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Lot 218
Carpenter, Edward Little collection, comprising 1 photographic print dated 1905, signed; photograph of E.C. with Merrill and another, 2 photographic postcards of Millthorpe, 1 postcard and 5 A.L.S., to Wilson Plant, printed Congratulations to Carpenter on his 70th birthday from authors, printed response to Congratulations initialled by Carpenter, typescript of E.M. Forster's contribution toward E.C. Memoir, &c.
Lot 362
Gloeden, Wilhelm von 2 portraits comprising Male Nude beside pots of plants on terrace. Albumen print, late 19th century, 200 x 155mm., framed and glazed; Male nude holding stick and copper bowl, numbered "180" in the negative, albumen print, late 19th century, 200 x 155mm., framed and glazed (2)
![Lawrence, T.E. Men in Print London: The Golden Cockerel Press, [n.d.]. 4to, 217 of 500 copies, quarter morocco, spine banded](https://cdn.globalauctionplatform.com/48b4b234-5916-49f0-b3a1-ab12011915d9/530edd8c-4d86-468a-a0ea-ab500118d4e8/468x382.jpg)
Lot 421
Lawrence, T.E. Men in Print London: The Golden Cockerel Press, [n.d.]. 4to, 217 of 500 copies, quarter morocco, spine banded in 6 compartments, board slip case, spine worn, binding signed 'Bound by S. & S. London', gilt stamped title to spine, minor rubbing to covers, some spotting to end papers and title page, dampstaining to text-block edges
Lot 27
Collection of Maps, including Hondius the Elder, Jocodus (after Mercator) Portugalliae Que Olim Amsterdam, early 17th century, French text to reverse, hand-coloured, some light browning, 570 x 465mm ; Homan , Johann Baptist Portugalliae et Algarbia... Nuremberg, [1730], hand-coloured, 520 x 595mm, some repairs and soiling, trimmed; Moll, Herman Portugal Agreeable to Modern History; [Idem] Portugal According to the Newest Observations; both London, c.1750, hand-coloured, 365 x 230mm; Bowen, Emmanuel A New and Accurate Map of Portugal... [London, c.1750], hand-coloured in outline, 410 x 265mm; Mallet, Alain Manesson Three hand-coloured engravings, c.1686, each c.200 x 150mm: der Pallast dess Königs in Portugall Fig. cxxv; die Stadt Angra , Fig. 14; die Stadt Lisbona , Fig. cxxiv; and another map and print (10)
Lot 408
Celtic Cross Press, and The Workshop Press, a collection, comprising Moore, C.J. In the Beginning. The Celtic Cross Press. 1986, number 147 of 175 copies signed by the author, original cloth, glassine dustwrapper; Davie, Ian. Angkor Apparent. The Celtic Cross Press, 1988, number 3 of 110 copies signed by the author, original cloth, glassine dustwrapper; Brown, George Mackay. The Lost Village. The Celtic Cross Press, 1989, number 27 of 185 copies signed by the author, original two tone cloth; Brown, George Mackay. Tryst on Egilsay. The Celtic Cross Press, 1989, number 15 of 130 copies signed by the author, original blue cloth; Wansborough, Henry, translator. Psalms a Selection. The Celtic Cross Press, 1990, number 34 of 145 copies, original cloth, slipcase; Wansborough, Henry, translator. Psalms 2, a Second Selection. The Celtic Cross Press, 1990, number 62 of 120 copies signed by the author and artist, original cloth; Moore, C.J. A Girdle round the Moon. The Celtic Cross Press, 1993, number 86 of 125 copies signed by the author, original cloth gilt; Arman, Mark. Printing from Metal & Wood. The Workshop Press, 1985, number 94 of 145 copies signed by the author, original cloth-backed marbled boards; Arman, Mark. Seventeen, 18th & 19th Century Boxwood Blocks. The Workshop Press, 1982-83, number 56 of 80 copies, original cloth-backed marbled boards, with folder of wood-engravings, both together in slipcase; Arman, Mark. Patterns in Print. The Workshop Press, 1984, number 51 of 85 copies signed by the author, original cloth-backed marbled boards; Arman, Mark. A Specimen of Printers' Flowers, Types & Decorations. The Workshop Press, 1992, number 31 of 180 copies signed by the author, original cloth-backed patterned boards; and 7 Christmas Greeting cards from The Celtic Cross Press (11 volumes & some ephemera)
Lot 9
Three 17thC Swiss rectangular stained glass panels by Jacob Wegmann of Lucerne, each depicting scenes from the crucifixion, the deposition and resurection of Christ, signed and dated 1623, housed within a black painted iron frame (AF), later converted to a sliding door, the panels 48cm x 51cm, some restoration and losses, the door overall 208cm x 120cm.Provenance: By repute removed from Locksley Hall, North Lincolnshire and believed to to have been purchased from the Coombe Abbey collection, Warwickshire after the death of Lord Craven in the 1920s. See Woodforde (Christopher) The Locksley Hall Collection of Stained and Painted Glass. Private Print 1932, Heritage Category - Grade II 1063054 - 1986 for further information..
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314796 item(s)/page