Grand Format. Planète Terre, 3ème planète d'une étoile dénommée Soleil. La Terre ressemble à une Sphère essentiellement composée de roches. 70% de sa surfaçe est dconstituée d'eau. Elle comporte une fine couche d'atmosphère composée d'Hydrogène d'Eau. Cette photographie surnommée "Blue Marble" a été prise par l'équipage d'Apollo 17 en 1972 et reste une des plus célèbre jamais diffusée dans l'histoire de l'Humanité. Tirage chromogénique postérieur. 40 x 40cm. Légende sur feuillet au dos. Large format. Planet Earth, the third planet from a star called Sun. The Earth is like a sphere composed mainly of rock. 70% of its surface is dconstituée water. It has a thin atmosphere composed of hydrogen from water layer. This photograph called "Blue Marble" was taken by the crew of Apollo 17 in 1972 and remains one of the most famous ever released in the history of mankind. Posterior chromogenic print. 40 x 40cm. Legend of the back sheet. Großformat. Planet Erde, der dritte Planet von einem Stern Expired Sonne genannt Die Erde ist wie eine Kugel hauptsächlich aus Felsen. 70% der ICT-Bereich ist dconstituée Wasser. Es hat eine dünne Atmosphäre besteht aus Wasserstoff aus Wasserschicht. Dieses Foto „Blue Marble“ genannt wurde durch die Besatzung von Apollo 17 im Jahr 1972 genommen und bleibt einer der bekanntesten in der Geschichte der Menschheit freigesetzt. Posterior chromogenen Druck. 40 x 40cm. Die Legende von der Rückseitenfolie.
We found 314783 price guide item(s) matching your search
There are 314783 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
314783 item(s)/page
NASA. Décollage et montée parfaitement verticale pour la navette spatiale Atlantis (Mission STS-34) le 18 octobre 1990. La navette spatiale emporte dans sa soute la célèbre sonde spatiale Galiléo qui une fois en orbite entamera son chemin vers la planète Jupiter où elle est programmée pour arriver en 1995. Tirage chromogénique d'époque sur papier "THIS PAPER MANUFACTURED BY KODAK". 25,9 x 20,3cm avec marges. NASA. perfectly vertical takeoff and climb to the Space Shuttle Atlantis (STS-34) 18 October 1990. Space Shuttle carries in its hold the famous Galileo spacecraft that once in orbit begins its path towards the planet Jupiter which it is programmed for arriving in 1995. chromogenic print antique paper "THIS pAPER MANUFACTURED bY KODAK". 25.9 x 20.3cm with margins. NASA. perfekt senkrecht startende und Aufstieg zum Space Shuttle Atlantis (STS-34) 18. Oktober 1990 Space Shuttle Karies in ict halten Sie die berühmte Galileo-Sonde einmal im Orbit beginnt Dieser Weg icts Bewertungen auf den Planeten Jupiter qui es für ankommende 1995 chromogenen programmiert antikes Druckpapier „Dieses Papier hergestellt von KODAK“. 25,9 x 20,3 cm mit Margen.
Nasa. Mission Apollo 17. Belle vue de l'astronaute Eugene Cernan devant le drapeau américain et au côté du rover lunaire. 13 décembre 1972.On remarquera dans le casque d'Eugène Cernan le reflet de l'importante montagne lunaire devant laquelle il se tient. Tirage chromogénique postérieur. Numérotation sur le devant. Légende sur étiquette au dos. 40,6 x 40,6cm avec marges. Nasa. Apollo 17. Nice view of astronaut Eugene Cernan front of the American flag and the side of the lunar rover. 1972.On December 13 notice in the helmet Eugene Cernan reflect the important lunar mountain before which he stands. Posterior chromogenic print. Dial on the front. Legend rear label. 40.6 x 40,6cm with margins. Nasa. Apollo 17. Schöne Aussicht von Astronauten Eugene Cernan vor der amerikanischen Flagge und die Seite der Mond-Rover. 1972.On 13. Dezember Anweisungen im Helm Eugene Cernan reflektieren die große Mond Berg qui bevor er steht. Posterior chromogenen Druck. Dial auf der Vorderseite. Legend Rückenetikett. 40,6 x 40,6 cm mit Margen.
