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Lot 376

*Freemasonry. Bartolozzi (Francisco), To the Grand Lodge of England. This print representing the distinguishing characteristic of Masonry charity exerted on proper objects..., published Wm. Jefferies, 1802, stipple engraving after Stothard, contemporary hand colouring, torn with slight loss to lower left corner, repaired, 535 x 635 mm, mounted, framed and glazed, together with Gillray (James), A Masonic Anecdote, published H. Humphrey 1786 (but H. G. Bohn re-issue circa 1850), uncoloured etching, slight mount staining, with two further caricatures printed on verso, 515 x 475 mm (2)

Lot 381

*Havell (A.C.). A Foxhunter's Dream, circa 1890, photolithographic print with contemporary hand colouring, trimmed to image with title on an ivorine plaque on frame, 590 x 455 mm, framed and glazed (1)

Lot 392

*Norwich. Buck (Samuel & Nathaniel), The North-east prospect of the city of Norwich, 1741 (but 1775 edition), uncoloured engraved prospect, very slight spotting, largely confined to margins, 10 x 810 mm, mounted, framed and glazed, together with a facsimile print of the 'South-east prospect of the city of Norwich', mounted and framed, lacking glass (2)

Lot 4

Alexander (Sam). Photographic Scenery of South Africa, 1st edition, Sam Alexander, 1880, tinted lithographic title page with onlaid collotype photographic portrait of Sir Bartle Frere, 100 photographic plates mounted to thick card leaves, of which 93 are collotypes, 6 (numbers 1, 3, 4, 10, 54 are 96) are albumen prints (possibly pasted over original collotypes), and 1 (number 2) comprises a partially torn-away albumen print pasted over original collotype, tissue guards throughout, initial text leaves spotted and browned, pp. 7/8 torn and tape-repaired, mounts spotted and toned, one plate (62) scuffed, gilt edges, original maroon morocco, large pictorial block in gilt to front board and blind to rear, extremities rubbed, large 4to, together with: Mendelssohn (Sidney), South Africian Bibliography, 2 volumes, 3rd edition, Holland Press, 1968, original cloth, dust jackets, 4to; Kennedy (R. F.), Catalogue of Pictures in the Africana Museum, 7 volumes, 1st edition, Johannesburg: Africana Museum, 1966-72, photographic illustrations, scattered spotting, original cloth, slightly marked, 4to; Kennedy (R. F.), Catalogue of Prints in the Africana Museum and in Books in the Strange Collection of Africana in the Johannesburg Public Library up to 1870, 2 volumes, 1st edition, Johannesburg: Africana Museum, 1975, photographic illustrations, original cloth, folio; Mendelssohn II p. 345 for Alexander's work, which contains photographic prints of views in Mozambique and Zanzibar as well as South Africa, numerous 'types', and various sites associated with the Anglo-Zulu War. The third edition of Mendelssohn's South African Bibliography was limited to 350 copies. (12)

Lot 30

A SMALL FRAMED AND GLAZE WATERCOLOUR DEPICTING A HARBOUR SCENE TOGETHER WITH A HELEN BRADLEY PRINT AND A SOUTH AFRICAN PRINT (3)

Lot 50

A LARGE OIL ON BOARD DEPICTING BIRDS SIGNED KILNER TOGETHER WITH A WATERCOLOUR OF A COTTAGE AND A LIMITED EDITION PRINT (3)

Lot 166

After Nigel Hemming. Found, print, signed to the mount, with paper work, 52cm x 38cm.

Lot 167

After Nigel Hemming. Seven-Up, limited edition print, no.689 of 850, signed and watermarked to the mount, with paperwork, 30cm x 54cm.

Lot 168

After Nigel Hemming. The Pheasant Plucker's Mate, signed, limited edition print, no.221 of 750, signed and water marked to the mount, with paperwork, 55cm x 33cm.

Lot 169

After Nigel Hemming. Hot Chocolate, artist limited edition print, no.72 of 750, signed and watermarked to the mount, with paperwork, 46cm x 33cm.

Lot 170

After Nigel Hemming. Limited edition print, artist proof, no.11 of 50, signed and watermarked to the mount, 55cm x 45cm.

Lot 171

After Nigel Hemming. In The Dog House, limited edition print, no.117 of 850, signed and watermarked to the mount, with paperwork, 46cm x 34cm.

Lot 172

After Nigel Hemming. Watch The Birdy, limited edition print, no.242 of 750, signed to the mount, 46cm x 35cm.

Lot 173

After Nigel Hemming. Black Magic, limited edition print, no.431 of 850, signed and watermarked to the mount, 45cm x 35cm.

