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Lot 156

PEARS PRINT OF A LION & LIONESS, JOHN COOKE SIGNED PRINT & A SEPIA PHOTOGRAPH PRINT OF WEYMOUTH PARADE DATE 1904 F/G

Lot 157

'EAST SUSSEX' SPY PRINT F/G

Lot 1142

A LARGE OAK FRAMED SOLOMAN SOLOMAN PRINT, and a military portrait (sd) (2)

Lot 1332

'MORNING WATCH' LTD EDITION PRINT, 174/850, signed Ian Nathan, a pair of brass framed wall mirrors and a brass table lamp with shade (4)

Lot 210

A LARGE GLAZED PRINT, with original signatures of OC.SS Sqdn, Tanker Aircraft Limited Edition No.549 of 750

Lot 290

THREE SIGNED AIRCRAFT PRINTS, 'Moral Support' and Battle of Britain VC Batn by Robert Taylor and signed by 85 squardan C.O. S/Ldr. Peter Townend, the other by Eric L. Kighsley, also a print of R.A.F. Hixan 1943 signed by Alan Preece

Lot 975

LIMITED EDITION PRINTS, to include John Austin, Mid Morning Departure 143/500, signed, Tony Smith Garden Days of Summer 80/375, signed, Gardeners Corner, Gordon King, open print etc (6)

Lot 989

A CHINESE WOODBLOCK PRINT, on rice paper, inscribed 'The Yedo Children at Play', naka-cho, shin yoshiwana, Hiroshige II, with script to top left, approximately 35.5cm x 24.5cm

Lot 992

A LIMITED EDITION PRINT, Business as Usual by BJ. Freeman, signed by the artist, and two members of No.92 squadron, Brian Kingcome and Ralph Havercroft with certificate verso number 361, approximately 38.5cm x 56cm

Lot 996

THOMAS JAMES SOPER (1836-1890), Iffley Mill, Oxford, print, approximately 19.5cm x 29.5cm

Lot 998

ROBERT KING, print, Morning, approximately 39cm x 49.5cm

Lot 868

ITALIAN SCHOOL. Mary and Joseph with The Infant Christ, oil on canvas, 30 x 38 in; an oil painting by another hand depicting a portrait of a Saint; and an oil painting (possibly over a print base) after Raphael depicting The Infant Christ and St. John with Elizabeth; three (3)

Lot 873

FOLLOWER OF ANGELICA KAUFFMAN. A Maiden holding a Dove, oil on metal, oval, 9 x 7 1/4in and two oils (over print bases) in the manner of Henry Bunbury depicting A Beggar and a Gentleman; an an oil painting depicting a boy with a candle in the manner of Godfried Schalcken; four (4)

Lot 762

AFTER REX WHISTLER. Portrait of a Lady holding a Rose (Lady Caroline Paget),colour print,16 x 12 in (40.7 x 30.4cm)

Lot 758

AFTER KAWAGE HASUI. A Lake Landscape with tree,colour woodblock print, reprinted from the original block10 x 14 1/2 in (25.4 x 36.8cm)

Lot 551

After Alan Fearnley, 'Church Valley Farm', a limited edition coloured print, signed in pencil. Framed and glazed.

Lot 518

After Frank Moss Bennett, huntsman in an interior, large coloured print, laid on canvas within gilt frame.

Lot 548

After Gainsborough, boy with white rabbit, coloured print, framed and glazed.

Lot 507

'Racing Yachts at Dusk', coloured print. Framed and glazed.

Lot 531

A First World War period memorial portrait panel relating to Bethlehem Chapel, St. Clears, with various military and other figures featured, together with a religious text and a print after David Marsh. Framed. (3)

Lot 496

Japanese School, coloured print with text and seal mark, insect amongst foliage. Framed and glazed.

Lot 549

After the Old Master, portrait of a regal lady, coloured print within carved, hardwood frame.

Lot 517

Three small furnishing pictures including: 'Study of Guildford Mill' with signatures verso, small limited edition print after Andrew G. Bailey, 'Solva-Harbour Mouth', signed in pencil, and another by the same artist: 'The Writing Shed Laugharne', limited edition coloured print. Framed. (3)

Lot 508

Three needlepoint foliate panels with paisley print centres, in a single frame. Late 19th/early 20th Century.

Lot 499

Follower of Hogarth, carousing figures outside a pub, monochrome print from the etching. Framed and glazed.

Lot 513A

Neil Canning, (Welsh, born 1960), 'Thermal', signed and dated: 1999, limited edition screen print. CONDITION REPORT: No obvious damage

Lot 22

Large framed mirror and a David Shepherd print

Lot 184

A pair of quality leaf print design lined curtains with metal eyelets each 215 x 300 cms together with a pair of floral print curtains

Lot 315

Heseltine (modern British) a pair of oil landscapes, two watercolour landscapes, a Victorian print and two other works.

