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Mixed prints to include a Louis Wain print of a cartoon cat entitled 'Who said Mice?', and another, a Battle of Waterloo print entitled 'Wellington and Blucher' and a Bruce Bairnsfather 1947 signed print of a WW2 Homes-guard scene in a comical setting together with Bruce Bairsfather magazinesLocation: stairs
Three Japanese 18th & 19th Century Illustrated Woodblock Printed Books - Kyoho. Three books apparently by the same artist, Kyoho (?) comprising humorous illustrations of people in a unique style, two 18th century (probably 1721) hand-coloured, the third a later (early 19th century) re-print. 18cm x 25.5cm.Provenance: From the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Large Japanese Woodblock Temple Print of Ebisu, Meiji Period. This very large and amusing print shows a mask of Ebisu, the god of fishermen, one of the seven gods of good luck, together with a fish. Behind the mask is a woven bamboo creel with the tail of another fish protruding. Although the print is signed we have been unable to read the signature but the large red seal is the temple seal of the Imamiya-Jinja, a Shinto Shrine located in Kita-ku, Kyoto. It was originally established for patrons to pray for safety from epidemic, though it has evolved into a shrine where patrons can pray for general good health. 49cm x 33cm (19.25 x 13 inches). Meiji period (1868 ? 1912). Provenance: From the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Japanese Woodblock Print - Harunobu (1703 - 1770). Original 18th century print in glass-fronted from. Dimensions of frame: 32.5cm (12.75 inches) x 38cm (15 inches).Provenance: From the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Japanese Woodblock Print - Kiyoshi Saito, Winter in Aizu. An original print with red seal. 1960s. From the series Winter in Aizu by Kiyoshi Saito (1907-1997). Unframed. Dimensions 44cm (17.25 inches) x 37.5cm (14.75 inches).Provenance: From the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
with a slightly arched back, outswept arms, and padded seat raised on square tapering legs with brass caps and castors, the leg stamped 948/ 6298, HOWARD & SONS LTD BERNERS ST, the castors stamped Howard & Sons Ltd, London, with original monogram print fabric167cm wide, 86cm high, 83cm deepProvenance: By family repute this sofa is from Castle Newe in Strathdon, Aberdeenshire. It was a residence of a branch of the Clan Forbes family. The castle was demolished in 1927 and much of the stonework, sills and lintels were bought by the University of Aberdeen and used to build Elphinstone Hall at Kings College in Aberdeen.
with a padded seat raised on square tapering legs, lacking castors, in original monogram print fabric, stencilled maker's mark to the underside57cm square, 38cm highProvenance: By family repute this stool is from Castle Newe in Strathdon, Aberdeenshire. It was a residence of a branch of the Clan Forbes family. The castle was demolished in 1927 and much of the stonework, sills and lintels were bought by the University of Aberdeen and used to build Elphinstone Hall at Kings College in Aberdeen.
After Alfred G Haigh signed print depicting Will Dale "the best of nature's gentlemen" on Red Mullet , signed in ink (faded) by Will Dale bottom right margin with names of the hounds - Dale was perhaps the most famous of all the hunt staff, the Duke of Beaufort's huntsman for 14 seasons in an era when hounds met six days a week. framed and glazed
Various ephemera, photographs, black and white, Lincoln related, etc., A Gleadell photographic print of Lincoln Cathedral, 16cm x 20cm, various other newspapers, Daily Sketch, The Wizard Comic, Classic Fighter Display 1991 ephemera, other Fighter Display ephemera, National Atlas, Britain's Story Told in Pictures, various other related ephemera, etc. (a quantity)
Keith Baldock (20thC). Sea harvest, artist signed limited edition print, 25cm x 36cm, Steve Farrow Ross Jackal, print, signed, various still life prints, other pictures, frames, tipping prints, Oriental figure prints, a plaster style shield marked with hood set with crow and anchor, etc (a quantity).
After Morris. Sunset, print, 51cm x 18cm, another Misty Sunrise, Hogarth print, prints, pictures, frames, after McDonald, The Quarrel and Reconciliation and Finis, after Wheatley, Hot Spiced Gingerbread Smoking Hot Cries of London Style glass print and another, various prints, pictures, frames, etc. (a quantity)
Holme (20thC). Scottish scene, bracken and heather before mountains, gouache, signed, 27cm x 42cm, Adrian Thompson, The Call of the Sea, artist signed limited edition print 150/750, framed Titanic style collector's cards, print of a child in Hogarth frame, glass mounted print, girl on path and after Knowles, Birthday Honours (a quantity).
