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Lot 130

â–² HM King Charles III (b.1948) 'Tetbury Church From Highgrove House'lithograph in colours, signed and dated 'Charles '98' in pencil l.r., and numbered '44/100', printed at Curwen Chilford Prints on paper made at St Cuthbert's Mill, Somerset, complete with a certificate of authenticity signed by the publisher, and in original box as issuedimage 14.5 x 20cmCondition ReportPROVENANCE: With certificate of authenticity and original box.Framed: 37.5 x 41cmBox: 42.5 x 45.5 x 5.5cmThe print appears to be in good condition and is ready to hang. Not viewed out of glazed frame. Light surface scuffs and scratches to the exterior of the box.

Lot 337

â–² Henry Moore OM CH FBA (1898-1986) 'Three Reclining Figures' (CGM 290)lithograph in colours, signed and dated 'Moore/73' in pencil l.r.sheet 57.5 x 47cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is unnumbered. Light handling creases to the margins. The printed area appears to be in good condition.

Lot 225

â–² Tracey Emin RA (b.1963) 'Out Cold', 2014polymergravure etching, signed and dated 'Tracy Emin 2014' in pencil l.r., inscribed with title and numbered '32/100', a limited edition print from the Royal Academy Summer Exhibition 2014sheet 37.5 x 43cm, unframedCondition ReportAppears to be in good condition.

Lot 214

â–² Elizabeth Blackadder (1931-2021) 'Four Fish'screenprint in colours, 2013, signed 'E. Blackadder' in pencil l.r. and numbered '51/80', published by Glasgow Print Studio, with blind stampsheet 54 x 43.5cmCondition ReportFramed: 59 x 49cmThe print is stuck down in the corners and the sheet had light undulations to the upper and lower edges. Appears to be in otherwise good condition and ready to hang. Not viewed out of glazed frame.

Lot 425

Cubitt Print Box a portfolio of prints in various mediums, 2000, each signed and numbered '75/100', with the exception of the print by Elizabeth Wright numbered '175/220%' as per the artist's intention, published by Cubitt, in the original presentation box box 28.5 x 23.5cm The portfolio includes prints by 20 British and international artists who had come to prominence in the 1990s, all of whom had either worked or shown at the Cubitt studios and gallery in King’s Cross, London: Martin Creed, Tacita Dean, Peter Doig, Ceal Floyer, Matthew Higgs, Gareth Jones, Alex Katz, Scott King, Jochen Klein, Hilary Lloyd, Paul McCarthy, Paul Noble, Chris Ofili, Peter Pommerer, James Pyman, Giorgio Sadotti, Jane Simpson, Wolfgang Tillmans, Piotr Uklanski and Elizabeth Wright. 'Snowball' by Elizabeth Wright was created as a varied edition of 120 individual versions, with the perfectly round snowball in each print scaled differently in successive increments from 101/220% to 220/220%. The variations in size reflect the platitude that no two snowflakes are alike. Getting bigger as the edition progresses, the circles created by the artist manifest as a literal 'snowball effect'. Condition ReportAppears to be in good condition.

Lot 376

â–² Eric Shanes (1944-2017) 'Olympiad 1: Jump';'Olympiad 3: Lift';'Olympiad 5: Run';'Olympiad 1: Jump'four screenprints in colours, each signed and dated 'Eric Shanes 72' in pencil l.r., inscribed with title and individually numbered from an edition of 75, created for the occasion of the 1972 Olympics in Munich75.5 x 76cm and similar, unframed (4)Condition ReportFaint dirty marks to the margins. Light creasing. There are a few lines where the ink is a little raised, presumed to be a result of the printing process. Minor surface scratches. One of the 'Olympiad: 1 'Jump' prints has brown marks at the top of the left edge and a small rip and creasing to the centre of the right edge. The other Jump print has some cracking to the ink on and around the figure at the top.

Lot 82

â–² Edward Bawden RA (1903-1989) 'St James's Palace' (MG 072)linocut in colours, 1966, signed 'Edward Bawden' in pencil l.r., inscribed with title and numbered 'Artist's proof 10/75'image 50.5 x 66cmCondition ReportFramed: 70 x 94cmA little cockling. Very slight time staining. A small blue mark to the upper margin, centre right. The print is crisp and the colours are strong. Not viewed out of glazed frame.

