*Freemasonry. Bartolozzi (Francisco), To the Grand Lodge of England. This print representing the distinguishing characteristic of Masonry charity exerted on proper objects..., published Wm. Jefferies, 1802, stipple engraving after Stothard, contemporary hand colouring, torn with slight loss to lower left corner, repaired, 535 x 635 mm, mounted, framed and glazed, together with Gillray (James), A Masonic Anecdote, published H. Humphrey 1786 (but H. G. Bohn re-issue circa 1850), uncoloured etching, slight mount staining, with two further caricatures printed on verso, 515 x 475 mm (2)
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*Norwich. Buck (Samuel & Nathaniel), The North-east prospect of the city of Norwich, 1741 (but 1775 edition), uncoloured engraved prospect, very slight spotting, largely confined to margins, 10 x 810 mm, mounted, framed and glazed, together with a facsimile print of the 'South-east prospect of the city of Norwich', mounted and framed, lacking glass (2)
Alexander (Sam). Photographic Scenery of South Africa, 1st edition, Sam Alexander, 1880, tinted lithographic title page with onlaid collotype photographic portrait of Sir Bartle Frere, 100 photographic plates mounted to thick card leaves, of which 93 are collotypes, 6 (numbers 1, 3, 4, 10, 54 are 96) are albumen prints (possibly pasted over original collotypes), and 1 (number 2) comprises a partially torn-away albumen print pasted over original collotype, tissue guards throughout, initial text leaves spotted and browned, pp. 7/8 torn and tape-repaired, mounts spotted and toned, one plate (62) scuffed, gilt edges, original maroon morocco, large pictorial block in gilt to front board and blind to rear, extremities rubbed, large 4to, together with: Mendelssohn (Sidney), South Africian Bibliography, 2 volumes, 3rd edition, Holland Press, 1968, original cloth, dust jackets, 4to; Kennedy (R. F.), Catalogue of Pictures in the Africana Museum, 7 volumes, 1st edition, Johannesburg: Africana Museum, 1966-72, photographic illustrations, scattered spotting, original cloth, slightly marked, 4to; Kennedy (R. F.), Catalogue of Prints in the Africana Museum and in Books in the Strange Collection of Africana in the Johannesburg Public Library up to 1870, 2 volumes, 1st edition, Johannesburg: Africana Museum, 1975, photographic illustrations, original cloth, folio; Mendelssohn II p. 345 for Alexander's work, which contains photographic prints of views in Mozambique and Zanzibar as well as South Africa, numerous 'types', and various sites associated with the Anglo-Zulu War. The third edition of Mendelssohn's South African Bibliography was limited to 350 copies. (12)
After Gilbert Holiday. Defence Of The Jemappes Bridge On The Mons-Conde Canal By The First Royal Scots Fusilier's Battle Of Mons, 23rd August 1914, framed print, signed in pencil bottom left, 56cm x 71cm, and a 20thC pastel portrait of a horse, signed in pencil, Joe Claxton, 1986, 69cm x 57cm, framed, but not glazed. (2)
A 1930s 17th century style NCL map of the West Indies, marked 'MS Starward', a Royal Mail Lines deck plan from RMS Ebro, and plan and elevation of SS Mohegan, 38 x 56cm and Three mid-to-late 20th century photographic ocean liner prints to include a landscape picture of five steam ships heading into harbour, including the SA Vaal, 88 x 41.5cm, a Union Castle Saf Marine photographic print of the SA Vaal and a Cunard print of the Queen Elizabeth II, all framed and glazed (6).
PAUL INSECT (20th century); colour screen print on Colourplan Real Grey 270gsm paper, numbered 44 of an edition of 250, entitled 'Dunce Boy', signed and numbered by the artist, published by Pictures on Walls 2007 and with POW Printmaking blind stamp lower-left and figural blind stamp lower-right dated '07, 52 x 76.5cm, framed and glazed. †CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit
PAT FISHER; acrylic 'The George Stage', signed and dated July 1992 lower-right, 29 x 39cm, a 19th century print 'Joe Rogers' with inscription 'The Brave Seaman, who with a thin cord made fast to his body, sprang from the deck of the Royal Charter on the chance that he might be dashed on the shore with life enough to fix the line from ship to shore and which saved nearly forty lives.', 34 x 28cm and seven further maritime artworks, largest 12 x 18cm, some signed, all framed and glazed, also a reproduction framed and glazed ship diorama (10).
D MARTIN (19th/20th century); watercolour, Cornish coastal scene, signed D Martin lower left, 17. 5 x 26.5cm, framed and glazed, J C Jonas (19th/20th century); watercolour, lake scene with cattle and rower, 15.5 x 24.5cm, framed and glazed, and after Henry Jutsum; a print of a cowherd driving cattle over a stone bridge, 30 x 42cm, framed and glazed (3).
HOPKINS; a large pastel on paper, seascape of rolling stormy sea with the masts of tall ships in the background with deep troughs and white horses to the foreground, signed and dated '98 lower right, 45.5 x 71cm and a similar print of a ship in stormy seas after the artist, 39 x 53cm, both framed and glazed (2).

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