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Lot 309
A group of pictures, after Norman Battershill, A Sussex Lane, limited edition print, number 40/1000, signed in pencil, 40cm x 49cm, after Nicholas Brislow, Puppies After Rain, limited edition signed print number 60/1000, 40cm x 50cm, after ROS Donaldson, Turning The Lifeboat, print, 23cm x 38cm, and after R. Marshall, The Buttercross, Barnard Castle, signed, limited edition print number 198/750, 18cm x 25cm. (4)
Lot 313
A group of 19thC and later equestrian and hunting related prints, to include after Leech, Epsom Races - The Return From The Derby, from the illustrated London News, print, 39cm x 55cm, Irish Jaunting Car, coloured engraving, 26cm x 35cm, after J.Scott Sculp, Gamekeeper, engraving, 14cm x 21cm, etc.
Lot 156
Jackson (Samuel, 1794-1869). St. Donats Castle, Glamorgan, pencil on paper, mount aperture 26.6 x 18.5cm (10 1/2 x 7 1/4ins), framed and glazed (45.2 x 35.7cm), verso with label of Print Room, Belgrave Lodge [Bath], and with ink manuscript provenance label 'Ex. Paul Oppé Collection, purchased 4/88 by T.R.K.D. from John F.C. Philips ...London', also an envelope on verso containing typewritten letter regarding a possible date for the work of 1825, together with 3 other drawings by the same artist: Ullswater (sheet size 18.7 x 26.5cm), Kennilworth Castle (mount aperture 15.8 x 18.8cm), and Ross Castle, Killarney (some toning, sheet size 19.1 x 29.7cm), all pen & ink on paper, two titled to lower right, each framed and glazed (44.2 x 53.6cm and smaller), two with The Gallery Downstairs (London) exhibition label on verso dated 1991, one with Castle Gallery (Kenilworth) label, the latter stating provenance 'Ex Oppé Collection - John F.C. Phillips', plus: Ewbank (John Wilson, 1799-1847), Stranded Vessels, Morning, 1831, pencil on paper, signed and dated lower right, titled lower centre, mount aperture 13.4 x 18.2cm, framed and glazed (30.0 x 33.0cm), labels on verso of Print Room, Belgrave Lodge [Bath], and Michael Bullivant, Winchester, with a Barbizon School style woodland landscape, c.1880s, watercolour & gouache on artist's board, indistinctly signed P.W..., and three other pencil drawings, all framed and glazed, one with Peter Cardiff Fine Art label on verso 'Loch Katrine, 1812, by Francis Nicholson (1753-1844)', (foxed), another with Michael Bullivant label on verso 'Figures on a River bank, [by] De La Voye, c.1840', and a black chalk sketch on paper, framed, (all unexamined out of frame)Qty: (10)
Lot 17
After Anthony van Dyck (1599-1641). Madonna and Child with female saints, late 17th century, pen and brown ink on laid paper, some surface abrasion and pale dampstaining to left side, upper right area with two tears (one 7.5cm), small loss to upper edge, partially laid on thin board, sheet size 26.4 x 18.0cm (10 3/8 x 7 1/8 ins), board verso with old inscription in red crayon 'Van Dyck (17 S Flamand)', together with Italian School. Giardino a S:'to' Gio'vanni' Laterano, mid 18th century, black chalk on laid paper, numbered '42' to upper left corner, verso with ink manuscript title relating to a different drawing (no.43), some pale foxing, sheet size 14.9 x 21.0 cm (5 7/8 x 8 1/4 ins), window mounted, copy of ink manuscript title (for no.42) on separate loose piece of paper, framed and glazed (26.5 x 32.5cm), with other miscellaneous prints and drawings, mostly 19th and 20th century, including a black chalk drawing 'Rocks on the Isle of Wight coast' by Thomas Monro (1759-1833), framed and glazed; two English pen & ink figure studies, one in the manner of George Romney, with grey wash and remnant of red wax seal to lower left corner; a 20th century print of Putti from Pompeii, framed and glazed, etc.Qty: (27)
Lot 231
Moore (Henry, 1898-1986). Homage to Sacheverell Sitwell, 1979, lithograph over a reproduction in colour of a drawing by Moore, printed on T. H. Saunders paper, published in an edition of 50 impressions, printed at Skelton's Press, Wellingborough and Curwen Studio, published by the Fairfax Press 1980, York for the Henry Moore Foundation, as published in Valse des Fleurs by Sacheverell Sitwell, this being one of 30 hors commerce impressions, signed in pencil, and numbered HC 7/30, sheet size 44 x 30 cm (17.25 x 11.8 ins), framed and glazedQty: (1)Footnote: Kramer 537. The book was published in a total edition of 400 copies, although only 20 deluxe copies numbered I-XX, and 30 hors commerce impressions were issued with this signed print.
