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Lot 882

Two paintings; an early 20th century school oil on canvas, landscape scene, a watercolour, still life signed E Hodgson together with a print after Leonardo Da Vinci.

Lot 924

Japanese hand coloured woodblock print, owl by moonlight, signed with two characters in a red seal, 18cm x 33.5cm, framed and glazed, 25cm x 41.5cm Condition- print has been fixed to a piece of card when it has been reframed.P&P, unframed £20+VAT (UK only).

Lot 936

After Lawrence Stephen Lowry (British, 1887-1976), 'The Auction', limited edition print, 100/850 with blind stamp to lower margin, 54cm x 45cm including visible margins, framed and glazed, 75cm x 66.5cm.

Lot 937

A framed advertising print for Brookes Soap, dated 1882, framed and glazed, 39.5cm x 52.5cm, together with a bar of monkey soap.

Lot 1034

A black and white print depicting stars of the film Reservoir Dogs, framed

Lot 304

FORMULA 1 INTEREST - a limited edition print by Craig Warwick AFAS, "still going strong at 80", a tribute to Sir Stirling Moss O.B.E. and his illustrious career, print narrates vehicles Stirling Moss drove and various portraits of the driver himself, print limited to 500, and published by Grand Prix Legends copyright 2009, signatures are printed as opposed to being actual signatures, framed, 61cm x 81cm

Lot 311

A giltwood-framed print of monk's fishing, 36cm x 39cm, and 2 framed floral prints in ornate frames (3)

Lot 312

A group of various Oriental prints, including a framed print of a seated lady, 67cm x 55cm (3)

Lot 319

"The Ypres Salient", a framed print taken from the watercolour drawing by W.L. Wyllie (5th July 1851 - 6th April 1931), 72cm x 63cm

Lot 335

A limited edition canvas print of a European church or cathedral bell tower, framed, signed indistinctly to the bottom right-hand corner, print 10 of 25, 85.5cm x 85.5cm

Lot 416

A Vintage unused cased set of fish cutlery, gilt-framed Nativity print, oak filing drawer etc

Lot 730

An impressive 3-piece clock garniture, gilt-metal frames, with ceramic pillars, with transfer print decoration, clock height 42cm

Lot 785

Italian miniature oval painting, in Florentine style giltwood frame, 17cm, a romantic study in pierced gilt-metal frame, and a portrait print of a young lady

Lot 845

A group of framed prints, to include a print of schoolboy rugby players, 37cm x 28cm, a pencil watercolour study of a cricketer, signed "Tim?", a sketch of a racehorse and jockey, indistinctly signed, and a mid-20th century nursery study of a Collie and kitten, watercolour, unsigned (4)

Lot 852

A large framed coloured print of the Ancient town of Rye, published by P.F. White at the Merrythought, Lion Street, Rye, Sussex, registered at Stationer's Hall, signed Percy T White, framed, 66cm x 82cm

Lot 860

Bernard Buffet, a framed poster print advertising artworks by Bernard Buffet at the Galerie Des Chaudronniers, from May to July 1987 at 12 Rue Des Chaudronniers, Geneve, 86cm x 63cm

Lot 866

A 19th century framed coloured print map of Kent, 53cm x 65cm

Lot 913

Paul Vallier, France, 2 1930s' pochoir prints for L'Atlantique stem liner, both laid on paper and linen backed, image 29 x 33.5 cm and 32 x 23cmBoth stored rolled, one print has a few areas of overpainting

