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Lot 6148
A collection of David Bowie LPs to include (1) Lets Dance (1983 UK Press, EMI America - AML 3029 / OC 062-400 165, Printed Inner Sleeve); (2) The Man Who Sold The World (1984 UK & Europe Reissue Press, RCA International - NL 84654); (3) Aladdin Sane (1973 UK Press, RCA Victor - RS 1001 / LSP 4852, Gatefold, Printed Inner Sleeve); (4) The Rise And Fall OF Ziggy Stardust And The Spiders From Mars (1980 UK Reissue Press, RCA International - INTS 5063 / NL 13843); (5) The World Of David Bowie (UK Press, date no specified, Decca - SPA 58, Light Blue Label with Dark Blue Print); (6) Space Oddity (1972 US Reissue Dynaflex Press, RCA Victor - LSP-4813); All conditions vary from Good Plus to Very Good Plus with generally Very Good Sleeves. (6)
Lot 6128
A collection of The Beatles Reissue LPs to include (1) Revolver (1984 UK Stereo Press, Parlophone - PCS 7009, Matrix Side A YEX 605-5-1-2 / Side B YEX 606-4); (2) Sgt Pepper's Lonely Hearts Club Band (1976 UK Press, Parlophone - PCS 7027, Matrix YEX 637-2 / Sibe B YEX 638-3, 2 Boxed EMI Labels); (3) Rubber Soul (1981 UK Mono Press, Parlophone - PMC 1267, Matrix Side A XEX 579-5 / Side B XEX 580-5, Garrod & Lofthouse Print); (4) Magical Mystery Tour (1976 Canadian Press, Capitol Records - SMAL 2835, Matrix Side A SMAL-1-2835 644 / Side B SMAL-1-2835 645); All conditions from Very Good to Excellent with Generally Very Good Plus sleeves. (4)
Lot 6138
A collection of The Rolling Stones LPs to include (1) The Rolling Stones (1964 UK Mono Press, Decca - LK 4605, B1V); (2) No. 2 (1965 UK Mono Press, Decca LK 4661 / LK.4661, Ear Logo at '2 o'clock'); (3) Out Of Our Heads (1965 UK Mono Press, Decca LK 4733 / LK.4733, Clout & Baker Print, All Publishers On Left Side Of Label); (4) Between The Buttons (1967 UK Mono Press, Decca - LK 4852, Variant One); All Conditions vary from Good to Very Good within generally Good Plus Sleeves. (4)
Lot 6126
A Pair Of The Beatles LPs to include (1) Beatles For Sale (1964 UK Mono Press, Parlophone - PMC 1240, Matrix Side A XEX 503-3N / Side B XEX 504-4N, Gatefold, Sans-Serif, SOLD IN THE U.K SUBJECT... Ends over 0 of CAT number on side one, Vinyl Generally Very Good to Very Good Plus with Very Good Plus sleeve); (2) Rubber Soul (1965 UK Mono 2nd Press, Parlophone - PMC 1267, Matrix Side A XEX 579-4 / Side B XEX 580-4, G&L Print, Roman Type, Vinyl is Generally Very Good to Very Good Plus with Very Good to Very Good Plus sleeve). (2)
Lot 6127
A collection of The Beatles LPs to include (1) Rubber Soul (1965 UK Mono 2nd Press, Parlophone - PMC 1267, Matrix Side A XEX 579-4 / Side B XEX 580-4, G&L Print, Serif Type); (2) Stg Peppers Lonely Hearts Club Band (1967 UK Mono 1st Press, Parlophone - PMC 7027, Matrix Side A XEX 637-1 / Side B XEX 638-1, Includes insert, DOES NOT include original printed inner sleeve); (3) Revolver (1966 UK 1st Mono Press, Parlophone PMC 7009, Matrix Side A XEX -605-2 / Side B XEX 606-3, Flipback Cover); (4) Magical Mystery Tour (1971 US Reissue Stereo Press, Capitol / Apple Records - SMAL 2836, Winchester Press); All Conditions vary from Good Plus to Very Good Plus with Generally Very Good Plus sleeves. (4)
Lot 6117