Lot 275
Rothenstein (William, 1872-1945). Portrait of Hannah Whittal Smith, July 1893, pastel on brown paper, full length portait, half-profile to right, of a bonneted elderly lady seated in a wicker armchair reading a book, signed and dated to right-hand margin 'Will R 93' and captioned in the artist's hand to lower margin 'Will Rothenstein, Hannah Whittal Smith, Friday's Hill. July 1893', 47.3 x 35.2cm (18 1/2 x 13 7/8ins), mounted, framed and glazed (67.2 x 54.3cm) Qty: (1)Footnote: Provenance: Oliver and Ray Strachey; thence by family descent; private collection, UK; Bonhams, 'Fine Art & Antiques', 5 November 2014, lot 37.Evangelist and religious writer Hannah Tatum Whitall Smith (1832-1911) was born into an influential Quaker family in Philadelphia. She married Robert Pearsall Smith who was also descended from a long line of Quakers. After struggles with her beliefs and the exploration of various other Christian doctrines and denoninations, Hannah came to a deep faith following the loss of her 5 year old daughter. She and her husband became speakers in the Holiness movement in the United States and the Higher Life movement in the UK, and they travelled to various countries in Europe to hold meetings and preach. Hannah wrote a widely-read book on the subject of Christian mysticism and practical Holiness theology entitled The Christian’s Secret of a Happy Life, published in 1875. She was also active in the women's suffrage movement as well as the temperance movement. One of her daughters, Mary, married the art historian Bernard Berensen.Ray Strachey, born Rachel Pearsall Conn Costelloe (1887-1940), was the daughter of Mary Berenson by her first husband Frank Costelloe. She was a feminist politician, mathematician, engineer, artist and writer, and, like her grandmother Hannah, worked tirelessly for the suffrage cause, publishing a number of writings on the subject, including The Cause published in 1928. She married Oliver Strachey, brother of Lytton Strachey, in 1911.The National Portrait Gallery holds a bromide print after Rothenstein's portrait by an unknown photographer (NPG Ax160542). It was given to the NPG in 1999 by Barbara Strachey, daughter of Ray and Oliver, who also donated a platinum print of Hannah and Robert outside Friday's Hill House (NPG Ax160670), their home in Fernhurst near Hazlemere, where they entertained artists, writers, musicians and intellectuals, William Rothenstein amongst them.
Lot 62
Piranesi (Giovanni Battista, 1720-1778). The Grand Piazza (plate IV from Carceri d'Invenzione), 1749, from the second edition published by the artist, fourth issue, through early printings of the fifth edition, mid 1770s, etching, engraving, sulphur tint and burnishing, a fine, rich impression of the fifth state (of six), on laid paper, the usual central, vertical drying fold, with margins, the usual horizontal drying fold, in good condition, a horizontal crease in the lower margin, a few pale stains in the lower and right margins, plate 54.5 x 41.2 cm. (29 1/2 x 16 1/4 ins), sheet 75 x 52.4 cm (29 1/4 x 20 5/8 ins.), in a Guido of Boston gilded frame (88 x 72 cm)Qty: (1)Footnote: Literature: Robison 31.This work, first etched in 1749, is one of sixteen plates published by Piranesi himself for the second edition, 1761-1778, which he re-worked in darker, more detailed states, more fitting to the atmosphere of dark and cavernous prisons. The first edition, 1749-1760, had been published by Giovanni Bourchard as fourteen prints in lighter, more sketchy and airy states. This print is in the fifth state (of six), after the artist's final round of re-work, but before the addition of the number in Arabic numerals in the upper right corner of later printings.