Lot 209

▲ Mary Fedden RA (1915-2012) ‘Oppede le Vieux’lithograph in colours, 2006, signed 'Fedden' in pencil l.r., and numbered '34/150', published by Curwen Chilfordimage 27 x 36cmCondition ReportFramed: 49.5 x 59.5cmThe print has slipped slightly in the frame but appears to be in good condition. Not viewed out of perspex glazed frame.

Lot 374

â–² David Bailey (b.1938) 'Box of Pin-Ups', 1965thirty-six half-tone prints, with the biographical details of each sitter printed on the reverse of each print, printed by Weidenfeld & Nicolson, London, and contained in the original card box, signed to the reverseeach approximately 37 x 32cmProvenance: Sotheby's, New Bond Street, 'Made in Britain II', 13 September 2017, lot 175;The David and Pam McCleave Collection of Modern British Art.Literature: Martin Harrison, 'David Bailey: Archive One, 1957-1969', Thames & Hudson, London, 1999, ill. pp.157, 169, 175, 177, 179 and 181;David Bailey, 'Bailey's Stardust', National Portrait Gallery, London, 2014, ill. pp.191-197.Condition ReportThe prints appears to be in good condition overall. Light handling creases, only visible in raking light. The box has some discolouration with surface dirt, staining and abrasions to the reverse. The edges and corners of the box are worn with a tear to the upper left corner.

Lot 89

Eric Ravilious (1903-1942) Fireworkslithograph in colours, from 'High Street' by J M Richards, printed by the Curwen Press and published by Country Life, London, 1938visible 22 x 14cmCondition ReportFramed: 43 x 30.5cmLight handling creases to the edges. A faint dirty mark (possibly a finger print) to the centre of the lower edge. Not viewed out of the perspex glazed frame. Presents well overall and ready to hang.

Lot 341

▲ John Piper CH (1903-1992) 'Ruined Church, Bawsey’ (Levinson 341)screenprint in colours, 1982, signed 'John Piper' in pencil l.r., and numbered '38/100', printed at Kelpra Studio, London, with blind stamp, published by Christie's Contemporary Art, Londonsheet 54.5 x 69.5cmCondition ReportFramed: 60 x 74.5cmA little light rippling to the left margin and the edge of the print. There is slight discolouration to the extreme edges of the sheet. The margins have some timestaining and mottling. The colours are bright. There are some thunderbugs trapped behind the glazing but the printed area does not appear to be affected. Not viewed out of glazed frame.

Lot 426

â–² Banksy (b.1974) 'Golf Sale' screenprint, 2003, stamped with 'BANKSY' tag in red ink, numbered '388/750', published by Pictures on Walls, London sheet 34 x 48.5cm This lot is accompanied by a Certificate of Authenticity issued by the Pest Control Office. Condition ReportPROVENANCE: With certificate of authenticity. Framed: 54 x 67cm Presents well overall. A little faint surface dirt to the lower edge. On close inspection under raking light there are some light superficial surface scratches to the black ink, however in our opinion this does not detract from enjoyment of the work. The print has been mounted with tape applied to the reverse of the top edge.

Lot 417

â–² The Connor Brothers (1968) 'I Tried to Drown My Sorrows But The Bastards Learned How to Swim'giclée print in colours, artist's proof, signed and dated '19' in pencil l.r., and inscribed 'AP'image 119.5 x 65cmCondition ReportFramed: 126 x 82cmA little light rippling to the margins, however presents well overall and ready to hang. Not viewed out of glazed frame.

Lot 79

â–² Edward Bawden RA (1903-1989) 'Évora';'Lisboa'two lithographs in colours after linocuts created for 'Bawden in Portugal', published in 'Motif: A Journal of the Visual Arts; No. 9: Summer 1962', printed at the Shenval Press, visible 29.5 x 40.5cm and 29.5 x 33.5cm (2)Condition ReportFramed: 44 x 61cmThe prints have centrefolds as issued. The print of Lisbon has slight time staining with a faint brown mark to the left edge, lower centre. There is a print of on the reverse which shows through the paper slightly. Overall both prints present well. Not viewed out of perpex glazed frames.

