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Lot 155
A Victorian Sunderland lustre jug, together with a smaller example, a Sunderland Lustre frog mug and a coloured engraving of Sunderland after G BalmerLarge jug with some wear to lustre and painted areas. Slight scratching. Smaller jug with slight staining to one side. Otherwise good. Frog mug slight crazing. Otherwise good. Print with slight foxing.
Lot 436
After J.Stephen Dews (20th/21st century) - 'The Americas Cup, Jubilee Regatta, 2001', signed artist's proof, numbered 109/500, Shamrock V JK3, Australia II KA6 and all the remaining yachts named in full (A Start - Around the Island Race August 21st, coloured reproduction, 20.75" x 34.25"; together with a further print entitled 'H.M. Submarine H 28' after the original painting by John Pettitt, signed by the artist and signed by the Captain, Lieutenant M.R.G. Wingfield and other members of the crew (the only submarine to have completed offensive patrols in WWI and WWII), a print of The Royal Crescent, Bath after the original by F.C. Davy, a small pastel drawing by Janet Boston entitled 'Spirit of Friends', a small etching by Pete Hogan - 'Sydney-Hobart Start', signed and numbered 7/99, six further prints and pictures, various sizes (11)
Lot 437
After Terence Cuneo (20th century) - 'The Running Sheds of the Great Caerphilly and Vole-Tail Central Railway', signed artist's proof, numbered 410/850, also bearing the blind stamp for the Fine Art Trade Guild, coloured print, 22" x 30.75"; together with various other decorative prints and pictures, including a print of K.M. Bismarck after Robert Taylor's original painting, a small oil painting of a three masted Barque off a coastline, a modern oil signed T**Moreau - Swans beside a water mill (painted in a pointillist style), another modern oil painting signed Marle, depicting a Dutch street scene with figures, other reproductions depicting Persian, Indian and Egyptian art and an oil painting by A**Charllon - 'Winter in a Durham Birch Wood', various sizes (a collection)
Lot 414
English School (19th century) - 'Fair Emily', a young fashionable lady fishing, beside a tree, a coloured print reversed upon glass, 13.5" x 9.5", together with five further examples, "Cupid Disarm'd" and four smaller, "Brittania Lamenting the death of Admiral Lord Nelson", etc, various sizes (6)
Lot 440
After R. Cooper (19th century) - 'Plato when a Child', inscribed, black and white stipple engraving, 4" x 4.5" together with a companion, 'Cupid found in a Rose' (a pair), also three other prints after S. Shelley, 'Parental Fondness', 'The Invitation' and 'Independence', originally published in May 1789, a stipple engraving of an elegantly dressed lady standing on a balcony **Contained within its original vere eglomise glass mount, a print of a Cupid after Murillo, titled 'L' Armour se Reposant sur ses Armes' **Within a carved wood gilt frame (gilding rubbed in places) and an etching of 'Rose Cottage, Clovelly' by R.H.Smallridge (8)
Lot 426
R.Houston after John Seymour (19th century) - 'Two of his Majesty's Huntsmen with Stag Hounds on Windsor Forest" a coloured print reversed upon glass, 10" x 13.75"; together with a further reverse glass picture depicting astronomers with astrological equipment amongst Classical ruins, 10" x 14" (2) **Both contained within their old Hogarth style frames
Lot 418
English School (19th century) - David Garrick and two female figures, "Strive not Tragedy nor Comedy to Engross a Garrick, who to your Noblest Characters does Equal Honour", black and white mezzotint (creased) 13.75" x 9.75"; together with seven further prints, J. McArdell after William Hogarth, "Daniel Lock Esquire", "Robert Walpole" after Sir Godfrey Kneller, (some perishing), two further portraits of a Lady and Gentleman, "William Kingsley Esquire" after Sir Joshua Reynolds "Mrs Fitzherbert", contained within a vere eglomise mount, and a print entitled "The Walk at Kew" after Thomas Gainsborough, various sizes (8)
Lot 474
After Andre Dignimont (1891-1965) - 'La Belle Amore', a lithographic print from a limited edition printed circa 1930, a view from a bedroom window possibly the artist's studio showing a bed in the foreground, a partially draped nude model reflected in a mirror, and a barge beyond, extensively inscribed on a label verso and said to be hand coloured with watercolour, 7" x 5.25" **provenance: with Trim Bridge Galleries, Bath, BA1 1HE; together with two artist signed prints by Norman Thelwell titled 'The Angler's pool', and 'Breaking Cover', limited edition prints 80/250 originally published by The Tryon Gallery Limited, 41 Dover Street, London, W1, each 11" x 14" (3)
Lot 424
Francesco Piranesi after Ludovicio Corazzari (19th century) - Mercury, depicted as a marble or stone statue, after the antique, inscribed and originally published in 1769, black and white engraving, 19" x 13"; together with nine further prints after Piranesi and Tomasso Piroli, female comforting an infant, again depicted as a sculpture, two engravings after J. Basire, Greek or Roman male figures, two prints of Archbishops Wykeham & Rotheram, two engravings of Rome, Colonna and the Colosseum, an engraving of Easby Abbey and a print of the monument to Catherine of Austria, various sizes (10)
Lot 411