Lot 468
Kiss interest - 4x12 guitar amplifier speaker cabinet with 'Kiss' and 'Marshall' badges to the front, custom animal print grille cloth, 'Kiss' plaque to the back and fitted with four Rola Celestion grey back speakers, the cabinet with tolex removed and painted black and having what appears to be a later back board *This speaker cabinet was acquired by the vendor from a historic eBay auction, however the provenance is unknown. The cabinet appears to be similar those used by Kiss during their 1984 Animalize tour
Lot 482
Eric Clapton and Peter Blake - autographed silk screen print of the '24 Nights' album cover, designed by Wherefore Art?, printed by Wayne Johnson on 310gsm Somerset satin, signed by Eric Clapton within the artwork and Peter Blake to the mount, framed, 29.75" x 28.75". *The David Costa Collection - This print is an unnumbered but exclusively small edition prepared for album promotion purposes. The artwork was designed by Wherefore Art? using two of Peter Blakes' original sketches David Costa: ?Pulled directly from Peter Blake?s sketchbooks (included in the Genesis Publications edition), two images were comped together for the silk-screen print produced in a very small, unnumbered edition, of which only a very small number were ever signed by both Eric and Peter.?
Lot 483
Eric Clapton and Peter Blake - autographed silk screen print of the '24 Nights' album cover, designed by Wherefore Art?, printed by Wayne Johnson on 310gsm Somerset satin, signed by Eric Clapton within the artwork and Peter Blake to the mount, 30" x 40"; together with additional sets of proofs for the CD long box package. *The David Costa Collection - This print is an unnumbered but exclusively small edition prepared for album promotion purposes. The artwork was designed by Wherefore Art? using two of Peter Blakes' original sketches; together with additional sets of proofs for the CD long box package David Costa: ?Pulled directly from Peter Blake?s sketchbooks (included in the Genesis Publications edition), two images were comped together for the silk-screen print produced in a very small, unnumbered edition, of which only a very small number were ever signed by both Eric and Peter.?
Lot 491
The Beatles - collection of proofs for the 2000 Beatles 'Anthology' book, produced to accompany the publication, including two large posters, 33" x 23" (slight water rippling); two extreme portrait posters, 72" x 18"; and five double-sided marketing landscape format posters; also two sets of proofs for the outer package of the capital albums box set, each 45" x 28" and multi-print run sets of the 'Let It Be' album cover *The David Costa Collection David Costa: ?The Wherefore Art? Studio designed The Beatles Anthology Book between 1993 and final publication in 2000, in conjunction with the editorial team of Genesis Publications. All subsequent marketing material such as the posters included here were designed by the studio, based on our collage of high contrast band images across the remarkably short timescale from 1962 to 1970.?
