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Lot 217
Michele Marieschi,1696/1710 Venedig – 1743, zug.Venezianische Vedute mit Blick in einen belebten SeitenkanalÖl auf Leinwand.65 x 81 cm.Die Vedute zeigt trotz der bislang noch nicht eindeutig gesicherten Zuweisung an den Maler doch die hohe Qualität von dessen Werken. Dies nicht allein wegen der höchst malerischen Lichtführung, der detailgenauen Wiedergabe der Gebäude, sondern auch aufgrund der sehr lebendigen Darstellung des Treibens der Gondeln, Kähne und der Schiffe mit gerafften Segeln, aber auch der Figurenstaffage. Der Blick ist wie von einer Brücke in den Verlauf des Kanals gerichtet. Links Ufertreppen, die zu den im Schatten liegenden Palästen führten, vorbei an einer aus Brettern gezimmerten Verkaufsbude mit gestikulierenden Figuren. Die Schiffe ebenso lebendig belebt mit Figurenstaffage, rechts ist unter den Passanten ein Orientale mit Turban auszumachen. Marieschi war Schüler seines Vaters, hielt sich gelegentlich als Theatermaler in Deutschland auf, kehrte jedoch 1735 nach Venedig zurück und wurde in die Malergilde Fraglia de ´Pittori aufgenommen. Zu seinen Gönnern zählte der Sammler und Generalfeldmarschall Freiherr von der Schulenburg, der von ihm zwei Bilder erwarb. Die Darstellung findet sich nach vorläufiger Recherche nicht in dem reichen Stichwerk, das Marieschi 1741 unter dem Titel „Magnificentiores Selectionesque Urbis Venetiarum Prospectus“ veröffentlicht hat. Umso seltener und interessanter ist das vorliegende Werk zu würdigen. (†)Literatur:Vgl. Ralph Toledano, Michele Marieschi. Catalogo ragionato, Mailand 1995.Vgl. Michael Levey, Painting in Eighteenth-Century Venice, Oxford 1980.Vgl. Fabio Mauroner, Catalogue of the Etchings of Michiel Marieschi, in: The Print Collector's Quarterly, 27 , 1940, S. 179.A.R. (13306124) (11)Michele Marieschi, 1796/ 1710 Venice – 1743, attributedVENICE VEDUTA WITH VIEW OF A LIVELY SIDE CANAL Oil on canvas.65 x 81 cm.According to preliminary research, the depiction cannot be found in Magnificentiores Selectionesque Urbis Venetiarum Prospectus, a collection of engravings that Marieschi published in 1741. This work is all the rarer and more interesting to appreciate. (†)
Lot 774
A.R. Penck, eigentlich "Ralf Winkler" 1939 Dresden – 2017 ZürichStrike, 1990Aquatinta-Radierung auf Bütten.Rahmenmaß: 121,5 x 188 cm.Eines von 35 Unikat-Farbversionen (jeder Print in anderer Farbgebung), rechts unten in Bleistift handsigniert und links unten nummeriert, Exemplar 33/35.Gerahmt mit Glas.(13405522) (18))
Lot 94
WW2 Print Wing and a Prayer multiple signed Print by Michael Turner. This Print depicts Dogfights over London during the Battle of Britain 15 September 1940 and Is signed by the artist, the pilot Capt. Allan Wright DFC. AFC and Flight Lit. Ray Holmes. Professionally Framed and mounted to overall size of approx. 29 x 28 inches. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 1
Andy Warhol (American 1928-1987), 'Chanel No.5', 1997, a complete set of four offset lithographs on linen backs; sheets: 71 x 53cm each (4)sheets: 71 x 53cm each (4)In very good conditionNo knocks or tears to any of the sheetsSome very light handling creases to the sheet, visible in raking lightAll four works have been linen backed to help protect the condition of the worksThese works have previously been rolled and are currently stored flat in an archival print sleeveThese works are sold un-framed and have never been framedIn Very Good Condition
Lot 117
D*Face (British 1978-), 'Dog Save The Queen (Green Wings)', 2004, hand embellished screen print in colours on wove paper, signed and numbered from an edition of 250 in pencil, stamped by the artist, published by Pictures On Walls; sheet: 50 x 70cmARRsheet: 50 x 70cmIn good conditionNo knocks or tears to the sheetSpots of green ink to the sheet verso, likely from the time of productionSome minor wear to the top edge of the sheet, visible upon close inspection Some minor handling creases across the sheet, visible in raking light One minor crease to the top right hand corner of the sheet, visible recto and versoThis work has been stored flat and has never been framed.