Lot 87

Lovett, Richard. [The author's personal copy of] The English Bible in the John Rylands Library 1525 to 1640, extra illustrated edition, i.e. unique, featuring an autograph letter signed by Enriqueta Rylands to Richard Lovett, thanking him for his services to the John Rylands Library, dated 18 January 1900, illustrated with 99 leaves of plates - some of these leaves containing more than one mounted print [the work only calls for 18 plates] - including many genuine antique prints (woodcuts, etchings, engravings and lithographs), plus thirty engravings within the text as called for, and four loosely-inserted plates, pp. xvi, 275, London: Printed for Private Circulation, 1899. Folio, finely bound in full crushed morocco by W. Pratt, lettered in gilt with raised bands, top edge gilt, marbled endpapers. Contents generally good & bright, some offsetting from plates, some plates becoming loose from their respective leaves/mounts (some with creased or torn edges), marginal dampstaining from p.180 becoming more heavily pronounced at final leaves & endpapers, binding tight & square with wear to raised bands & extremities

Lot 105

Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, fourth issue, London: Bloomsbury, 1997, hardback with unclipped dust-jacket, print line on copyright page reads '10 9 8 7 6 5 4'. Internally good & bright with some light creasing, a few small marks to fore-edge, shelf-lean, boards bold & vibrant, slightly bumped to corners/edges, dust-jacket bright & bold in recent protective wrappers

Lot 132

Marilyn Monroe (1926-1962). Autograph. Iconic publicity still by Eugene Kornman [also known as Gene Korman], promoting Monroe's film "Niagara", 20th Century Fox [1953], gelatin silver print, 25.8cm by 20.3cm, inscribed & signed in blue ink, 'Thanks Freddie x Marilyn Monroe'. This instantly recognisable image was given lasting fame by Andy Warhol in his Marilyn Diptych [1962]. The photograph is mounted with a typed caption, 'Marilyn Monroe (a 20th Century Fox Star) The girl with the biggest publicity boost during the post war years.' It is housed in an oblong folio album filled with similar publicity photographs depicting various stars of the 1940s to 1960s, including one of Marilyn Monroe with Victor Mature and Anthony Quayle at the Royal Film Performance, 1956, where Monroe famously met HM Queen Elizabeth II, though incorrectly captioned in the album. The album includes signed photographs of John Mills; Horst Buchholz; Leslie Phillips; Anna Neagle [shown meeting HM Queen Elizabeth The Queen Mother]; Michael Wilding; Leslie Caron; Kenneth More; Eva Bartok, and Christine Norden. A number of the unsigned photographs depict Freddie Watson (see provenance below), while others depict Rita Hayworth; Peter Cushing; Dermot Walsh; Zena Dare; Trevor Howard; Hazel Court; Kieron Moore; Susan Hayward; Jeffrey Hunter; Glynis Johns (nine photographs), and George Formby (eleven photographs). One photograph shows HRH Princess Margaret shaking hands with Gregory Peck at the UK premiere of "To Kill a Mockingbird" in 1963. The album, which contains a total of 60 photographs, was the personal scrapbook of Fred "Freddie" Watson, a publicity agent and commercial promotions manager. The scrapbook begins with a typed introduction, 'Until the embargo on the import of American films imposed by the British government in 1947, the film industry both British & American offered progress and opportunity. Publicity seemed to be the keynote to the successful presentation of a film and it was in this sphere I met so many of "my friends the stars". Fred Watson. May. 1949.' The photographs are mounted with typed captions by Watson in his role of handling UK publicity arrangements for The Rank Organisation, London Films, Columbia Pictures, and 20th Century Fox. The images of Watson show him working in this capacity. Contents generally well-preserved, though the pages have some undulation/cockling, and a couple of photographs have offsetting/staining from ink signatures. The cover includes a hand-painted design, 'My Friends The Stars'. Album measuring 31cm by 22cm by 5cm Provenance: By descent of Fred "Freddie" Watson, publicity agent and commercial promotions manager

Lot 152

After Spirling (20thC German School). Gun dogs, sepia print with over painting, stamped Berlin, in a green moulded frame, 26cm x 11cm.

Lot 153

After Thomas Blinks. A hunting scene with lady in full flight on a grey hunter, over painted print, in an oak frame, 25cm x 18cm.

