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Lot 110
Mixed pictures to include Redaelli - Spanish lady with hoop earrings, a 1960's/70's oil on canvas, signed lower right hand corner in white painted frame together with prints of Spanish dancers, a Pears print on metal A/F and another, a Rhum Negrita advert, framed A/F, and a RW Thorne print of two 1768 soldiersCondition: some water damageLocation: A4B
Lot 141
A mixed group of ceramics and glass comprising Meissen dark blue and gilt vase, 20th century, decorated with opposing gilt-scrolled cartouche of flowers and an Antoine Watteau-esque scene of lovers in garden setting, painted blue crossed swords and incised shape number, 16.2cm high; together with an early 20th century Meissen coffee cup and saucer, painted in iron red with two fighting cockerels and stylised dragons, painted blue crossed swords, impressed '13', coffee cup 6.5cm high, saucer 14cm diameter; a Meissen teacup and saucer, decorated with floral cartouches against cobalt ground, a small German cream jug, a Royal Worcester cream jug, Coalport cream jug transfer-printed with a Caughley-style print, 10cm high; a pair of Flight Worcester spiral fluted tea bowls, and a pair of engraved 19th-century glass vases and a small optic cut liqueur glass, 10cm high (qty)One Flight Worcester tea bowl and the Coalport cream jug restored.Meissen blue cup and saucer - chip to underside of saucer.Meissen red cup and saucer- short scratch through the enamels to one cockerel on the saucer. Firing crack through base terminus of handle.Meissen vase - no damages.
Lot 187
A John Rose Coalport hybrid hard-paste porcelain jug, early 19th century, transfer-printed in the Caughley Pine Cone print below a wide Fitzhugh and cell diaper border, unmarked, 15cm highShort firing crack to interior of spout. Two small glaze faults to upper rim, near the handle. Hairline across the handle and the spur of the handle is missing, however this has been glazed over and is a manufacturing flaw.
Lot 199
A group of six assorted English cream jugs, early 19th centurycomprising two Spode imari jugs, a further Spode bat-printed jug decorated with two swans (pattern 557), unusually further decorated with an iron red and gilt border, together with two Chamberlain's Worcester cream jugs and a further unmarked cream jug, tallest jug 14.5cm high (6)Smallest Spode imari jug- heavy loss of gilding around foot rim. Tall Chamberlain's jug - scratches and some wear to orange enamel, some light gilding wear.Smaller Chamberlain's jug - again scratches and rubbing to the orange ground, with some heavier gilding wear, mainly to the handle.No damages or repairs to any of the pieces. The bat print jug has some scratches through the printed decoration and wear to gilding at the top of the handle spur.
Lot 366
Two 18th/19th century embroidered panels, both of oval aspect, the first depicting a maiden standing beside an urn inscribed 'Mausolus', amid crewelwork trees, within a giltwood frame, 26cm (frame 31cm high); the second depicting a rustic boy carrying a basket, in a later pressed brass mounted frame, 11cm (frame 16cm); together with a small cartoon print 'The Turnpike Gate'. (3)
Lot 210
A group of pictures and prints, to include P.E. Nicholson, Interior Of Newark Parish Church, watercolour, signed and dated 1908, 36.5cm x 26cm, print of Madonna Von Lucca, an early 20thC painted frame, 22cm x 16.5cm, a photographic print of The Earl Of Harrington's Hunt, two porcelain plaques painted with flowers, etc. (a quantity)
Lot 237
AR * Cox (Morris, 1903-1998). Man with Horse, 1933, tempera on board, signed and dated lower right, size 68 x 43.4 cm (26 3/4 x 17 1/8 ins), label with printed title, and '45' in white chalk to versoQTY: (1)NOTE:Provenance: From the family of Alan Tucker (1933-2017), Stroud bookseller and poet, and co-author of Morris Cox and the Gogmagog Press (1991).Exhibited: Morris Cox, Centennial Exhibition - A Selection of Visual Art (1921-1996), 2003.Morris Cox was a printer, poet, printmaker, painter and puppeteer. At the age of 13 he recieved a scholarship to West Ham School of Art where he studied for 6 years. In 1957 he set up Gogmagog Press resolving to print his own work in his own way. Cox painted in oil and watercolour for over 60 years. In 1994 an exhibition of his work was held at the Victoria & Albert Museum, to celebrate the acquisition of Cox's personal archive of Gogmagog books and early colour prints.
