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Lot 474
Bob Dylan, American b. 1941-Train Tracks (Portfolio - Set of 4), 2012;each giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 207/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 91.5 x 71 cm, (unframed) (4)Note: each together with a certificate of authenticity issued by Washington Green Fine Art.
Lot 476
Bob Dylan, American b.1941- Manhattan Bridge, Downtown New York, from the Beaten path, 2016;giclée print in colours on Hahnemühle wove, signed in pencil and numbered 295/295, printed by GTZ Fine art Editions, New York, published by Washington Green Fine art in association with Black Buffalo Artworks, sheet: 101.6 x 72.2 cm, (framed)Note: accompanied by a Certificate of Authenticity issued by Washington Green Fine Art.
Lot 256
Sir Terry Frost RA, British 1915-2003,Red and Black Squeeze with Three Collage Elements (with red and black block end), 2001;screenprint in colours with collage on wove, signed in pencil and numbered AP 1/6, a rare print, sheet: 30 x 50 cm, (framed) (ARR)Note: This not in the Kemp catalogue, as this print only became public knowledge after publication
Lot 571
Yoko Ono & John Lennon MBE, Japanese b.1933- & British 1940-1980, Imagine John Yoko; an expanded copy of the book 'Imagine john yoko' bound in real cloth, and a giclée print in a clothbound portfolio case, reproduced on acid-free Olin Regular High White 300gsm woodfree paper, using archival pigment inks, numbered and officially stamped, the print is an unused photographic proof of the 'Imagine' album artwork by Yoko Ono, from the edition of 2000, published by Thames & Hudson, London, overall: 32.5 x 25 x 6 cm, (ARR)
Lot 480
Bob Dylan, American b.1941- Little Italy, Lower Manhattan, 2016;giclée print in colours on archival 100% cotton mould made Magnani 1404, 350gsm QuaForte TM paper, signed and numbered 266/295 in pencil, printed by Black Buffalo, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 101.6 x 72.2 cm, (framed)Note: accompanied by a Certificate of Authenticity issued by Washington Green Fine Art.
Lot 373
* RAF Memorabilia. A collection of RAF memorabilia relating to 616 Squadron, including a 616 Squadron colour print showing a side profile of Supermarine Spitfire MkVb W3458, signed in pencil by Lionel "Buck" Casson, Denis K. "Red" Parker, William L.B. Walker and Kenneth A. Wilkinson, framed and glazed, frame size 36 x 46.5 cm, a small silverplated presentation mug, with enamel squadron badge and engraved 'Air Commodore G.R. Pitchfork in Grateful Appreciation from 616 Squadron Members Association', 9.5 cm high, a squadron badge mounted on a wooden shield, 26 cm long, another embroidered squadron badge, framed and glazed, frame size 28.5 x 29 cm and other related items, plus an RAF black bakelite telephone by Krone circa 1950, with winding crank handle and paper label printed '259 Eng. Exec RAF Wildenrath', an additional label printed 'speech on this telephone is not secure', with cord and bakelite adapter and an interwar commission certificate issued to Flight Lieutenant Walter English Swann, RFC later RAF for his appointment to Flight Lieutenant on 1 January 1926, in original Air Ministry card tube QTY: (8)NOTE:RAF Wildenrath was an airbase near Wildenrath in North Rhine-Westphalia, Germany. Operating from 1952-1992. In 1953, the station commander was Group Captain JE 'Johnnie' Johnson, top scoring WWII 'ace' fighter pilot.