Lot 154

After Lindis Maria Colam (20thC). Siberian tiger in river, giclee print, 28cm x 39cm, framed and glazed.

Lot 178

After Tiziano Vecellio. The Titan Girl with a basket of flowers, print on canvas, 53cm x 42cm, in gilt frame.

Lot 189

After Kathryn White (20thC). Canvas print depicting enamel ewer containing flowers, nest containing eggs, etc., 66cm x 67cm.

Lot 191

After David Shepherd (1931-2017). The Zambezi Saw Mills Railway, signed limited edition print number 604/850, 22cm x 32cm.

Lot 195

Various pictures, prints, etc., to include after Frank Reynolds, Small Bermondsey Buoy, fishing print, signed in pencil 1928, 12cm x 16cm, reproduction Saxton's Map of England and Wales from 1579, 37cm x 49cm, etc.

Lot 313

A Moorcroft pottery jar and cover, of cylindrical form, the lid decorated with buildings, the base black glazed, impressed marks to underside and signed trial 17.6.13, 12.5cm diameter, together with a watercolour print showing a mock up for the pottery piece, signed V Lovall 12, 13cm diameter, framed.

Lot 200

After Henryk Berlewi (Polish 1894-1967) Female Nude, 44.5 x 29.5 cm, frame 76 x 60 cmCondition:The print is a work on paper, framed under glazing - not examined external to the frame. The sheet appears generally fine- no obvious rips/creases/losses, there is foxing present throughout (see additional photographs). The colours are well preserved and appear stable. The frame is in good general condition with some minor wear and tear

Lot 4

ARR John Edgar Platt (1886-1968) Red Chestnut, signed lower right, inscribed '1/7 advanced proof', 2nd scene, 1927, 38.4 x 22.1 cm (PL), frame 59 x 41 cm Provenance: Collection of Mr Magdi Obeid, purchased Hilary Chapman Fine Art 2004Condition:The print is a work on paper, framed under glazing - not examined external to the frame. The sheet has full margins and it appears to be in good overall condition, no obvious losses, tears etc. There is some foxing to the sheet, inside the plate, the majority quite faint with some darker spots. The colours appear well preserved and bright. The frame is in good condition- minor wear and tear, joints are sound.

Lot 140

ARR John Hoyland RA (1934-2011) Untitled, from the Mark Rothko Memorial Portfolio, signed and dated '73 lower right, numbered 16/75, screenprint, 52.5 x 75, frame 72.5 x 92.5 cm Condition:The print is a work on paper, framed under glazing. The sheet appears generally good- no obvious tears/creases/losses etc, there is some cockling to the sheet inside the frame. The colours are well preserved and the surface appears stable. The frame has some general wear and tear.

Lot 32

ARR John Edgar Platt (1886-1967) The Irish Lady, Lands End, signed lower right, numbered 74/100, woodcut in colours on Japan paper, 20 x 26.5 cm (PL), frame 40 x 44 cm Provenance: Collection of Mr Magdi Obeid, purchased Hilary ChapmanCondition:The print is a work on paper, framed under glazing - not examined external to the frame. The sheet appears in good condition, full margins present, no obvious evidence for losses/tears/deterioration. The colours are crisp, bright and well preserved. The frame is in good condition, minor wear and tear, joints are sound.

Lot 176

Kirill Sokolov (1930-2004) The Bird, signed and dated 1977 below, woodblock print, oval, 27 x 42 cm, frame 46 x 61 cm, together with a further woodblock print view from a window, also dated 1977, by the same hand (2).

