DEZO HOFFMAN GLASS NEGATIVES. Two original glass plate photo negatives, depicting images taken by Dezo Hoffman of The Beatles circa 1964. One image depicts the group seated and includes an original photo print of the image. Both plates also come with original tracing cutouts used in production of the final images. Both to measure approx 8 x 10". Both issued with original paper bags with handwritten notes.
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DEZO HOFFMAN GLASS NEGATIVES. Two original glass photo negatives, one depicting an image of The Beatles in a theatre circa 1963 (with original photo print), one of the group slightly later holding 'Pan Am' bags, both to measure 8 x 10", both taken by Dezo Hoffman. Both issued in original paper bags with handwritten notes.
DEZO HOFFMAN GLASS NEGATIVES. Two original glass photo negatives, depicting images taken by Dezo Hoffman of The Beatles circa 1964. One (8x10") depicts the group with facsimile signatures positioned on the glass negative beneath the heads, includes original photo print of the finished image. The second measures 5 x 7" and depicts the heads. Both are issued with original paper bags with handwritten notes.
THE BEATLES - BOX SETS AND LET IT BE NAKED. Ace bundle of 2 x LP box set released with the long out of print Let It Be.... Naked. Titles are The Beatles Anthology (set containing all three volumes, PCSP 727/8/9, all Ex+ or 'NM', also with Free As A Bird cassette, paper weight and inserts, housed in outer green box numbered 656), Let It Be... Naked (7243 5 95438 0 2 with 7", 'recordings' on 7", 'recording is' on LP sleeve - all in top Ex+ or 'NM' condition) and From Liverpool - The Beatles Box (8 x LP set, all complete and in Ex+ or 'NM' condition).
Terry De Havilland silver snakeskin and black suede platform shoes with open toe and ankle strap, size 39 (some wear), a pair of red and cream platform soled mules labelled 'Charmon of London', a pair of Ivory Midas Shoes of London wedges, Enzo of Roma Roman-style sandles, snakeskin print, the toe and ankle straps sanke design and another pair of Terry De Havilland stilleto heels with perspex open- toes and gold leather ankle straps (5)
Horrockses Fashions yellow sundress with full skirt, fitted, short sleeves and scoop neck, an ACTIII crimplene skirt suit and matching blouse, a Simpsons of Piccadilly nylon jersey shirt dress with short sleeves, psychedelic print in browns, tans and greens, a cotton red and white striped sun top, an Interfashion silk sleeveless taupe dress, a John Wee orange cotton sundress, a Susie G purple nylon dress, a Miss Selfridge cotton dress with full skirt, button front with tie belt and one other dress (9)
Pat Farrell chiffon party dress, peplum, faux-jet buttons to the back with matching frilled shawl and tie belt, a chiffon Domino-D pale green dress with caped bodice, a 1970's Liberty-style patterned blouse, a Genesis chiffon halterneck evening dress with cape from the bodice and a Fine Feathers Liberty print cotton dress with smocking to the bodice and button detail to the shoulders and cuffs, with belt
Mary Fedden (1915-2012), 'The Tabac Jar', signed and numbered 534/550 and various other modern limited edition prints and posters comprising: Dale Devereux Barker (b. 1962), two screenprints 'Another Day in Paradise', signed, dated '92 and numbered 8/12 and 'Still Life II', signed, dated '92 and numbered 12/20 (both framed but needing attention); John Carter RA (b. 1942), 'Thirds I & II', a set of two abstract screenprints created for the Daedalus Print Club, signed, dated '19 and numbered 12/50 (unframed), another screenprint by Carol Robertson, 'Maya', signed, dated '14 and numbered 12/50 (unframed) and three unframed posters, Marlborough Fine Art Fernando Botero exhibition 1983, John Piper, 'Death in Venice VII' and another (9)

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