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Fleming (Ian). You Only Live Twice, Jonathan Cape 1904, 1st. Ed. orig. black cloth, gold and silver lettering, d.w. designed by Richard Chopping; The Man With The Golden Gun, Jonathan Cape 1965, 1st Ed., orig. black cloth, gilt lettering, d.w. designed by Richard Chopping; Live and Let Die, re-print society 1956, d.w. and The Spy Who Loved Me, Jonathan Cape 1962, 1st. Ed, Ex Library copy, poor. (4).
Derek Stocker (British, 20th century)`Dawn of the Spitfire` [First Production Spitfire, K9787, First Flight, 1938] Colour print. Published by Decorative Craft Studio, Kent, 1995. Signed by ten Spitfire pilots, including Johnnie Johnson, Paddy Barthropp, Alan Deere, and Jeffrey Quill (test pilot); and Gordon Mitchell, son of Spitfire designer R.J. Mitchell, 44cm x 55.5cm. Framed and glazed.
Derek Stocker (British, 20th century) `Prototype Hurricane 1935` Colour print Limited edition 334/500 Published by Decorative Craft Studio, Kent, 1995 Signed by twenty `Battle of Britain` and `Battle of France` Hurricane pilots, including Peter Brothers and F.R. Carey; and by artist, Labelled verso, 43cm x 55.5cm, Framed and glazed.
A Collection of Cricket Memorabilia, including a signed and framed photograph of the Yorkshire County XI 1935, a framed photograph of the Australian cricket team signed and inscribed by Don Bradman, Vanity Fair print `Yorkshire`, framed photograph of the 1932 All-India cricket team, framed photograph of the English test team 1928-9, Brian Seller signed photograph, framed photograph of the South Africa test team 1956/57, framed photograph of the 1930 Australia test team, cricket bat in leather bag, three miniature bats, cigarette cards etc
Lionel Edwards - Hunting Scene, with the field following hounds up across the downs, photographic colour print, 36cm by 50.5cm; `The Essex 1928`, photographic colour print, 36.5cm by 51cm; `The Middleton Hunt at Stittenham Wood, photographic colour print, 38.5cm by 52cm, all signed in pencil in the margins with Fine Art Trade Guild blind stamps, framed (3)
After Lionel Edwards - `The Buccleuch` and `With the Buccleuch`, a pair of unsigned colour prints, published by Eyre & Spottiswood, 38.5cm by 52cm, in oak frames; after F A Stewart - Hunting Scene, with huntsmen and field jumping a hedge and ditch, colour print, 33cm by 50cm, in an oak frame (3)
C.M.WILLIAMS. Signed watercolour on paper coastal scene. Fishing village with boats and figures, together with R.BUCKNER. Signed watercolour on paper (possibly over a print base) 19th Century study of three figures and after MABUSE print on paper `A little girl` see verso (3) smallest 7 3/4" x 5 3/4", largest 13 1/4" x 19 1/4".
AN OVAL DISH, DERBY OR COCKPIT HILL transfer printed with side by side Classical Ruins 1 and 2, a floral spray and three flowers, 21.5cm w, patch marks, c1764-65 Illustrated: DPIS Journal 5, 2004, A Group of Transfer Prints Associated with Richard Holdship by A Bambery, plt 4 and Twitchett (J), Derby.... an Illustrated Guide, Woodbrige 2002, col plt 68. It is probable that the finely engraved plates were brought to Derby by Holdship although the prints are not found on Worcester. The floral spray is also used on the dish with the Sutton Hall print, that was also brought to Derby, there inscribed and subsequently found its way to Caughley. ++In fine condition
A DERBY BOTANICAL PLATE painted with a specimen of the Lily, the fluted salmon pink border painted in crimson and gilt with stylised leaves and tendrils, 23cm diam, blue painted mark and title Smaller Yellow Lily in blue script, collector`s label, c1796-1805 Provenance: Mary Field Collection. The source print, published in G Edwards` A Collection of Flowers in August 1795, watercolour copy by William `Quaker` Pegg and Derby yellow ground plate of pattern 216 painted after the same are discussed and illustrated in an article in DPIS Journal 2, 1991, Derby Botanical Dessert Services 1791-1811 by A P Ledger, pp79-101, figs 38-30. ++Light wear to the gilding around the rim and small spot of stacking wear on one of the two principal leaves
A DERBY BOTANICAL PLATE made as a Chelsea replacement, with fluted cavetto, finely painted with a convolvulus in turquoise and brown feather moulded rim , 21cm diam, impressed G, painted 20 in red, collector`s label, c1792-4 Provenance: J A Robinson Collection. This unusual and interesting plate and its source print "Convolvulus Nil/Azure Convolvulus was published in W Curtis`s Botanical Magazine in April 1792 and is discussed at length and illustrated in an article in DPIS Journal 2, 1991, Derby Botanical Dessert Services 1791-1811 by A P Ledger, pp 79-101, figs 5 and 6. ++In fine condition with slight stacking wear only
SIDNEY TUSHINGHAM, ARE (1884-1968) MENAI STRAITS; LE LAC D`AMOUR BRUGES two, etchings with drypoint, each of an edition of 75, both signed by the artist in pencil, 19 x 28cm and 19 x 37.5cm (2) ++Both in good undisturbed state, in the original slightly discoloured window mount and narrow ebonised frame with on the backboard the original print seller`s label of James Connell, Glasgow
A BLACK AND WHITE PRINT ENTITLED " TO EDWARD GRIFFITHS ESQ. OF NEWCOURT " THIS PRINT BEING OF THE HEREFORD GRANDSTAND, APPROX. 39 X 30cm TOGETHER WITH A COLOURED ENGRAVING ENTITLED " THE WHITEHAVEN RACES, SEPT. 7th 1852 " PAINTED BY J N O`ROOK, ENGRAVED AND PUBLISHED BY M & N HANHART, 64 CHARLOTTE STREET, RATHBONE PLACE, APPROX. 39 X 30cm ( 2 )

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314796 item(s)/page