal Palace, incl. two teapots, sugar bowl, two cream jugs, various cups and saucers, three egg cups and a spill vase (18)

Lot 1

A black papier mache shallow dish, with transfer-print view of the Crystal Palace with fountains in the foreground, and broad gilt border, approx. 17 cm. diameter (1)

Lot 1

A painted moulded plaster wall plate depicting the Crystal Palace from the grounds, lettered 'Crystal Palace, London', with foliate border, stamped to the reverse 'Made in Austria 3491', 19 cm. diameter, together with two 19th c. china ribbon plates, each with transfer-print view of the Crystal Palace from the grounds, captioned 'A Present from London', 21 cm. diameter, plus four other decorative souvenir plates (7)

Lot 1

A black and white photographic print of Bing Crosby; together with accompanying letter and signed to bottom right.

Lot 1

Oil on board, of a steeple chase, 39cm x 49cm; together with a print of horses and jockeys, 58cm x 73cm.

Lot 1

A print, on silk, depicting an Edwardian lady in bathing costume, 53cm x 42cm.

Lot 1

Hill (David Octavius & Adamson, Robert). Two carbon print portraits of Rev Dr Thomas Chalmers, both carbon prints made by Jessie Bertram in 1916 from Adamson's original salt print paper negatives of 1840s, each approx. 15 x 11 cm, pasted into the front and rear of a copy of Chalmers's Correspondence, ed. William Hanna (1853), spotting throughout, ink stain at foot affecting text block edges and upper cover, presentation inscription to Anne J. Guthrie from her husband in 1916 and below it the initials J.W.B. [Jessie Bertram?], dated 1st August 1921, orig. cloth, rubbed, 8vo The painting of 'The General Assembly of the Free Church of Scotland; Signing the Act of Separation and Deed of Demission, 18th May 1843', is important as being the first work of art painted with the help of photographic images. The painting took Hill twenty-three years to complete. Chalmers was the central figure in the Disruption picture and Moderator of the Disruption Assembly. Jessie Bertram made a series of carbon print copies from the original negatives in 1916 including these two of Chalmers. (1)

Lot 1

Misc. Photography, mostly late 19th c., subjects include U.K., India, Ceylon, etc., mostly albumen print views on loose album leaves, various sizes (a carton)

Lot 1

Taber & Co. (Charles). The Mountain Road, 1892, mounted gelatin silver print, approx. 43 x 33 cm, photographer's imprint and title caption beneath, together with a similar photogravure by the same company, titled 'On The Plain', 1896, both with some surface soiling, matching period maple-veneered frames, plus a carton of various mostly American photography interest books (a carton)

Lot 1

Burne-Jones (Sir Edward Coley, A.R.A., 1833-98). Two Putti with fighting cats in a landscape, 1889, sepia reproduction print, approx. 240 x 320 mm, framed and glazed (1)

Lot 1

Clare (John, 1793-1864). Half-Length Oval Medallion Portrait Albumen Print, c. 1862, approx. 9.5 x 7 cm, mounted with John Clare's autograph signature beneath, framed The only known photographic portrait of John Clare. (1)

Lot 1

Lawrence (Thomas Edward, 1888-1935). A group of eleven black and white photographs, c. 1918 to 1970s, two vintage prints showing Lawrence full-length [as Aircraftman T.E. Shaw at Miranshah, 1928], one with small coffee stain at uppe margin, both approx. 20 x 15 cm, plus two photos during his period with Power Boats , eqarly 1930s, one a portrait the other with TEL barely visible in the cockpit of RAF 202, two reprint photo prots. including one by Howard Csoter, a vintage black and white print of numerous Arabs on camels [possibly Feisal's army] with blindstamp American Colony, Jerusalem, approx. 17 x 23 cm, marked on thre verso property of E[ric] H. Kennington Estate, plus a small snapshot showing TEL with three other soldiers (Karachi), a tiny snapshot portrait fo Dr Salame (Akabar, 1919), plus two reprints of TEL's mother and brother, plus tow printed items, a copy of the Order of Service for TEL's funeral at St Paul's Catheral, sl. soiled and creased, plus a printed card that Lawre4nce sent out to correspondents 'To tell you that in future I shall write very few letter. T.E.S.' (13)

Lot 1

The Harleian Miscellany; Or, a Collection of Scarce, Curious, and Entertaining Pamphlets and Tracts, as well in Manuscript as in Print, Found in the Late Earl of Oxford's Library, Interspersed with Historical, Political, and Critical Notes, 12 vols., 1808-11, contemp. half calf gilt, with old rebacks, somewhat faded and a little worn at extrems., 8vo (12)

Lot 1

[Portraits]. Catalogue of a Collection of Engraved Portraits, the Largest ever Submitted to the Public; Comprising nearly Twenty Thousand Portraits of Persons Connected with the History and Literature of this Country, from the Earliest Period to the Present Time... Alphabetically Arranged, with the Names of the Painter and Engraver, and the Size of each Plate, now on sale at the reasonable price affixed to each print, by Edward Evans, 2 vols., [1836 & 1853], orig. linen-backed boards with paper label to spines, a little rubbed, 8vo Volume two includes portraits of people connected with the British Colonies and the United States of America. (2)