Lot 326

A late Victorian over mantle mirror, together with a print of Winston Churchill and two others.

Lot 458

A Victorian coloured racing print together with four later maple framed hunting / coaching prints

Lot 191

PROVINCIAL BANK OF IRELAND (DATED JAN 1ST 1915)One Pound for the bearerBlue ink print with manuscript signature of John KiddSerial number: Q97985

Lot 212

ULSTER’S OFFICE, DUBLIN CASTLE (SIR ARTHUR VICARS). The Scale of Precedence in Ireland. By Authority. 1897, first, 16mo red pigskin, 43 pp, a.e.g., very good copy.Essential guide for the Victorian gentleman or lady of noble birth, listing the scales of precedence for men and ladies, and the relative precedence of peers and baronets. Neatly designed to fit in a pocket or handbag. Very rare; COPAC finds only one copy, in Exeter. WithTIM HEALY MPA polling slip for the North Louth constituency in the UK election of 1892, issued by Tim Healy’s opponent Philip Callan, a barrister, the slip showing how to cast a vote for Callan. Printed by W. Tempest, Dundalk, with endorsement indicating that the print order was 2,000 copies, dated 8th July ’92. Nevertheless, Healy won the seat, which he held until 1910.Tim Healy [1855-1931], born in Cork, was an MP for the Irish Party until the Parnell split, when he led the opposition to Parnell. One of the leading barristers of his time, he represented Republicans on occasion. In 1922 the British Government chose him (with Irish agreement) to be the first Governor-General of the Irish Free State, a position which he held until 1928. (2)

Lot 221

ROGER CASEMENT LITHOGRAPHIC PRINT from the original drawn from life in 1916 by Prof. L. Fanto, Art Director, State Theatre, Saxony, 37 x 28cm No. 216 from an edition of 350, unframed. Three Candles printing, unframed.

Lot 225

RICHMOND BARRACKS, 1916A monochrome photographic print, 10 x 6cm, depicting three prisoners and soldiers in Richmond Barracks, 1916, one prisoner believed to be John MacBride (1868 - 5 May 1916), probably taken with a Box Brownie. Following the rebels’ surrender, over 3,000 suspected rebels including 77 women were taken and held at Richmond Barracks before being sent to prison camps in England and Wales. The leaders and more prominent persons were identified and their courts-martial took place in Richmond Barracks before they were sent to Kilmainham Gaol for execution. John MacBride was executed on the 5th May 1916.

Lot 228

THE MAN SENT TO PUT DOWN THE REBELLIONA clipping with General John Grenfell Maxwell’s rare signature mounted with sepia portrait print, 35.5 x 28cm in all. Most remembered for the execution of the leaders of the 1916 Easter Rising, earning him the nickname Bloody Maxwell.General Maxwell had a long military career, serving in Egypt and South Africa (in the Boer War). He served at army headquarters at the Royal Hospital, Kilmainham, Dublin from 1902 to 1904. He became General Officer Commanding British Troops in Egypt in 1908 and was then deployed on the Western Front in the First World War until he returned to his role as General Officer Commanding British Troops in Egypt in late 1914.

Lot 248

AFTER LEO WHELAN (1892-1956)MICHAEL COLLINS, A colour portrait print published by Walton's of Dublin in 1972 to commemorate the 50th anniversary of Collins' death at Beal na Blath, the edition is said to have been about 500 copies. 60x43cm

Lot 263

CONSTANCE MARKIEVICZ, a circular monochrome portrait print, 19cm diameter, together with a framed monochrome clipping of Padraig and William Pearse. (2)

Lot 267

AFTER B. SZANKOWSKY (1873-1953)Constance Countess MarkieviczColour reproduction print, 24.5 x 34.5cms,Printed signature and inscription Paris 1901,Framed by the Dawson Gallery

Lot 326

AFTER SEAN O’SULLIVAN (1906-1964)Tom Clarke Lithographic print, 42 x 32cmWith printed signatures of both artist and sitter

Lot 328

THE BLACKSMITH OF BALLINALEEAn original photographic print circa 4 ins x 6 ins showing a large group of uniformed Free State soldiers and a few civilians, posed around an 18-pounder gun, probably during the ‘Truce’ in 1922, a medieval abbey behind them. The tall officer in back row second from left is probably General Sean Mac Eoin, the ‘blacksmith of Ballinalee’. The signing of the truce agreement was delayed by Michael Collins until the British agreed to release Gen. Mac Eoin, who was in prison under sentence of death.