Lot 206

After Pablo Picasso (1881-1973) Home et Femme Nue, 1967, framed bookplate, 17.5 x 14.5 cm (i), frame 40 x 32 cm, together with a further bookplate print after Henri Matisse (1869-1954) Femme Endormie, 1936, 18 x 26 cm, frame 34 x 40 cm (2)

Lot 38

ARR John Edgar Platt (1886-1967) The Echoing Shoe, 1931, woodcut print in colours on Japan paper, 29 x 24 cm (PL), frame 50 x 44 cm Provenance: Collection of Mr Magdi Obeid, purchased Hilary Chapman 2004Condition:The print is a work on paper, framed under glazing, not examined external to the frame. The sheet appears in good condition, full margins visible, no obvious tears/faults/losses. Colours appear bright, some potential minor fade. Frame is good condition, minor wear and tear, joints sound.

Lot 171

ARR Barbara Hepworth (1903-1975) Sun Setting - The Aegean Suite, signed lower right, numbered 9/60, blind stamped, 1971, lithograph, 81.3 x 58.8 cm (SH), frame 98.5 x 76.5 cm Provenance: private local collection, purchased from Curwen Gallery, London, at the exhibition of The Aegean Suite in 1971. Original exhibition catalogue, invitation to the private view and purchase note present.Condition:The picture is a lithograph, framed under glazing, not examined external to the frame. The sheet appears in generally good condition, no obvious faults or losses. The sheet has full margins, there is some general ageing (browning) to the sheet and there are stains coming through from the four corners where the print has been stuck down (see images). The colours are well preserved and the surface appears stable. It is within its original frame and there is some general wear and tear to the frame.

Lot 36

ARR John Petts (1914-1991) The Sower, signed lower right, numbered 12/15, 1938, woodcut with colours, 12.7 x 10 cm (PL), frame 32 x 26 cm Provenance: Collection of Mr Magdi Obeid, purchased Mallams 16/08/2017Condition:The print is a work on paper, framed under glazing - not examined external to the frame. The sheet appears fine, no obvious rips/tears or creasing, there is some general ageing (browning) to the sheet. The colours appear bright and well preserved. The glass needs cleaning and there is general wear and tear to the frame.

Lot 35

ARR John Edgar Platt (1886-1968) The Giant Stride, signed lower right, 1918, numbered LXXX, woodcut in colours on Japan paper, 16.8 x 41 cm (PL), frame 37 x 60 cm Provenance: Collection of Mr Magdi Obeid, purchased Hilary Chapman 2004Condition:The print is a work on paper, framed under glazing - not examined external to the frame. The sheet has full margins and appears in generally good condition - no obvious evidence for any losses, tears or deterioration. there is one isolated, faint foxing spot below the 'e' of the title in the lower margin. The colourss are well preserved and crisp. Frame is in good condition, minor wear and tear, joints are sound

Lot 52

ARR John Edgar Platt (1886-1971) Sails, woodcut in colours, 1933, 34.7 x 24.5 cm (PL), frame 56 x 44 cm Provenance: The Collection of Mr Magdi Obeid, purchased Hilary Chapman 2005Footnote:The print is a work on paper, framed under glazing, not examined external to the frame. The sheet appears in overall good condition, no obvious losses, tears or deterioration. Full margins are present. The colours are bright and well preserved. Frame is in good condition, minor wear and tear, joints sound.

Lot 47

ARR John Edgar Platt (1886-1967) Pilchard Boats, Cornwall, signed lower right, XLI, woodcut in colours on Japan paper, 16.5 x 31.7 cm, frame 37 x 50 cm Provenance: Collection of Mr Magdi Obeid, purchased Hilary Chapman Fine ArtCondition:The print is a work on paper, framed under glazing, not examined external to the frame. The sheet appears in overall good condition, no obvious tears/losses or deterioration. Full margins are present. The colours are bright and well preserved, crisp. The frame has some minor wear and tear, joints are sound.

Lot 101

A framed and glazed limited edition print of a work by Jamie Reid 'More Love'. Marked 31/100 and signed by the artist. Measures 63x68cm.

Lot 60

An original c 1986 Jamie Reid poster from the Hamilton's Gallery exhibition with 'Fuck Forever' print to one side. Measures approx 100 x 66.5cm. Folded. Excellent condition. From the Boy London archive.

