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After Giovanni Bellini, Portrait of Doge Leonardo Loredan, reproduction print, 30 x 22cm, to be sold with an engraving of Henry de la Tour and a portrait miniature of a lady, (3).

An oleographic reproduction print of the Cricket Match at Christchurch, issued by the MCC Portfolio of Cricketing Prints, no. 204/500, 48 x 72cm, together with another print of Thomas Hope of Amsterdam after Jean Francois Sablet, no 486/500, 62 x 51cm (2)

After Bernard Buffet (French, 1928-1999), Still life, reproduction print on board, 64 x 49.5cm.

English Provincial School, 19th Century, Portrait of a gentleman, oil on canvas, 76 x 62cm, (unframed), together with an oleograph print, portrait of a 19th century gentleman, 60 x 52cm (2).

Published by Henry Graves, Gooden & Fox Ltd, Feb. 1924, classical print children in wooded landscape pencil signed 54cm x 42cm

A framed and glazed Egyptian Papyrus print, 92cm x 62cm

A pine framed wall mirror and a large print after Coulson of a windmill, framed and glazed

An abstract print after M. Mouly of figures by gondolas, 59cm x 73cm

An early Victorian Antique Paisley roller print wool challis fringed shawl scarf, 150cm x 150cm, circa 1850

A sepia style print depicting a maiden of classical form, framed and glazed, 24cm x 19cm

3 prints and canvas and another print, landscapes.

A framed and glazed Russell Flint print.

A framed and glazed Russell Flint print.

Approximately 118 issues of Understanding Science, second print.

Margaret Ashman I Am Strong (4). 2020 Phototransfer and Monoprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Margaret Ashman is a printmaker whose work is a meditation on the unseen, spiritual, emotional and otherness of life. Using photographs or video stills, sometimes layering images from multiple sources she creates pieces in which a solitary dancer fills or interacts with a space. Dancers or Deaf signers are photographed performing contemporary dance or signing to particular songs or texts. She also works from video stills of dancers, always gaining the permission of the dance artist first. The manipulated imagery is transferred to multiple etching plates using traditional acids and aquatint, imparting a particular textural quality to the finished prints. She lives and works in London.   Education   Certificate in Further Education City & Guilds 7407, Kensington & Chelsea 2006 MA Printmaking & Professional Practice, University of Brighton and London Print Studio 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980   Exhibitions & Awards   2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery, Grimsby 2012 Intaglio Printmaker Award, Royal Society of Painter Printmakers Exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial, China Recent Exhibitions 2020 ING Discerning Eye, London New Work by the RE, Printmakers in Lockdown, Bankside Gallery   Woolwich Print Fair In Print 20/20 Vision, Watts Contemporary Gallery, Surrey Summer Exhibition, Royal Academy of Arts, London Colour, Printmakers Council, Royal Overseas League, London Reawakenings, Lingwood Samuel, Godalming Stones from other Mountains: 2020 International Outstanding Printmaking Artists Works Exhibition, China Printmaking Museum Margaret Ashman and Pascale Simonet, Nagai Artist Space, Hiroo Shibuya,Tokyo 4th Red Dot Art Mini Print Exhibition, Anteros Arts Foundation, Norwich Printmakers Council, Scarborough Art Gallery, Scarborough Time, Printmakers Council, Highgate Literary and Scientific Institute, London 2019 The Mini Picture Show, Bankside Gallery Solo Show, Higher Ground, The Muse Gallery, London Pratt Institute, Brooklyn, New York PrintFest, Algarden, Boras, Sweden Summer Exhibition, Royal Academy of Arts, London Flow, Gallery 57, Arundel A Silent Space Between, Gallery 57, Arundel RE Original Prints, Bankside Gallery London Original Print Fair, Royal Academy Journeys, Printmakers Council, Touring Exhibition 2018 Woolwich Contemporary Print Fair, Woolwich Arsenal, 22nd - 25th November ING Discerning Eye Exhibition, Mall Galleries, 15th - 29th November 3rd Red Dot Art Mini Print Exhibition, Aldeburgh, 21st - 25th September and touring to UK venues National Original Print Exhibition, Bankside Gallery, 19th - 30 September International Triennial of Contemporary Graphic Arts,Novosibirsk 14th September - 4th November Memory, Royal Overseas League, London 28th August - 25th November Off the Wall, Bankside Gallery London Print Studio Members Summer Show Spirit of Place, Late November Gallery, Haverfordwest Royal Society of Painter Printmakers, Burton Gallery, Bideford RE Printmakers at For Arts Sake, For Arts Sake, Ealing RE Originals, Bankside Gallery Print REbels, Bankside Gallery Light/Matter: Art at the Intersection of Photography and Printmaking, 1954 - 2017, University of Alberta, Edmonton, Canada Affordable Art Fair, Hampstead Impress III, The Gallery, Fisherton Mill, Salisbury Embodying Gesture, The Muse Gallery, London The Muse Gallery, Notting Hill, Bankside Gallery, Printroom Studio, Lingwood Samuel, Newbloodart, Singulart.   About the postcard artworks   These works are original prints created by hand on Somerset etching paper using etching inks with a photocopy litho technique. The images are from video stills of the dancer Kehua Li also known as Lico. She embodies strength, positivity and resilience in her energetic and beautiful dances. I wanted to capture something of that spirit in these mini portraits.