Lot 122
Dran (French 1979-), 'Cher Pere Noel (Pinocchio)', 2018, hand embellished screen print with watercolours on wove paper, signed and numbered from a varied edition of 100 unique works; sheet: 45 x 32cmARRsheet: 45 x 32cmIn good condition/artist's conditionNo knocks, tears or creases to the sheetExtremely minor edgewear to the corners of the sheet, visible upon very close inspectionStored flat and not framed
Lot 131
José Parlá (American 1973-), 'St. Giles', 2009, Giclee print overlayered with one handprinted silkscreen on 310gsm Hahnemuhle German Etching Paper, signed, titled, dated, and numbered from an edition of 100 in pencil, published by Elms Lesters; 79.5 x 120cm inc frame79.5 x 120cm inc frameIn very good conditionNo knocks, tears or creases to the sheetThis work has been framed in a wooden frame (painted silver), and mounted with a white mountWear and tear to the frameThis work has not been examined out of the frame of under the mountIn Very Good Condition
Lot 132
José Parlá (American 1973-), 'The World Touring Letter', 2009, Giclee print overlayered with one handprinted silkscreen on 310gsm Hahnemuhle German Etching Paper, signed, titled, dated, and numbered from an edition of 100 in pencil, published by Elms Lesters; 109.5 x 108.5cm inc frame109.5 x 108.5cm inc frameIn very good conditionNo knocks, tears or creases to the sheetThis work has been framed in a wooden frame (painted silver), and mounted with a white mountWear and tear to the frameThis work has not been examined out of the frame of under the mountIn Very Good Condition
Lot 132a
José Parlá (American 1973-), 'One Eighty Fourth Street', 2009, Giclee print overlayered with one handprinted silkscreen on 310gsm Hahnemuhle German Etching Paper, signed, titled, dated, and numbered from an edition of 100 in pencil, published by Elms Lesters; 87 x 150cm inc frame87 x 150cm inc frameIn very good conditionNo knocks, tears or creases to the sheetThis work has been framed in a wooden frame (painted silver), and mounted with a white mountWear and tear to the frameThis work has not been examined out of the frame of under the mountIn Very Good Condition
Lot 143
Nick Walker (British 1969-), 'The Morning After: Empire State', 2009, screen print in colours on wove paper, signed and numbered from an edition of 175 in pencil, published by Black Rat Press; 121.5 x 99.5cm inc frameARR121.5 x 99.5cm inc frameIn very good condition No knocks, tears or creases to the sheetThis work has been framed in a black frame with a mount This work has not been examined outside of the frame.
Lot 173
Chris Levine (Canadian 1960-), 'Lightness Of Being (Freedom Edition)', 2021, giclee print in colours on composite panel, numbered from an edition of 1000 verso, bearing the Artists printed signature verso, published by Dominic Guerrini Fine Art; panel: 90 x 71cmARRpanel: 90 x 71cm (Framed)In excellent conditionNo scratches or chips to the panelThis work has been stored in its original gallery packagingNo apparent issues.
Lot 174
Chris Levine (Canadian 1960-), 'Lightness Of Being', 2008, giclee print in colours on wove paper, signed, dated and numbered from an edition of 25 in pencil; sheet: 59.4 x 42cm (Framed)ARRsheet: 59.4 x 42cm (Framed)In very good conditionNo visible knocks, tears or creases to the sheetFramed in a white frame with a white mount, using Tru Vue Museum Glass No apparent issuesThis work has not been examined out of the frame.
Lot 184
Damien Hirst (British 1965-), 'Suiko (H10-4)', 2022, giclée print on aluminium composite, screen printed with glitter, all signed and numbered from an edition of 3310 to the label affixed verso, published by HENI Editions; panel: 100 x 100cmARRpanel: 100 x 100cmIn excellent conditionStored inside its original Heni packagingNo apparent issues.