Lot 62

Andy Warhol was possibly the most notable of all the many celebrities photographed wearing Boy, and the memorable image of AW in the Boy cap came during a visit to the London HQ C 1980s. Included here: original glossy colour 8x10" photo of Warhol in the Boy cap, a colour 8x10" taken during the Warhol visit, a large glossy black and white photo (20x16"), a folded poster style print of the image, two celluloid sheets with the famous images.

Lot 102

A limited edition framed print by Jamie Reid 'Never Trust A Punk'. #312/750. With stamped Jamie Reid signature. Measures 30x36.5cm.

Lot 59

A cotton handkerchief (40x40cm) printed with a classic McLaren / Westwood design 'Snow White & The Sir Punks'. Printed officially from the original Seditionaries design by Boy London, likely c 1980s, though actual print date unknown. Excellent condition.

Lot 53

A page (29.5x42cm) with t-shirt outline and pasted colour print to comprise a t-shirt design by Jamie Reid, intended for production by Boy London c 1988. With recognisable colour scheme and 'Say It With Bricks' motif. With 'Ai' (Assorted Images) blindstamp.

Lot 52

A page (29.5x42cm) with t-shirt outline and pasted print to comprise a t-shirt design by Jamie Reid, intended for production by Boy London c 1988. With annotation in pencil.

Lot 1

TOMMA, ABTS1967 KielTitel: Ohne Titel (Uto) (für Parkett 84). Datierung: 2008. Technik: Archival Pigment Print auf leichtem Karton. Darstellungsmaß: 48 x 38cm. Blattmaß: 50,5 x 40,5cm. Bezeichnung: Signiert und nummeriert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: Ex. 1/45. Rahmen: Rahmen. Zustand:Die Druckgrafik befindet sich in sehr gutem Zustand. Im Rahmen beschrieben. Mit beiliegendem Zertifikat. Mit Parkett-Magazin. "Abts' compositions in fact emerge out of the give-and-take that comes with the application of numerous successive layers of paint and through choices being elaborated over many months. Interlocking linear elements might float across densely layered fields, objective aggregations of the thin strata." Suzanne Hudson, Parkett Nr. 84, 2008.Artikel zu Werk und Künstler aus Parkett Edition Nr. 84.Tomma Abts Deutschland Zeitgenössische Kunst Grafik 2000er Rahmen Abstrakt Druckgrafik Archival Pigment Print MonochromErläuterungen zum Katalog

Lot 151

MINTER, MARILYN1948 Shreveport, LA/USATitel: Pamela Anderson (für Parkett 79). Datierung: 2007. Technik: C-Print. Mit Mappe. Darstellungsmaß: 49,5 x 32,5cm. Blattmaß: 52 x 40,5cm. Bezeichnung: Signiert, datiert, nummeriert und betitelt (verso). Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 5/60. Rahmen: Rahmen. Zustand:Fotografie verso montiert. Ansonsten Fotografie und Mappe in sehr gutem Zustand.Mit Parkett-Magazin."Marilyn Minter's gorgeous paintings and photographs give free rein to her and our love for for extreme sensuality, for shine and hot color, and for soft, wet skin, what lends her work ist electric intensity and emotional depth is her equal affection for the real people, the raw material of these love objects and images. For her, the only thing as sexy as a sparkle is a freckle."Katy Siegel, Parkett Nr. 79, 2007.Artikel zu Werk und Künstler aus Parkett Edition Nr. 79. Marilyn Minter USA Fotografie Fotorealismus Zeitgenössische Kunst 2000er Rahmen Frau Fotografie C-Print WasserErläuterungen zum Katalog