Hannah Mooney Study of Sycamore, 2021 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Hannah Mooney was born in Co. Donegal in 1995, Ireland. Lives and works in Co. Mayo. Education 2013-14 Art and Design Foundation, University of Ulster. 2014-17 BA Painting & Printmaking, Glasgow School of Art. Exhibitions/Awards Awards: Deanes Award for High Achievement, University of Ulster 2014. RSA John-Kinross Scholarship 2017. RSA Landscape Drawing Prize 2017. James Nicol McBroom Memorial Prize 2017. Armour Prize 2017. Glasgow Print Studio Publication Prize 2017. Hottinger Prize for Excellence 2018. House for an Art Lover Award 2018. Art in Healthcare Prize 2018. Fleming-Wyfold Bursary 2018. Solo exhibitions: Hannah Mooney, Fleming-Wyfold Bursary Winner 2019, John Martin Gallery, Mayfair, London. Hannah Mooney, Notes From the West 2019, The Scottish Gallery, Edinburgh. Hannah Mooney, Emerging Talent Exhibition 2020, Messums, Wiltshire. Collections: Art in Healthcare UK, James Nichol McBroom Archive, Hottinger Group and Fleming-Wyfold Collection. About the postcard artwork My work observes the natural growth and relationship between light and land in County Mayo and how this changes throughout the seasons.  

Hannah Mooney Sycamore at Ballyglass, 2021 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Hannah Mooney was born in Co. Donegal in 1995, Ireland. Lives and works in Co. Mayo. Education 2013-14 Art and Design Foundation, University of Ulster. 2014-17 BA Painting & Printmaking, Glasgow School of Art. Exhibitions/Awards Awards: Deanes Award for High Achievement, University of Ulster 2014. RSA John-Kinross Scholarship 2017. RSA Landscape Drawing Prize 2017. James Nicol McBroom Memorial Prize 2017. Armour Prize 2017. Glasgow Print Studio Publication Prize 2017. Hottinger Prize for Excellence 2018. House for an Art Lover Award 2018. Art in Healthcare Prize 2018. Fleming-Wyfold Bursary 2018. Solo exhibitions: Hannah Mooney, Fleming-Wyfold Bursary Winner 2019, John Martin Gallery, Mayfair, London. Hannah Mooney, Notes From the West 2019, The Scottish Gallery, Edinburgh. Hannah Mooney, Emerging Talent Exhibition 2020, Messums, Wiltshire. Collections: Art in Healthcare UK, James Nichol McBroom Archive, Hottinger Group and Fleming-Wyfold Collection. About the postcard artwork My work observes the natural growth and relationship between light and land in County Mayo and how this changes throughout the seasons.  

Hannah Mooney Ballyglass at Midday, 2021 Oil on Board Signed verso 15 x 10cm (5¾ x 3¾ in.) Hannah Mooney was born in Co. Donegal in 1995, Ireland. Lives and works in Co. Mayo. Education 2013-14 Art and Design Foundation, University of Ulster. 2014-17 BA Painting & Printmaking, Glasgow School of Art. Exhibitions/Awards Awards: Deanes Award for High Achievement, University of Ulster 2014. RSA John-Kinross Scholarship 2017. RSA Landscape Drawing Prize 2017. James Nicol McBroom Memorial Prize 2017. Armour Prize 2017. Glasgow Print Studio Publication Prize 2017. Hottinger Prize for Excellence 2018. House for an Art Lover Award 2018. Art in Healthcare Prize 2018. Fleming-Wyfold Bursary 2018. Solo exhibitions: Hannah Mooney, Fleming-Wyfold Bursary Winner 2019, John Martin Gallery, Mayfair, London. Hannah Mooney, Notes From the West 2019, The Scottish Gallery, Edinburgh. Hannah Mooney, Emerging Talent Exhibition 2020, Messums, Wiltshire. Collections: Art in Healthcare UK, James Nichol McBroom Archive, Hottinger Group and Fleming-Wyfold Collection. About the postcard artwork My work observes the natural growth and relationship between light and land in County Mayo and how this changes throughout the seasons.  