NASA. GRAND FORMAT. Mission Apollo 10. Une belle vue de la Terre se levant au-dessus de l'horizon lunaire photographié depuis le module lunaire Apollo 10. A cet instant le module lunaire se trouve sur la face cachée de la Lune dont on aperçoit le relief accidenté. Mai 1969. Tirage chromogénique postérieur. Numérotation sur le devant. Légende sur étiquette au dos. 40,6 x 40,6cm avec marges. NASA. LARGE FORMAT. Apollo 10. A beautiful view of Earth rising over the lunar horizon photographed from the Apollo lunar module 10. At this point the lunar module is located on the far side of the Moon whose rugged terrain is visible. May 1969. posterior chromogenic print. Dial on the front. Legend rear label. 40.6 x 40,6cm with margins. NASA. LARGE FORMAT. Apollo 10. Ein schöner Blick auf die Erde über dem Mondhorizont von der Apollo Mondmodul 10 das Mondmodul auf der anderen Seite befindet des Mondes An dieser Stelle fotografiert steigende sichtbar Wessen unwegsamen Gelände. Mai 1969 chromogenen später drucken. Dial auf der Vorderseite. Legend Rückenetikett. 40,6 x 40,6 cm mit Margen.
NASA. GRAND FORMAT. Mission Gémini IV le 3 juin 1965. Photographie historique de l'astronaute Ed. H. White devient le premier américain à "voler" dans l'Espace. Il porte une combinaison spatiale spéciale dont le casque est plaqué d'or pour le protéger du soleil. Un cordon ombilicale de 7,5 mètres le relie à son vaisseau spatial ainsi qu'un lien d'attache, les deux liés dans un ruban adhésif d'or. L'astronaute tient dans sa main droite une unité d'auto-manoeuvre manuelle (HHSMU) qui lui permet de contrôller ses mouvements dans l'Espace. Tirage chromogénique postérieur. Numérotation sur le devant. Légende sur étiquette au dos. 40,6 x 40,6cm au dos. NASA. LARGE FORMAT. Gemini IV Mission 3 June 1965. Historic photograph of astronaut Ed. H. White became the first American to "fly" in space. He carries a special spacesuits whose helmet is gold plated to protect it from the sun. An umbilical cord of 7.5 meters connects it to his spaceship and a tether link, the two linked in a gold tape. Astronaut holds in his right hand a manual self-handling unit (HHSMU) allowing it CONTROLLER his movements in space. Posterior chromogenic print. Dial on the front. Legend rear label. 40.6 x 40,6cm back. NASA. LARGE FORMAT. Zwillinge IV Mission 3. Juni 1965. Historische Fotografie Astronaut Ed. H. White est devenu der erste Amerikaner zu „fliegen“ im Raum. Er Karies eine besondere spacesuits Wessen Helm ist vergoldet sie vor der Sonne zu schützen. Eine Nabelschnur von 7,5 Metern es à son Raumschiff und einer Halteseilverbindung verbindet, in einem Goldband die beide miteinander verknüpft. Astronaut In seiner rechten Hand hält eine manuelle Selbstabfertigung Einheit (HHSMU) erlaubt es seine Bewegungen im Raum-Controller. Posterior chromogenen Druck. Dial auf der Vorderseite. Legend Rückenetikett. 40,6 x 40,6 cm zurück.
