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Lot 251
A pair of curtains in a cream and green patterned silk effect damask with a green floral print, thick green fringed edging, goblet heading, thermal lined with a cream cotton top lining and a pair of green tasselled cord and velvet tie backs (each curtain approx. 220cm hem width x 350cm drop). Fading to edges
![Art History and Music - The Bodley Head's Masters of Modern Head, various artists, [c. 1925], all with original yellow dustja](https://cdn.globalauctionplatform.com/8f09b207-1d82-4f0a-9189-aed900cda020/721443bc-488e-4f6f-bb0b-aee101245370/468x382.jpg)
Lot 3023
Art History and Music - The Bodley Head's Masters of Modern Head, various artists, [c. 1925], all with original yellow dustjackets over cloth, 8vo, (6); other early 20th century pocket publications, decorative bindings (qty); Royal Academy and other exhibition catalogues, including Picasso, Francis Bacon, and others; Japanese woodblock print reference; some country house and other guide books; late 19th century and later sheet music, mostly bound, generally classical piano; etc., [8 boxes]Provenance: the Chandos-Pole family, removed from the Library of Radbourne Hall, Derbyshire.
Lot 3025
Art Photography - Salgado (Sebastião) & Salgado (Lélia Wanwick, editor), Genesis, two-volume set, copy no. 486/500 signed by the photographer, Taschen, 2013, apparently lacking the original print, contemporary full morocco, the spines and upper-covers lettered in black, rouge endpapers, folding stand and packing en suite, atlas folio (71cm x 48cm), [2]
Lot 3159
Local Interest - Lipscomb (George, Esq), A Description of Matlock-Bath; with an attempt to explain the Causes of Heath, and of the Petrifying Quality of the Springs: to which is added, some account of Chatsworth, Kedleston, and the Mineral Water of Quarndon and Kedleston, first and only edition, Birmingham: Printed by the Executors of T.A. Pearson, 1802, original boards, later pencil ownership inscription: L. Richmond, 8vo, (1); Adam (W.), The Gem of the Peak; or Matlock Bath and its Vicinity [...], London: Longman & Co., 1838, map frontispiece, engraved title-page and plates, repaired calf, 12mo in 6s, (1); [Cox (The Rev. Thomas)], Derbyshire, off-print complete with fold-out map, from Magna Britannia, [London, In the Savoy: E. and R. Nutt, 1720-1731], later issued title-page and wrappers, 4to, (1); Keys (John) & Gadd (George Frederick, editor), Sketches of Old Derby and Neighbourhood, London: Bemrose and Sons, Limited, 1895, original cloth, 4to, (1); [Cartography], Cary (John, engraver), Cary's Traveller's Companion; or, a Delineation of the Turnpike Roads of England and Wales; [...] [with] a New Set of County Maps [...], third edition, London: Printed for John Cary, Engraver, Map & Printseller, Strand, 1791, illustrated with some fold-out and other full-page hand-coloured engraved maps, black-ruled tables, late 19th century half-calf (faults, rubbed and chipped losses), 8vo, (1); etc., [6]
Lot 3209
Private Presses - a collection of early 20th century and later prospectuses and ephemera, also illustrative of well-known wood-engravers and illustrators of the 20th century, comprising: The Golden Cockerel Press: prospectus, Mallarme’s L'après-midi d'un faune, translated by Aldous Huxley, illustrated after drawings by John Buckland Wright, 1956, as well as two copies of the prospectus for Cockalorum, 1948, their 1948 annual prospectus, (4); The Whittington Press: prospectuses, various, dated from 1983-1990, (4), and Matrix, Some Brief Guidelines for Contributors & Compositors, 1987, (1); The Nonesuch Press: off-print from Miscellaneous Poems by Marvell, 1923, and two copies of their 1928 & one of their 1930 prospectuses, (4); Illustrated Invitation, Paul Nash, 1889-1946: Memorial Exhibition, (1); September Press: Alphabets by Eric Gill, To be published in October 1987 by Christopher Skelton, (1); Fine Press Book Fair: Catalogue of Fine Press Exhibitors, Oxford, 13 October 1990, (1); Drawings by Richard Kennedy for A Boy at the Hogarth Press, 1972, (1); The Old Stile Press; Incline Press; etc., [qty]
Lot 3297