Katherine Jones Swimming Pool I Sugarlift Etching on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Katherine Jones is a contemporary British artist working in a combination of painting and traditional printmaking techniques. Her work revolves around perceptions of safety and danger, focusing on ordinary objects, spaces and buildings as a framework to begin to question these themes.   Education:   2001 - 2003 Camberwell College of Art, MA Fine Art Printmaking 1998 - 2001 Cambridge School of Art, BA (hons) Fine Art Printmaking   Exhibitions, Collections & Awards:   V&A National Art Library, UK Lafayette College, USA V&A Prints and Drawings Collection, UK Yale University Library, CT, USA Boston Athenaeum, USA University College London, Hospitals Art Collection, UK Wellesley Library, USA Guangdong Museum, China House of Lords, Government Art Collection, UK Swathmore College, PA, USA Ashmolean Museum, UK Saison Poetry Library, Royal Festival Hall, UK Winchester College, UK Swindon Museum and Gallery, UK Eton College, UK University of Chichester, Otter Collection UK Royal West of England Academy, Bristol   UK RESIDENCIES 2020/ 2018 Artist in residence, Sevenoaks School, Kent 2016-17 Artist in residence, Rabley Drawing Centre, Wiltshire 2015 Residency at Eton College, Windsor 2014 Residency at Winchester College 2013 Printfest Residency, Cumbria 2011 Residency at Kloster Bentlage, Rheine, Germany 2007-10 Research Fellowship, City and Guilds of London Art School, London 2009 Artist of the season, 'Twenty8Twelve', London 2005 Intaglio Printmaker Residency   AWARDS: 2019 Shortlisted for the Dentons art Prize, Denton's Law, London 2014 Royal Academy, London Original Print Fair Prize and Printmaking Today Prize 2013 Finalist - Arts Foundation Fellowship Award in Printmaking and Printmaker of the Year, Printfest Residency, Cumbria 2012 Guangdong Museum Purchase Prize, Qijiang, China 2010 Birgit Skiold Memorial Trust Award for Excellence V&A Purchase Prize 2009 International Print Biennale Solution Group Prize, The London Print Studio Award, Pushing Print Award, East London Printmakers Great Art Prize, Intaglio Printmaker Award, The T N Lawrence and Son Print Prize 2007 Julian Trevelyan Memorial Award for Printmaking, St Cuthbert's Mill Award for Watercolour 2006 Stoke Roberts Bursary Award 2003 Edward Ardizzonie Award, Artichoke Studio Award for Lithography Rabley Contemporary Gallery, Whiltshire, UK website https://rableygallery.com/?v=79cba1185463   About the postcard artworks:   The two pieces donated are etchings made using sugar-lift aquatint on zinc. They were made during a residency at Eton College and depict a disused swimming pool. This, once monumentally sized, figure of eight, state of the art pool I am told was at one time used as a landmark for the navigation of concord. It is now empty and deserted and has been gradually taken over by wildlife. Budlia grow from cracks in the lining and birds, foxes and butterflies find a safe haven there."  

Amanda Denny Untitled from the 'Meanwhile Series' 2020, 2021 Photographic Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Amanda Denny is a London based visual storyteller and photographic artist working with both analogue and digital image making processes. All of her practice now deals with the interplay of image, literature and archival documentary material in order to create new narratives. That 'fickle friend' memory, the imbrication of time and connections co-joined by chance circumstances tend to be at the start of her projects. Her practice explores issues of our mental spaces, including urban living, solitude versus loneliness, social stigmas and conflicted choice. She is also concerned with the pressures of achievement - 'happiness' too seems to have entered the fray and something to judge by, it misses the point. She believes that stories can help you exist in the world and by producing narrative spaces you can respond to everyday life and the social environment. There is the story and then there is the meaning to be got from it through the gaps, juxtapositions and conversations. The photo book and the development of photo-text are core to her practice as is creating tangible, tactile artwork that is designed to be viewed in person not on screen, and are not quick reads. Amanda's work is held in private collections and she has been exhibited in group shows worldwide.   Education   Amanda holds a BA (Hons) in Literature and History and graduated from the University of Westminster in 2019 with a BA (Hons) in Photography. 'The Book as Frame' workshop at the ICP in New York, 2020.   Exhibitions/Awards   She is currently part of the Modern Art Oxford "Activating our Archives: Community Dialogues" group project responding to the COVID-19 lockdown Exhibitor at the Royal Academy Summer Exhibition 2020 (6 October 2020 - 3 January 2021) Featured in the 'Yearbook 2020' online exhibition, organised by Shutter Hub in partnership with BenQ, Exposure Photography Festival, Fujifilm Original Photo Paper and Newspaper Club. Exhibitor in the 'Everyday Delight (Windows) Edition' exhibition running nationwide (from 1 August 2020).   Joint recipient of the Dentons Art Prize 2020 and Winner of the Dentons Arts Committee Prize 2020.   Exhibition at Dentons Law Firm, London, (December 2019 - December 2020). 'No Place Like Home' 2018 photo book displayed at La Biblioteca Nacional de España during the PHotoESPAÑA Festival 2019 Exhibitor in the 'Time to Think' Shutter Hub exhibition at Festival Pil'Ours, France 4th Edition. 1st July - 30 November 2019 and 2020 Cold Cases, Brighton Fringe, The Old Police Cells, Brighton 29 September 2018 City to Sea Coney Island* 2018 Wall Ortiz Gallery, NY 13th September 2018 to 15th November 2018 Peckham 24 Photography Festival 2018 - featured in the slideshow projection of works at the Overhaul exhibition. Friday 18th May - Sunday 20th May, Safehouse 1, 139 Copeland Road, London, SE15 3SN. 'Intrusion' 2017 group show at Paddington Central, London Crossrail's Street Hoardings Photography Display Dean Street W1 since 2011   Her book 'No Place Like Home' (2018) was shortlisted for the La Fabrica and Photo London Book Dummy Award 2019 and was nominated for the First Book Award 2018.   About the postcard artworks   The images selected are all part of an ongoing work in progress entitled 'Meanwhile' particularly the 'Down, down, down and still the weeds prevail' series. As Rhiannon Lucy Cosslett says, "so much femininity is unspoken. Moving through the world as a woman - the way you are viewed and treated, your emotions, your approach to your body - involves subtleties and complexities that are often unarticulated, sometimes even between women themselves." All suffering is unique to ourselves and not having the mental resilience, coping mechanisms or support structures to enable a safe space for self validation is detrimental to our wellbeing and sense of place in the world. Often society is too quick and too keen to label and judge. Habitually erroneous assumptions, based on the slightest details and often fleeting physical and environmental associations, lead to abhorrent stigmatisations and instantly deny the recipient any positive audience. Amanda's work continues to deal with the real estate of mental spaces and questions inherited prejudices and biases and memory associations. More than ever this is a time for reflection and reassessment. Her work offers a space for this personal revaluation and a space to create new narratives in. Condition Report:   Condition Report Disclaimer