Lot 349

â–² John Piper CH (1903-1992) 'Courthouse, Long Crendon, Buckinghamshire' (Levinson 285)lithograph in colours, 1978, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 57 x 77cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe printed area appears to be in good condition. Light handling creases to the margins with a little light surface dirt. There is a light line/ indentation running along the lower edge,1cm in from the edge of the sheet. There is a yellow mark to the lower margin, centre right (pisbbilbly printing ink?). The print is unnumbered.

Lot 179

Mark Tobey (American-Swiss 1890-1976) 'Mandarin Flowers'lithograph in colours, 1973, signed and dated 'Tobey 73' in pencil l.r. and numbered '43/95'sheet 77.5 x 102.5cm, unframedCondition ReportA few faint dirty marks and smudges to the margins with a little surface dirt. There is a 2cm pencil line to the centre of the upper margin, with a faint thumb print to the upper right corner. The printed area appears to be in good condition.

Lot 357

▲ David Hockney OM CH RA (b.1937) 'Pool Made With Paper and Blue Ink' for the book 'Paper Pools' (MCA Tokyo 234)lithograph in colours, 1980, signed and dated 'Hockney 80' in pencil l.r., and numbered '681/1000', published by Tyler Graphics Ltd., Mount Kisco, New York, with blind stamp sheet 27 x 24cmWhen thinking about David Hockney, the subject of the swimming pool is one that comes to mind. It has become one of the defining motifs of his artistic career and an iconic image of modern art. The theme recurs frequently in his paintings, drawings, photographs and prints.Hockney’s fascination with pools began in 1964 when he flew over Los Angeles and was captivated by the vivid expanse of blue pools dotting the Californian landscape - an image starkly different from the scenery of Britain he had left behind. To Hockney, the swimming pool was a representation of pleasure and leisure in the 1960s, and a joyous image to reproduce. Additionally, it provided a creative opportunity to explore the play of light and reflections on water, shaped by ripples, curves and shadows cast by gentle breezes or the movement of swimmers.This motif repeatedly surfaced in his work over the years, including the present lithograph titled 'Pool Made With Paper and Blue Ink for a Book'. This piece was created for the special edition book 'Paper Pools' by David Hockney, edited by Nikos Stangos and published in 1980 by Thames & Hudson. The book delves into Hockney’s 'Paper Pool' series, comprising twenty-nine paper pulp artworks that he created in 1978 while staying with his friend, the printmaker Ken Tyler. Inspired by this new medium, Hockney used Tyler’s swimming pool as the subject for this lithograph. He meticulously studied the pool at various times of the day and night, observing and recording the interplay of light and colour, through drawings and photographs.Though smaller in scale compared to Hockney’s large oil paintings, this lithograph is equally vibrant and demonstrates meticulous precision in its execution. The image was initially hand-drawn by the artist and then printed in six colours from three lithographic limestones and three aluminium plates. This lot is pencil signed and numbered '681' from a limited edition of 1,000 prints with an additional 122 proofs. Condition ReportFramed: 58 x 49.5cmPresents well overall. In our opinion the colours are bright. Slight time staining to the margins. There is some acid discolouration to the extreme edges. There is a little rubbing/ abrasion to the water in the lower centre and along the left edge, please see additional condition images. The print has been stuck down in the corners and it is not possible to see the reverse of the sheet. The print sits flat without any obvious cockling or creasing.

Lot 340

â–² John Piper CH (1903-1992) 'Death in Venice VIII' (Levinson 232)screenprint in colours, signed 'John Piper' in crayon l.r. and numbered '48/70'sheet 78 x 68cmCondition ReportFramed: 97 x 86cmSheet: 78 x 68.5cm.Presents well overall. The sheet has been stuck down with small squares of tape around the edges verso. There ia a small crescent shaped crease mark/ very fine crack to the centre of the right edge, please see additional condition images. In our opinion the print is crisp and the colours are bright.

