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Lot 919A

Joseph Farquharson Large Black and White Print. `Scottish Fishing Scene`. Framed and mountd behind glass. Signed in pencil lower left. Dated 1902. Fine Art embossed stamp. Overall size 44 by 34 inches.

Lot 949

Tom Dodson. Ladies carrying clothes into a pawnbrokers by a back yard. Limited edition colour print, number 745/850 series, signed in pencil. Fine Art Trade Guild stamp. 34 x 24cm.

Lot 972

Vladimir Tretchikoff Print, `The Chinese Girl` or `Green Lady`, the iconic print, framed and glazed; 28.5 inches x 23 including frame

Lot 984

Marc Grimshaw Coloured Limited Edition Framed Print signed in pencil lower right. 1. `Street Scene, Mum and Children on Doorstep` 40/650. Mounted and behind glass.

Lot 988

A Pencil Signed and Limited Edition Print After George Turner of a Child on a Rocky Landscape. Signed to the border H Handford. With a gilt slip and frame. 23 by 37 inches.

Lot 1404

Dave Foord Limited Edition Framed Signed Print `Back On Track` Carl Fogarty Riding The Foggy Petronas Racing FP1 At It`s First Public Outing. Brands Hatch, July 2002. Copy 294/500. Signed By Carl Fogarty, 16x23 Inches. Complete With Framed Certificate Of Authenticity

Lot 1406

Tribute To Carl Fogarty Print By Stuart McIntyre

Lot 370

A Victorian silver pocket watch, lever, by Jonathan Reed of Brampton, London 1853, open face with transfer print and subsidiary seconds dial, Serial No. 25753.

Lot 4

A John Wesley Centenary bowl, grey and white transfer printed, with portrait of John Wesley and print of Centenary Hall and Mission House, London. Diameter 16 cm. CONDITION REPORT: There is no makers mark. The piece is in generally very good condition with only minor surface scuffs and marks as one would expect of an item of this age. There are no repairs and no restoration. There are no significant chips and no cracks only very minor abrasions in places.

Lot 847

An engraving, "To Sir Mark Masterman Sykes Barr, Foxhounds Breaking Cover", painted by H.B. Chalon, engraved by W. Ward. 55 cm x 72 cm. CONDITION REPORT: This lot is not in particularly good condition. The print is generally a little dirty particularly around the margins. The colours are reasonably strong but there are clear scuffs, small areas of rippling and fold marks particularly in the left and right hand margins around the plate edges. The inscription at the bottom of the plate is also faded in areas although it is legible. The frame is clearly a later frame and there are no significant labels. If the picture were to be reframed then it would be much more presentable than in its current state. The marks to the prints itself are fairly minor it is really the state of the margin that is the principal problem.

Lot 850

Sir William Russell Flint, signed print, "Eve & Jasmine", proof state, dated November 1958. 18 ins x 24 ins, framed. CONDITION REPORT: As you will see from our images the print has slipped in its mount. This will clearly show the yellowing that has occurred over the years. The discolouration is made more pronounced due to the slipping. Other than the discolouration we cannot see any signs of foxing, repairs, rippling, tears or creases or any damp damage. The colours seem fairly strong to us and not significantly faded.

Lot 851

Sir William Russell Flint, signed print, "Preparation", proof state, dated 1959. 17 ins x 23 ins, framed.

Lot 852

Sir William Russell Flint, signed print, female figure with jugs. 16.5 ins x 25 ins, framed.

Lot 853

Sir William Russell Flint, signed print, "The Trio", artists proof, December 1964. 18 ins x 23 ins, framed.

Lot 860

After Cecil Aldin, coloured print, the York Royal Mail coach outside an inn. 12.5 ins x 23 ins, framed.

Lot 865

Sir William Russell Flint, limited edition print, "Picnic at Laroche", 615/850, bearing proof stamp. 19.5 ins x 26 ins, framed.

Lot 873

Sir William Russell Flint, signed print, "Green Slippers". 9.5 ins x 13 ins, framed. CONDITION REPORT: This seems to us to be a good quality print. It has the blind stamp in the left hand corner and is signed on the mount. The colours seem fairly strong the print is marked copyright W J Stacy London WC1. This print does not have any significant discolouring to the margin. The colours in our opinion seem strong and we do not think there is any substantial fading. There is no foxing, tears, creases or any other damage that we can see.

Lot 875

A. Macbeth-Raeburn, signed print, young boy with terrier. 17 ins x 12.5 ins, with gilt slip and rosewood frame.

Lot 902

Lawrence Isherwood, limited edition print, 24/75, "Gracie Fields", signed by the artist and subject. 17 ins x 20 ins, framed.

Lot 903

Alfred Wainwright, signed print, "Langdale Pikes from Chapel Stile". 7 ins x 8.5 ins, framed.