Amanda Denny Untitled from the 'Meanwhile Series' 2020, 2021 Photographic Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Amanda Denny is a London based visual storyteller and photographic artist working with both analogue and digital image making processes. All of her practice now deals with the interplay of image, literature and archival documentary material in order to create new narratives. That 'fickle friend' memory, the imbrication of time and connections co-joined by chance circumstances tend to be at the start of her projects. Her practice explores issues of our mental spaces, including urban living, solitude versus loneliness, social stigmas and conflicted choice. She is also concerned with the pressures of achievement - 'happiness' too seems to have entered the fray and something to judge by, it misses the point. She believes that stories can help you exist in the world and by producing narrative spaces you can respond to everyday life and the social environment. There is the story and then there is the meaning to be got from it through the gaps, juxtapositions and conversations. The photo book and the development of photo-text are core to her practice as is creating tangible, tactile artwork that is designed to be viewed in person not on screen, and are not quick reads. Amanda's work is held in private collections and she has been exhibited in group shows worldwide.   Education   Amanda holds a BA (Hons) in Literature and History and graduated from the University of Westminster in 2019 with a BA (Hons) in Photography. 'The Book as Frame' workshop at the ICP in New York, 2020.   Exhibitions/Awards   She is currently part of the Modern Art Oxford "Activating our Archives: Community Dialogues" group project responding to the COVID-19 lockdown Exhibitor at the Royal Academy Summer Exhibition 2020 (6 October 2020 - 3 January 2021) Featured in the 'Yearbook 2020' online exhibition, organised by Shutter Hub in partnership with BenQ, Exposure Photography Festival, Fujifilm Original Photo Paper and Newspaper Club. Exhibitor in the 'Everyday Delight (Windows) Edition' exhibition running nationwide (from 1 August 2020).   Joint recipient of the Dentons Art Prize 2020 and Winner of the Dentons Arts Committee Prize 2020.   Exhibition at Dentons Law Firm, London, (December 2019 - December 2020). 'No Place Like Home' 2018 photo book displayed at La Biblioteca Nacional de España during the PHotoESPAÑA Festival 2019 Exhibitor in the 'Time to Think' Shutter Hub exhibition at Festival Pil'Ours, France 4th Edition. 1st July - 30 November 2019 and 2020 Cold Cases, Brighton Fringe, The Old Police Cells, Brighton 29 September 2018 City to Sea Coney Island* 2018 Wall Ortiz Gallery, NY 13th September 2018 to 15th November 2018 Peckham 24 Photography Festival 2018 - featured in the slideshow projection of works at the Overhaul exhibition. Friday 18th May - Sunday 20th May, Safehouse 1, 139 Copeland Road, London, SE15 3SN. 'Intrusion' 2017 group show at Paddington Central, London Crossrail's Street Hoardings Photography Display Dean Street W1 since 2011   Her book 'No Place Like Home' (2018) was shortlisted for the La Fabrica and Photo London Book Dummy Award 2019 and was nominated for the First Book Award 2018.   About the postcard artworks   The images selected are all part of an ongoing work in progress entitled 'Meanwhile' particularly the 'Down, down, down and still the weeds prevail' series. As Rhiannon Lucy Cosslett says, "so much femininity is unspoken. Moving through the world as a woman - the way you are viewed and treated, your emotions, your approach to your body - involves subtleties and complexities that are often unarticulated, sometimes even between women themselves." All suffering is unique to ourselves and not having the mental resilience, coping mechanisms or support structures to enable a safe space for self validation is detrimental to our wellbeing and sense of place in the world. Often society is too quick and too keen to label and judge. Habitually erroneous assumptions, based on the slightest details and often fleeting physical and environmental associations, lead to abhorrent stigmatisations and instantly deny the recipient any positive audience. Amanda's work continues to deal with the real estate of mental spaces and questions inherited prejudices and biases and memory associations. More than ever this is a time for reflection and reassessment. Her work offers a space for this personal revaluation and a space to create new narratives in.