Lot 437

â–² David Yarrow (b.1956) 'The Cave', 2019large archival pigment print, signed and dated 'David Yarrow April 2019' and numbered '8/12' in the marginimage 141 x 188cmDavid Yarrow is a celebrated fine art photographer known for his captivating black-and-white images of wildlife and landscapes, and powerful storytelling. At just twenty years old, he gained global recognition as a sports photographer, capturing the iconic moment of Diego Maradona lifting the World Cup in 1986. Although he then pursued a career in finance, Yarrow eventually returned to his true calling - photography - which has led him to some of the most remote and awe-inspiring corners of the world.His work is characterised by its dramatic flair, and shots are often achieved through remote-controlled cameras to achieve close, intimate perspectives of wildlife. Beyond his artistic achievements, Yarrow is a committed conservationist, with proceeds from his work often raising money for environmental and philanthropic causes.Condition ReportFramed: 181 x 228cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.

Lot 215

â–² Elizabeth Blackadder (1931-2021) 'Seafood Medley'screenprint in colours, 2012, signed 'Elizabeth Blackadder' in pencil l.r. and numbered '36/80', published by Glasgow Print Studio, with blind stampsheet 75 x 86.5cmCondition ReportFramed: 84 x 94cmFloat mounted. Cockling. Appears to be in otherwise good condition. Not viewed out of glazed frame.

Lot 213

â–² Elizabeth Blackadder (1931-2021) 'Langoustine'etching in colours, 2012, signed 'Elizabeth Blackadder' in pencil l.r., and numbered '49/50', published by Glasgow Print Studio, with blind stampsheet 56 x 52cmCondition ReportFramed: 63 x 59cmVery slight rippling where stuck down in the corners. Appears to be in otherwise good condition. Well presented and ready to hang. Not viewed out of glazed frame.

Lot 356

â–² David Hockney OM CH RA (b.1937) 'Portrait of Felix Man', 1969lithograph on japon, signed 'David Hockney' in pencil l.r.sheet 76.5cm x 53.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is not numbered. Scattered spots of foxing. Light creases visible to the reverse. A diagonal crease mark to the lower right corner. Please see additional condition images. Deckled edges. Unframed.

Lot 420

â–² The Connor Brothers (b.1968) 'You'll Call, Won't You?', from 'True Love Stories'giclée print in colours, 2013, signed 'Connor Brothers' in pencil l.r. and numbered '54/95'sheet 72 x 49cmCondition ReportFramed: 84.5 x 61cmSlight undulations to the sheet however presents well overall and appears to be in otherwise good condition. Not viewed out of glazed frame.

Lot 238

â–² Laurence Stephen Lowry RA (1887-1976) 'Market Scene in a Northern Town', 1939lithograph in colours, 1973, signed 'L. S. Lowry' in pencil l.r., an edition of 750, published by Patrick Seale, courtesy of Salford Museum and Art Galleryimage 45.5 x 60.5cmCondition ReportFramed: 71 x 84cmA little discolouration to the margins caused by the mount. The print has a slightly yellow/ green hue overall, please refer to illustration. Not viewed out of glazed frame.

Lot 16

Shelley Melody bone china part teaset, including teapot, 12cm, milk jug, sugar bowl, two cups and saucers.Condition report:Teapot; lid is in good condition, body is good too, a small amount of paint loss to the tip of the spoutJug; good conditionBowl; good conditionCup 1; good conditionCup 2; good conditionSaucer 1; fair condition, a couple of scratches to the print near the centreSaucer 2; good conditionThere is no crazing or fading to any item.

Lot 386

After Cecil Carter,"Pytchley",colour print with hand written dedication,other hunting prints,43x28cm,two prints after Cecil Aldin and framed photographs with prints after T Ivester Lloyd.Qty: 4

Lot 384

John Archbould,Welsh valley landscape,oil on paper, signed,24x34cm,Rowland Hilder print; two Ian Baxter prints.

Lot 389

After Hillingford,Wellington at Waterloo,colour print,57x79cm,Victorian illuminated watercolour "God Bless Our Home", two modern watercolours, bookplate prints, etc.Qty: Qty

Lot 355

After Lionel Edwards, The Quorn Hunt, at Little Belvoir, signed colour print,29x49.5cm; another, The Cottesmore Hounds, looking towards Whissendine; and another, mounted and framed.Qty: 3

Lot 333

Emmie van Biervliet (British, 21st century), Pushcar Temples,mixed media, signed,20x27.5cm; and another 'Himalayan Life', 22.5x17cm;and a print by Clare Caulfield, 'Flatiron Building, New York',giclee print, numbered 38/150, image 30x30cm.Qty: 3

Lot 380

After Keith Hill,You have the day - We have the night,colour print, with three signatures, limited edition 63/250,33x45cm.