Lot 943

Garrick Palmer, artists proof etching, "Summer Landscape". 33 cm x 49 cm, signed and dated 1969. CONDITION REPORT: This print is in generally good order with no damage, no repairs and no restoration. There is very slight discolouration to the margin but this is not significant. There are no repairs, no damage and no restoration.

Lot 945

A large Victorian "The Britannia" musical box, to play 12 inch polyphon discs, the cabinet being crossbanded and ebonised. Width 24.5 ins. CONDITION REPORT: There is only one disc with the player. This is the Blue Danube Waltz. The disc seems to play as it should and is tuneful. The mechanism winds as it should. It does stop and play and also operates at half speed if desired. Three of the teeth on the comb are damaged. Two have missing tips and one is 3/4 missing. The others all appear to be in good order. The inside of the case is dirty and dusty and there are scuff marks as one would expect to the underside of the lid, however the majority of the transfer print is clear and present with only some minor losses. The exterior of the case is a little tired and scuffed. The transfer print to the lid is for the most part missing. There are no losses to the lid simply scuffs and scratches. The same can be said for the main body of the case which is not structurally damaged but scuffed around the feet and foot rim and all over the main body. It is however in good, original, unrestored condition.

Lot 405

A BOWMAN STATIONARY STEAM PLANT with a horizontal boiler and single cylinder, set to a painted wooden block base with manufacturer`s transfer print, in original box.

Lot 298

After Lionel Edwards 1963 - colour print of The Presentation of the new Colours to The Household Cavalry Regiment, 46cm x 61cm and two 19th century Lifeguard prints and one other military print (4)

Lot 494

1930s coloured print Presentation of New Standard to 5th Royal Inniskilling Dragoon Guards at Colchester Cavalry Barracks March 1938, in glazed frame and John King signed limited edition print - Review of the Inniskilling Dragoon Guards 1985 and a brass Regimental crest plaque (3)

Lot 4

A John Wesley Centenary bowl, grey and white transfer printed, with portrait of John Wesley and print of Centenary Hall and Mission House, London. Diameter 16 cm. CONDITION REPORT: There is no makers mark. The piece is in generally very good condition with only minor surface scuffs and marks as one would expect of an item of this age. There are no repairs and no restoration. There are no significant chips and no cracks only very minor abrasions in places.

Lot 370

A Victorian silver pocket watch, lever, by Jonathan Reed of Brampton, London 1853, open face with transfer print and subsidiary seconds dial, Serial No. 25753.

Lot 256

Paul Jacoulet (French, 1902 - 1960, based in Japan), an Art Deco style and period colour woodblock Print depicting seated Spanish style lady with elaborate blouse, large earrings and holding a fan against a backdrop of calm water, signed and dated by the Artist, 1934, with two Japanese seal mark stamps, the image 41cm x 27cm CONDITION REPORT: Print itself seems OK, minor discolouration to left margin and serrated edges to top and left hand side otherwise, good for age.

Lot 166

2 x Long curtain size pieces of Heals artist textile silk screen print fabric named Indian Summer. mid 20thC. 310cm x 110cm each. Condition. Unused and as new. Very minor print discrepancies as is the nature of such colouring processes of the time.

Lot 76

Two tape measures, comprising; a polychrome painted cast metal tape measure in the form of a cockatoo or parrot, printed tape in inches and centimetres, marked ""London - Made Austria"", 8cm, and a boxwood barrel form tape measure with colour print of a woman holding flowers and titled ""Nice"", with bone winding spindle incorporating a Stanhope (3-view Souvenir de Nice), printed tape in centimetres, 4.2cm. (2)

Lot 148

Children`s sewing boxes, etc., comprising; a Regency red leather example, a.f., 12cm, a crude sewing box with print to lid of a school and children, with contents, 14.5cm, a 5-piece leatherette cased sewing companion, 14cm, a children`s sewing box with contents, hinge a.f., 19.5cm, and a sewing companion in the form of a rocking chair. (qty) (Diane Pelham Burn Collection)

Lot 161

A Regency tan leather sewing box of sarcophagus form, bombe sides, the front fitted with a drawer, the lid with concave mouldings rising to a rectangular lid tablet with grooved decoration below a plain tablet with gilt brass acorn embellished plaque, the lid with gilt tooled decoration, gilt brass escutcheon, drawer handle and floral feet, the interior with silk lid panel with a print of a woman by a stile, compartmentalised lower section with fitted pincushions, tool lid, thimble, tape, compartments, needlebook and further lid, 20.5cm x 15.7cm x 13.5cm.

Lot 171

An attractive early 19th century painted sewing pannier, probably Spa work, the pannier of octagonal form with tapering sides and painted with flowers within formal borders, the inset lid with a colour print of a city within a floral border, wooden swing handle, interior re-lined, 18cm x 12cm x 14.5cm.