NASA. HUBBLE. GRAND FORMAT. Spectaculaire "feu d'artifice" galactique à une distance d'approximativement 23 millions d'années lumière. On distingue sur cette photographie à la fois des trous noirs, des ondes de chocs et de vastes réservoirs de gaz cosmiques. Cette galaxie est une galaxie spirale équivalente à notre propre galaxie la Voie Lactée. Elle est célèbre pour détenir deux énormes bras spirales distinctifs. 2001. Tirage chromogénique d'époque. Numérotation sur le devant. Légende sur étiquette au dos. 40,6 x 40,6cm avec marges. NASA. HUBBLE. LARGE FORMAT. Spectacular "fireworks" galaxy at a distance of approximately 23 million light years. There are in this photograph of both black holes, shock waves and vast reservoirs of cosmic gas. This galaxy is a spiral galaxy similar to our own Milky Way galaxy. It is famous for holding two huge arms distinctive spirals. 2001 chromogenic print period. Dial on the front. Legend rear label. 40.6 x 40,6cm with margins. NASA. HUBBLE. LARGE FORMAT. Spectacular „Feuerwerk“ Galaxie in einer Entfernung von etwa 23 Millionen Lichtjahre. Es gibt in dieser Fotografie Beide schwarzer Löcher, Stoßwellen und großen Stauseen des kosmischen Gases. Diese Galaxie ist eine Spiralgalaxie ähnlich unserer eigenen Milchstraße. Es ist berühmt für, die zwei große Arme unverwechselbare Spiralen. 2001 chromogenen Druckperiode. Dial auf der Vorderseite. Legend Rückenetikett. 40,6 x 40,6 cm mit Margen.
Grand Format. Extraordinaire croissant de Terre observé depuis l'orbite lunaire. Mission Apollo 17. Décembre 1972. Grand Format. Tirage chromogénique postérieur. 40 x 40CM avec marges. Références au dos. Large format. Extraordinary crescent Earth seen from lunar orbit. Apollo 17 in December 1972. Large Format. Posterior chromogenic print. 40 x 40CM with margins. References back. Großformat. Außerordentliche sichel Erde von der Mondbahn gesehen. Apollo 17 im Dezember 1972. Large Format. Posterior chromogenen Druck. 40 x 40 cm mit Margen. Referenzen zurück.
Nasa. Magnifique décollage d'une navette spatiale dans le ciel bleu de Floride le 4 mai 1989. la navette "Atlantis" (Mission STS 30) emporte en orbite basse le satellite Magellan, la première sonde spatiale interplanétaire qui après un voyage de 15 mois atteindra la planète Vénus pour en réaliser une première cartographie. Tirage chromogénique d'époque sur papier «THIS PAPER MANUFACTURED BY KODAK». Logo Nasa et légende tapuscrite au dos. 25,2 x 20,3cm avec marges. Nasa. Beautiful takeoff of a space shuttle in Florida blue sky 4 May 1989. shuttle "Atlantis" (Mission STS-30) prevails in low orbit satellite Magellan, the first interplanetary space probe after a journey of 15 months will reach Venus to perform a first mapping. vintage chromogenic print on paper "THIS PAPER MANUFACTURED BY KODAK". NASA logo and legend typescript back. 25.2 x 20.3cm with margins. Nasa. Schöner Start eines Space Shuttle in Florida blauem Himmel 4. Mai 1989. Shuttle „Atlantis“ (STS-30) herrscht im niedrigen Orbit Satelliten Magellan die erste interplanetare Raumsonde nach-eine Reise von 15 Monaten wird Venus erreicht eine erste Mapping durchzuführen . Jahrgang chromogenen Druck auf dem Papier „Dieses Papier von Kodak HERGESTELLT“. NASA-Logo und Legende Typoskript zurück. 25,2 x 20,3 cm mit Margen.
NO RESERVE Bibliography.- Carter (John) & Percy H.Muir. Printing and the Mind of Man: A Descriptive Catalogue illustrating the Impact of Print..., first edition, 1967 § Colonna (Francesco) Hypnerotomachia Poliphili: The Strife of Love in a Dream, translated by Joscelyn Godwin, 1999 § Harthan (John) Books of Hours and their owners, reprint, 1978 § Staikos (Konstantinos Sp.) The Great Libraries from Antiquity to the Renaissance (3000 B.C. to A.D.1600), New Castle, De. & London, 2000 § Mackenzie (Julian) & others. The Taurus Collection: 150 Collectable Books on the Antarctic. A Bibliography, 2001, illustrations, some colour, original cloth or boards with dust-jackets; and c.100 others on books, libraries, collecting etc. and a small quantity of bibliographical periodicals (Private Library, Slightly Foxed etc.) and booksellers' catalogues, 4to & 8vo (Qty)rivate
Workshop Press.- Arman (Mark) Seventeen 18th & 19th Century Boxwood Blocks, number 60 of 80 copies, with an additional folder of 12 prints printed from the blocks on thin card, together in slip-case, 1983; Patterns in Print, number 56 of 85 copies, 1984; A Diary of Engravings and Linocuts, number 25 of 160 copies, with A.Ls.s. etc. from the author/printer loosely inserted, 1986; Fleurons, number 11 of 170 copies, 1988, all signed by the author/printer, illustrations, some by the author, some printed in colours, a few folding, original cloth-backed boards, Thaxted, Workshop Press; and 10 others, similar, from the press, 8vo & 4to (14)⁂ The first item is not always found with the folder of additional prints.