Lot 256

Led Zeppelin, Led Zeppelin II, platinum disc, stereo, K40037, framed with a colour print, overall 51x74cm.

Lot 194

A vintage suitcase with D Orient Line sticker; silver topped glass jars, print, dressing table set, silver-plated tankards, five glass cologne bottles and jars with silver collars or covers; small glass decanter; EPNS golfing presentation tankards; "hole in one" golf ball; after M Green a coloured nursery print "Off to Dreamland"; Wade tortoise; two part dressing table sets.

Lot 364

Group of six assorted paintings and prints, mixed artists, including C Macey 'Nasturtium' watercolour, Zoe Preston 'Carp' study, watercolour, Hanson, oil on board of building in woodland, Victorian sketch highland landscape, a photographic print, and another 19th century print.Qty: 6

Lot 360

After Charlie Johnson Payne (Snaffles), That Far, Far Away Echo, colour print, with printed remark, signed in pencil,38x51cm.

Lot 7298

LED ZEPPELIN: A rare original concert poster for Led Zeppelin's cancelled show at Frankfurt Kongresshalle on March 10th 1970. Featuring a striking Art Deco influenced monochrome image of a zeppelin airship within an aircraft hangar and the band's name in large red letters, above which an aeroplane with "In Person" banner, "Presented by arrangement with Peter Grant" in smaller print below, poster approx. 84cm x 59cm. The gig in Frankfurt was cancelled at a week's notice as a result of riots having previously occured at the venue following a concert by Jethro Tull. It was replaced by an additional show in Hamburg.Provenance: From the estate of Richard Drew aka Zacron (1943-2012). British artist and designer, best known for his iconic Led Zeppelin III sleeve design

Lot 7301

Led Zeppelin interest - A black and white photographic print of Zacron and Jimmy Page at the banks of the Thames at Pangbourne in 1970, framed an glazed, overall size 46cm x 61cm.Provenance: From the estate of Richard Drew aka Zacron (1943-2012). British artist and designer, best known for his iconic Led Zeppelin III sleeve design

Lot 7065

THE BEATLES: A group of six LPs, all UK mono pressings with black/yellow Parlophone labels, to include 'Please Please Me' 3rd pressing without "Recording First Published" or "Sold In The UK" text, no 33 1/3 print to labels, Angus McBean photo credit to cover (PMC 1202, loss to lower flipback tab, hence sleeve G+), 'With The Beatles' (PMC 1206), 'A Hard Day's Night' (PMC 1230), 'Beatles For Sale' (PMC 1240), 'Help!' (PMC 1255), 'Rubber Soul (PMC 1267) (6, vinyl G-VG, sleeves generally VG-VG+ except where stated)

Lot 7174

LED ZEPPELIN: 'Physical Graffiti' 40th Anniversary Super Deluxe Box Set, remastered and produced by Jimmy Page, comprising three LPs, three CDs, individually numbered album cover art print, hardback book and download card (Swan Song 8122795792, M/sealed)

Lot 7300

LED ZEPPELIN: An original proof print sleeve for the 1970 'Led Zeppelin III' LP, 36.5cm x 67cm, and a proof print for the rotating pin wheel section of the sleeve, 35cm x 35cm (2)Provenance: From the estate of Richard Drew aka Zacron (1943-2012). British artist and designer, best known for his iconic Led Zeppelin III sleeve design

Lot 7350

A John Cleese signed limited edition lithograph print 'Gourmet Night' featuring four images of Cleese in his role as Basil Fawlty and an extract from the Fawlty Towers script, numbered 163/950, 59cm x 42cm, rolled. With certificate of authenticity

Lot 7360

A Star Wars 'The Force Awakens' canvas print and another depicting a Stormtrooper with later applied flourescent green and pink spray paint, signed in pen lower right (2, each 90cm x 60cm)