Amanda Denny Untitled from the 'Meanwhile Series' 2020, 2021 Photographic Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)Amanda Denny is a London based visual storyteller and photographic artist working with both analogue and digital image making processes. All of her practice now deals with the interplay of image, literature and archival documentary material in order to create new narratives. That 'fickle friend' memory, the imbrication of time and connections co-joined by chance circumstances tend to be at the start of her projects. Her practice explores issues of our mental spaces, including urban living, solitude versus loneliness, social stigmas and conflicted choice. She is also concerned with the pressures of achievement - 'happiness' too seems to have entered the fray and something to judge by, it misses the point. She believes that stories can help you exist in the world and by producing narrative spaces you can respond to everyday life and the social environment. There is the story and then there is the meaning to be got from it through the gaps, juxtapositions and conversations. The photo book and the development of photo-text are core to her practice as is creating tangible, tactile artwork that is designed to be viewed in person not on screen, and are not quick reads. Amanda's work is held in private collections and she has been exhibited in group shows worldwide.   Education   Amanda holds a BA (Hons) in Literature and History and graduated from the University of Westminster in 2019 with a BA (Hons) in Photography. 'The Book as Frame' workshop at the ICP in New York, 2020.   Exhibitions/Awards   She is currently part of the Modern Art Oxford "Activating our Archives: Community Dialogues" group project responding to the COVID-19 lockdown Exhibitor at the Royal Academy Summer Exhibition 2020 (6 October 2020 - 3 January 2021) Featured in the 'Yearbook 2020' online exhibition, organised by Shutter Hub in partnership with BenQ, Exposure Photography Festival, Fujifilm Original Photo Paper and Newspaper Club. Exhibitor in the 'Everyday Delight (Windows) Edition' exhibition running nationwide (from 1 August 2020).   Joint recipient of the Dentons Art Prize 2020 and Winner of the Dentons Arts Committee Prize 2020.   Exhibition at Dentons Law Firm, London, (December 2019 - December 2020). 'No Place Like Home' 2018 photo book displayed at La Biblioteca Nacional de España during the PHotoESPAÑA Festival 2019 Exhibitor in the 'Time to Think' Shutter Hub exhibition at Festival Pil'Ours, France 4th Edition. 1st July - 30 November 2019 and 2020 Cold Cases, Brighton Fringe, The Old Police Cells, Brighton 29 September 2018 City to Sea Coney Island* 2018 Wall Ortiz Gallery, NY 13th September 2018 to 15th November 2018 Peckham 24 Photography Festival 2018 - featured in the slideshow projection of works at the Overhaul exhibition. Friday 18th May - Sunday 20th May, Safehouse 1, 139 Copeland Road, London, SE15 3SN. 'Intrusion' 2017 group show at Paddington Central, London Crossrail's Street Hoardings Photography Display Dean Street W1 since 2011   Her book 'No Place Like Home' (2018) was shortlisted for the La Fabrica and Photo London Book Dummy Award 2019 and was nominated for the First Book Award 2018.   About the postcard artworks   The images selected are all part of an ongoing work in progress entitled 'Meanwhile' particularly the 'Down, down, down and still the weeds prevail' series. As Rhiannon Lucy Cosslett says, "so much femininity is unspoken. Moving through the world as a woman - the way you are viewed and treated, your emotions, your approach to your body - involves subtleties and complexities that are often unarticulated, sometimes even between women themselves." All suffering is unique to ourselves and not having the mental resilience, coping mechanisms or support structures to enable a safe space for self validation is detrimental to our wellbeing and sense of place in the world. Often society is too quick and too keen to label and judge. Habitually erroneous assumptions, based on the slightest details and often fleeting physical and environmental associations, lead to abhorrent stigmatisations and instantly deny the recipient any positive audience. Amanda's work continues to deal with the real estate of mental spaces and questions inherited prejudices and biases and memory associations. More than ever this is a time for reflection and reassessment. Her work offers a space for this personal revaluation and a space to create new narratives in.