Barbarian Press.- Elsted (Crispin) Founts & Circumstance: A Typographical Portfolio of Display & Titling Faces in Grand Isolation & in Company, one of 58 copies signed by the author & printer, text booklet in original wrappers sewn with string in Japanese style, uncut, broadside specimens loose as issued, some folding, some colour, title with mounted signed photographic print by David Evans, together in original cloth drop-back box with 72 point Bembo letter 'm' fixed in lower right corner, 2001 § Under Strange Sail: Translations & Improvisations from many hands, one of 115 sets of broadsides, loose as issued in original wrapper portfolio, 2007, folio, Mission, B.C., Barbarian Press (2)
Gwasg Gregynog.- Thomas (Dylan) Deaths and Entrances, edited by Walford Davies, number 241 of 268 copies, double-page colour offset lithographs by John Piper, original morocco-backed striped cloth, slip-case, Newtown, Gwasg Gregynog, 1984 § Fowler-Wright (Hugh) & others. Piper in Print: Books, Periodicals & Ephemera, number 131 of 384 copies signed by the first author, colour illustrations, original cloth-backed pictorial boards, Church Hanborough, Artists' Choice Editions, 2010, folio & 4to (2)
Ravilious (Eric) Four Wood Engravings...made in 1933 for the Golden Hours Press' Famous Tragedy of the Rich Jew of Malta, one of 120 sets, each 270 x 200mm., loose as issued in original wrappers, Fleece Press, 1998; Garden Memories: a Wood-Engraving, number 72 of 200 initialled in pencil by Anne Ullmann (the artist's daughter), sheet 300 x 210, loose with mount in original wrappers, [Church Hanborough], Previous Parrot Press, 1994, 4to (2)⁂ The second print was used as an illustration to Thomas Hennell's Poems published by OUP in 1936. Hennell replaced his missing friend Ravilious as a war artist in Iceland in 1942 but later disappeared himself during unrest in Jakarta in 1945. The woodblock came to light during a clear-out of the old Oxford College of Technology, Art and Commerce which had been given some equipment by the Oxford University Press.
Astronomy.- Wing (John, surveyor and almanac maker, of Pickworth, Rutland, nephew of Vincent Wing, astronomer, astrologer, and land surveyor, 1619-68, bap. 1662, d. 1726) Astronomia Nova Britannica, or The New British Astronomy Containing an Exact Theorie of the Coelestial Motions, according to the Genuine and most Rational Systems of the World, wherein the Sun is Centre of the Planetary Orbs... Deduced from Astronomia Britannica Published in Latine by Mr V. Wing..., manuscript, title and 163pp. (pp. 1-30 mostly text, pp. 30-160 mostly tables), a few ink diagrams, pp. 74-75 glued together and a corrective slip glued over p. 102, several ff. loose, a few small tears to edges, browned, contemporary panelled calf, extensively rubbed, lacks tail of spine, sm. 4to, dated in another hand at end 1691, but probably late 1680s, see ODNB note below, [c. 1688].⁂ A unique copy of an unpublished 17 century astronomical treatise."At the end of the 1680s, [George Parker, a rival astrologer] alleged, [John] Wing had tried to rush into print a manuscript entitled 'Astronomia nova Britannica', which he had been forced to abandon when Henry Coley exposed it as only half completed. Wing had then reworked the manuscript as Scientia stellarum, which he had published despite John Flamsteed's warning that it was itself full of crude errors. Wing issued a pained rebuttal of all these charges in his almanac for 1704, pointing out that his project was essentially an English summary of his uncle's Astronomia Britannica, and claiming that Flamsteed, on whose astronomical observations it drew, had commended it." - Oxford DNB.Vincent Wing, "taught himself arithmetic, surveying, and dialling by the age of twenty, mastered Latin, and acquired a competence in Greek. He spent the rest of his life practising as a surveyor and diallist in the east midlands... . Wing's fame rested