Lot 1

Williams (J), A Narrative of Missionary Enterprises in the South Sea Islands, 1838 9th thousand, orig cloth, Baxter colour print frontis, folding map, & wood engraved illus by Baxter. Also a copy of the 42nd thousand printing of 1847 (fewer illus). With: Blaikie's Personal Life of David Livingstone (1913, half-leather binding); Liddell's China Its Marvel and Mystery (1909, quarto, 40 colour plates); Scott's Last Expedition (1929 reprint); & Scott's Voyage of the 'Discovery' (1929 cheap edn) (6)

Lot 1

A bronze effect plaster print of a bust of a youth, reputed to be the subject for J. M. Barrie's Peter Pan bronze at Great Ormond Street, London, executed by Editha Bartlett, founder of the House of Arts. 16in. (40cm).

Lot 1

Ludovici. David Copperfield on his way to school. Coloured print. 6in. x 11.5in. Together with three other Dickensian coaching scenes. All framed and glazed with titles applied to the frames. (4).

Lot 1

Warner (P.F.). The Book of Cricket, revised edition, 1922, b & w illusts. from photos., orig. dec. cloth, rubbed on spine and a little worn at head and foot, together with Ross (Alan), Australia 55. A Journal of the M.C.C. Tour, 1st ed., 1955, b & w illusts. from photos., orig. cloth in slightly frayed d.j., 8vo, with other misc. cricket books, plus a framed and glazed reproduction print of W.G. Grace by Chevalier Tayler (a carton)

Lot 1

A Framed Coloured Print of Troubled Gentleman and Wife Outside Country House with Groom and Two Horses, by S E Walter

Lot 1

A Framed Coloured Print of Fox Hunters Toasting Ladies at Tavern Meet, After the Painting by Heywood Hardy, Print 76 x 48 cm in Gilt Frame

Lot 1

A Framed Coloured Print After the Painting by A W Strutt, 'Ilka Lassie Has Her Laddie', Pub. 1902

Lot 1

A Framed Snaffles Print Entitled 'Wipers', Signed in Pencil to the Border, 60 cm x 49 cm

Lot 1

A late 18th century head and shoulder portrait miniature of female wearing Gainsborough style hat with black ruched mourning shawl, 6cm, , together with an amateur profile full length portrait of female c. 1890, a faded Baxter print of the Duke of Wellington and a miniature oil painting on board depicting an 18th century townscape with figures, bears signature

Lot 1

An early 20th century mandolin labelled "By His Majesty's Royal Letters Patent No. 2272 The Neapolitan Patent Mandoline Co", the back decorated with colour print of a seated tambourine playing maiden

Lot 1

G S Walters; an early 20th century chromo-lithographic print depicting cattle at waters edge with distant undulating country, mounted, glazed and framed, 21 x 33cm

Lot 1

After G S Walters; colour print of a boating/shipping scene, gilt framed and glazed

Lot 1

John C Moody; colour print of a rural landscape

Lot 1

ENGLISH SCHOOL. A watercolour drawing of a harbour scene with figures, buildings and sailing vessels, 12 cms. x 16 cms. [together with a Vernon Ward framed colour print].

Lot 1

A Beswick equestrian figure of Red Rum with Brian Fletcher up (2511) from the Connoisseur Series, on hardwood base, together with a monochrome print signed by Don 'Ginger' McCain, Brian Fletcher and others. (2)

Lot 1

A Le Blond print "The Gleaners" numbered 79, 5" x 6", framed; another "Blowing bubbles" number 74, 5" x 6", framed.(2).

Lot 1

A framed and glazed Pears print depicting two young girls seated on baskets at a railway station and gazing at two rabbits in a basket, 22" x 16", framed.

Lot 1

A framed and glazed monochrome print entitled "An English Merry-Making in the Olden Time", village group dancing on a pathway. 26" x 39".

Lot 1

A Coloured Engraving of Ely Cathedral, a pair of coloured prints after Robertson, a print on silk, feeding birds and another playing at catch stirrup

Lot 1

After Burton Barber HOW LIKE GRANDMA A Coloured Print and two other coloured prints

Lot 1

Y.Urushibara MOONLIGHT, BOURNEMOUTH Woodcut print, 35cms x 24cms

Lot 1

After George Baxter- Coloured print 'The Day before Marriage' with copyright script dated 1854, 35cm x 25cm

Lot 1

After George Baxter- Coloured print 'The Bridesmaid', 35cm x 25cm

Lot 1

Sir Peter Markham Scott- Signed artist's proof limited edition print 'The Upland pool', published by Arthur Ackermann & Son, London 1950, 35cm x 53.5cm

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