Lot 65

FAST, OMER1972 JerusalemTitel: White Male Selfies (für Parkett 99). Datierung: 2017. Technik: Mappe mit 9 Fotografien auf leichtem Karton. In Mappe. Darstellungsmaß: Jeweils: 20 x 20cm. Bezeichnung: Signiert und nummeriert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/25. Zustand:Mappe und Fotografien befinden sich in sehr gutem Zustand.In jedem Exemplar der Auflage befindet sich ein unikatärer Print (die 8 anderen sind in allen Mappen enthalten).Mit beiliegendem Zertifikat. Mit Parkett-Magazin."Fast sets certain traps for himself and his subjects, characters, and viewers. Perhaps more than anything, his work is about how the circulation of stories, the telling and retelling, to ourselves and others, corrupts the facts, falsifies the details, and exposes ever more uncomfortable truths"Kaelen Wilson-Goldie, Parkett Nr. 99, 2017.Artikel zu Werk und Künstler aus Parkett Edition Nr. 99. Omer Fast Israel Zeitgenössische Kunst Fotografie 2010er Mann Fotografie Fotografie SpiegelErläuterungen zum Katalog

Lot 159

MYLAYNE, JEAN-LUC1946 AmiensTitel: No. 37 - 38, Août (für Parkett 50/51). Datierung: 1982. Technik: 2 C-Prints, jeweils verso auf Aluminium kaschiert. In Holzobjektrahmen. Darstellungsmaß: 36,5cm. Blattmaß: 36,5cm. Bezeichnung: Signiert und nummeriert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/48. Zustand:Das Multiple befindet sich in sehr gutem Zustand.Mit beiliegendem Zertifikat. Mit Parkett-Magazin."Each of his unique photographs represents not merely the one-thousandth of a second it takes for the camera to click its shutter but also the days, weeks, and months of devotion and patience it takes to build a bond of trust with a subject. The crux of his work is the moment at which the bird returns the gaze of the photographer. It is a glance not of hostility or mistrust but of recognition. The individual bird accomplishes a task still difficult for most of humanity: to recognize itself as one of many species." Mark Dion, Parkett Nr. 50/51, 1997.Artikel zu Werk und Künstler aus Parkett Edition Nr. 50/51. Jean-Luc Mylayne Frankreich Nachkriegskunst Multiples 1980er Natur Fotografie C-Print PflanzenErläuterungen zum Katalog

Lot 122

KELM, ANNETTE1975 StuttgartTitel: Ohne Titel (für Parkett 87). Datierung: 2010. Technik: C-Print auf Fujifilm. Mit Mappe. Maße: 36,5 x 48,5 x 40,5 x 52,5cm. Bezeichnung: Signiert und nummeriert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/38. Sockel/Rahmen: Rahmen. Zustand:Fotografie verso montiert. Ansonsten Fotografie und Mappe in sehr gutem Zustand.Mit beiliegendem Zertifikat. Mit Parkett-Magazin."Real and fictional, objective and emotional, present and absent, a collage of facts, stories, and history offering hints of what the pictures might possibly be and presenting a reality in which the simultaneity of many realities, contradictions, breaks, and ambiguities are the stuff of everyday life."Beatrix Ruf, Parkett Nr. 87, 2010.Artikel zu Werk und Künstler aus Parkett Edition Nr. 87. Annette Kelm Deutschland Fotografie Konzeptkunst Zeitgenössische Kunst 2010er Rahmen Möbel Fotografie C-Print RaumErläuterungen zum Katalog