Ephemera - Stoker (Bram), The Secret of the Growing Cold, first edition, first appearance in print within Black & White, No. 51 - Vol. III, Saturday, January 23, 1892, which also includes eight extra pages on the death & funeral of The Duke of Clarence, illustrated, original wrappers, contemporary Australian bookseller's ticket: W.B. Stephens, Adelaide, folio, (1); other Victorian/Edwardian magazines and reviews, including The Sphere; [Dorset], Okeden (D.O.P., Esq), A Letter, to the Members in Parliament, for Dorestshire, on the subject of Poor-Relief and Labourers' Wages [...], second edition, Blandford: Printed and Sold by John Shipp, 1830, disbound, 8vo, (1); Music, 18th century musical scores and libretto for Handel; further sheet music, principally 19th century; Victorian full-page chromolithographs and wood engravings, including Tennyson; The Metropolitan New Album of London, [n.d., c. 1890], topographical named-view prints, original wrappers, (1); Henry Irving; theatre programmes; etc., [collection]
Lot 3310
Miscellaneous Manuscripts - Essex, The Finances of an early Victorian Surgeon, an ink MS accounts book, compiled by Robert William Quennell (1799-1849), of Hart’s Hall, Hornchurch, Essex, with dated transactions from 1st January, 1831, to 30th December, 1839, mostly with tradesmen being based in south-east Essex (Upminster, Romford, Ockenden, etc), various entries including: 1835 Oct. 20th ‘Began taking the Times newspaper [subscription] £3 – 18s – 0d per annum’ and 1835, August 4th; ‘sold out £200 of 3% consols which made £179 – 10s – 0d ‘to pay for an action brought against me by a rascal of which transaction papers will be found in my drawer’, as well as his conservative taste in wine, at the end, an account of the dates of birth and full-names of the owner’s four children, from which it was possible to establish the identity of the book’s compiler, red-ruled contents, contemporary polished calf, covers blind-rolled, marbled endpapers, 8vo, (1); a mid-Victorian country house visitors’ book, believed to have come from a Herefordshire weekend party circa 1862 (loosely-inserted note), partially-filled, comprising 17 autograph signatures, including the Duke of Bedford and George Russell, the Duchesses of Manchester and Montrose, the Marquess of Clanricarde, further members of the British aristocracy, the Bishop of Rochester, and European/Russian noblemen Count Bernstorff and Prince Boris Galitzin, contemporary green morocco gilt, all-edges gilt, moiré endpapers, 8vo, (1); a late 19th century literary-antiquarian’s commonplace book of ballads, rhymes, sayings and songs, principally transcribed in MS, but a few tipped-in scraps of print, disbound, 4to, (1); Jones (Maurice), No Easy Answer, Bournemouth, 1953, 52ff of autograph MS, the narrative history of The Arts and man’s relation to them, inscribed in pen-and-ink, mixed media illustrations by the author throughout, original cloth, 4to, (1), [4]
Lot 3336
An early 19th century French Directoire red morocco print-collector's album, three-quarters of which is illustrated with uniform contemporary cabinet engravings of earlier Old Masters, the leaves of which are 'framed' and ruled in black ink, the finely bound covers outlined and tooled with a foliate roll, the angles with sunburst spandrels, the spine with Adamesque paterae in ruled compartments, all-edges gilt, marbled endpapers, folio (36cm x 27cm), [1]
![James Scales (early 19th century), by, Wisbech Bridge, [Cambridgeshire], [n.d., later dated 1817 in pencil], aquatint, 35cm x](https://cdn.globalauctionplatform.com/8f09b207-1d82-4f0a-9189-aed900cda020/87395a83-f2cc-4028-9842-aee10125f61e/468x382.jpg)
Lot 3338
James Scales (early 19th century), by, Wisbech Bridge, [Cambridgeshire], [n.d., later dated 1817 in pencil], aquatint, 35cm x 51.5cm, (1); further early 19th century and later British topographical named-view prints, mostly lithographs and chromolithographs, including Rugby School, Wollaton Hall, others after Joseph Nash, mounted; etc; 18th century and later Old Master engravings and prints, including a portrait mezzotint Lord Mayor of London Crisp Gascoyne; humour and caricatures, including 20th century restrikes after Gilray; some maps, including The Environs of London, dated 1833 but later 19th century, mounted, (1); Terence Cuneo print, signed by the artist; late 20th century Lowry prints, various, late 20th century and unsigned, large formats; others pictures and prints, various media, dates, and sizes, including some large formats; etc., [large collection]
Lot 3345
Whittington Press - John Lawrence (b. 1933), a portfolio of 13 wood-engravings, comprising the months and a general 'title' [from The Shepherd's Calendar, Whittington Press, 1978], each print signed, dated '78, and numbered 25/100 by the artist, block-printed on Japanese hand-made paper, the months 17.5cm x 23cm, the 'title' 25.5cm x 19cm, the album bound in contemporary green half-morocco over pictorial papered boards, the endpapers rolled with flower petals and ferns, 4to (29cm x 20cm), [1]
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314753 item(s)/page