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Click here to subscribeBob Dylan, American b. 1941- Train Tracks (white), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA, issued by Washington Green Fine Art. Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks (blue), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA issued by Washington Green Fine Art. Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks (green), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA issued by Washington Green Fine Art. Please refer to department for condition report
John Baldessari, American 1931–2020, Give me a B, Give me an A..., 2009; 10-part leporello, digital pigment print (Ditone) on Hahnemühle Photo Rag paper, presented in a folio,signed in ink and numbered 33/75 in pencil on a label attached to the reverse, stamped Forty Are Better Than One 2009, published by Schellmann Art Production, Munich & New York, folded dimensions: 32 x 25 cm, complete sheet: 32 × 250 cm, (unframed) Please refer to department for condition report
Nan Goldin, American b. 1953- Memory Lost / Sirens, 2021; vinyl with limited edition c-type print, produced and composed by Mica Levi, Soundwalk Collective and Franz Schubert for Nan Goldin, published by The Vinyl Factory, print: signed in black marker, 30 x 30 cm, sleeve: 30.5 x 31 cm, (unframed) Please refer to department for condition report
Case Simmons & Andrew Burke, American b. 1983 & b. 1982- Clouds # 3, 2008; light jet print in colours on photo paper, signed in red ink to label verso, numbered 2/2 AP, an artist's proof aside from the edition of 6, image: 49 x 67.4 cm, (framed)Please refer to department for condition report
David Yarrow, British, b.1966- The Garrison, 2016; pigment print in black and white on wove, signed, dated and numbered 8/12 in black pen, image: 94 x 124.5 cm, (framed) (ARR) Note: This lot is accompanied by a certificate of authenticity from the artist dated 5/4/22.Provenance; The Maddox Gallery, LondonPlease refer to department for condition report
Greg Gorman, American b. 1949- Papillon; digital print on board, signed by winemaker Dave Phinney, created for Orin Swift Cellars, image: 57.5 x 80 cm, (framed) Note: This photograph was taken for, and is used on the bottles of a 2020 Bordeaux blend of Dave Phinney’s Orin Swift wine. Phinney’s Papillon label is inspired by contradictions. While walking through a vineyard with his three-year-old daughter on his shoulders and thinking about what to call his next wine, a butterfly flew by and his daughter exclaimed, “Look, a papillon!” Phinney was flummoxed as to where she had picked up the French word for butterfly.It was on his mind to create a label featuring tattoos on someone’s knuckles. “Papillon has eight letters so the idea clicked. I love the juxtaposition of this beautiful French word on these really gritty hands,” says Phinney, who used one of his grape growers as a hand model.“He’s the nicest guy and a third generation old school farmer, which is exactly the look I wanted,” says Phinney, who asked his friend Greg Gorman to photograph the label in black-and-white.Please refer to department for condition report
Lawrence Schiller, American b. 1936- Marilyn Monroe, Birthday cake, 2007; chromogenic print on wove, signed and numbered A/P 5/10 in black ink, an Artist's Proof aside from the edition of 75, from the Marilyn 12 portfolio, published by East End Editions KLS, LLC, California, sheet: 76 x 101.5 cm, (unframed)Please refer to department for condition report
Lawrence Schiller, American b. 1936- Marilyn Monroe, contact sheet, 2007; chromogenic print on wove, signed and numbered A/P 5/10 in black ink, an Artist's Proof aside from the edition of 75, from the Marilyn 12 portfolio, published by East End Editions KLS, LLC, California, sheet: 76 x 101.5 cm, (unframed)Please refer to department for condition report
AMENDMENT- this lot was not purchased from a New York gallery but acquired from the artist through the charity Fashion ActsLinda McCartney, British 1941-1998, Boy, shape 1, sun print; silver gelatin print on Agfa paper, signed in black pen, 50.5 x 40.7 cm, (unframed) (ARR) Note: this work was purchased from a gallery in New York and is thought to be of Linda's son, JamesPlease refer to department for condition report
Martha Cooper, American b.1943- Girl on a swing; archival pigment print on Hahnemuhle Baryta Fine Art Paper, signed and numbered 12/75 in black ink, image: 33.5 x 23.5 cm, (framed) Note: this work is accompanied by a Certificate of Authenticity issued by StolenSpace Gallery, London. Provenance: purchased from StolenSpace Gallery, 2016, with original invoice and reciept Provenance: Property of a KAWS collectorPlease refer to department for condition report
Philippe Halsman, American 1906-1979, Fashion study; silver gelatin print on paper, inscribed with Copyright stamp by the artist on the reverse, 35.3 x 28 cm, (unframed) Provenance: This work was acquired by the vendor from a gallery in New YorkPlease refer to department for condition report