primarily on his achievements in astronomy, as a champion of the new astronomical systems of Copernicus and Tycho Brahe. Wing's last and most important work, Astronomia Britannica (1669), appeared shortly after his death. This was a large-scale Latin treatise on the size, distance, and motions of the planets according to the Copernican system, documented by numerous observations by Tycho Brahe, Bullialdus, Gassendus, and other continental astronomers, and by Wing himself and a group of English astronomers with midlands connections, notably Samuel Foster, John Palmer, and John Twysden. This volume, aimed at a European as well as English readership, was the most significant English astronomical work of its time and made a considerable impact both in England and on the continent." Wing's nephew, John, "was the son of Moses Wing (bap. 1629, d. 1697?), Vincent Wing's brother. He was a surveyor at North Luffenham, before moving in 1683 to Pickworth, in Rutland, near Stamford, where he practised and taught surveying and all branches of mathematics, including dialling, laying out enclosures, building plans, and music. Like his uncle before him, he also used his almanacs to popularize the new astronomy. He explained and defended Copernicanism, noting in 1690 that many people still adhered to the Ptolemaic system, and wrote brief essays on tides, gravity, the periodicity of comets, and the possibility of other solar systems and inhabited planets within the universe." - Oxford DNB. Inscription at end reads: "14th Jan 1691 at 5 h 30 P.M. qr in to Holland."
Fleece Press.- Tute (George) Leon Underwood: His Wood Engravings, number 163 of 200 copies, original green morocco-backed patterned-paper boards, uncut, original cloth drop-back box, 1986 § Harvey (Michael) Reynolds Stone: Engraved Lettering in Wood, one of 270 copies, 1992 § Lee (Brian North) Bookplates and Labels by Leo Wyatt, one of 300 copies, 1988 § Hansard (Luke) The Auto-biography...written in 1817, edited by Robin Myers, one of 250 copies with a signed print, signed presentation copy from the editor to Simon McMinn inscribed "...Book collecting weekend Grasmere March 8th 1992" on half-title, wood-engravings by John Lawrence, additional print and prospectus in pocket at end, 1991, plates and illustrations, all but the first original cloth-backed patterned-paper boards with slip-cases, Wakefield, Fleece Press; and 3 others on wood-engravers from the press, v.s. (7)
Voyages.- Rickman (John) Journal of Captain Cook's Last Voyage, to the Pacific Ocean, on Discovery, half-title, 10 engraved plates including folding plate of the Death of Cook, only part of folding engraved map still present, damp-mottling through first half of book causing two holes with loss of some text, contemporary sheep, worn, spine broken and joints split, 8vo, Printed for E. Newbery, 1785.⁂ Based on John Rickman's 'Journal of Captain Cook's last voyage' (1781), but edited and extensively revised by David Henry and intended to form the sixth volume of his An historical account of all the voyages round the world, performed by English navigators, 1773-75. Sometimes also attributed to John Ledyard or to William Ellis. Rickman, second lieutenant of the Resolution, but for the greater part of the voyage on the Discovery, was the first to publish an account of Cook's Third Voyage. The work was, however, wrongly attributed to Ledyard until 1930 when Judge Howay demonstrated that Ledyard had simply copied whole sections of Rickman's book. The publisher, Newbery, recognised the potential of Rickman's anonymous journal, correctly assuming that it would be as successful as Marra's account of the Second Voyage, which he had also published; in fact this is considered the best edition in which the 1781 text is entirely re-edited and expanded. The folding plate, depicting Cook's murder, is of some importance being the first representation in print of Hawaii.