Katherine Jones Swimming Pool II, 2020 Sugarlift Etching on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Katherine Jones is a contemporary British artist working in a combination of painting and traditional printmaking techniques. Her work revolves around perceptions of safety and danger, focusing on ordinary objects, spaces and buildings as a framework to begin to question these themes.   Education:   2001 - 2003 Camberwell College of Art, MA Fine Art Printmaking 1998 - 2001 Cambridge School of Art, BA (hons) Fine Art Printmaking   Exhibitions, Collections & Awards:   V&A National Art Library, UK Lafayette College, USA V&A Prints and Drawings Collection, UK Yale University Library, CT, USA Boston Athenaeum, USA University College London, Hospitals Art Collection, UK Wellesley Library, USA Guangdong Museum, China House of Lords, Government Art Collection, UK Swathmore College, PA, USA Ashmolean Museum, UK Saison Poetry Library, Royal Festival Hall, UK Winchester College, UK Swindon Museum and Gallery, UK Eton College, UK University of Chichester, Otter Collection UK Royal West of England Academy, Bristol   UK RESIDENCIES 2020/ 2018 Artist in residence, Sevenoaks School, Kent 2016-17 Artist in residence, Rabley Drawing Centre, Wiltshire 2015 Residency at Eton College, Windsor 2014 Residency at Winchester College 2013 Printfest Residency, Cumbria 2011 Residency at Kloster Bentlage, Rheine, Germany 2007-10 Research Fellowship, City and Guilds of London Art School, London 2009 Artist of the season, 'Twenty8Twelve', London 2005 Intaglio Printmaker Residency   AWARDS: 2019 Shortlisted for the Dentons art Prize, Denton's Law, London 2014 Royal Academy, London Original Print Fair Prize and Printmaking Today Prize 2013 Finalist - Arts Foundation Fellowship Award in Printmaking and Printmaker of the Year, Printfest Residency, Cumbria 2012 Guangdong Museum Purchase Prize, Qijiang, China 2010 Birgit Skiold Memorial Trust Award for Excellence V&A Purchase Prize 2009 International Print Biennale Solution Group Prize, The London Print Studio Award, Pushing Print Award, East London Printmakers Great Art Prize, Intaglio Printmaker Award, The T N Lawrence and Son Print Prize 2007 Julian Trevelyan Memorial Award for Printmaking, St Cuthbert's Mill Award for Watercolour 2006 Stoke Roberts Bursary Award 2003 Edward Ardizzonie Award, Artichoke Studio Award for Lithography Rabley Contemporary Gallery, Whiltshire, UK website https://rableygallery.com/?v=79cba1185463   About the postcard artworks:   The two pieces donated are etchings made using sugar-lift aquatint on zinc. They were made during a residency at Eton College and depict a disused swimming pool. This, once monumentally sized, figure of eight, state of the art pool I am told was at one time used as a landmark for the navigation of concord. It is now empty and deserted and has been gradually taken over by wildlife. Budlia grow from cracks in the lining and birds, foxes and butterflies find a safe haven there."

Lisa Ivory Motherhood, 2021 Wood Engraving (AP) Signed verso 15 x 10cm (5¾ x 3¾ in.) As both myth and symbol, the Wild Man could be both savage and sublime, evoke fear and admiration, and represent our antithesis and ideal. It is a universal condition , as evident within "civilization" as without.   Ivory's abject aberrations are exiles from this dark, unsettling sensibility. Ivory's work uses a bestiary that describes Everyman's woes-his trials and travails, failures and flailing. A Wild Man, Savage Woman and feral Child are positioned as the flawed hero and the plight of the Outsider. The monstrous; primitive, irrational Wild man is at once our fall guy, our belonging and our otherness. This plight is shared by the Foundling, the Waif, the Abandoned and the fallen woman. The Outsiders are victims of their own innocence (seduction, rape, abandonment) or their own experience (Ignorance, carnality, sensuality). This work has a natural conversation with the innocence and experience of William Blake's Lost Girls and Boys and the stuff that small (and big) children worry about...what looks through the window at night or claws at your door. Lost and feral babes allegorise our animality. Man and beast meld as a medieval drollery.   Education   Foundation Course, Saint Martins School of Art, London Bachelor of Arts (Hons) Fine Art, Painting, Saint Martins School of Art, London   Exhibitions include: Every Day, Terrace Gallery, 2020, London Savage Gardens, solo show, 2020, Pamela Salisbury Gallery, New York Two Fold, 2019, OA Gallery, Salford Mythos, 2018, Charlie Smith London National Original Print Exhibition 2017, London Vice, Malice, Lust and Cunning, solo show, 2017, Lubomirov-Angus-Hughes Gallery, London Antennae, Platform Projects, 2017, Athens National Original Print Exhibition 2016, London Sixty, Art-Athina Platform Projects 2016 Hundreds and Thousands, Lubomirov-Angus-Hughes Gallery, 2016 London The British Connection, 2015 Pori Art Museum, Finland Five Paintings at The Three Crowns 2015, London Limited Editions 2015, Lubomirov-Easton, London Bad Behaviour 2014, Brixton East Gallery, London Neo:Print Prize 2014, neo:gallery, Bolton The Whole Thing's Coming Out of the Dark, Angus-Hughes Gallery, London Printjam 2014, Art Bermondsey, London A5-Platform Projects@Art Athina 2014, Lubomirov-Easton, Athens Void Open 2013, Void Gallery, London Untitled Male Id, Angus-Hughes Gallery, London   Blind Date, Presented by ALISN, Supermarket 2013- Independent Art Fair, Stockholm Soul Meat, Lion and Lamb Gallery, London Temple of the Occult, Norman Rea Gallery, York Big Deal Sexy100, Wall to Wall, London, curated by STIMULUS LTD Scope Basel 2011, Presented by Guillochon Gallery London, Basel The Great Alonso, Primo Alonso, London City Hobgoblins, Angus-Hughes Gallery, London Freaks, Shoreditch Town Hall, London The Discerning Eye, Mall Galleries, London Sideshow, Primo Alonso, London Start Your Collection, Contemporary Arts Projects, London Wish You Were Here 3, A.I.R Gallery, New York Kindness of Strangers, The Helm, Washington ArtWorks Open, Barbican Arts Trust Project Space, London  