Laurie Simmons (American b. 1949-); William Wegman (American, born 1943); Martin Parr (British b. 1952-), How We See / Charlotte (Blue), 2015; Shore; Weymouth, England, Great Britain; each C-print on Fuji Crystal Archive Matte paper, 15.2 x 15.1 cm; 15.3 x 15.2 cm; 15.2 x 15.1 cm, (each unframed) (ARR) (3) Please refer to department for condition report
Steve McCurry, American b. 1950, Flower Seller, Dal Lake, Srinagar, Kashmir, 1996; Dust Storm, Rajasthan, India, 1983; Rabari tribal elder, Rajasthan, India; each C-print on Fuji Crystal Archive Matte paper, 15.2 x 15.1 cm; 15.2 x 15.1 cm; 15.2 x 15.2 cm, (each unframed) (3) Please refer to department for condition report
Antoni Tapies, Spanish 1923-2012, En Forme de Montagne, 1980; lithograph in colours on Japanese wove, signed and numbered 32/75 in pencil, printed and published by Maeght, sheet: 56.7 x 76.5, (unframed) (ARR) Literature: Deborah Wye, Antoni Tapies in Print, (Museum of Modern Art: New York, 1991), Plate 28Please refer to department for condition report
Chris Levine, Canadian b. 1960- Lightness of being, 2021; diasec-mounted giclee print on aluminium composite panel, signed and numbered 807/1000 in black pen on a label attached to the reverse, published by Dominic Guerrini Fine Art, London, 90 x 70 cm, (unframed) Note: together with original packagingPlease refer to department for condition report
Idris Khan OBE, British b. 1978- I thought we had more time (Ukraine Fundraiser Print), 2022; collaged archival pigment print on Somerset and Kozo paper, signed in blue crayon, sheet: 42.5 x 33.2 cm, (unframed) (ARR) Note: together with four flyers from My Great Art (which mention the Disaster's Emergency Committee to support their work in Ukraine(2)Please refer to department for condition report
Laurence Stephen Lowry RBA RA, British 1887-1976, The Pond; offset lithograph on wove, signed in pencil, edition of 850, Printed by the Beric press, published by Mainstone Print Publications, 1974, Fine Art Trade Guild blindstamp, image: 43 x 57.3 cm, (framed) (ARR) Note: After an oil painting on canvas by Lowry from 1950. The original painting is currently held by Tate Britain, London. This image was used as a Christmas card by Prime Minister Harold Wilson in 1964.Please refer to department for condition report
Etel Adnan, Lebanese 1925–2021, We have to connect what words separated, 2021; giclée print on Hahnemühle Bamboo 290gsm wove, signed and dated in the plate, edition number 25/100, sheet: 42 x 29.8 cm, (unframed) Note: together with COA issued by Klein Imaging, dated 14/12/2021 and hologram stickers Please refer to department for condition report
Damien Hirst, British b. 1965- H10-4 Suiko from the Empresses series, 2022; laminated Giclée print on aluminium composite, screen printed with glitter, signed in pencil, titled and numbered 976/3310 on label attached to the reverse, 100 x 100 cm, (unframed) (ARR) Note: together with original packaging Provenance: Heni Editions, London, acquired from the above by the present owner Please refer to department for condition report
Damien Hirst, British b. 1965- H10-1 Wu Zetian from the Empresses series, 2022; laminated Giclée print on aluminium composite, screen printed with glitter, signed in pencil, titled and numbered 374/2853 on label attached to the reverse, 100 x 100 cm, (unframed) (ARR) Note: together with original packaging Provenance: Heni Editions, London, acquired from the above by the present owner Please refer to department for condition report
Damien Hirst, British b. 1965-Butterfly Heart Rainbow (Large), 2020;laminated Giclée print on aluminium composite panel, signed in ink on the label attached to the reverse, published by Heni Editions, London, cat. no. H7-3, ed. no. 1329/1698, together with original Heni packaging, 70 x 72.7 cm, (unframed) (ARR)Please refer to department for condition report
Damien Hirst, British b. 1965-Fruitful (small), 2020;laminated giclée print in colours on aluminium composite panel, signed in black ink to label verso, numbered 2150/3308, published by Heni Editions, London in collaboration with Fondazione Prada, no. H82, together with original Heni packaging, 39 x 39 cm, (unframed) (ARR)Please refer to department for condition report
Banksy, British b. 1974- Walled Off Box Set, 2017; giclee print with concrete piece of wall, from the open edition, in the artist's designated Ikea frame, 25.2 x 25.2 cm, (ARR) Provenance: This work is accompanied by the original receipt from the Walled Off Hotel. Note: Banksy’s Walled Off Hotel in the Palestinian territories is a continuation of the artist’s interest in the region, first ignited when he graffitied the West Bank barrier in 2004. Banksy opened a gift shop to sell customised souvenirs relating to the locale amid the tense political situation.Please refer to department for condition report