Lot 190
Damien Hirst (British 1965-), 'Kew, from Veils (H4-6)', 2020, Diasec-mounted Giclée print on aluminium composite panel, signed in pencil on the label affixed verso and numbered from an edition of 75 in black ink verso, published by HENI Productions, London; panel: 92 x 126cmARR panel: 92 x 126cmIn very good condition No knocks, chips or scratches to the panel Stored inside it's original Heni packaging No apparent issues.
Lot 210
Gerhard Richter (German 1932-), 'Cage 1 (P19-1)', 2006/2022, Diasec-mounted giclée print on aluminium composite panel, numbered from an edition of 200 verso, bearing the Heni Productions ink stamp verso, published by Heni Productions, London, accompanied by the original cardboard box; panel: 100 x 100cmARRpanel: 100 x 100cmIn Very Good ConditionNo scratches or chips to the panelThis work is accompanied by its original Heni packagingNo apparent condition issuesIn Very Good Condition
Lot 237
Peter Blake (British 1932-), 'Dazzle', 2016, screen print in colours with high gloss varnish on 410gsm Somerset paper, signed and numbered from an edition of 150 in pencil; sheet: 60 x 40cmARRsheet: 60 x 40cmIn very good conditionNo knocks, tears or creases to the sheetOne minor marking to the top white section of the sheet recto and some minor markings to the sheet verso, visible upon very close inspectionThis work has been stored flat and has never been framed.
Lot 24
Connor Brothers (British Duo), 'Load Of Fuss (Red)', 2018, giclee print in colours with gloss varnish on wove paper, signed and numbered from an edition of 50 in pencil; sheet: 75 x 50cmARRsheet: 75 x 50cmIn very good conditionNo knocks, tears or creases to the sheetDeckled edges in good conditionThis work has been stored flat and has never been framed.
Lot 243a
Sarah Ball (British 1965-), 'AC (BLM)’, 2020, archival inkjet print on archival paper, signed and numbered from an edition of 30 in pencil; sheet: 48.3 x 32.9cmARRsheet: 48.3 x 32.9cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Lot 243b
Sarah Ball (British 1965-), 'AC (BLM)’, 2020, archival inkjet print on archival paper, signed and numbered from an edition of 30 in pencil; sheet: 48.3 x 32.9cmARRsheet: 48.3 x 32.9cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Lot 257a
Banksy (British 1974-), 'Love Is In The Air', 2003, screen print in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 51 x 71cmARRsheet: 51 x 71cmPest Control Office has confirmed the authenticity of this work. A new style Certificate of Authenticity is due to be issued, please note the timing of the issuing process is out of Tate Wards control.In very good conditionNo visible knocks or tears to the sheetSome minor markings to the main black body of the figure, this is frequently seen in early Banksy editions. This is potentially from the time of screening.This work has been stored flat and placed into a temporary exhibition frame for the auction, fully archival/reversable materials have been used.No clear sign of previous framing verso.Pest Control Office has confirmed the authenticity of this work. A new style Certificate of Authenticity is due to be issued, please note the timing of the issuing process is out of Tate Wards control.
Lot 269a
Invader (French 1969-), 'L.E.D.', 2017, screen print in colours on 300gsm Somerset Satin paper, signed, dated, and numbered from an edition of 100 in pencil, published by Lazarides; sheet: 50 x 70cmARRsheet: 50 x 70cmIn very good conditionNo knocks, tears or creases to the sheetExtremely minor edgewear to the extreme edges in sections, visible upon very close inspectionScratchings can be seen to some of the black sections of the printThere is a slight curvature to the print due to previously being rolled, this will flatten outMinor markings verso, these are not visible rectoThis work has been stored flat and is not framed.
Lot 271
Invader (French 1969-), 'Sunset (Gold & Blue)', 2018, embossed screen print in colours on wove paper, signed, dated, and numbered from an edition of 100 in pencil, published by Over The Influence; sheet: 41.5 x 41.5cmARR42 x 42 cmIn very good conditionNo knocks or tears to the sheetOne extremely light crease to the right hand edge of the sheet, visible upon close inspection This work has been stored flat and has never been framed.
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314796 item(s)/page