Lisa Ivory Offering, 2021 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   As both myth and symbol, the Wild Man could be both savage and sublime, evoke fear and admiration, and represent our antithesis and ideal. It is a universal condition , as evident within "civilization" as without.   Ivory's abject aberrations are exiles from this dark, unsettling sensibility. Ivory's work uses a bestiary that describes Everyman's woes-his trials and travails, failures and flailing. A Wild Man, Savage Woman and feral Child are positioned as the flawed hero and the plight of the Outsider. The monstrous; primitive, irrational Wild man is at once our fall guy, our belonging and our otherness. This plight is shared by the Foundling, the Waif, the Abandoned and the fallen woman. The Outsiders are victims of their own innocence (seduction, rape, abandonment) or their own experience (Ignorance, carnality, sensuality). This work has a natural conversation with the innocence and experience of William Blake's Lost Girls and Boys and the stuff that small (and big) children worry about...what looks through the window at night or claws at your door. Lost and feral babes allegorise our animality. Man and beast meld as a medieval drollery.   Education   Foundation Course, Saint Martins School of Art, London Bachelor of Arts (Hons) Fine Art, Painting, Saint Martins School of Art, London   Exhibitions include: Every Day, Terrace Gallery, 2020, London Savage Gardens, solo show, 2020, Pamela Salisbury Gallery, New York Two Fold, 2019, OA Gallery, Salford Mythos, 2018, Charlie Smith London National Original Print Exhibition 2017, London Vice, Malice, Lust and Cunning, solo show, 2017, Lubomirov-Angus-Hughes Gallery, London Antennae, Platform Projects, 2017, Athens National Original Print Exhibition 2016, London Sixty, Art-Athina Platform Projects 2016 Hundreds and Thousands, Lubomirov-Angus-Hughes Gallery, 2016 London The British Connection, 2015 Pori Art Museum, Finland Five Paintings at The Three Crowns 2015, London Limited Editions 2015, Lubomirov-Easton, London Bad Behaviour 2014, Brixton East Gallery, London Neo:Print Prize 2014, neo:gallery, Bolton The Whole Thing's Coming Out of the Dark, Angus-Hughes Gallery, London Printjam 2014, Art Bermondsey, London A5-Platform Projects@Art Athina 2014, Lubomirov-Easton, Athens Void Open 2013, Void Gallery, London Untitled Male Id, Angus-Hughes Gallery, London   Blind Date, Presented by ALISN, Supermarket 2013- Independent Art Fair, Stockholm Soul Meat, Lion and Lamb Gallery, London Temple of the Occult, Norman Rea Gallery, York Big Deal Sexy100, Wall to Wall, London, curated by STIMULUS LTD Scope Basel 2011, Presented by Guillochon Gallery London, Basel The Great Alonso, Primo Alonso, London City Hobgoblins, Angus-Hughes Gallery, London Freaks, Shoreditch Town Hall, London The Discerning Eye, Mall Galleries, London Sideshow, Primo Alonso, London Start Your Collection, Contemporary Arts Projects, London Wish You Were Here 3, A.I.R Gallery, New York Kindness of Strangers, The Helm, Washington ArtWorks Open, Barbican Arts Trust Project Space, London

