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Lot 152
GWR carriage print card advertising panel GREAT WESTERN RAILWAY REMOVAL CONTAINERS HOUSE TO HOUSE REMOVALS. Measures 26in x 8in and has James Milne General Manager Paddington Station W2. Printed in England by W.E.Berry Ltd Bradford at the bottom. In good condition with a fold mark to centre. A rare print not seen before.
Lot 103
Gerald Coulson - a limited edition print depicting Michael Schumacher in his Ferrarri winning the British Grand Prix Silverstone 1988 issued in a limited edition 436 of 650, signed in pencil to the margin lower right,mounted and framed under glass, image size 33.5 cm x 66.5 cm. Estimate £30 - £50
Lot 199
BERENICE ABBOTT (AMER. 1898-1991), SIGNED, BLACK AND WHITE PHOTO PRINT, #61/100, H 14", W 11", "JAMES JOYCE"Black and white photo print, numbered in pencil lower left: 61/100, and pencil signed lower right. James Joyce (Irish novelist and poet), sitting in a chair wearing a hat and holding a cane. Framed and matted under glass.good condition, GA.- For High Resolution Photos visit Dumouchelles website.
Lot 2088
ALEX KATZ (AMERICAN, B.1927), LITHOGRAPH, H 40", W 30", "PAUL TAYLOR"Pencil signed and numbered 67/100 in the lower left corner; also titled in pencil in the lower left. Matted and framed under acrylic, measures overall H.49 1/2" x 39 1/4". From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms.There is slight yellowing around the edges, slight edge creasing, and the print is curling somewhat. In good condition otherwise. Ad- For High Resolution Photos visit Dumouchelles website.
Lot 2123
ATTRIBUTED TO ROBERT S. DUNCANSON (AMERICAN, 1821-1872), OIL ON CANVAS, H 33", W 60", PARADISE & PERI THEMEC. 1871; unsigned; gilt frame. Purchased c. 2002-2003 from a private individual in the Indianapolis, IN area. Thought to be possibly the missing painting that was mentioned in Joseph Ketner's book, "The Emergence of the African-American Artist, Robert S. Duncanson 1821-1872" (pp. 174-175) which was inspired by Thomas Moore's, "Paradise and the Peri" from the Orientalist poem, "Lalia Rookh". The missing Duncanson, "Paradise and the Peri" was: exhibited at Wiswell's Gallery, Cincinnati, Ohio , Aug. 1871; exhibited in Monroe, MI, Sept. 1871; exhibited in Detroit, MI, Sept. 1871 and reviewed by the Detroit Free Press, Sept. 16, 1871, page 1; acquired locally by C.L. Andrews at the Detroit exhibition; loaned to the Detroit City Hall and was hung in the sheriff's office where it was vandalized by an irate citizen in 1876; donated by Andrews to the Detroit Institute of Arts, 1903-1904; the DIA sent it to G.H. Weigert to be auctioned where it was sold Nov. 29, 1918 (see Francis Waring Robinson papers, Detroit Institute of Art, Roll 511); locations after that are unknown. Stamped on verso of stretcher, "W.G. Bickford, Dealer of Artist's Colors and Materials, 189 W. Fourth St., Cincinnati, Ohio. Mr. Bickford was listed as a "Dealer of Artist's Materials" only in 1869 and 1870. The listing changed to Artist' Emporium in 1871 with the same address. Bickford lived at 185 1/2 W. Fourth St. in 1870. Duncanson lived at 187 W. Fourth St. in 1872. Bickford's business was at 189 W. Fourth St, 1869-1875. Marked on the verso of the original canvas (before being lined): "G.W. Stubbs", "A.W. Pugh" (see photo detail). G.W. Stubbs was the brother-in-law of A.W. Pugh of the Pugh family of Cincinnati. Duncanson worked with Achilles Pugh in his print shop in Cincinnati in the 1850's to early 1860's. Duncanson was a friend of the Pugh family in Cincinnati. Both G.W. Stubbs and A.W. Pugh were in Cincinnati in 1871. PLEASE CLICK HERE TO SEE 54-PAGE SCANNED DOCUMENTS REGARDING THE PAINTING AND ARTIST.C.10% restoration of prior damage (tears, losses, etc.) as viewed under UV light; some over cleaning, lined; some stabilized craquelure; original stretchers; period frame is chipped and has losses. Natalia Nikolayev (B.A. in painting conservation), Indianapolis, IN restored the painting in June 2006 (consolidation of paint layer and ground with sturgeon glue, restoration of canvas losses with original pieces of canvas from the sides of the painting, filling made with Modostuc, lined with Beva-film, retouching with Gamblin conservation paints, etc.). Research information from the consignor, including photos of the painting before and after the restoration and the summary of the restoration done by Nikolayev, is available for viewing upon request.- For High Resolution Photos visit Dumouchelles website.