Lot 54

DEMAND, THOMAS1964 MünchenTitel: Gangway (für Parkett 62). Datierung: 2001. Technik: Lambda Print, auf schwarzes Acrylglas kaschiert. Unter Acrylglas. Mit Aufsteller.Darstellungsmaß: Maße ohne Aufsteller: 25cm. Blattmaß: 21cm. Bezeichnung: Signiert und datiert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/75. Zustand:Das Multiple befindet sich in sehr gutem Zustand.Mit beiliegendem Zertifikat. Mit Parkett-Magazin."The last thing Demand wants to do is simulate reality. His pictures have no intention of deceiving viewers; rather, they give them the choice of taking part in the illusion themselves. Illusion is not an act of deception; it is play. In the case of Demand's pictures, it acquires diversity by ceaselessly commuting between the imitation and the construction of reality. You can never quite tell what kind of reality prevails in these pictures: that of the represented or the representation itself or both at once?"Andreas Ruby, Parkett Nr. 62, 2001.Artikel zu Werk und Künstler aus Parkett Edition Nr. 62. Thomas Demand Deutschland Fotografie Zeitgenössische Kunst Multiples 2000er Gegenstände Druckgrafik Lambda Print FlugzeugErläuterungen zum Katalog

Lot 79

FUDONG, YANG1971 Peking/ChinaTitel: Ms. Huang at M. Last Night (für Parkett 76). Datierung: 2006. Technik: Lambda Print. beschichtetem PapierMaße: 48 x 73 x 50 x 75cm. Bezeichnung: Signiert und nummeriert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/60. Sockel/Rahmen: Rahmen. Zustand:Verso montiert. Ansonsten befindet sich die Fotografie in sehr gutem Zustand.Mit beiliegendem Zertifikat. Mit Parkett-Magazin.Artikel zu Werk und Künstler aus Parkett Edition Nr. 76. Yang Fudong China Zeitgenössische Kunst Grafik 2000er Rahmen Frau Fotografie Lambda Print MannErläuterungen zum Katalog

Lot 157

MYLAYNE, JEAN-LUC1946 AmiensTitel: No. PO-65, Face to Face (für Parkett 85). Datierung: 2001. Technik: 2-teilig. 1 C-Print in Acrylobjektkasten und 1 C-Print unter Acryl kaschiert auf Aluminium aufgezogen. Maße: 24 x 60,5cm bzw. 38 x 38 x 7cm. Bezeichnung: Signiert und datiert auf beiliegendem Zertifikat. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/38. Zustand:Klebung einer Leiste am Acrylobjektkasten löst sich. Minimalste Kratzspuren im Acrylglas. Die Objekte befinden sich in einem sehr guten Zustand.Mit beiliegendem, vom Künstler gestaltetem Zertifikat (Klappkarte, 14 x 14cm). Mit Parkett-Magazin."He is not looking for the iconic, historical moment or event, but rather for the coincidental encounter experienced in his case only by the photographer and the bird. Time, patience, and an unwavering mental focus based on a profound passion for his subject informs Mylayne's work as an artist." Josef Helfenstein, Parkett Nr. 85, 2009.Artikel zu Werk und Künstler aus Parkett Edition Nr. 85. Jean-Luc Mylayne Frankreich Nachkriegskunst Fotografie 2000er Natur Druckgrafik C-Print LichtErläuterungen zum Katalog

Lot 90

GOLDIN, NAN1953 Washington D.C.Titel: Lambs Ears (für Parkett 57). Datierung: 1999. Technik: C-Print. Maße: 40,5 x 60 x 51 x 61cm. Bezeichnung: Signiert, datiert, nummeriert und betitelt (verso). Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 3/60. Sockel/Rahmen: Rahmen. Zustand:Druckbedingte Unregelmäßigkeiten am rechten Rand. Minimale horizontale Kratzspuren (herstellungsbedingt?). Vers montiert. Ansonsten sehr guter Zustand.Mit Parkett-Magazin."The states of subjectivity in Goldin's work are achieved by closing in on her subjects, sometimes almost to the point of addictive hallucination. Looking in the mirror. Lying in bed. Being alone. Being together. Dressing to go out. Hanging out in a bar. Talking. Sleeping. Crying. Kissing. The actions or feelings, the joys or sorrows, shown in the pictures relate neither to professional activity nor to public life: There's no school, shopping mall, or work, no doctors or teachers. Enemies have been removed. It is striking how the faces and their gazes, whether or not they are looking towards the lens, or the bodies, naked or dressed, evoke so little of our common cultural heritage."Elisabeth Lebovici, Parkett Nr. 57, 1999.Artikel zu Werk und Künstler aus Parkett Edition Nr. 57. Nan Goldin USA Zeitgenössische Kunst Fotografie 1990er Rahmen Natur Fotografie C-Print PflanzenErläuterungen zum Katalog