Lot 239
AR * Cox (Morris, 1903-1998). Negress, 1935, tempera on board with incised lines, signed and dated lower right, size 30.5 x 24.4 cm (12 x 9 5/8 ins), label with printed title to versoQTY: (1)NOTE:Provenance: From the family of Alan Tucker (1933-2017), Stroud bookseller and poet, and co-author of Morris Cox and the Gogmagog Press (1991).Exhibited: Morris Cox, Centennial Exhibition - A Selection of Visual Art (1921-1996), 2003.Morris Cox was a printer, poet, printmaker, painter and puppeteer. At the age of 13 he recieved a scholarship to West Ham School of Art where he studied for 6 years. In 1957 he set up Gogmagog Press resolving to print his own work in his own way. Cox painted in oil and watercolour for over 60 years. In 1994 an exhibition of his work was held at the Victoria & Albert Museum, to celebrate the acquisition of Cox's personal archive of Gogmagog books and early colour prints.
Lot 244
AR * Cox (Morris, 1903-1998). Bomb Crater Epping Forest, 1948, tempera on board, signed and dated lower left, size 41 x 61.5 cm (16 x 24 1/4 ins), label with printed title, and '42' in white chalk to versoQTY: (1)NOTE:Provenance: From the family of Alan Tucker (1933-2017), Stroud bookseller and poet, and co-author of Morris Cox and the Gogmagog Press (1991).Exhibited: Morris Cox, Centennial Exhibition - A Selection of Visual Art (1921-1996), 2003.Morris Cox was a printer, poet, printmaker, painter and puppeteer. At the age of 13 he recieved a scholarship to West Ham School of Art where he studied for 6 years. In 1957 he set up Gogmagog Press resolving to print his own work in his own way. Cox painted in oil and watercolour for over 60 years. In 1994 an exhibition of his work was held at the Victoria & Albert Museum, to celebrate the acquisition of Cox's personal archive of Gogmagog books and early colour prints.
Lot 254
AR * Cox (Morris, 1903-1998). Bird's Eye View, 1959, tempera on masonite, signed and dated lower right, size 60 x 44 cm (23 5/8 x 17 1/4 ins), label with printed title to versoQTY: (1)NOTE:Provenance: From the family of Alan Tucker (1933-2017), Stroud bookseller and poet, and co-author of Morris Cox and the Gogmagog Press (1991).Exhibited: Morris Cox, Centennial Exhibition - A Selection of Visual Art (1921-1996), 2003.Morris Cox was a printer, poet, printmaker, painter and puppeteer. At the age of 13 he recieved a scholarship to West Ham School of Art where he studied for 6 years. In 1957 he set up Gogmagog Press resolving to print his own work in his own way. Cox painted in oil and watercolour for over 60 years. In 1994 an exhibition of his work was held at the Victoria & Albert Museum, to celebrate the acquisition of Cox's personal archive of Gogmagog books and early colour prints.
Lot 255
AR * Cox (Morris, 1903-1998). Forest Vista, 1960, acrylic on board, signed and dated lower right, size 68.5 x 50.5 cm (27 x 19 3/4 ins), label with printed title, and '84' in white chalk to versoQTY: (1)NOTE:Provenance: From the family of Alan Tucker (1933-2017), Stroud bookseller and poet, and co-author of Morris Cox and the Gogmagog Press (1991).Morris Cox was a printer, poet, printmaker, painter and puppeteer. At the age of 13 he recieved a scholarship to West Ham School of Art where he studied for 6 years. In 1957 he set up Gogmagog Press resolving to print his own work in his own way. Cox painted in oil and watercolour for over 60 years. In 1994 an exhibition of his work was held at the Victoria & Albert Museum, to celebrate the acquisition of Cox's personal archive of Gogmagog books and early colour prints.
Lot 26
* Gandini (Alessandro, active 1545-1565). Christ in the House of Simon the Pharisee (after Parmigianino after Raphael), circa 1545-65, chiaroscuro woodcut printed from four blocks in shades of greyish-brown on laid paper, indistinct watermark of a Crowned Eagle surmounted by an Orb (?), a very good, clear impression of this rare print, the second, final state, printed by Andreani in 1609, printing strongly and with much gaufrage, trimmed to or just outside the borderline, with some tiny nicks and repaired losses at the sheet edges, otherwise in good condition, trimmed to image, block & sheet size 253 x 372 mm, framed and glazedQTY: (1)NOTE:Provenance: Collection of Sir Lawrence Gowing (1918-1991).Bartsch 17; Takahatake 80, fig. 3; Fondazione Cini ALU.1050.1.J. Johnson, Alessandro Gandini. Uncovering the identity of a chiaroscuro woodcutter, in: Print Quarterly, 2013, pp. 3-13.