Lot 270
* Trudgian (Nicolas). Low Level Strike, black and white print published by the De Havilland Aircraft Museum Ltd, signed by 21 veteran pilots including, Eric "Winkle" Brown, Dick Maywood, Peter Twiss, Brian Cooper, Doug Gregory, Ted Dunford, the image shows Mosquito FB IV attack an important corridor in Normandy soon after D-Day, sheet size 42.5 x 60 cm, unframed, together with another print by the same artist, En Route to the Bielefeld Viaduct, numbered 20/250, signed by 9 veteran pilots of 617 Squadron, including Benny Goodman, John Langston, Basil Fish, Frank Tilley and John Bell, showing Squadron Leader Calder of 617 Squadron flying Lancaster 'YZS' en route to attack the Bielefeld Viaduct on 14 March 1945, sheet size 30.5 x 42.5 cm, unframed, plus Atack (Simon), Duxford 1940, black and white print numbered 107/300, signed by 13 veteran pilots, including, Peter Brothers, Michael Wainwright, Geoffrey Wellum, sheet size 30 x 45.5 cm, unframedQTY: (3)
Lot 236
* Brown (Stephen). Concorde - The Homecoming, artist proof 32/50 colour print, showing Concorde (G-BOAF) on her final journey to Filton, Bristol on 26 November 2003, signed in pencil by the artist and complete with two Concorde flight crews, comprising David Rowland (Pilot), Dick Routledge (First Officer), Paul Egginton (Flight Engineer), Derek Woodley (Pilot), Peter T Sinclair (First Officer) and Trevor Norcott (Flight Engineer), and additionally signed by the crew of the final voyage, Michael Bannister (Chief Concorde Pilot), Les Brodie (Pilot) and Warren Hazleby (Flight Engineer), sheet size 45.5 x 66 cm, mount aperture, framed and glazed, frame size 63 x 83 cm, with certificate of authenticityQTY: (1)
Lot 269
* Trudgian (Nicolas). Battle of Britain Day, black and white print, published by Vector Fine Arts Prints and numbered 55/200, signed in pencil by 12 veteran pilots, including, George Unwin, 19 Squadron, Thomas "Ginger" Neil, 249 Squadron, Geoffrey Wellum, 92 Squadron, Peter Ayerst, 72 Squadron, Basil Gerald "Stepme" Stapleton, 603 Squadron, Tony Iveson, 616 Squadron, Byron Leonard Duckenfield, 501 Squadron, Billy Drake, 213 Squadron and Bill Green, 501 Squadron, sheet size, 32.5 x 45 cm, unframedQTY: (1)NOTE:A dramatic image showing Flight Sergeant George Unwin of 19 Squadron shooting down an Me109 on 15 September 1940. This was one of three victories that he claimed that day.
Lot 128
ink on C print, 33 x 50 cm, framed and glazed 57 x 74 cmProvenance Private collection, UK. In good condition and ready to hang. There are two vertical lines of sepia discolouration in the sky (visible in catalogue image) but this may be the artist's intention. Under glass and unexamined out of frame.
Lot 129
ink on C print, 33 x 49.5 cm, framed and glazed 51 x 68 cmProvenance With Peter Blum Gallery, New York. Private collection, UK. Hinged to mount verso. The sheet is slightly undulating in the mount. Possible dirt visible in the sky but this may be the artist's intention. There are tiny pinprick bubble visible to the bacl paint on the right. Under glass an unexamined out of frame.
Lot 48
An original hand-colored lithograph on paper, depicting a portrait of Julcee-Mathla, a Seminole chief, by Charles B. King. Pulled from the book History of the Indian Tribes of North America by Thomas McKenney and James Hall. Inscription below portrait states: Published by Daniel Rice and James G. Clark, drawn, printed, and colored at J.T. Bowen's Lithographic & Print Colouring Establishment No. 94 Walnut St. Philadelphia and registered under U.S. law in 1843 by James G. Clark at the Clerk's Office of the District Court for the Eastern District of Pennsylvania. Signature in plate on lower left: HD. Housed in a wooden frame with a white mat. Sight size: 10.25"L x 15"H. Frame dimensions: 21"L x 1"W x 25.75"H. Artist: Charles Bird King (American, 1785-1862)Issued: 1843Dimensions: See DescriptionCondition: Age related wear. Time stained.