Pair of The Beatles UK 1st Pressing Mono LPs to include (1) Help! (1965, Parlophone - PMC 1255, Matrix Variant 1 Side A XEX 549-2 / Side B XEX 550-2, Black Label with Yellow Logo and Silver Print, KT tax code, Vinyl is Excellent with Generally Very Good Plus sleeve); (2) With The Beatles (1963, Parlophone - PMC 1206, Martix Side A XEX 447-1N / Side B XEX 448-1N, 'Jobete, Credit, KT Tax Code, Vinyl is Very Good with Generally Good Plus sleeve, back of sleeve has pen scribbles above title and some faint writing). (2)
Lot 6120
A collection of The Beatles UK Pressed Mono LPs to include (1) Please Please Me (1963 Repress, Parlophone - PMC 1202, Large Mono on cover, Ernest J. Day & Co. Ltd.) (2) With The Beatles (1963 Press, Parlophone - PMC 1206, Dominion Credit, MKT tax code); (3) A Hard Day's Night (1964 Press, Parlophone - PMC 1230, Garrod & Lofthouse sleeve); (4) Beatles For Sale (1964 Press, Parlophone - PMC 1240, Recording First Published 1964 above side indicator); (5) Help! (1965 Press, Parlophone - PMC 1255, The Gramophone Co. Ltd print on perimeter, MT tax code); All Conditions vary from Very Good to Very Good Plus with Very Good To Very Good Plus sleeves. (5)
Lot 6142
A collection of The Rolling Stones LPs to include (1) The Rolling Stones (1964 UK Mono Press, Decca - LK 4605, Cover A1, Label Z); (2) No.2 (1965 UK Mono Repress, Decca - LK 4661, Pasted Cover); (3) Out Of Our Heads (1965 UK Mono Press, Decca - LK 4733, Robert Stace Print); (4) Big Hits [High Tide And Green Grass] (1966 UK Mono Press, Decca - TXL 101, Blue Label Non Boxed Decca Logo); All conditions vary from Good to Very Good with generally Very Good Sleeves. (4)
Lot 101
Horst P. Horst (1906-1999) German/American, 'Hands, Hands, New York, 1941', gelatin silver print (later printed), 29.5 cm x 20.5 cm framed and glazed.Private collection, Hamiltons Gallery label (London) verso, stating it is 'signed, titled and dated in pencil to verso'.Print sealed in a frame and glazed, Size of mount aperture for image is 30 x 20.5 cm. Size of frame 53 x 43 cm. Good condition.
Lot 104
Tracey Emin (b.1963) British, ‘I Think of You Touching Me’, November 2004, a 'Fonetography' digital print, taken with a Nokia 7610, with label signed by the artist, dated November 2004, each image 12 cm x 16.5 cm framed and glazed.Private London collection. Produced for a celebrity-themed charity exhibition, run by Nokia, in 2004. https://news.bbc.co.uk/1/hi/entertainment/4011965.stmSealed and glazed in the frame. Some slight buckling of the print paper in the mount. Some slight marks to the frame.
Lot 65
Walter Richard Sickert (1860 - 1942), 'The Mogul Tavern, Drury Lane', etching/aquatint, signed, dated & titled within the plate, 1908, inscribed in pencil Sickert lower right in the margins, plate 25cm x 17.5cmFramed and glazed, print has not been removed for inspection. Signs of acidic browning around the edge at the mount aperture, and some spots of rubbing to the paper on the balcony (see image), otherwise appears to be in good condition, with no visible signs of tears, holes or foxing.
![Mr Brainwash [Thierry Guetta] (b.1966) French, Madonna ‘Celebration’ (2012), limited edition signed screenprint, numbered 72/](https://cdn.globalauctionplatform.com/ac165d71-1074-4c48-b84b-afb200c1ade5/9f0b845d-d6da-4b52-9147-afd2011031ca/468x382.jpg)
Lot 106
Mr Brainwash [Thierry Guetta] (b.1966) French, Madonna ‘Celebration’ (2012), limited edition signed screenprint, numbered 72/100, screenprint, 76 cm x 76 cm (unframed).Fingerprint in red and '2012' in pencil bottom right on the reverse. Print signed in white pencil. Appears to be in good condition, slight scratch visible to black lines near the centre (see image) - unframed and rolled.