Lot 359

CATHERINE HAYES (1818-1861)Ireland's First Operatic Diva, her signature on clipped paper, together with a mounted portrait print, 11.5x 15cm

Lot 409

MCGUIRE, JAMES & JAMES QUINN, Eds., Dictionary of Irish Biography from the earlies times to 2002. (Under the auspices of the Royal Irish Academy). 1st ed., Cambridge, 2009. 4to. Green publisher's cloth, with black and gilt labels. The most authoritative biographical reference work available both in print and online, with over 9,000 enteries by over 700 expert contributors. An outstanding scholarly work in exceptional condition. [9].

Lot 110

S*** M*** A 1930's beach scene with fashionable young women in conversation indistinctly signed watercolour 23.5 x 18cms; 9 1/4 x 7in; S*** E*** M*** "Si Alphonse Le Voyait!" - jazz musicians and dancers lithograph with hand-colouring 49.5 x 31cms; 19 1/2 x 12 1/4in; together with an early 20th Century portrait photograph of a young woman; and a print after William Ablett, c.1923. (4)

Lot 20

After Albert Chevallier Tayler "Kent v. Lancashire at Canterbury in 1906" - a cricketing scene colour photolithograph 40.5 x 81cms; 16 x 32cms; together with a reproduction floral print, after J.L. Prevost. (2)

Lot 1523

Rowland Hilder (1905-1993), Boats, two, one watercolour and gouache, the other watercolour and pen and ink, both signed and dated 1920, each 18cm x 23cm.; together with a print by the same hand, signed and dated 1985.(3) DDS

Lot 997

Max Brandrett Limited And Numbered Edition Colour Print, Desert Orchid and Simon Sherwood Winning the Cheltenham Gold Cup. This is Number 326 of 850. Mounted and Framed. 18x25 inches.

Lot 439

A Worcester slop bowl c.1765, printed in black with L'Amour to one side, the reverse with Rural Gambols, between small vignettes of Classical ruins, the interior with swans on the water, L'Amour signed R H Worcester in the print for Robert Hancock, and with an anchor rebus for Richard Holdship, some good restoration, 15.5cm.

Lot 364

Albert H Findley St Mary de Castro, Tudor Gateway signed watercolour 12cm x 16cm and a print of Old Leicester after Findley (2). This lot may be subject to Artist Resale Right

Lot 369

Laurence Stephen Lowry The Pond signed in pencil, Guild blind stamp colour print 43cm x 57cm This lot may be subject to Artist Resale Right

Lot 370

Laurence Stephen Lowry The Level Crossing, Burton-on-Trent signed in pencil monochrome print 44cm x 58cm. This lot may be subject to Artist Resale Right

Lot 371

Laurence Stephen Lowry Street Scene signed in pencil, Guild blind stamp colour print 25cm x 20cm This lot may be subject to Artist Resale Right

Lot 372

Laurence Stephen Lowry Peel Park signed in pencil colour print published by Venture Prints Limited 1975 38cm x 76cm. This lot may be subject to Artist Resale Right

Lot 373

After Charles Rennie Mackintosh, 'Turin Banner', a limited edition re-print, 1982 numbered 145/500, executed by the Glasgow School of Art, Department of Printed Textile Design, width 35cm, height 226cm

Lot 374

After William Russell Flint Anne Marie by the Loire signed colour print, published 1954 44cm x 61cm This lot may be subject to Artist Resale Right

Lot 485

After Paul Cézanne (1839-1906), Les baigneurs (The bathers). Colour lithograph laid on board. Signed in the print "P. Cezanne" at the bottom right, the image approx. 27 X 22,2 cm, the sheet approx. 35,8 X 31,5 cm. Reference: Vgl. Lionello Venturi, Cézanne, son Art, son Oeuvre, vol. I Texte et vol. II Planches, Paul Rosenberg, Editeur, Paris 1936, Nr. 1156 Note: A print from the same plate was sold in Luzern by "Fischer" auction house 21st June 2010

Lot 414

John Piper Waddesdon Signed screen print, No. 1/75 64cm x 100cm Levinson 280 Provenance: Acquired Marlborough Fine Art, London, 'Victorian Dream palaces', 1977, no. 4 This lot may be subject to Artist Resale Right

Lot 50

A pair German porcelain plaques, Virgin Annunciate with cherubim and St Joseph with Christ Child, over a print foundation, unframed 8.5cm x 6.5cm.

Lot 51

Two German porcelain oval plaques, Tyrolean man and a Neapolitan girl, over print foundations, 8.5cm x 6.5cm in carved wood frames with ivy leaf cresting, 13cm overall (2)

Lot 538

An Arts and Crafts brass standard oil lamp, adapted for electricity, reservoir fitted within a scroll basket, tripod base with a central rosette, complete with a cotton print shade, 185cm overall.

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