Lot 328
20-teiliges Konvolut bestehend aus 6 Gedecken aus der Serie "Vanity", Rosenthal & Versace, 1990-erWeißporzellan mit polychromem Dekor und Goldstaffage; Form "Ikarus" von Paul Wunderlich; Dekor "Vanity" basierend auf Barocco-Print von Versace mit umlaufend floralen Verzierungen in gelben Farbabstufungen und Goldapplikationen auf dunkelblauem Grund im barocken Stil, die an Intarsien-Arbeiten erinnern; Konvolut bestehend aus: 1) Rechaud in quadratischer Form und mit ausgestellter Fahne; Maße: ca. 4,1 cm x 8,8 cm. 2) 6 Teetassen mit Handhabe in Form eines stilisierten Flügels; Maße: ca. 6 cm x 12,7 cm. 3) 6 Untertassen mit leicht ausgestellter Fahne; Durchmesser: ca. 15,9 cm. 4) 6 Teller; Durchmesser: ca. 18,5 cm. 5) Teekanne in ovaler, leicht konischer Form; abnehmbarer Deckel mit Handhabe in stilisierter Flügelform und geschwungenem und gestauchten Ausguss; Maße: ca. 18,8 cm x 24,3 cm x 12,5 cm; unterseitig Hersteller-/ Designer-Emblem und Beizeichen (Blindstempel, Modellnummer); Gesamtgewicht: ca. 4,16 kg.
Lot 57
BEATON (CECIL)Wallis Simpson, Duchess of Windsor, seated wearing a dress and jacket designed by Elsa Shiaparelli, bromide print, stamped 'Cecil Beaton Photograph' and 'From the Beaton Studio / Sotheby Parke Bernet' and stamped number '2/2' on verso, loose in window-mount, framed and glazed, image sheet 240 x 180mm., [25 April 1937]Footnotes:A fine portrait photograph of the Duchess of Windsor taken by Beaton at Chateau de Candé in April 1937, some six weeks prior to her marriage to Edward, at which occasion Beaton was the official photographer.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 94
STEINBECK (JOHN)Correspondence, ephemera and a signed photograph from the collection of Steinbeck's friend and publisher Alexander Stuart Frere (1892-1984), comprising: i) Sixteen typed and autograph letters from John Steinbeck signed ('John'), the first two writing from Italy ('...the Arno does never turn green... Byron was a liar...'), the rest on work ('...I'm becoming a bloody industry and I can't say I like it. But I like the results of it namely money which my government requires me to make so it can take it away from me...'), discussing his new Arthurian project ('...I want to smell and taste the places I am going to write about...'), moving to Somerset ('...We shall take warm clothes and rain wear... I imagine it will not be impossible to get some old woman to stir the dirt about once or twice a week and perhaps an arch dead beat to give me an argument about the planting of salads... This is much more than a trip to me. It is a total and complete change of direction...'), on critics ('...Critical evaluation... amounts to no more that a fart in a volcano...'), on Ken Tynan ('...he has an angry brain...'), purchase of a car ('...Skrumpy or Scrumpy after a hard riding kind of Somerset cider... the staying power and some of the beauty of a dung hill beetle...'), comments on the British ('...My aphorism for today 'If there weren't brussels sprouts the British would have had to invent them'... the first of a long list...'), asking for '...several copies of East of Eden, Sea of Cortez, and Grapes of Wrath. Some of the local people have been very kind to me and I would like to give them as presents...', his new routine ('...I don't remember ever being so relaxed... desk from about 8-3... a walk or garden work... pink gin in front of the fire... by God I'm going to have copy and when copy begins to flow out, I'm a happy man...'), on the local town ('...People are most kind and considerate... definitely on our side... Bruton is a very old, very proud and very poor town... about 30 antiquarians to the square mile... all good men too... What a beautiful place. We are very content...'), a discourse on the local dialect ('...much more closely related to modern American than to modern British...'), refusing all invitations ('...including the Queen and or Princess Margaret...'), return to New York ('...genuinely and painfully homesick for England...'), his poodle ('...name