Lot 86
Nan Goldin (b.1953) American, 'Clemens at Lunch at Cafe de Sade, Lacoste, France', 1999, signed and numbered 71 of 500 verso, Cibachrome print, 33 cm x 22 cm framed and glazed.Stamped on the reverse 'Special Benefit Edition for Whitechapel Art Gallery, produced on occasion of Nan Goldin: Devil's Playground 26 January - 31 March 2002'Framed with anti-reflective glass, and sandwiched in mounting board. Some residual mounting glue and fingerprints to the border of the print, some minor finger markings to the image noticeable under light (see additional images)
Lot 90
Pablo Picasso (1881 - 1973), a printers proof copy, signed Picasso, front has proof copy stamp, print number and signature, no XIV 'Portrait de Femme' top in pencil, stamped Gallery de la Tour and signed pencil at bottom, reverse has reference number, the name of print 'Portrait de Femme - 1930 and the stamp of the Gallery Pont St Germain, Paris. H.30 W.19cm
Lot 401
Pablo Picasso (1881 - 1973), a printers proof copy, signed Picasso, front has proof copy stamp, print number and signature, no V, 'Nue à la Chaise à Bascule-Cannes', 1956, top in pencil, stamped 'Copie D'epreuve' and signed pencil at bottom, reverse has reference number, the name of print 'Nue à la Chaise à Bascule-Cannes - 1956' and the stamp of 'Art International, Nice, France'. H.30 W.17cm
Lot 171
Banksy (British 1974-), 'Have A Nice Day', 2003, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 32 x 100: 53.5 x 116cm inc frameARRsheet: 32 x 100: 53.5 x 116cm inc frameProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn very good conditionNo visible knocks or tears to the sheetNumbering is clear One small scratch to the print can be seen to the middle top edge of the sheet, just below the mount, visible upon close inspectionSections of minor markings can be seen to the white sections of the sheet, predominantly at the lower section of the sheet and around the tank area, visible upon very close inspectionOne mark to the top right-hand corner of the sheet, visible upon close inspectionFramed in a black frame with a white mountThis work has not been examined under the frameProvenance: Accompanied by a Pest Control certificate of authenticity
Lot 64
Julian Opie (British 1958-), 'Walking In Melbourne 1', 2018, digital print in colours on wove paper, from an unknown edition size; sheet: 34.5 x 35cmARR sheet: 34.5 x 35cmIn very good conditionNo knocks, tears or creases to the sheetOne very minor mark to the right hand edge of the sheets border, visible upon close inspection This work has been stored flat and has not been framed.
Lot 177
Banksy (British 1974-), 'Love Is In The Air', 2003, screen print in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 51 x 71cmARRsheet: 51 x 71cmProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn overall good conditionNo knocks or tears to the sheetExtremely minor creasing to the top and bottom right-hand corners of the sheet, visible upon close inspection Minor edgewear can be seen to the extreme edges of the sheet, this is visible upon close inspectionSmall sections of scratchings to the black sections of the sheet, as is usual with Banksy prints Sections of markings and signs of previous framing can be seen verso. Patches of paper have come away in parts from the sheets border verso, due to previous framing.This work has been stored flat.This work is accompanied by a Pest Control certificate of authenticity. Please contact info@tateward.com for further images.
Lot 241
Pejac (Spanish 1977-), 'Love Letter', 2018, photopolymer print on custom-made envelope from 250gr Arches paper, signed and numbered from an edition of 470 in pencil, accompanied by the artists original shipping crate, published by the Artist; envelope: 16 x 26cmARRenvelope: 16 x 26cmIn very good condition No visible knocks, tears, or creases to the sheetThe work is stored in the Artist's original shipping crateNo apparent issuesAccompanied by a Pejac Certificate of Authenticity
Lot 7
Andy Warhol (American 1928-1987) & Keith Haring (American 1958-1990) (Collaboration), 'Montreux Jazz Festival', 1986, screen print in colours on wove paper, printed by Serigraphie Uldry Bern; sheet: 100 x 70cm100 x 70cmIn very good conditionNo knocks or tears to the sheet Some minor markings to the sheet verso, potentially from time of production. This is not visible rectoMinor creasing to lower right hand corner of the sheet and along right edge, from previously being rolled/tubedThis work has been stored flat and has never been framed.