Lot 266
AR * Cox (Morris, 1903-1998). Phyllis, 1981, acrylic and oil on board with collage, signed and dated lower right, size 60.5 x 46 cm (24 x 18 ins), label with printed title, and '385' in white chalk to versoQTY: (1)NOTE:Provenance: From the family of Alan Tucker (1933-2017), Stroud bookseller and poet, and co-author of Morris Cox and the Gogmagog Press (1991).Morris Cox was a printer, poet, printmaker, painter and puppeteer. At the age of 13 he recieved a scholarship to West Ham School of Art where he studied for 6 years. In 1957 he set up Gogmagog Press resolving to print his own work in his own way. Cox painted in oil and watercolour for over 60 years. In 1994 an exhibition of his work was held at the Victoria & Albert Museum, to celebrate the acquisition of Cox's personal archive of Gogmagog books and early colour prints.
Lot 269
AR * Cox (Morris, 1903-1998). Triptich: Native Village, 1988-89, acrylic on board, in three panels, signed and dated lower right, overall size 46 x 118 cm (18 x 46 1/2 ins), label with printed title, and '480a' in white chalk to versoQTY: (3)NOTE:Provenance: From the family of Alan Tucker (1933-2017), Stroud bookseller and poet, and co-author of Morris Cox and the Gogmagog Press (1991).Morris Cox was a printer, poet, printmaker, painter and puppeteer. At the age of 13 he recieved a scholarship to West Ham School of Art where he studied for 6 years. In 1957 he set up Gogmagog Press resolving to print his own work in his own way. Cox painted in oil and watercolour for over 60 years. In 1994 an exhibition of his work was held at the Victoria & Albert Museum, to celebrate the acquisition of Cox's personal archive of Gogmagog books and early colour prints.
Lot 28
* Alberti (Cherubino, 1553-1615). The Israelites fleeing Egypt, after Polidoro da Caravaggio, 1576, engraving, a fine proof impression before the dedication and the Coat of Arms of Adriano, with a thread margin at top and right, trimmed on the platemark at left and bottom, with the collector's stamps of Theodor Falkeisen and Johann Friedrich Huber (Lugt 1008) and Jules Michelin (Lugt 1490) to verso, very good condition, sheet size 237 x 425 mm (9 3/8 x 16 3/4 ins)QTY: (1)NOTE:Provenance: Theodor Falkeisen (1768-1814) and Johann Friedrich Huber (1766-1832), their stamp to verso (Lugt 1008); Jules Michelin (circa 1815-1870), painter and watercolourist, his stamp to verso (Lugt 1490).The engravers Falkeisen and Huber ran a print shop in Basel around 1810 trading in prints and drawings.Bartsch 5.
Lot 327
* Walcot (William, 1874-1943). A Tragedy of Sophocles at Hadrian’s Villa, 1913, etching with aquatint on cream wove paper, signed in pencil, pale mount stain, some light spotting, plate size 43.4 x 46.4 cm (17 1/8 x 18 1/4 ins), sheet size 66.7 x 67.3 cm (26 1/4 x 26 1/2 ins), hinge mounted, limited edition 68 copies, together with:Anthony in Egypt No.1 - A Visit to Cleopatra, 1913, etching and aquatint on cream wove paper, signed in pencil, mount stain, some spotting (mainly to margins), two faint scratches to upper left area, plate size 54.7 x 45.9 cm (21 1/2 x 18 ins), sheet size 67.8 x 55.3 cm (26 3/4 x 21 3/4 ins), hinge mounted, limited edition 50 copiesQTY: (2)NOTE:Tragedy: Dickins 1; E H-L 14. Walcot’s R.E. (Royal Society of Painter-Etchers) Diploma print.Anthony: Dickins 4; E H-L 17.
Lot 373
AR * Tanner (Robin, 1904-1988). Easter, 1970, etching on cream handmade wove paper, with watermark 'handmade', a very good, strong impression of the third (final) state, signed in pencil and numbered 2/50, from the edition published by Penn Print Room, 1974 (there was a further edition of 25 published by Garton & Cooke, in 1984), wide margins, a deckle edge at top and right, plate size 39 x 26.6 cm (15 3/8 x 10 1/2 ins) sheet size 51 x 43.7 cm (20 x 17 1/4 ins)QTY: (1)NOTE:Garton 25.