Lea (G.E., active 1980s). Dakota over Burma, oil on canvas, signed and 19(87) lower right, 51 x 76.5cm, framed, manuscript label to verse inscribed '48 Squadron C47 Dakota over Burma' with a list of the crew, together with a mixed collection of colour prints including Spitfire Mk.XVI-TB752 No.403 (R.C.A.F.) 'Wolf Squadron) showing a side profile of the aircraft and signed by Al Deere and Johnnie Johnson, 29 x 41cm, framed and glazed (frame size 41 x 52cm), another print titled 6th June, 1944, numbered 249/250 and signed by Bernard Hyde (Flt Lt, 271 Sqn RAF Down Ampney' image size 25 x 43cm, framed and glazed (frame size 54 x 68cm), other prints include No.2 Staging Point Meiktila Burma 1945, signed by Frank Wootton 19.5 x 26cm, mount aperture, framed and glazed (frame size 37 x 44cm) and other prints plus plus a collection of 48 squadron memorabilia including a tapestry cushion with squadron badge for 48 and 271 squadrons and a quartz clock with squadron badge, two framed embroidered squadron badges for 48 and 271 squadrons, each framed and glazed 25 x 29cmQty: (10 frames + a carton)
Battle of Arnhem. A uniform and related print belonging to CSM Robert Edward Grainger, "D" Company, 10th Parachute Battalion who was slightly wounded when a bullet passed through his helmet during the Battle of Arnhem, comprising a post-WWII tunic, the tunic with parachute regiment staybrite buttons and anodized metal collar badges, a full set of medal ribands showing entitlement to the breast, crimson and blue shoulder cord and cloth parachute regiment badge to the right arm, the lining with original tailors label with ownership stamps for Major Grainger, No 87327, dated September 1962, 82cm long, inner arm 42cm with trousers and trousers and Sam Browne belt together with Shepherd (David, 1931-2017), "Oosterbeek Crossroads", colour print, a dramatic image showing the aftermath of fierce fighting on 22 September 1944, 49 x 88cm mount aperture and signed in ink on the margin by CSM Grainger, Major Geoffrey Powell, CSM Tony Thomas, 3 further distinguished soldiers (one signed on the print) and the artist, framed and glazed, frame size 78.5 x 108cmQty: (2)Footnote: 6395864 CSM Robert Edward Grainger joined the Royal Sussex Regiment in 1927, he served in India for 9 years before returning to England in 1936 before joining the Expeditionary Force to Northern Europe in 1939, Grainger was evacuated through Dunkirk in 1940 before serving in the Middle East and took part in the Battle of Alamein, he transferred to the Parachute Regiment in 1942 and served in Taranto and North Africa with the 10th Battalion. His wartime service ended with operations at Arnhem for which he was awarded the American Bronze Star, American Bronze Star: 'During two days of heavy and enforced fighting on the 18th and 19th September in the woods West of Arnhem this CSM's company was heavily engaged and suffered a large number of casualties in officers and men. CSM Grainger was continually in the forefront of the battle leading and encouraging the men, and by his devotion to duty was an example to all. Later, when himself wounded, he attempted, under heavy fire and across completely open ground to rescue the company clerk who had been wounded. He was later taken to a hospital in enemy hands and showed great initiative in escaping and evading captivity for over four weeks. When it became necessary to patrol the riverfront with a view to crossing, CSM Grainger went with Captain Wainwright for this task. This necessitated two long and extremely difficult night patrols through an area very strongly held. The final success of this evacuation was very largely due to the skill and determination of this patrol.' Mentioned in Despatches: 'After being wounded in the right ear on 19th September 1944, Grainger was taken to a civilian hospital at Wolfheze. A week later, when this hospital was being evacuated in response to orders issued by the Germans, Grainger and 2 other paratroopers were led out by members of the Dutch Red Cross, who pretended that they were escorting lunatic patients. The three men were taken towards Ede, where they went into the woods. Almost immediately they found shelter and were hidden by various civilians until their journey to Allied lines was arranged. On 19th and 21st October Grainger accompanied an officer on extensive reconnaissance to find a route for the immediate mass evacuation of Allied service personnel. When this took place on 22nd October Grainger and the officer acted as guides, and it was to a large extent due to their excellent work that sixty men reached safety.' A comprehensive collection of research is included with the lot.
Liberation of Bergen-Belsen Concentration Camp. A group of 40 vintage gelatin silver print photographs relating to the 11 Light Field Ambulance, Royal Army Medical Corps during their time working at Belsen Concentration Camp, April & May 1945, with images of graves, bodies, survivors and the work the 11 Light Field Ambulance were doing helping clean up the Camp and help move the sick internees with the ongoing threat of disease and Typhus, including one image of a young, smiling Typhus survivor, a nurse pushing a young girl on a swing, plus a photograph of one of the ovens, a photograph of Josef Kramer (1906-1945), Commandant of the Camp, and another of some of the women who worked there, images approximately 11 x 15 cm and similar, printed on card, alphanumeric pencil codes to versos, all a little soiled and marked with minor corner creases, together with an original mimeographed Special Order of the Day by Lieut. Colonel M.W. Gonin, RAMC, Belsen, 23 May 1945, thanking all ranks of the 11 (Br) Light Field Ambulance and every member of 567 Coy American Field Service Unit for all the work they had done and the sacrifices they had made in the five weeks spent there, worn on folds with some brown stains and edge fraying, one page, folio (plus a recent typed transcript of the full document)Qty: (1)Footnote: A disturbing but important and historical archive of the atrocities committed at this infamous concentration camp. The photographs were likely taken by various British officers of the No. 5 Army Film and Photo Section, Army Film and Photographic Unit.
Military Photographs. Gunnery Course, Malta 1900, gelatin silver print photograph by Cassar & Fenech, Valletta, Malta, laid down on original mount, with printed title above and key identifying the sitters below, some marks and one or two tears to outer margins, overall sheet size 33.5 x 38 cm (13.25 x 15 ins), together with other 19th and early 20th century military photographs, various, including group portraits (Military Accounts Department, 8th Lucknow Division, December 1918), field exercises, Calcutta Royal Review 1906, a portrait of an officer by Russell of London, Regimental Police, 1st Royal Fusiliers, 1934, etc.Qty: (24)

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314783 item(s)/page