Lot 492
Mick Jagger - Ink Icon Mick Jagger 'solo portrait' multicolour silkscreen print, printed by Bob Saitch on 300gsm Arches Waterleaf, with advanced graphics, unsigned, unnumbered proof, 35" x 25" ** The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 495
Mick Jagger - Ink Icon Mick Jagger 'solo in recording studio' silkscreen print, test double image in black, gold, silver and sepia plus ghosted varnish, printed by Bob Saitch, advanced graphics, unnumbered artist proof, signed by Gered Mankowitz, with Gered Mankowitz and Wherefore Art? studio stamps to the bottom right, 35" x 24" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 496
Keith Richards - Ink Icon Keith Richards 'solo portrait' multicolour silkscreen print, printed by Bob Saitch on 300gsm Arches Waterleaf, advanced graphics, unsigned, unnumbered proof, bearing Wherefore Art? stamp to the bottom right and Ink Icon stamp to the bottom left, 35" x 25" *Ink Icon is a company shared between renowned photographer Gered Mankowitz and David Costa (Whereforart?) to explore some of the major and most familiar images in Gered's archive and to produce limited edition silkscreens * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 497
The Rolling Stones - Ink Icon 'Caged' three colour silkscreen print of the complete band on the roof of Gered Mankowitz's studio, Masons Yard, London, printed in red, black and gold, artist proof 16/40, signed by Gered Mankowitz, bearing Gered Mankowitz and Wherefore art? studio stamps, 30" x 40" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 498
The Rolling Stones - Ink Icon 'Caged' silkscreen print of the complete band on the roof of Gered Mankowitz's studio, Masons Yard, London, unsigned production sample, bearing Wherefore Art? studio stamp to the bottom right, 40" x 30" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 499
The Rolling Stones - Ink Icon 'Caged' silkscreen print of the complete band on the roof of Gered Mankowitz's studio, Masons Yard, London, printed in red, black and gold upon mill board, one-off test print, 30" x 40" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 500
The Rolling Stones - Ink Icon 'Caged' silkscreen print of the complete band on the roof of Gered Mankowitz's studio, Masons Yard, London, printed by Bob Saitch, advanced graphics, one-off test print, bearing Wherefore Art? studio stamp to the lower left, framed, 21" x 34" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 501
The Rolling Stones - group shot by Gered Mankowitz at Masons Yard, London, multicolour silkscreen print, printed by Bob Saitch, advanced graphics, unsigned proof, 24" x 35" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 502
The Rolling Stones - group shot by Gered Mankowitz at Masons Yard, London, multicolour silkscreen print, printed by Bob Saitch, advanced graphics, unsigned proof, 24" x 35" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 503
Jimi Hendrix - 'Purple Haze (Smoking)', an Ink Icon four colour silkscreen print in orange, gold, magenta and black, printed by Wayne Johnson in 1997, artist proof, 2/12, signed by Gered Mankowitz to the bottom right of image, bearing Gered Mankowitz and Wherefore Art? studio stamps to the bottom right, 40" x 30" (speckled water damage to lower part of image) * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 504
Jimi Hendrix - 'Purple and Gold', an Ink Icon four colour silkscreen print in orange, gold, magenta and black, printed by Wayne Johnson on 310gsm Somerset Satin in 1997, an unsigned unstamped early final proof, 40" x 30" * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
Lot 505
Jimi Hendrix - ?Purple Haze?, an Ink Icon two-colour silkscreen print version in blue and black only, printed by Wayne Johnson, unnumbered proof, signed by Gered Mankowitz to the lower right of image, one of very few blue/black, two-colour only samples produced, unpublished as a silkscreen edition but subsequently used on the body of the ?Hear My Message' limited edition Fender Stratocaster produced in collaboration with Fender and Experience Hendrix. Bearing Wherefore Art? and Gered Mankowitz studio stamps to the lower right, 35" x 25" (staining to foot of page) * The David Costa Collection David Costa: ?Ink Icon was a company shared between renowned photographer Gered Mankowitz and myself (Wherefore Art?) to explore some of the major and most familiar images in Gered?s archive, particularly those of the Stones and Hendrix, and to produce limited edition silkscreens using diverse treatments. Of the two Jimi Hendrix images, Purple and Gold was subsequently adopted by Alan Douglas to front his 1992 Ultimate Experience compilation boxset and associated campaign materials. Assorted tests, variants and samples from both Stones and Hendrix editions are included in this sale.?
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314783 item(s)/page