Lot 2176
PABLO PICASSO (SPANISH 1881-1973), ETCHINGS, 1962, 6, H 7 3/4" TO 8", W 5" TO 5 1/2", FORM "PICASSO LYSISTRATA ARISTOPHANES "Displayed in Les Pavilion des Arts. Bearing black pencil signatures reading "Picasso". No edition number on the prints. Published by Gilbert Seldes. Unframed. Paper size: 10 3/4" x 8 1/4". From the book edition. Provenance: "Le Pavillon des Arts Art De L'Ile De France", Paris, April 1992 certificate of authenticity (see photo detail) in customer file and accompanies the prints. Being sold for the benefit of Marygrove College, Detroit, MI. No other provenance available.Good condition; one print with small margin corner crease. Rf- For High Resolution Photos visit Dumouchelles website.
Lot 2177
BEARS A SIGNATURE READING "ANDY WARHOL" (US, 1928-1987), GOUACHE, H 10 1/2", W 10 1/2", PORTRAIT OF A WOMAN WITH BLACK HAIRSize is paper and image. Signed lower left; stamped in ink on verso in a rectangular box, "Andy Warhol "67" (see photo detail). Provenance: sold by Anderson Art Gallery, Constanta, Romania, January 2003 and listed by them as 'attributed to.' Ink stamped on verso, "Arthur Tooth Gallery London, England" and also having a London circular stamp (mostly not readable because the stamp did not print completely) see photo detail. Includes the frame. Notation "No: A.101. 0410 " at bottom of paper on verso. Not authenticated. Being sold for the benefit of Marygrove College, Detroit, MI. No other provenance available.LR corner crease; was 'tacked down' in all 4 corners; handling creases. Now professionally removed from all of the framing materials. Rf, 12-17-2015 Sold as is - no guaranty of authenticity. Rf- For High Resolution Photos visit Dumouchelles website.
Lot 2381
HIROSHI YOSHIDA (JAPANESE, 1876-1950), COLOR WOODBLOCK PRINT, C. 1933, H 14 3/4", W 9 5/8", "KIN KAKU"A Hiroshi Yoshida (Japanese, 1876-1950) colored woodblock print titled "Kin Kaku" (Golden Pavilion). Circa 1933. From the "Kansai District" series. With jizuri seal to left margin above the Japanese title and date characters, artist signature in block lower right, and title and artist's signature in pencil along bottom margin. Print: 14 3/4" x 9 5/8", paper: 15 1/2" x 10 1/2".With some marginal staining and light toning. Generally appears to have very good to fine impressions, color, and condition (MK).- For High Resolution Photos visit Dumouchelles website.
Lot 309
ITO SHINSUI (1898-1972) A Geisha girl applying her make up, signed "Shinsui Ga" (painted by Shinsui), dated January of Showa 3 (1928), publisher/printer's mark "Watanabe", woodblock print in colours, 26.5cm x 38cm. Provenance: Acquired by vendor's mother in law Lady Peake in Japan during the 1920's. Condition report: Not examined outside of the frame but colours and condition appear good but there is slight rippling
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