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Lot 130
δ Chris Orr (b.1943)Black Dog at Tower BridgePaper relief print printed in colours, 2009, signed, titled, dated and numbered from the edition of 30 in pencil, on wove paper, the full sheet, 528 x 755mm (20 3/4 x 29 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 136
δ Rachel Whiteread (b.1963)UntitledArchival Inkjet print in colours, 2008, signed, dated and numbered from the edition of 50 in pencil, on Innova smooth cotton rag paper, with full margins, sheet 382 x 458mm (15 x 18in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 143
Storm Thorgerson (1944-2013)Taken By StormDeluxe Edition, 2008, comprising a book (signed), print 'Biffy Clyro- Only Revolutions' (signed and numbered from the edition of 50), 4 artist's prints (each signed), Storm 3D ViewMaster and reel of 7 images, Monograph 'The Graphics of Storm Studios', notebook, postcards, illustrated coasters, limited edition t-shirt and playing cards, from the edition of 500, 440 x 330 x 180mm (17 1/4 x 13 x 7in) (multiple)
Lot 154
Etel Adnan (b.1925)Untitled (#213)Archival pigment print in colours, 2013-2015, signed and inscribed 'Artist Proof' in pencil, an artist's proof aside from the edition of 100, on Cotton Rag fine art paper, published by the Irish Museum of Modern Art, Dublin, with full margins, sheet 252 x 312mm (10 x 12 1/4in) (framed)
Lot 157
δ Rose Wylie (b.1934)Inglorious BasterdsDigital pigment print in colours, 2013, signed and numbered from the edition of 50 in pencil, published by Turps Banana, London, with full margins, sheet 375 x 593mm (14 3/4 x 23 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 169
δ Susan Hiller (1940-2019)Small Homage to Marcel DuchampArchival pigment print in colours, 2011, signed and numbered from the edition of 25 in pencil, on Hahnemühle photo rag 308gsm paper, published by the Whitechapel Gallery, London, image 525 x 470mm (20 5/8 x 18 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 256
δ Christo (b.1935)Corridor Store Front, Project (Schellmann 6)Two-part screenprint with hinges, to be opened; front print die-cut and mounted on acetate; rear print mounted on cardboard support, 1968, signed, dated and numbered from the edition of 100 in pencil, printed by Hans-Peter Haas, Stuttgart, published by Verlag Gerd Hatje, with full margins, 705 x 555mm (27 3/4 x 21in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 261
δ Martin Creed (b.1968)Work No. 223Digital print, 2000, signed and dated in pencil, with the printed title and numbering from the edition of 100, on wove paper, as included in the Cubitt portfolio, published by Cubitt, London, sheet 250 x 210mm (9 4/5 x 8 2/5in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 266
δ Peter Doig (b.1959)FishermanDigital pigment print in colours, 2014, signed, dated and numbered from the edition of 500 in silver ink, on Somerset photo-rag paper, published by the Montreal Museum of Fine Art, Montreal, the full sheet printed to the edges, 880 x 690mm (34 5/8 x 27 1/8in)(SH) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 286
δ David Hockney (b.1937)iPhone drawing 'No. 535', 28th June 2009Inkjet print in colours, 2009, signed and numbered from the edition of 250 in pencil, on cotton fibre archival paper, published by Taschen, London, with full margins, sheet 560 x 430mm (22 x 17in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 298
δ Anish Kapoor (b.1954)Breathing Blue (2020)Digital print in colours, 2020, numbered from the edition of 100, on 350gsm wove paper, published by the Hospital Rooms, London, the full sheet printed to the edges, 300 x 420mm (11 3/4 x 16 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 307
δ Gerald Laing (1936-2011)Print (Ingram / Halliwell 50)The hinged aluminium multiple hand-painted in orange and purple Liquitex acrylic, 1965, scratch signed, dated and inscribed London on the upper element, the edition was 46, published by the artist, overall size 423 x 146mm (multiple)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 321
δ Nicolas Party (b.1980)UntitledXerox print with unique handcolouring in acrylic, 2016, signed and numbered from the edition of 50 (each unique and in 10 different colour ways), on smooth wove paper, with full margins, sheet 297 x 210mm (11 3/4 x 8 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 371
δ Harland Miller (b.1964)Five Ring Circus-It's All Fun and Games Till Someone Loses an EyeGiclée print in colors, 2012, signed, dated and numbered from the edition of 50 in pencil, on German etching paper, published by Ingleby Gallery, Edinburgh, the full sheet, 990 x 660mm (37 7/8 x 26in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 375
δ The Connor Brothers (b.1968)Tell me Beautiful Untrue ThingsUnique pigment print in colours, with extension hand colouring in watercolour, 2019, signed and dated in pencil, on wove paper, the full sheet 1205 x775mm (47 1/2 x 30 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 394
Attributed to John Vincent Stephens (19th century)Peggoty's boat house, Great YarmouthSigned with initials l.r., pen and ink14.5 x 22.5cmCharles Dickens visited Great Yarmouth in 1849 and the town became the main setting for his autobiographical novel, 'David Copperfield'. An upturned boat used as a house provided the inspiration for Peggoty's house. A print of this image entitled 'Peggoty's House' was recorded in Norwich Museum.Condition report: Not framed. Pen and ink on cardboard. The cardboard is discoloured and there is a dark vertical streak in the discolouration to the left of the keel. A dark spot of dirt on the door, which could be black ink. Some light scattered foxing. A tiny raised bump above the boat, corresponding with a large scratch in the cardboard verso.Two tiny pale flecks close to left edge, possibly from water flecks. Very light scratch lower centre. The mount frame has been stuck directly onto the cardboard, and it is not framed
![* Pablo Picasso [1881-1973]-Un Vieux Negre,:- costume for Tricorne, Diachilev Ballets Russes, Alhambra Theatre, London, July](https://cdn.globalauctionplatform.com/b62c9512-977a-47ad-a541-abde0119dcc2/d4848680-3b23-48e7-9e2e-abfa0101d788/468x382.jpg)
Lot 371A
Hunting and equestrian prints - (1) After Lionel Edwards, 'To Bicester (Edgecott)', titled to the broad lower margin with remarque lower right, image size 12cm x 17cm, overall framed size 30cm x 25cm; (2) After Lionel Edwards, 'Hunting Countries The Bicester "Check" near Redhill', signed to the margin in pencil lower left, Fine Art Trade Guild blind stamp, printed by Eyre & Spottiswoode, image size 31cm x 49cm, overall framed size 57cm x 69cm; (3) embossed print on foil of horse and rider, 18cm x 24cm, with table stand to the back of the frame
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314796 item(s)/page