Lot 174

After Nigel Hemming. Work, limited edition print, no.15 of 500, signed and watermarked to the mount, 39cm x 30cm.

Lot 175

After Nigel Hemming, Dogs Print, and various others, After Philip Crowe and another Little Dancer, Texas Ranger, a portfolio, After E M Schiwetz, a print After Coulson, Aeron Nautical print, etc. (a quantity)

Lot 176

After Nigel Hemming. Evening Delivery, limited edition print, no.405 of 600, signed and watermarked to the mount, 40cm x 30cm.

Lot 177

After Nigel Hemming. Boxed Set, limited edition, print no.63 of 750, signed and watermarked to the mount, 19cm x 26cm.

Lot 178

After Rex Preston. The Stepping Stones Dovedale, print, 45cm x 67cm.

Lot 179

After John Rudkin. The Pennine Way Edale, limited edition print, no.417 of 500, signed, titled and numbered to the mount, 26cm x 54cm.

Lot 180

After Nigel Hemming. Under Canvas, limited edition, print of 50, signed, numbered and watermarked to the mount, 52cm x 37cm.

Lot 181

After Nigel Hemming. Mother's Pride, limited edition print, no.492 of 600, signed, numbered and watermarked to the mount, with paperwork, 46cm x 35cm.

Lot 182

After Nigel Hemming. Gun Dogs, print, 31cm x 40cm.

Lot 183

After Nigel Hemming. Early Risers, limited edition print, no.40 of 295, signed and numbered to the mount, with paperwork, 47cm x 36cm.

Lot 184

After Nigel Hemming. Lazy Days, limited edition print, no. 63 of 750, signed, numbered and watermarked to the mount, 18cm x 24cm.

Lot 185

After Nigel Hemming. Rest, limited edition print, no.149 of 500, signed, numbered and watermarked to the mount, with paperwork, 39cm x 29cm.

Lot 186

After Nigel Hemming. Play, limited edition print, no.149 of 500, signed, numbered and watermarked to the mount, 40cm x 30cm.

Lot 200

•Digby Page (b. 1945). The White Cliffs of Dover, oil on board, signed, 13cm x 17cm, and a print of the Taj Mahal on card. (2)

Lot 367

Ted Dyer (20thC). Scene near Trelowarren Mills, oil on canvas, signed, 60cm x 91cm, and a print fox study. (2)

Lot 464

An Elvis Presley print, he seated in melancholic mood, framed with stamp and dollar bill, with a in Perspex style front, 40cm x 30cm.

Lot 472A

After Gilbert Holiday. Defence Of The Jemappes Bridge On The Mons-Conde Canal By The First Royal Scots Fusilier's Battle Of Mons, 23rd August 1914, framed print, signed in pencil bottom left, 56cm x 71cm, and a 20thC pastel portrait of a horse, signed in pencil, Joe Claxton, 1986, 69cm x 57cm, framed, but not glazed. (2)

Lot 617

After Alex Clark. Village Graze, print, 37cm x 37cm, another Sheep, various other prints, pictures, Pears style, still life watercolour and two still life prints, etc. (a quantity)

Lot 91

A silkscreen print after Geoffrey Key, 62cm x 42cm, part of the Daydreams boxed set.

Lot 283

A Victorian Admiral Fitzroy's Barometer contained within an oak case and with gothic print paper label, lozenge mark and numbered 367815. 97cm high

Lot 72

A LARGE SIGNED ALEC STEWART CRICKET INTEREST PRINT TOGETHER WITH A GOLF INTEREST SIGNED ROBERT ROCKS FINEST HOUR PRINT (2)

Lot 852

AN OAK FRAMED 'LOUIS WAIN' CATS AND DOGS PRINT

Lot 87

A LARGE SIGNED LIMITED EDITION ABSTRACT PRINT TOGETHER WITH ANOTHER (2)

Lot 88

A LARGE MODERN FRAMED AND GLAZED ANTIQUE STYLE PRINT ENTITLED 'PAVILLON DE FLORE & PONT ROYALE'

Lot 89

A MODERN FRAMED AND GLAZED PRINT

Lot 90

A LARGE MODERN FLORAL PRINT TOGETHER WITH FOUR SMALLER MATCHING EXAMPLES (5)

Lot 94

A SIGNED LIMITED EDITION DONKEY PRINT, PLUS ANOTHER AND A FLORAL OIL ON CANVAS (3)

Lot 404

After Lady Butler, Roll call (The Scots Guards after the Battle of Inkerman), photographic print and a print depicting the Battle of Rorke's Drift after Alphonse de Neuville and print of the Japanese attack on Pearl Harbour (3)

Lot 416

Plan Guide Monumental de Paris, print with hand colouring, 48 x 58cm (SH), together with a framed fan, doily and a print of a dog.