After Edouard Vuillard (1868-1940) - Study of a gentleman wearing a white apron and examining a textile, inscribed with the name Vuillard in the vendor's own handwriting on a later label verso, black and white lithographic print, 11.75" x 9.25"; together with Richard Watkins (b. 1962) - Abstract design, paper relief, signed and dated '67 (1967), 11.5" x 7.75" and Barrington Tobin (b. 1948) - 'Spa V', signed artist proof also dated '06 (2006), coloured etching, 19" x 23.5" (3)
Lot 425
After R. Dalton (19th century) - Hercules, depicted as a marble or stone statue, inscribed, black and white etching, 20" x 10.5"; together with fourteen further prints, including two sepia etchings one depicting, Anibale Caracci, inscribed Francesco Bartolozzi, (stained) an oval print of a soldier holding an infant with two females looking on, a set of four female head studies, and seven black and white engravings depicting figures and animals within a Greek or Roman frieze, various sizes (15)
Lot 413
English School, (19th century) - 'Prince of Wales' after Sir William Beechey, a reverse coloured print on glass, 13" x 10.5" (damaged); together with six further examples, all on the reverse of glass, "Giorgiana, Countess Spencer with her Daughter" after Sir Joshua Reynolds, "Elizabeth, Duchess of Hamilton", "Miss Louisa Williams", "Miss Lenis" after Liotard, and "The Devout" and "The Economist" after Etienne Jeaurat, various sizes, some contained within old Hogarth style frames (7)
Lot 421
English School (19th century) - 'David Praising God', inscribed and bearing the date 1810, a coloured print reversed upon glass, 10" x 13.75" contained within its old veneered maple wood frame, together with a further reverse glass picture depicting "Caroline Queen of England in the House of Lords" (2) **Within an old wooden moulding
Lot 417
After Cavalier Piranesi, (18th/19th century) - ornately decorated tomb to Lucia Calvino, inscribed and contained within a marbled decorated mount, 15.25" x 10" (pl); together with nine further prints, including a set of six small engravings of elaborately carved urns in Romanesque settings, a print of "Pan and Apollo", a small engraving of "Heaven and Hell" and an engraving after Piranesi, "Veduta interna della Basilica di S. Pietro in Vaticano", various sizes (10)
Lot 438
W.H. Mason after G. B. Campion (19th century) - 'Her Majesty Queen Victoria's Visit to the City', inscribed and bearing the date 9th Nov 1837, coloured stone lithograph, 13.75" x 20"; together with another print of the coronation of Queen Victoria, possibly by George Baxter (mounted over the blind stamp), also a collection of various other decorative prints and pictures, including a small oil painting of poppies by Rosaltsa Mostosi, a watercolour of a hen, several pictures of birds after the antique, each framed and glazed, an oval silkwork picture of an Oriental pheasant, two circular prints of cherubs amongst flowers, prints of Venice after Canaletto, a later oval print after Francesco Bartolozzi's original design, another print after Sir Joshua Reynolds 'Lady Smyth and Her Children', in a vere eglomise mount, other works various sizes (a collection)
Lot 422
Valentine Green after Sir Anthony Van Dyke (18th century) - 'George Gordon, 2nd Marquiss of Huntly', inscribed and dated April 13th '1775, black and white mezzotinted engraving (some perishing), 21.75" x 14.75", together with a further print of "Her Royal Highness the Duchess of Cumberland", 22" x 13.5" (2)
Lot 325
§ Mary Fedden (British, 1915-2012) The Matisse Jug (no.1), limited edition no. 363/550, published by Bow Art 1995; together with an original letter from Fedden to Joan Stevens, dated February 13th, regarding her show opening at the Beaux Arts in Cork Street (2) signed in pencil "Fedden 363/550" colour reproduction print 56 x 44cm (22 x 17in) Provenance: Acquired by the vendor's parents directly from the artist. A large stain to the top right-hand corner. Slight creasing along the edges. Few light stains in the margins. Unframed.
Lot 301
§ Julian Trevelyan, RA (British, 1910-1988) Ram signed lower right "Julian Trevelyan" and numbered 11/50 etching with aquatint Intaglio print on paper 37 x 49cm (14 x 19in) Other Notes: Julian Trevelyan was a major figure in the British etching revolution of the 1960s, with his keen eye for graphic invention and his early enthusiasm for surrealism in his youth. Image is good and clear, some browning around the edges of the mount.
Lot 503
Motor Racing, a F1 print "True Brit" by Alan Fearnley of Nigel Mansell winning the 1986 British Grand Prix at Brans Hatch in 1986, Lt Edt number 451/850 signed along the bottom in pencil by Nigel Mansell and Alan Fearnley 42cm x 60cm framed and glazed, together with a selection of Grand Prix magazines and race programmes and F1 books(2)
Lot 699
Cricket, a large collection of prints, some framed with card, others framed and glazed, seventy five plus of prints 'Game of cricket played at The Artillary Ground', thirty plus pin badges made for cricket events and teams, ten Australian cloth badges, a folder of Punch pages from the 1920/30s and a copy of a Graham Clarke print 'Quite Cricket'
Lot 547
Hunting Prints a set of 4 Harry B Neilson reversal prints with various aspects of the hunt but shown as the Fox being the hunter instead of the quarry, including, Fox's astride beagles jumping hedges, Crossing a stream, The gathering and The morning of the hunt together with a Scottish Gamekeepers Association Ltd edt Christmas print 11/250 by Loon.(5).
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314796 item(s)/page