Lot 212
Conor Harrington (Irish 1980-), ‘Samson’s Nostalgia Trap’, 2014, archival pigment print with silkscreen gloss on 330 gsm Somerset Satin paper, signed and numbered from an edition of 200 in pencil, published by Lazarides; sheet: 74 x 100cmARRsheet: 74 x 100cmIn very good conditionNo knocks or tears to the sheetMinor creasing to the lower left hand corner and some minor edgewear on the right hand edge of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Lot 194
Nick Walker (British 1969-), 'The Morning After: London', 2007, screen print in colours on wove paper, signed and numbered from an edition of 12 APs in pencil, aside from the regular edition of 100, published by Black Rat Press: sheet: 58 x 76cm; 99.5 x 104.5cm inc frameARRsheet: 58 x 76cm; 99.5 x 104.5cm inc frameIn very good conditionNo visible knocks, tears or creases to the sheetThis work has been framed in a white frame with a white mount This work has not been examined outside of the frame.
Lot 162
Otis Kwame Quaicoe (Ghanaian 1988-), 'Rancher', 2021, Archival pigment print on cotton paper, signed and numbered from an edition of 75, published by Almine Rech Editions; sheet: 90 x 70cm (Framed)sheet: 90 x 70cm (Framed)In very good conditionNo visible knocks, tears or creases to the sheetFramed edge to edge, in a plain black frameThis work has not been examined out of the frame
Lot 48
Etel Adnan (Lebanese 1925-2021), 'We Have To Reconnect What Words Separated', 2021, Giclée print on Hahnemühle Bamboo 290gsm paper, from an edition of 100; sheet: 42 x 29.7cmsheet: 42 x 29.7cmIn very good conditionNo knocks, tears or creases to the sheetGold stamp/sticker to the sheet versoThis work has not been framed.
Lot 78
Oli Epp (British 1994-), 'Red', 2022, digital print with high gloss varnish on 410gsm Somerset Satin paper, signed and numbered from an edition of 35 in pencil, published by Perrotin; sheet: 41.5 x 47.5cmARRsheet: 41.5 x 47.5cmIn very good conditionNo knocks, tears or creases to the sheetDeckled edges in good conditionThis work has been stored flat and has never been framed.
Lot 118
Damien Hirst (British 1965-), 'Nūr Jahān (H10-2)', 2022, giclée print on aluminium composite, screen printed with glitter, all signed and numbered from an edition of 3041 to the label affixed verso, published by HENI Editions; panel: 100 x 100cmARRpanel: 100 x 100cmIn excellent conditionStored inside its original Heni packagingNo apparent issues.
Lot 11
Charming Baker (British 1964-), 'Love Birds I & II', 2019, hand-embellished archival inkjet print with screenprint varnish on 330gsm Somerset Satin paper, signed and numbered from editions of 125 in pencil, published by Jealous Gallery; sheets: 37 x 32cm each (2)ARRsheets: 37 x 32cm each (2)In very good conditionNo knocks or tears to the sheetsOne minor crease to the left hand side verso of the right hand sheet (as shown in image), visible upon close inspectionThese works have been stored flat and have not been framed.
Lot 9
Ayako Rokkaku (Japanese 1982-), 'Untitled', 2022, full bleed UV-cured pigment print with a silkscreen varnish overlay on 410gsm Somerset Tub Sized Satin paper, stamp-signed, dated and numbered from an edition of 3591, published by Avant Arte; sheet: 60 x 80cmsheet: 60 x 80cmIn very good conditionNo knocks or tears the the sheetMinor dent/crack to the lower right hand section of the sheet, this is most prominently visible verso but can be seen recto upon close inspectionThis work has been stored flat and has not been framed.
Lot 211
Christoph Martin Schmid (German 1961-), 'Kate Moss Venice Beach I (Large)', C-Type matt print on wove paper, signed and numbered from an edition of 15; sheet: 84 x 59.5cmARRsheet: 84 x 59.5cmProvenance: Accompanined by a Christoph Martin Schmid Certificate of AuthenticityIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has never been framed.
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314783 item(s)/page