![* Sandby (Paul, 1730-1809). Album of 56 etched landscapes and figure subjects, 1747-1758 [but circa 1815], originally execute](https://cdn.globalauctionplatform.com/4976d438-d50f-401c-92df-afaf00db1752/cc277bd7-8d15-4b1d-8e44-afb200d9e114/468x382.jpg)
Lot 68
* Sandby (Paul, 1730-1809). Album of 56 etched landscapes and figure subjects, 1747-1758 [but circa 1815], originally executed 1747-1758, final states on Whatman wove paper dated 1815, including 20 figure subjects, 32 landscape subjects, including the three complete sets of Scottish Landscapes (first set, oval, together with one oval landscape etching by Francis Vivares; the second set, vertical; the third set, horizontal), and the complete set of Six Ruins, some pale mottled foxing towards the edges of the album sheets, bound in marbled paper covered boards, gilt tooled leather spine and corners, some wear and tear, the front cover detached, inscribed within 'Mary Spuring (?)/ Heath Lodge / Thornton Heath' album size 26.5 x 40.5 cm (10 3/8 x 16 1/4 ins)QTY: (1)NOTE:Gunn (references in order of appearance in the album, one print per sheet unless stated otherwise): 80, 102; nos. 50, 54, 64, 67, 70, 71 printed on one sheet; 87, 89, 90, 91, 92, 93, 94, 95; nos. 44, 45, 61, 62, 68, 69 printed on one sheet; nos. 48, 51, 55, 57, 63, 103 printed on one sheet; nos. 73, 76, fig. 58 (one plate by Francis Vivares) printed on one sheet; 96, 72; nos. 32, 47, 59, 60, 66 printed on one sheet; nos. 74, 75, 77 printed on one sheet; 83, 85, 88, 78, 79, 86, 84, 107, 81, 106, 110, 82, 108, 109, and 105.
Lot 2
* Attributed to Federico Barrocci (circa 1535-1612). Aeneas' Flight from Troy, with Anchises, Creusa and Ascanius, circa 1590, oil on canvas, 40 x 54.5 cm (15 3/4 x 21 1/2 ins), wooden frame (56 x 70.5 cm), with label to verso inscribed 'Prof. L. Gowing', and printed label of the picture restorers W. Freeman and Son Ltd.QTY: (1)NOTE:Provenance: Collection of Sir Lawrence Gowing (1918-1991).Federico Barocci (circa 1535-1612) produced two versions of this work for the Della Rovere family: the first, painted in 1587-88, was sent to the Holy Roman Emperor, Rudolf II of Austria in the spring of 1589, and is now lost, the second, signed and dated 1598, was presented to Cardinal Scipione Borghese, and remains in the Borghese Gallery in Rome.In 1595 Agostino Carracci issued an engraving after the first of Barocci’s two versions, which he dedicated to Cardinal Odoardo Farnese. The engraving (Bartsch 110) is in exactly the same scale as this finely executed chiaroscuro painting in browns, suggesting the present work may have been a modello for Carracci's engraving. Another similarly elaborate chiaroscuro version of the same work, in the Royal Collection at Windsor, executed in pen, ink and monochrome oil paint with white heightening, measuring 33.9 x 46.1 cm (RCIN 902343) also corresponds with Agostino Carracci's engraving after the painting, and was formerly believed to be Agostino's working copy after the painting preparatory for the engraving, but is now recognised to be the work of Barocci himself, sent to Agostino for that purpose.See Michael Bury, The Print in Italy 1550-1620, (2001), catalogue nos. 9 and 10.
Lot 24
The Illustrated Book of Bottoms by Oliver Maitland Collector's Edition originally published by The Erotic Print Society, London 1996, soft cover approx 10.5cm x 15cm, this unusual (and expensive) little soft cover shows only very light signs of age / wear and otherwise is in very good condition (see photographs) new price £250 upwards....second hand retail......£80ish!. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 52
Bacon's New Large Print Map of London and the Suburbs with Index to Streets and Illustrated Guide extending to Hampton Court, Highgate, Crystal palace and Greenwich, an impressive large folding map and guide with no visible date but likely to be late 19th Century / Early 20th Century and does show some signs of age / wear and has some tears / splits and is in a generally a fairly poor overall condition (see photographs).- QUITE TORN. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 1400
Hornby Dublo group of 3-rail Pre-nationalisation Rolling Stock. GWR Goods Van - Good Plus with scratches/marks to roof in Excellent box without end label; GWR 3-window Cattle Truck & NE Horse Box - both generally Good Plus unboxed with scratches/marks to roofs; LMS maroon 1st/3rd Class Coach with silver-grey roof - Good with some scratches to sides & coachboards applied in Good Plus box with 02/50 print date; LNER teak 1st/3rd Class Gresley Coach - Good Plus with discoloured roof in Good Plus box with 09/50 print date and 5 x further LNER teak Gresley Coaches - Fair to Good unboxed. (10)
Lot 1515
COLLECTION ONLY SHIPPING NOT AVAILABLE FOR THIS LOT - framed signed Terence Cuneo limited edition print "La Fleche D'or" showing the loco & train at rest at the dockside platform - Good Plus in recent frame which measures approx 31.5" x 26" (80cm x 66.5cm). PLEASE NOTE THIS IS OFFERED FOR COLLECTION ONLY - SHIPPING NOT AVAILABLE FOR THIS LOT.
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