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Lot 620
William Henry Innes, British 1905-1999- Coastal landscape; black and coloured chalk, signed, 24x32cm: Denys George Wells RBA, British 1881-1973 exh 1907-1940- "Pont du Gard"; pen and black ink and watercolour, 36x26cm: Maud Parsons, British, early-mid 20th century- "Suspension Bridge, Clifton"; watercolour, signed and titled, 17x24.5cm: After Albrecht Dürer, German 1471-1528- "St Anthony"; reproduction print, 11x16cm: Remiginus Parr, British 1723-c.1760- "A Midnight Modern Conversation", after William Hogarth, publ for Bowles & Carver 69 St Pauls Church Yard & Robert Wilkinson 58 Cornhill; engraving, 35x47cm., (5)
Lot 656
After Robert Scott 1771-1841- Owls; reproduction print, 45x36cm: together with three other reproduction prints of birds after the same hand, all in matching green painted reverse profile moulding frames: After Jan Kip- "Rendcomb the Seat of Sr John Guise Bart"; reproduction print, 35x44cm: together with five other reproduction prints of topographical subjects after the same hand, all in matching black painted reverse profile moulding frames, (11)
Lot 725
A Pair of Chinese Gouache Paintings of Junks, 20th century, 20x30cm., ea: J Wy Mawa, South East Asian School, late 20th century- Villagers and rice fields; opaque watercolour, signed and inscribed `Serali`, 50x35cm: George B Maltby, Long Beach, California, a vintage silver print of the Yacht Goodwill, bears photographer`s blind stamp, bears dedication `Yacht Goodwell, to Mrs B M M Chrichton from Keith Spalding April 11th 1924`, 34.5x43cm: together with two other photographs, (a lot) (part unframed)
Lot 734
Manner of Salvador Dali- Surrealist composition; mixed technique print on Arches, bears signature and numbered 4/300, `Salvador Dali` blindstamp, 55.2x75.5cm (sheet): Manner of Salvador Dali- Surrealist figure buildings on a beach; mixed technique print on Arches, bears signature and numbered 63/300, 63.2x82.5cm (sheet)(unframed) (2)
Lot 766
English School, late 18th/early 19th century- Figures with woodlands by an abbey; oil on canvas, 32x38.5cm: English Provincial School, mid 19th century- Figures merrymaking in a tavern; oil on panel, (split); 25.5x33.5cm: European School, 19th century- Alpine castle scene; oil on panel, 20.3x32cm: W du Chattal, early 20th century- Winter river scene; oil on panel, signed, 12x18cm: British School, mid 19th century- Mr Lister as `Moll Flaggon` in the Lord of the Manor; over painted print laid on panel, 16.1x11.5cm: together with four other small format pictures and prints, (9) (part unframed)
Lot 618
A Wooden Icon in velvet frame (most of outer picture missing); also magazine "The Water Babies"; black and white print "Sterling Castle"; 7 coloured prints depicting continental buildings; black and white map of "Isle of Man" and a quantity of various loose pages containing 8 coloured prints depicting religious scenes
Lot 83
Salaman (Malcolm) British Book Illustration Yesterday and Today, The Studio, 1923 ? Harvey Darton (F.J.) Modern Book-Illustration in Great Britain & America, spotted at beginning and end, The Studio, 1932 ? Ray (Gordon N.) The Illustrator and the Book in England from 1790 to 1914, original wrappers, New York, 1976 ? Houfe (Simon) The Dictionary of British Book Illustrators and Caricaturists, 1800-1914, 1978 ? Garrett (Albert) A History of British Wood-Engraving, 1978 ? Engen (Rodney) Dictionary of Victorian Engravers, Print Publishers and their Works, 1979; Dictionary of Victorian Wood Engravers, 1985 ? Peppin ( Brigid) and Lucy Micklethwait. Dictionary of British Book Illustrators: the Twentieth Century, 1983 ? Hunnisett (Basil) An Illustrated Dictionary of British Steel Engravers, original boards, 1989, all but the sixth and seventh illustrated, all but the third and last in original cloth, the fifth and last two with dust jackets, 4to and folio (9)
Lot 1411
HENRY OSPOVAT (1877-1909) PORTRAIT SKETCHES AND STUDIES Nine in six frames; eighteen in a folio; an unframed ink study of a beggar; a framed print of a self portrait; and the book "The Work of Henry Ospovat" by O. Onions (The Saint Catherine Press, London, 1911) (10) ++ Generally good; a few worn or badly stuck down
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