has been changed from Charles le Chien to The Scarlet Pumpernickle...'), on being awarded the Presidential Medal of Freedom in 1964 ( '...A big God damned medal but very pretty and I am glad to have it... Anyway we won the election and life can continue... All throughout I kept thinking that this electorate had put Ike in twice and would have done it a third time. Furthermore they dam [sic] near elected Nixon. A people who could do that are capable of anything...'), much on travel arrangements and family news ('...New Years also at John Huston's place in Galway... reservations at the Dorch for Jan 2...'), and much else, 25 pages, various sizes and papers, 330 x 200mm. and smaller, Florence, New York, The Dorchester, Bruton, Sag Harbor, 13 April 1957 to 25 January 1965ii) Twenty typed and autograph letters and cards from Elaine Steinbeck, signed ('Elaine'), the majority to Pat Frere, with fond letters of thanks ('...Thank you... for always making London a very special place...'), discussing family news, on Steinbeck's award ('...Since we Americans can think of nothing but politics these days, it is rather fun to be IN at the White House. We went down to dine quietly with them a few weeks ago... heady stuff...'), on John's final illness and death ('...John died as splendidly as you would know he would, undismayed, unafraid – and his fine, sparkling mind never faltered until he went into a sweet and easy sleep... He died at home... in our own bed... Thank you for your friendship with John. You knew him longer than I did, you lucky ones. I am confident the world will remember him as a writer. You, Wallace and Frere, please remember him as your friend...'), 43 pages, various sizes, [c.1957] to 22 June 1972 iii) Six-page carbon typescript of Steinbeck's Nobel Prize acceptance speech inscribed and signed 'For Frere & Wallace John Steinbeck Dec 10 1962'; four-page carbon typescript of an interview for a film for Australian television, given to Diana, Lady Avebury, PR for the Heinemann Group; printed pamphlet 'John Steinbeck: Personal and Biographical Notes' by Lewis Gannett, 1939; small group regarding Robert Wallsten's access to the letters for Life in Letters, 1975iv) Portrait photograph of John Steinbeck by Paul Farber, head and shoulders, wearing a corduroy jacket and tie, inscribed and signed 'For Frere and Wallace with love/ John Steinbeck' in blue biro on the mount, gelatin silver print, some scuffs and dents, remains of tape on lower edge where fixed to mount, photograph 253 x 202mm., with mount 340 x 250mm., [1962] For further information on this lot please visit Bonhams.com
Lot 48
EINSTEIN (ALBERT)Portrait photograph by Yousuf Karsh, SIGNED BY THE PHOTOGRAPER ('Y. Karsh') on the mount, gelatin silver print, mounted on card, studio stamp on verso of mount, photograph 445 x 394mm., framed and glazed, 1948 [but printed later]Footnotes:Provenance: Staley-Wise Gallery, New York; A. Jerrold Perenchio (label on verso of frame); Christie's, 1-17 September 2020, lot 296.For further information on this lot please visit Bonhams.com
Lot 82
ROWLING (J.K.)Harry Potter and the Chamber of Secrets, UNCORRECTED PROOF OF THE FIRST EDITION, publisher's blue and white wrappers, a few light marginal creases, and light erased pencil mark to upper cover but generally bright and clean [Errington AA2(a)], 8vo, Bloomsbury, [1998]Footnotes:UNCORRECTED PROOF COPY OF THE SECOND HARRY POTTER NOVEL. Errington notes that 'an unconfirmed print-run of 300 copies is generally accepted... Bloomsbury is unable to provide accurate figures and has merely suggested between 200 and 300 copies'.Provenance: Sold on behalf of the 'North Devon Hospice'.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 56