Lot 500

A print of 'Port of London, the River Thames from Teddington to the Nore', 21 x 101cm, framed and glazed.

Lot 501

A 1930s 17th century style NCL map of the West Indies, marked 'MS Starward', a Royal Mail Lines deck plan from RMS Ebro, and plan and elevation of SS Mohegan, 38 x 56cm and Three mid-to-late 20th century photographic ocean liner prints to include a landscape picture of five steam ships heading into harbour, including the SA Vaal, 88 x 41.5cm, a Union Castle Saf Marine photographic print of the SA Vaal and a Cunard print of the Queen Elizabeth II, all framed and glazed (6).

Lot 503

A modern pre-Raphaelite print in the manner of Lawrence Alma-Tadema or Frederick Lord Leighton of a forlorn looking lady reclining on animal skins in front of a fountain with pigeons in the background, 46.5 x 71.5cm, framed and glazed.

Lot 505

Bob Barker; limited edition giclee print on artists board, 'Where You Lead I Follow', no.175/195, signed lower right, with certificate of authenticity verso, 61 x 61cm, framed.

Lot 506

Bob Barker; limited edition giclee print on artists board, 'Sweethearts', no.70/195, signed lower right, with certificate of authenticity verso, 57 x 73cm, framed.

Lot 507

Bob Barker; limited edition giclee print on artists board, 'Thunder In My Heart', no.46/195, signed lower right, with certificate of authenticity verso, 35.5 x 111.5 cm, framed.

Lot 508

Bob Barker; limited edition giclee print on artists board, 'Run Of The Mill', no.42/195, signed lower right, with certificate of authenticity verso, 61 x 61cm, framed.

Lot 509

George Ionnan; giclee print on canvas, 'You're A Pig That Won't Fly Straight', depicting Al Pacino in the film Scarface, with certificate of authenticity verso, no.277/295, 53 x 106.5 cm.

Lot 510

E Sturgeon; a large limited edition print, no259/850, with blind stamp lower-left, signed in pencil to the border lower-right, 46 x 67cm, framed and glazed.

Lot 514

After C Hamilton Ellis; a c1950s railway carriage print, 'Travel In 1840 Old Station At Derby North Midland Railway', 21 x 58cm, framed.

Lot 518

A large colour print of William Powell Frith's 'The Railway Station', 38 x 81cm, framed and glazed.

Lot 519

PAUL INSECT (20th century); colour screen print on Colourplan Real Grey 270gsm paper, numbered 44 of an edition of 250, entitled 'Dunce Boy', signed and numbered by the artist, published by Pictures on Walls 2007 and with POW Printmaking blind stamp lower-left and figural blind stamp lower-right dated '07, 52 x 76.5cm, framed and glazed. † CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit

Lot 520

PETE DOHERTY (b 12th March 1979); limited edition print entitled 'Demonstration', numbered 136/300 lower-left and signed within the print lower-right, 42 x 42cm, framed and glazed. † CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit

Lot 560

PAT FISHER; acrylic 'The George Stage', signed and dated July 1992 lower-right, 29 x 39cm, a 19th century print 'Joe Rogers' with inscription 'The Brave Seaman, who with a thin cord made fast to his body, sprang from the deck of the Royal Charter on the chance that he might be dashed on the shore with life enough to fix the line from ship to shore and which saved nearly forty lives.', 34 x 28cm and seven further maritime artworks, largest 12 x 18cm, some signed, all framed and glazed, also a reproduction framed and glazed ship diorama (10).

Lot 566

D MARTIN (19th/20th century); watercolour, Cornish coastal scene, signed D Martin lower left, 17. 5 x 26.5cm, framed and glazed, J C Jonas (19th/20th century); watercolour, lake scene with cattle and rower, 15.5 x 24.5cm, framed and glazed, and after Henry Jutsum; a print of a cowherd driving cattle over a stone bridge, 30 x 42cm, framed and glazed (3).

Lot 597

HOPKINS; a large pastel on paper, seascape of rolling stormy sea with the masts of tall ships in the background with deep troughs and white horses to the foreground, signed and dated '98 lower right, 45.5 x 71cm and a similar print of a ship in stormy seas after the artist, 39 x 53cm, both framed and glazed (2).

Lot 304

Oval bevel edged mirror brass magazine rack and a military photo and print

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