Tsiolkovsky (Konstantin) Izsledovanie mirovykh postrantsv' reaktivnymi priborami (dopolnenie k I i II chasti truda togo-zhe nazvaniya). [Investigation of cosmic space using reactive devices. (Supplement to Parts I and II of the Works of the same Title)], first edition, illustration, original printed wrappers, ink manuscript number to upper cover, slightly sunned at extremities, a fine copy overall, 8vo, Kaluga, by the author, 1914.⁂ Tsiolkovsky's first separately printed scientific work on space rockets, preceding the first publication on rockets by Robert Goddard by five years. The significance of Tsiolkovsky's work in rocketry and space travel was greatest in Russia where it inspired early development independent of American and European research. The present work is a supplement to two earlier works of the same title which had appeared in two different journals in 1903 and 1911-1912 (no offprints known); these are listed on the back cover of this publication, together with Tsiolkovsky's other works, dated from 1891 onwards. Tsiolkovsky was employed as a school teacher and could afford to print only a few copies of his works, which therefore had very limited circulation. RBH lists only 4 copies at auction in the last 40 years, and while the first four lots in the Russian Space History sale at Sotheby's (New York, December 11, 1993) included a total of 38 papers by Tsiolkovsky, the property of his family, this paper was not among them.
Whittington Press.- Anderson (Andrew) A Vision of Order: Linocuts..., number xxxviii of 85 specially-bound copies signed by the artist and with an additional large print of Cashel on 9 conjoined sheets and another of 'The Apple-Girl', from an edition limited to 185, printed in black and colours, tipped-in plates, some folding, illustrations, original half morocco, uncut, additional prints loose in original half cloth folder, together with prospectus in original cloth drop-back box, Risbury, Whittington Press, 2011.
Evergreen Press.- Anderson (Andrew) Enclosures: Times and Places. A Book of Wood Engravings, number 5 of 35 specially-bound copies with a signed print, from an edition limited to 180, original morocco-backed cloth, large folding print loose in cloth portfolio, together in slip-case, Stroud, 2009 § Punctuation: A Printer's Study, number 19 of 200 copies, printed in red & black, original cloth, 2001 § Edward Thomas: Words into Wood, number 83 of 250 copies, wood-engravings, original cloth, 2010 § Miss Margaret Beardsley of Ivy Cottage Windley, number 2 of 150 copies, wood-engravings by Rosalind Bliss, original wrappers, uncut, Windley, Bliss Press, 2009 § Abney (Edward) Letters to My Father 1660-1663, number 60 of 300 copies signed by the artist, illustrations by Clare Melinsky, frontispiece tipped in, original half morocco, uncut, slip-case, Sevenoaks, 2005, the first three Stroud, Evergreen Press, the last two printed by the press; and 15 others from or printed by the press, v.s. (20)
![Margot Fonteyn in Gisselle. Coloured print. After Carlotta Edwards [British 1894-1977] Height 59 cm; Length 68 cm; Depth 3 cm](https://cdn.globalauctionplatform.com/12df5489-6f5d-47d0-8aaa-adbb00b2f619/306a0c7b-1fb9-47d4-bb7c-adbb00b4f341/468x382.jpg)
David Kwo Da-Wei (1919-2003) Chinese Lithographic Print Black Cat - Kim Da Wei Kwo, David Kwo 1919-2003 (Dawei Huaji) Lithographic print of his cat Kim. Printed by Kwo Art Studio, New York 1958. Stamped and signed with Chinese character Da Wei. David Kwo Da-Wei (1919-2003), was born in Beijing, studied art at the Art Institute of Nanjing and later under, Qi Bai-Shih. His first exhibition was held in Hong Kong in 1952. He died in the United States in 2003. He was well known for his Chinese ink paintings of Kim, his beloved black cat.
