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Lot 576
Bill Woodrow, British b.1948- Greenleaf; etchings, five, signed, dated 1992 and 25/35 in pencil, 50x60cm, (5) (may be subject to Droit de Suite) Note: These etchings is are inspired by the short story, called `Greenleaf`, by the American writer Flannery O`Connor. Woodrow however, is not simply illustrating the text. In each print he responds to images or words in the story that attracted his attention and seemed to him to be the key elements. The story concerns an old woman, Mrs May, who is tormented by a scrub bull belonging to her neighbours - it eats her crops, keeps her awake and eventually kills her.
Lot 671
The following nine lots are original polaroids by the Tanzanian/British Photographer Xenon Texeira, produced for reproduction in Dame Vivienne Westwood`s Opus book, published in 2008. The polaroids were taken on a large-format studio 20x24 camera, brought from Prague to Paris and London for three separate photo shoots for this book. Featured are Vivienne Westwood`s family, friends, international celebrities and personalities from the world of fashion wearing clothes from her collections. Some are signed by the sitters. Zenon Texeira, Tanzanian/British b.1968- Naomi Campbell modelling Vivienne Westwood; polaroid printed in sepia, signed by both the artist and the sitter in black felt-tipped pen, 76x53cm: together with one other polaroid print of Naomi Campbell modelling Vivienne Westwood by the same hand, signed in black felt-tipped pen by the sitter, 77x51cm., (2) (may be subject to Droit de Suite)
Lot 672
Zenon Texeira, Tanzanian/British b.1968- Portrait of Jerry Hall; colour polaroid print, signed in felt tipped pen by the sitter, 77x51cm: together with a colour polaroid print of Georgia May Jagger by the same hand, signed in black felt-tipped pen by the sitter, 77x51cm., (2) (may be subject to Droit de Suite)
Lot 674
Zenon Texeira, Tanzanian/British b.1968- Portrait of Tracey Emin RA; colour polaroid print, signed by the sitter in felt-tipped pen, 76.5x51cm: together with a colour polaroid print of a Jasmine Guiness by the same hand, signed by the sitter in black felt-tipped pen, 77x51cm., (2) (may be subject to Droit de Suite)
Lot 675
Zenon Texeira, Tanzanian/British b.1968- Portrait of Skin from Skunk Anansie ; polaroid print, 77x51cm: together with two sepia tinted polaroids by the same hand, one of Laura Bailey, signed by the sitter in black felt-tipped pen and the other of Andreas Kronthaler, signed in black felt-tipped pen, 77x51cm., (3) (may be subject to Droit de Suite)
Lot 677
Zenon Texeira, Tanzanian/British b.1968- Portrait of a fashion model seated full-length on a set of steps; polaroid print, 76.5x51cm: together with three other polaroids by the same hand, one of Sir Bob Geldof and Jeanne Marine, one of Roisin Murphy and the other of Sarah the Dutchess of York, all three signed by all the sitters in black felt-tipped pen, 77x51cm., ea., (4) (may be subject to Droit de Suite)
Lot 678
Zenon Texeira, Tanzanian/British b.1968- Portrait of a woman head and shoulders turned to the right with a red hair extension and a white lace cape; colour polaroid print, 77x51cm: together with two other colour polaroids by the same hand, one of a figure in a white lace dress and the other of a model, quarter-length with arms above her head, 77x51cm., ea. (3) (may be subject to Droit de Suite)
Lot 679
Zenon Texeira, Tanzanian/British b.1968- Group portrait of Dame Vivienne Westwood OBE and others; colour polaroid print, 77x51cm: together with two other colour polaroids by the same hand of Dame Vivienne Westwood, one of her holding a baby and the other of Dame Vivienne Westwood standing half-length, the latter signed by the sitter in black felt-tipped pen, 77x51cm., ea., (3) (may be subject to Droit de Suite)
Lot 691
AMENDMENT: Second item in the lot is titled `Turkish Bath` - Calum Colvin, Scottish b.1961- "The Kiss"; c-print, 70x53cm: together with one other c-print by the same hand, 52x41cm., (2) (may be subject to Droit de Suite)Provenance: Acquired directly from the artist by the current owner at the artist`s MA degree exhibition in 1985 at the Royal College of Art, London.Both these works are from the series titled `Constructed Narratives`.
Lot 738
Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- "Soho Jazz Festival"; screenprint in colours with green background, signed and dated 1986 in purple, 56.5x41cm: together with another example of the same print with a grey background signed in blue biro by the artist, 56.5x41cm, (2), (unframed), (may be subject to Droit de Suite)
Lot 739
Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- Bilko and Tony Curtis, from the Hollywood Series, publ. Gresham Studios; screenprint in colours, signed, dated 1995 and numbered 16/30 in pencil, 37x45.2cm: together with another from the same series depicting Groucho Marx and Japanese, signed, dated 1995 and inscribed `GSL I`, 37x45.2cm: Sir Eduardo Paolozzi KBE RA, Scottish 1924-2005- "Unikat"; intaglio print with embossing, signed, titled and dated 1996, 49.5x38cm, (3), (unframed), (may be subject to Droit de Suite)
Lot 753
Angus McBean, Welsh 1904-1990- "Robertson Nare and Alfred Drayton"; gelatin silver print, signed, dated `38, and inscribed `London`, 46.5x35.5cm: together with another gelatin silver print by the same artist, "Bea Lilley", signed, dated `40 and inscribed `London`, in matching black brushed metal frames, 46.5x35.5cm, (2) (may be subject to Droit de Suite)
Lot 802
Victor Pasmore, British 1908-1998- "Print H", 1991; etching with aquatint printed in colours, signed with monogram, numbered 21/50 and dated 92 in pencil, 30x30cm (may be subject to Droit de Suite) Provenance: with Long & Ryle Art International, London, according to label attached to the reverse of the frame
Lot 9
JOHN RAPHAEL SMITH 1752-1812 PORTRAIT OF THE REV. MARMADUKE MATTHEWS, VICAR OF WARWICK coloured chalk over pencil on laid paper, oval (unframed) 20cm x 15.5; 7 3/4in x 6 Provenance: Archdeacon Bree, Allesby Vicarage; Bought by W.E. Slade from the above`s effects, circa 1915 The sitter was a J.P., and is recorded as Vicar of St Mary`s, Warwick, in 1796. John Raphael Smith was a highly skilled mezzotint engraver and print publisher as well as a portraitist in chalks. He produced many mezzotints and was `mezzotint engraver to the Prince of Wales` from 1784 but gave up engraving in 1802 to concentrate on portraits. He exhibited portraits at the Royal Academy from 1779 until 1805. He specialised in portrait drawings of the present size and later in his life much of his work was produced in the northern cities of York, Sheffield and Doncaster where he died.
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