Lot 9

ANATSUI, EL1944 Anyako/GhanaTitel: Diaspora (für Parkett 90). Datierung: 2012. Technik: Archival Print auf Baumwollstoff, handvernäht. Maße: 123 x 130 x 0,5cm. Bezeichnung: Signiert, datiert und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/35. Zustand: Das Werk befindet sich in sehr gutem Zustand.Mit Parkett-Magazin."Anatsui responds to every material he works with as if he has encountered it for the first time in the flux of history, all the while concentrating on how he might exploit a material's most meaningful plastic potential. He is driven by the desire to incessantly experiment and sculpturally analyze whatever material he is working with - clay, wood, cement, meta, et al. - as he tests the possibility of what each may yield in relation to scale, presence, color, shape, and idea."Okwui Enwezor, Parkett Nr. 90, 2012.Artikel zu Werk und Künstler aus Parkett Edition Nr. 90. El Anatsui Ghana Nachkriegskunst Multiples 2010er Farbe Multiple Baumwolle StrukturErläuterungen zum Katalog

Lot 259

XIAODONG, LIU1963 Jinzhou/ChinaTitel: From Hotan Project, Xingjiang, China (für Parkett 91). Datierung: 2012. Technik: Acryl auf C-Print auf Kodak Professional. Maße: 42 x 61cm. Bezeichnung: Signiert und datiert. Sowie signiert und bezeichnet (verso). Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Sockel/Rahmen: Rahmen. Zustand:Vereinzelt minimale Griffspuren. Verso montiert. Ansonsten sehr guter Zustand.Die Arbeiten sind Teil einer Werkgruppe, bestehend aus 40 individuell bemalten Fotografien. Jedes Exemplar ist ein Unikat.Mit Parkett-Magazin."I needed to think of a new way to engage, to make people discover that painting still has possibilities."Liu Xiaodong, Parkett Nr. 91, 2012.Artikel zu Werk und Künstler aus Parkett Edition Nr. 91. Liu Xiaodong China Zeitgenössische Kunst Fotografie 2010er Rahmen Figur / Figuren Fotografie Mischtechnik LandschaftErläuterungen zum Katalog

Lot 114

JANKOWSKI, CHRISTIAN1968 GöttingenTitel: Christian Jankowski reads 50 Parkett Artists Collaborations (für Parkett 81). Datierung: 2007/2008. Technik: C-Print. Mit Mappe aus Karton. Maße: 29,5 x 20cm. Bezeichnung: Signiert, datiert und nummeriert (verso). Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 1/1. Sockel/Rahmen: Rahmen. Zustand:Verso montiert. Ansonsten befindet sich die Fotografie in sehr gutem Zustand.Jede Ausgabe enthält ein individuelles Motiv, somit hat jedes Exemplar der Auflage Unikatcharakter.Mit Parkett-Magazin."Gazing at the pieces (Living Sculptures), it is as though we see their possible states converging. We see hard, metal art products that subscribe to highbrow values of exclusivity and critique become one with an ephemerally performative form of entertainment, reflecting the pop-cultural values of accessibility and empathy; and while collectors appraise the material used in the production process, children clamber all over the figures."Jörg Heiser, Parkett Nr. 81, 2007.Artikel zu Werk und Künstler aus Parkett Edition Nr. 81. Christian Jankowski Deutschland Konzeptkunst Aktionskunst Zeitgenössische Kunst Fotografie 2000er Rahmen Mann Fotografie C-Print WasserErläuterungen zum Katalog

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