Laurence Stephen Lowry RBA RA, British 1887-1976,Britain at Play;offset lithograph on wove, signed in pencil, edition of 850, printed by the Beric press, published by Mainstone Print Publications, 1974, Fine Art Trade Guild blindstamp, image: 44.8 x 60 cm, (framed) (ARR)Please refer to department for condition report
Martin Whatson, Norwegian b. 1984- Sneak peak, 2021; giclee with 7 Colour Screen Print On 300 Gsm Somerset satin wove, paper embossed around the curtain edge for a 3D effect with the graffiti in the background, blind-stamped by Martin Whatson & Graffitiprints, 62 x 25 cm, (unframed) (ARR) Note: together with COA issued by Graffiti PrintsPlease refer to department for condition report
Pejac, Spanish b. 1977- Love Letter, 2018;photopolymer and digital print in colours on custom-made envelope in 250gsm Arches wove, signed and numbered 85/470 in pencil, contained within original wooden slide box with foam spacers and handling gloves, sheet: 16.2 x 26 cm, (multiple) (ARR) Note: together with COA issued by the artist, signed by the artist. Provenance: Property of a KAWS collectorPlease refer to department for condition report
Raoul Dufy, French 1877-1953, Fleurs; Woodblock print with watercolour wash on wove, stamped with monogram 'RD', inscribed '52815 Mo. Bianchini' in pencil underneath the mount, sheet: 45.7 x 31.2 cm, (framed) Provenance: With Connaught Brown, London W1X, label on the reverse, Notes: Bianchini refers to Bianchini-Férier, a silk weaving manufacturer based in Lyons for whom Dufy was a designer. Please refer to department for condition report
Tom Phillips CBE RA, British b.1937-Dante Alighieri, the Divine Comedy: Inferno, 1983;etching, aquatint, lithographs, silkscreens on 100% rag Inveresk acid-free mould-made 250gsm wove in three volumes, boxed, each print initialled in pencil, each sheet watermarked by Tom Phillips, a limited edition of an unknown size, printed by The Talfourd Press, published by Tom Phillips, box: 45 x 35 x 19 cm, (unframed) (ARR)Note:Typography by Ian Mortimer, and printed at IM Imprimit, London.Binding by Pella Erskine Tulloch.Project coordinator Anthea Toorchen.Intaglio plates worked, proofed and editioned by Nick Tite and the artist at the Talfourd Press between 1979 and 1983, and completed by John Duffin in 1989.Lithographs worked and proofed by Nick Hunter at the Talfourd Press, and editioned at the Dog's Ear Press, London between 1979 and 1983.Silkscreens proofed and editioned under the direction of Chris Betambeau at Advanced Graphics, London between 1979 and 1983.Additional silkscreens proofed and editioned by Brad Faine at the Coriander Press, London in 1982.Please refer to department for condition report
AFTER LIONEL EDWARDS "Beaufort Hunt" signed in pencil and with blind studio stamp, bears label verso inscribed "Coloured Artist's Proof by Lionel Edwards, The Beaufort Hunt" 36 cm x 52 cm together with four further LIONEL EDWARDS prints to include "The Old Surrey and Barstow" and "Mendip above Wells", all signed in pencil with blind studio stamp and a further LIONEL EDWARDS coloured print and AFTER JOHN KING "Study of horsemen jumping stone wall" coloured print
GEORGE WILLIS PRYCE (1855-1949) "Extensive landscape with roadways in foreground" watercolour heightened with white, signed lower left together with another by the same hand, a pair 28.5 cm x 74 cm together with a Chinese silkwork study of vase of lilies 69 cm x 58.5 cm together with two boxes of assorted prints to include WILLIAM RUSSELL FLINT "Sunbathers on a beachside" limited edition colour print No'd 808/850 26 cm x 34 cm
AFTER STEVEN PAN "Maya", limited edition giclee print on canvas No'd. 240/295, together with certificate of authenticity, 48 cm x 76 cm, together with AFTER LENA "Study of early 20th Century woman in grey striped dress", limited edition colour print No'd. 292/350, signed in pencil lower right, 65 cm x 83 cm, together with "Young windswept woman", limited edition colour print No'd. 286/295, indistinctly signed Lena?, 47 cm x 64 cm (3)
A collection of books by PATRICIA LYNCH to include "Strangers at the Fair" illustrated by Eileen Coghlan, published Browne & Nolan Ltd Dublin, tooled cloth board bound with dust jacket, print date unknown, "The Mad O'Haras" illustrated by Elizabeth Rivers, published JM Dent & Sons 1948 first edition, tooled cloth board bound with dust jacket, "The Cobbler's Apprentice" new edition 1947, cloth board bound with tooled spine with dust jacket, "The Turf-Cutter's Donkey Kicks Up His Heels" illustrated by Eileen Coghlan, first edition, December 1946, published Browne & Nolan Ltd, Dublin, tooled cloth board bound with dust jacket, "The Seventh Pig" illustrated by J Sullivan, first edition 1950, tooled cloth board bound with dust jacket and "The Dark Sailor of Youghal" illustrated by J Sullivan, published JM Dent & Sons Ltd, first edition 1951, tooled cloth board bound with dust jacket (13 volumes total)
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