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Lot 252
19th c. German violin after an Italian Amati instrument. The bow is of German origin and is stamped "Dodd," after the English maker John Dodd. With a felt-lined leather case and an embroidered felt and cloth cushion to protect the violin. Additionally with a cabinet card photograph and silver gelatin print photograph depicting a violinist and a small orchestra practicing.Length: 23 in. (Full size).
Lot 33
Hiroshi Yoshida (Japanese, 1876-1950). 20th century Japanese woodblock print titled "Spring in a Hot Spring." Signed in the block along the lower right. Pencil signed along the lower right; titled along the lower left.Image; height: 9 3/4 in x width: 14 1/2 in. Framed; height: 14 in x width: 19 in.
Lot 34
Hasui Kawase (Japanese, 1883-1957). Japanese shin-hanga woodblock print titled "Moon at Magome," from the series “Twenty Views of Tokyo (Tokyo nijukei, Umagome no tsuki)," depicting a evening field with a full moon partially obscured in the background, 1930. With a Watanabe publisher's seal along the lower right corner.Artwork; height: 14 1/4 in x width: 9 1/2 in. Paper; height: 16 in x width: 11 in.
Lot 36
Kasamatsu Shiro (Japanese, 1898-1989). Japanese shin-hanga woodblock print titled "Kasuga Shrine." Seal along the lower right; pencil signed along the lower center; dated 1964 along the lower center; numbered 131/200 along the lower right.Sight; height: 14 1/2 in x width: 9 1/2 in. Framed; height: 21 1/2 in x width: 16 1/4 in.
Lot 42
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a lone boat with three passengers punting through a misty waterfront. Silver gelatin print. Signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1980s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 5/8 in x width: 10 1/8 in. Matted; height: 20 in x width: 16 in.
Lot 43
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a stairway through a cloudy mountain pass. Silver gelatin print. Hand signed to the backing along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1980s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 14 1/4 in x width: 10 in. Matted; height: 20 in x width: 16 in.
Lot 44
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Symbol of Longevity," executed in 1943, depicting a crane under a gnarled tree with dramatic mountain peaks in the background. Silver gelatin print. Hand signed to the backing along the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In 1980s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 14 1/4 in x width: 10 in. Matted; height: 20 in x width: 16 in.
Lot 45
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Spring Fantasia," executed in 1945, depicting a boat floating through mist behind the dramatic silhouette of branches. Silver gelatin print. Signed in ink along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In 1980s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 1/2 in x width: 10 in. Matted; height: 20 in x width: 16 in.
Lot 46
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a nude woman reclining against a boulder in a wooded environment. Silver gelatin print. Titled and dated 1950 along the verso.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In 1980s, he arranged an exhibit for Chin San Long's photography in Minnesota.Height: 15 in x width: 12 in.
![[TRAVEL] an ink sketch on card, inscribed verso "Pass of the Gemini", a costume print after Bunbury (mounted) & plates fr](https://cdn.globalauctionplatform.com/11849aff-3fd4-4d74-98b7-af880105a156/6ed48305-a595-493c-8451-af88010f4e5f/468x382.jpg)
![[PRINT / KEY PLATE] CHARLTON (John) artist: "Key to the Picture of the Celebration of Her Majesty's Diamond Jubilee at St. Pa](https://cdn.globalauctionplatform.com/11849aff-3fd4-4d74-98b7-af880105a156/b467393a-c02d-4e99-b0a0-af88010f2b78/468x382.jpg)
![BERTHOMM -SAINT-ANDR (Louis) artist, [French, 1905-1977] an artwork & 2 prints; & a print & a picture by other h](https://cdn.globalauctionplatform.com/11849aff-3fd4-4d74-98b7-af880105a156/03c3d09f-4865-4867-874d-af88010f17b9/468x382.jpg)
Lot 273
Ephemera, Huntley and Palmers, a selection of items to include tins (20+ to include a 1930 Red Book rest 1950s -70s), reference books, modern enamel signs, Tower of London jigsaw, approx 40 H&P magazines 'First Name News', Illustrated Export Lists for 1966, 68, 69, 73, various vintage paperwork and advertisements, commemorative programme for the 1955 visit of H.M. Queen Mother etc. modern framed print BUYER TO COLLECT (gen gd)
Lot 314
Assorted prints and maps. Including a 19th century hand coloured engraving of Cape Cornwall 40 x 23cm, a 19th century map of Cornwall, and other Cornish views The map of Cornwall including the Isles of Scilly, a print of a mining view in St Just and, a framed and signed photograph of a similar coastal view (4).
Lot 553
Tretchikoff ' Chinese Girl ' print, framed and glazed. 49 x 59cm. Condition Report: Picture is overall in very good condition. Colours bright with no obvious tears, staining or repairs. Frame shows signs of wear including rubbing and knocks with some fraying to the fabric. Appears to have been re-framed.
Lot 635
Messrs. Lackington Allen & Co, Temple of the Muses, Finsbury Square, a coloured print, unsigned and undated (Longman p.38, facing), 20.5 x 13cm; together with an ALS from Lackington to an unknown recipient, undated but post-1801, and photocopies of the pages relating to James Lackington in Longman [Lot]. Print in modern frame, with loop for hanging £40-£60 --- END OF SALE
Lot 314
Six Jeffrey Jaye signed limited edition prints depicting London, New York, Venice etc, all in glazed framesHello,the largest print including frame is approximately 117cm by 44cmthe other 5 are all approximately 114.5cm wide and vary in height, largest being 55.5cm and smallest being 44cm.many thanks
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314783 item(s)/page