Framed print The Vale of Dolwyddelan David Cox Date: 1846 David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour. 107 x 83cm
A framed coloured print Intellect and Valour of Britain--engraving of 1864 Thomas Jones Barker, The Intellect and Valour of Britain, engraving of 1864 by Charles George Lewis. Large group portrait of an imagined assembly of Britain's finest statesmen and military leaders, industrialists and inventors, and other eminent figures of the day, including Michael Faraday, Sir William Armstrong, the pioneering paleontologist Richard Owen, Sir David Brewster demonstrating his lenticular stereoscope, as well as Gladstone, Disraeli, Dickens, Tennyson, Thackeray, Livingstone, Cobden and many others. Engraving is 725 x 1070mm., published in Leggatt Bros. and John Garle Browne (owner of the original painting). Date 1864 142 x 106cm
Sailing vessel Valhalla. Photograph. Initialled and numbered lower left, titled to the centre and stamped lower right. After Alfred John West [British 1857-1937]. c. 1895. I see this comes from the Breken of Cowes archive but appears to be initialled by the photographer whose studio was based in Gosport as G West and Sons from 1881-1897 which this picture came from being taken in 1895. I see limited edition copies of it are still available from the Brett Gallery but think due to the numbering and initial this might be an original print. Height 50 cm; Length 43 cm; Depth 3 cm
David Kwo Da-Wei (1919-2003) Chinese Lithographic Print Black Cat - Kim Da Wei Kwo, David Kwo 1919-2003 (Dawei Huaji) Lithographic print of his cat Kim. Printed by Kwo Art Studio, New York 1958. Stamped and signed with Chinese character Da Wei. David Kwo Da-Wei (1919-2003), was born in Beijing, studied art at the Art Institute of Nanjing and later under, Qi Bai-Shih. His first exhibition was held in Hong Kong in 1952. He died in the United States in 2003. He was well known for his Chinese ink paintings of Kim, his beloved black cat. 35 x 53cm
Ventis Secundis' or Sails Through The Centuries, Roman to 1926, framed colour print This spectacular item brings your wall alive with schematic drawings of no less than 55 sailboats from throughout history, dating back to Roman and Viking times, stretching through the glory days of mercantile shipping in the 18th century, and reaching the end of the wooden ship era in the early 20th century. Complete with text outlining sail history, the names of scores of legendary ships in the surrounding border, and the title "Sails Through the Centuries - Ventis Secundis" Ryman and Co label verso 105 x 82cm
Framed botanical vintage print Pink Rose (Rosa Centifolia Anemonoide )Pierre-Joseph Redouté (1759 –1840), was a painter and botanist from the Netherlands. He was one of the greatest botanical artists of the early 19th century. Redouté was a court artist of Queen Marie Antoinette. He gain international fame for his precise renderings of plants. Redouté collaborated with the greatest botanists of his day. He contributed to about fifty publications about flowers and fruit. These depicted both the familiar flowers of the French court and plants from places as distant as Japan, America, South Africa, and Australia gallery label verso 33 x 42cm
David Kwo Da-Wei (1919-2003) Chinese Lithographic Print Spaniel Da Wei Kwo, David Kwo 1919-2003 (Dawei Huaji) Lithographic print of a spaniel breed pup Printed by Kwo Art Studio, New York 1958. Stamped and signed with Chinese character Da Wei. David Kwo Da-Wei (1919-2003), was born in Beijing, studied art at the Art Institute of Nanjing and later under, Qi Bai-Shih. His first exhibition was held in Hong Kong in 1952. He died in the United States in 2003. He was well known for his Chinese ink paintings
Framed botanical vintage print Pink Rose (Rosa Muscosa Multiplex)-Joseph Redouté (1759 –1840), was a painter and botanist from the Netherlands. He was one of the greatest botanical artists of the early 19th century. Redouté was a court artist of Queen Marie Antoinette. He gain international fame for his precise renderings of plants. Redouté collaborated with the greatest botanists of his day. He contributed to about fifty publications about flowers and fruit. These depicted both the familiar flowers of the French court and plants from places as distant as Japan, America, South Africa, and 33 x 42cm
Framed botanical vintage print Rosa alla Regalis Pierre-Joseph Redouté (1759 –1840), was a painter and botanist from the Netherlands. He was one of the greatest botanical artists of the early 19th century. Redouté was a court artist of Queen Marie Antoinette. He gain international fame for his precise renderings of plants. Redouté collaborated with the greatest botanists of his day. He contributed to about fifty publications about flowers and fruit. These depicted both the familiar flowers of the French court and plants from places as distant as Japan, America, South Africa, and Australia gallery label verso 33 x 42cm
Loading...-
314783 item(s)/page