BEARDSLEY (AUBREY)Portrait photograph of Aubrey Beardsley, half-length in tweed suit, by Henry Herschel Hay Cameron, INSCRIBED BY THE SITTER 'To Mrs Underhill from Aubrey Beardsley' on the mount, platinum print, mounted on card, signed lower right of mount, some spotting to mount and a couple to image, pencil note by framer on verso, image 238 x 184mm., mount 300 x 250mm., [August/September 1896]; together withHOLLYER (FREDERICK) Portrait of Aubrey Beardsley, half-length leaning on a windowsill, platinum print, mounted on card, photographer's name and address ('Fredr. Hollyer, 9 Pembroke Sqre, Kensington W') in red ink, and Aubrey's name in his mother's hand on verso of mount, image 108 x 148, mount 116 x 160mm., [c.1890]DICKINS (FRANK) Cabinet portrait of Mabel Beardsley, albumen print on photographer's mount with name and address in gilt, sitter identified on verso by Beardsley's mother, image 140 x 100mm., [1890s]Three photographs of Aubrey Beardsley's mother Ellen, including one seated in a garden beside her daughter sister Mabel who is lying in an invalid bed (c.1905), one with 'Miss Dash' in 1929, and one aged 85 in 1931BEARDSLEY (ELLEN) Two autograph letters signed ('Ellen A. Beardsley' and 'E.A. Beardsley') to Mina ('Wilhemina', her cousin), in both reminiscing wistfully of her son Aubrey, and his grave at Menton, ('... I only pray that I may die the beautiful death he died. His patience during his long illness touched the hearts of all who lived in the house...', undated), ('My one long wish, which I fear will never be granted, is to see it [Aubrey's grave at Menton] again!', dated 15 October 1928), together 8 pages (one missing a page), 8vo, 29, St. George's Terrace, BrightonROSS (ROBERT) Aubrey Beardsley, inscribed 'with love from Aubrey's mother & sister, Xmas 1908' on front free endpaper, 16 plates, publisher's cloth, 8vo, John Lane, 1909SYMONS (ARTHUR) Aubrey Beardsley, one of 150 large paper copies, photogravure frontispiece, 17 plates, a few manuscript notes by Ellen Beardsley's mother loosely inserted, publisher's parchment-backed cloth, 4to, J.M. Dent, 1905 (small archive)Footnotes:Two fine photograph portraits of Aubrey Beardsley. The inscribed one is by Julia Margert Cameron's son Henry Hay Cameron, and was used as the frontispiece to A Book of Fifty Drawings published by Smithers in 1897. In a letter to Smithers of 11 September 1896, Beardsley commented 'Cameron photo is superb' (Letters, p.162). The other is by Frederick Hollyer (1838-1933) who, in his Pembroke Square studio, photographed a diverse group of artists 'encompassing members of the Arts and Crafts Movement, the Pre-Raphaelite Brotherhood, Aestheticism, Impressionism and the Royal Academy' (V & A Museum website).The Mrs. Underhill to whom Aubrey inscribed his portrait is believed to be Wilhemina Underhill, a cousin of Aubrey's mother Ellen. She is also presumably the 'Mina' to whom Ellen addresses the letters in this archive.For further information on this lot please visit Bonhams.com
Lot 69
Collection of Tottenham Hotspur Items - To include Spurs 1960-61 Winners of the League/Cup 'Double' presentation display framed and glazed 81x43cm, along with a smaller framed 1960 team photo, Spurs legends display framed and glazed 63x48cm, FA cup 1982 artwork print on canvas, 'The Lane' Official History of the world famous home of the spurs hardback book by Adam Powley and Martin Cloake, signed and '61' The Spurs Double hardback book with canvas presentation slip case. (6).
Lot 153
Ryder Cup Victors Signed Print - 22nd - 24th September 1995, Oakhill Country Club, Rochester, New York. 'Against all odds the triumphant European team beat the USA in one of the most dramatic finishes of all time, to bring home the Ryder Cup for Europe', Signed by Bernard Gallagher and the artist Peter Wileman, numbered 641/795, framed and glazed 85x68cm.
Lot 185
Three vintage prints - To include early 20th century golfers by Clement Flower, 1913. "The Great Triumvirate" Harry Vardon, John Henry Taylor, James Braid, limited edition 202/700, framed and glazed 81x62cm, Horse racing print showing a view of Epsom Downs on 'The Derby Day' from the grand stand, framed and glazed 49x65cm, along with another print, interior scenes with figures raising a toast, framed and glazed 78x58cm (3).
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