Lot 7328

Four assorted band posters to include Sex Pistols 'England's Dreaming' artists proof print by David Lloyd, pencil signed and numbered 1/1, with C.O.A from Rock 'n' Roll Redux, 55cm x 42cm, Sex Pistols reproduction 'Silly Thing' promotional poster, 84cm x 30cm, ACDC reproduction concert poster, 42cm x 30cm, and Pink Floyd 'The Dark Side Of The Moon' poster published by Aquarius Images, 60cm x 90cm (4)

Lot 7314A

'From One Charlie' - A 12" box set containing 'Ode To A High Flying Bird' book written and illustrated by The Rolling Stones' Charlie Watts, CD and print. Inspired by the great Jazz saxophonist Charlie Parker (UFO Records UFO 2, M/sealed). Together with an additional copy of the book and print

Lot 736

A Limited Edition Terence Cuneo print No. 549/850 entitled 'Cornish Riviera Express, together with one other train picture

Lot 93

A large Limited Edition Steven Dews print, framed and glazed

Lot 297

A mid-century print of Saw Ohn Nyun - AFTER SIR GERALD KELLY CONDITION REPORT Not glazed.

Lot 403

A Limited Edition print No.164 of 350 - 'Primary Target' by PHILIP WEST - depicting 'The final seconds as Flight Lt. Maltby's Lancaster of 617 Squadron breached the giant Mohne Dam', together with four other fighter plane prints

Lot 369

A First Edition print - 'Spitfire' by ROBERT TAYLOR - signed by Group Captain Sir Douglas Bader and Vice-Marshal Johnnie Johnson, together with three other pictures of aircraft

Lot 289

A contemporary print of flowers with relief work to glazing

Lot 54

A Limited Edition print of the old Undercliff road, Niton, together with one other coloured print of shipping and a watercolour of coastal scene

Lot 685

A large Jack Vettriano print, together with two smaller examples

Lot 672

A Limited Edition No. 825/850 Frank Wootton print entitled 'The Damn Busters', signed by the Pilots

Lot 370

A Limited Edition signed print No.137 of 500 - 'Enemy Coast Ahead' by M A KINNEAR, together with two other prints of fighter planes

Lot 49

MARTYN MACKRILL - Limited Edition coloured print of Isle of Wight scene

Lot 671

A John Young official Douglas Bader 60th Anniversary Limited Edition print - 'Inspiration', signed by assorted Pilots

Lot 692

A Limited Edition No. 411/500 Ivan Berryman print of race car - 'Flying Colours', together with one other

Lot 96

An original lithographic print from Le Rire, the influential French satirical magazine, dated November 28, 1896. This hand-colored illustration, titled La Monte Americaine, is by Jeanniot, a well-known artist of the Belle Epoque period. The artwork humorously depicts a high-society scene with accompanying French text. Elegantly framed in a gold-tone wooden frame with archival matting and protective glass. A beautiful example of period lithography, ideal for collectors of vintage prints and turn-of-the-century Parisian art.Artist: Pierre-Georges Jeanniot (Swiss/French, 1848-1934)Issued: 1896Dimensions: 16"L x 19"HCountry of Origin: FranceCondition: Age related wear.

Lot 93

A stunning limited edition giclee print by Darryl Trott (1942-2004), titled Cascade of Flowers. This beautifully detailed floral composition features cascading white and pink orchids, executed in Trott's signature watercolor realism. Signed and numbered 71/250, this piece was produced in 2002 and comes with a Certificate of Authenticity from Hana Coast Gallery. Framed and matted in an elegant wooden frame, the artwork measures 34.75"L x 23.25"H. A vibrant and timeless addition to any fine art collection.Dimensions: See DescriptionProvenance: Hana Coast Gallery Condition: Age related wear.

Lot 390

Bold and stylish Versace VE 4420 designer sunglasses featuring a black acetate frame accented with silver-tone Greca pattern metal inserts along the temples. The lenses showcase a monogram geometric print that subtly reinforces the brand's signature aesthetic. Marked "VERSACE MADE IN ITALY K CE" and "MOD. 4420 GB1/AL 145 1N" on the inner arms. These Italian-made sunglasses embody contemporary luxury and make a statement accessory for any fashion-forward collection.Issued: c. 2010-2020Dimensions: 6"LCondition: Age related wear.

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