Lot 22

A Tunbridge ware disc form whitewood pincushion, one side with a titled print of ""Brighton Pavilion"", to the reverse ""Brighton Pier"", small split to outer edge, 4.7cm.

Lot 245

Needle books and boxes, comprising; The Queen Victoria Jubilee needlebook with colour prints and recording births of Queen Victoria`s children, spine worn, 12cm x 7.5cm, a leather example for George VI, a cardboard needle wallet commemorating Byron, a pressed Bristol card needlebook dated 1863, a.f., The Bournemouth Needle Case, and a cardboard needle packet box with colour print to lid, 10cm x 6.2cm. (6)

Lot 251

Three needlepacket boxes, comprising; a red leather example of card case form, one side with gilt tooled decoration, 5cm x 2.5cm, another in velvet with gilt foil decoration in the form of a book, 6.2cm x 4.2cm, and another of book form with worn colour print to lid, 5cm x 3cm. (3)

Lot 256

A fine cut and raised paperwork needlebook, the cover with a flower and leaves, red leather spine, the reverse with a colour print of flowers, gilt foil edges, pink ribbon, internal flannel, mint, 5cm x 3.8cm.

Lot 266

A rare late 18th century French pin stuck needlebook, the card covers edged in gilt foil with a print of soldiers in a fort to the front and figures in a courtyard to the back, two double silk pages printed and colour painted, the first titled ""L`Attelier d`Amour"" depicting winged figures preparing arrows and bows, the arrows formed from pins, the second page titled ""Retour d`Amour de la Chasse"" showing a winged figure with bow and arrow entering through a gateway, the railings formed from needles, with two further `pages` of needle flannel, 8.5cm x 7cm.

Lot 300

Three early 19th century red leather needle packet cases, comprising; a wallet form example titled ""Needles"" and gilt tooled, green silk interior with numerical compartments, the reverse with a colour print of continental city, 6.7cm x 4.7cm, and two book form examples, 4.6cm and 5.3cm. (3)

Lot 4

An unusual painted Tunbridge ware thimble case, of vase form with line painted decoration, the overhanging circular top set with a titled print ""Brighton Pier"", with a silver thimble, 3.5cm high.

Lot 40

An unusual Tunbridge ware painted cribbage board, on box base, the oval overhanging top with pierced border enclosing an oval rosewood panel centred by a rectangular colour print, titled ""Pier Head, Margate"", on a rectangular box base with sliding base, with bone markers, 17cm wide.

Lot 479

A mixed lot, comprising; a red velvet covered sewing companion with tools, 24cm, sundry crochet hooks and other tools, an ivory etui, a.f, with scissor and thimble, 8cm, a WWI flags of The Allies pincushion in original box, with print image of Kitchener to lid, 12.5cm x 8.5cm, a pair of scissors in relic condition, two chatelaine mounts, one inset with porcelain plaques but lacking clip, a pair of 18th century embroidered silk pillow pincushions, s.d., 7cm square, and a triangular print decorated cardboard box. (qty) (Betty Wolf Collection)

Lot 489

A mixed lot, comprising; a patchwork square pincushion, 2.7cm, another in the form of a slipper, 5cm, a star form straw work silk winder, 4.5cm, a carved walnut shoe to house a thimble, lacking cover, 5.5cm, a pierced bone cylinder box, s.d. to edge of screw lid, 3.7cm, two Baxter print needlebook covers, individually framed, another Baxter style print, framed, and a cut and stacked Bristol card panel with printed floral panel, incorporating sacred hearts and embroidered ""These Three Hearts We Love and Adore"", in double sided frame, 18.5cm x 14.5cm. (9) (Diane Pelham Burn Collection)

Lot 51

Tartan & Mauchline ware, comprising; a Tartan needlebook, 8.5cm x 6cm, a cylinder bodkin case (Prince Charlie), 9.5cm, another, 5cm, a pin disc (M`Beth), 5cm, a whitewood silk winder ""Happy Christmas"", 5cm, and a pin box with floral print to lid, 10.7cm, most a little rubbed. (6) (Diane Pelham Burn Collection)

Lot 4

An unusual painted Tunbridge ware thimble case, of vase form with line painted decoration, the overhanging circular top set with a titled print ""Brighton Pier"", with a silver thimble, 3.5cm high.

Lot 22

A Tunbridge ware disc form whitewood pincushion, one side with a titled print of ""Brighton Pavilion"", to the reverse ""Brighton Pier"", small split to outer edge, 4.7cm.

Lot 40

An unusual Tunbridge ware painted cribbage board, on box base, the oval overhanging top with pierced border enclosing an oval rosewood panel centred by a rectangular colour print, titled ""Pier Head, Margate"", on a rectangular box base with sliding base, with bone markers, 17cm wide.

Lot 51

Tartan & Mauchline ware, comprising; a Tartan needlebook, 8.5cm x 6cm, a cylinder bodkin case (Prince Charlie), 9.5cm, another, 5cm, a pin disc (M`Beth), 5cm, a whitewood silk winder ""Happy Christmas"", 5cm, and a pin box with floral print to lid, 10.7cm, most a little rubbed. (6) (Diane Pelham Burn Collection)

Lot 76

Two tape measures, comprising; a polychrome painted cast metal tape measure in the form of a cockatoo or parrot, printed tape in inches and centimetres, marked ""London - Made Austria"", 8cm, and a boxwood barrel form tape measure with colour print of a woman holding flowers and titled ""Nice"", with bone winding spindle incorporating a Stanhope (3-view Souvenir de Nice), printed tape in centimetres, 4.2cm. (2)

Lot 148

Children`s sewing boxes, etc., comprising; a Regency red leather example, a.f., 12cm, a crude sewing box with print to lid of a school and children, with contents, 14.5cm, a 5-piece leatherette cased sewing companion, 14cm, a children`s sewing box with contents, hinge a.f., 19.5cm, and a sewing companion in the form of a rocking chair. (qty) (Diane Pelham Burn Collection)

Lot 171

An attractive early 19th century painted sewing pannier, probably Spa work, the pannier of octagonal form with tapering sides and painted with flowers within formal borders, the inset lid with a colour print of a city within a floral border, wooden swing handle, interior re-lined, 18cm x 12cm x 14.5cm.

Lot 245

Needle books and boxes, comprising; The Queen Victoria Jubilee needlebook with colour prints and recording births of Queen Victoria`s children, spine worn, 12cm x 7.5cm, a leather example for George VI, a cardboard needle wallet commemorating Byron, a pressed Bristol card needlebook dated 1863, a.f., The Bournemouth Needle Case, and a cardboard needle packet box with colour print to lid, 10cm x 6.2cm. (6)

Lot 251

Three needlepacket boxes, comprising; a red leather example of card case form, one side with gilt tooled decoration, 5cm x 2.5cm, another in velvet with gilt foil decoration in the form of a book, 6.2cm x 4.2cm, and another of book form with worn colour print to lid, 5cm x 3cm. (3)

Lot 256

A fine cut and raised paperwork needlebook, the cover with a flower and leaves, red leather spine, the reverse with a colour print of flowers, gilt foil edges, pink ribbon, internal flannel, mint, 5cm x 3.8cm.

Lot 266

A rare late 18th century French pin stuck needlebook, the card covers edged in gilt foil with a print of soldiers in a fort to the front and figures in a courtyard to the back, two double silk pages printed and colour painted, the first titled ""L`Attelier d`Amour"" depicting winged figures preparing arrows and bows, the arrows formed from pins, the second page titled ""Retour d`Amour de la Chasse"" showing a winged figure with bow and arrow entering through a gateway, the railings formed from needles, with two further `pages` of needle flannel, 8.5cm x 7cm.

Lot 300

Three early 19th century red leather needle packet cases, comprising; a wallet form example titled ""Needles"" and gilt tooled, green silk interior with numerical compartments, the reverse with a colour print of continental city, 6.7cm x 4.7cm, and two book form examples, 4.6cm and 5.3cm. (3)

Lot 479

A mixed lot, comprising; a red velvet covered sewing companion with tools, 24cm, sundry crochet hooks and other tools, an ivory etui, a.f, with scissor and thimble, 8cm, a WWI flags of The Allies pincushion in original box, with print image of Kitchener to lid, 12.5cm x 8.5cm, a pair of scissors in relic condition, two chatelaine mounts, one inset with porcelain plaques but lacking clip, a pair of 18th century embroidered silk pillow pincushions, s.d., 7cm square, and a triangular print decorated cardboard box. (qty) (Betty Wolf Collection)

Lot 489

A mixed lot, comprising; a patchwork square pincushion, 2.7cm, another in the form of a slipper, 5cm, a star form straw work silk winder, 4.5cm, a carved walnut shoe to house a thimble, lacking cover, 5.5cm, a pierced bone cylinder box, s.d. to edge of screw lid, 3.7cm, two Baxter print needlebook covers, individually framed, another Baxter style print, framed, and a cut and stacked Bristol card panel with printed floral panel, incorporating sacred hearts and embroidered ""These Three Hearts We Love and Adore"", in double sided frame, 18.5cm x 14.5cm. (9) (Diane Pelham Burn Collection)

Lot 1055

Terence Cuneo Print Merchant Navy Class 35027 Passing Under A Bridge signed by the artist and numbered 466/850

Lot 1034

Phil May - Limited Edition Signed Print Utah Salt Flats USA depicting Goldie Gardeners MG Record Car, numbered 15/25 14x18``, 36x46cm (glazed and framed)

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