Lisa Ivory Leader, 2021 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) As both myth and symbol, the Wild Man could be both savage and sublime, evoke fear and admiration, and represent our antithesis and ideal. It is a universal condition , as evident within "civilization" as without.   Ivory's abject aberrations are exiles from this dark, unsettling sensibility. Ivory's work uses a bestiary that describes Everyman's woes-his trials and travails, failures and flailing. A Wild Man, Savage Woman and feral Child are positioned as the flawed hero and the plight of the Outsider. The monstrous; primitive, irrational Wild man is at once our fall guy, our belonging and our otherness. This plight is shared by the Foundling, the Waif, the Abandoned and the fallen woman. The Outsiders are victims of their own innocence (seduction, rape, abandonment) or their own experience (Ignorance, carnality, sensuality). This work has a natural conversation with the innocence and experience of William Blake's Lost Girls and Boys and the stuff that small (and big) children worry about...what looks through the window at night or claws at your door. Lost and feral babes allegorise our animality. Man and beast meld as a medieval drollery.   Education   Foundation Course, Saint Martins School of Art, London Bachelor of Arts (Hons) Fine Art, Painting, Saint Martins School of Art, London   Exhibitions include: Every Day, Terrace Gallery, 2020, London Savage Gardens, solo show, 2020, Pamela Salisbury Gallery, New York Two Fold, 2019, OA Gallery, Salford Mythos, 2018, Charlie Smith London National Original Print Exhibition 2017, London Vice, Malice, Lust and Cunning, solo show, 2017, Lubomirov-Angus-Hughes Gallery, London Antennae, Platform Projects, 2017, Athens National Original Print Exhibition 2016, London Sixty, Art-Athina Platform Projects 2016 Hundreds and Thousands, Lubomirov-Angus-Hughes Gallery, 2016 London The British Connection, 2015 Pori Art Museum, Finland Five Paintings at The Three Crowns 2015, London Limited Editions 2015, Lubomirov-Easton, London Bad Behaviour 2014, Brixton East Gallery, London Neo:Print Prize 2014, neo:gallery, Bolton The Whole Thing's Coming Out of the Dark, Angus-Hughes Gallery, London Printjam 2014, Art Bermondsey, London A5-Platform Projects@Art Athina 2014, Lubomirov-Easton, Athens Void Open 2013, Void Gallery, London Untitled Male Id, Angus-Hughes Gallery, London   Blind Date, Presented by ALISN, Supermarket 2013- Independent Art Fair, Stockholm Soul Meat, Lion and Lamb Gallery, London Temple of the Occult, Norman Rea Gallery, York Big Deal Sexy100, Wall to Wall, London, curated by STIMULUS LTD Scope Basel 2011, Presented by Guillochon Gallery London, Basel The Great Alonso, Primo Alonso, London City Hobgoblins, Angus-Hughes Gallery, London Freaks, Shoreditch Town Hall, London The Discerning Eye, Mall Galleries, London Sideshow, Primo Alonso, London Start Your Collection, Contemporary Arts Projects, London Wish You Were Here 3, A.I.R Gallery, New York Kindness of Strangers, The Helm, Washington ArtWorks Open, Barbican Arts Trust Project Space, London

Mali Morris MS, 2020 Collage on Silk Screen Signed verso 10 x 15cm (3¾ x 5¾ in.) Painter. Work in private and public collections worldwide. Elected to Royal Academy of Arts in 2010   Education   University of Newcastle upon Tyne (BA) University of Reading (MFA)   Please see www.malimorris.co.uk   Exhibitions   I show in various galleries, and annually at RA Summer Exhibition   About the postcard artwork   A collage on a screen-print. One of a series related to current interests in my studio practice.  

Güler Ates Green Veil, 2011 Giclée Hahnemühle Pearl Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I work with Video, Photography, Printmaking and Performance. At the heart of my work lies an exploration into the experience of cultural displacement. Manifestations of my work are realised through performance and site-responsive activities that merge Eastern and Western sensibilities. 2006-08 Royal College of Art, MA Fine Art; Printmaking, London 
 2001-04 Wimbledon School of Art, BA {HONS} degree in Fine Art; Painting, London 
 2000-01 Lewisham College, BTEC Diploma Foundation Studies in Art & Design, London 1996-98 University of Marmara, Fine Art, Istanbul

 Solo Exhibitions
 Shoreless, The Museum of Oriental Art (MAO), Turin 2020 6th Station of Troubled Waters, Art Stations of the Cross, Amsterdam 2019 Fragments, Eton College, Windsor, 2018 Unfold, Museum Van Loon, Amsterdam, 2017 Unseen Photo Festival, Oude Kerk, Amsterdam, 2016 Sea of Colour, Salvation Army International HQ, London Unseen Memories, House of St Barnabas, London, 2015 Fantasma Nel Silenzio, Spazio Nea, Napoli, Italy Stilled, Art First Gallery, London Dwelling; Rio de Janeiro, Marcelle Joseph Projects, London, 2014 Sound and Silence, Marian Cramer Projects, Amsterdam Open Studio, Instituto Inclusartiz, Rio de Janeiro Whispers of Colour, Kubikgallery, Porto, Portugal Zenana, Marian Cramer Projects, Amsterdam, 2013 Books of Dust, Royal Academy of Arts, Café gallery, London Trace of the Traceless, The LOFT at Lower Parel, Mumbai, 2012 Threshold, Art First Gallery, London Unveiling the Veil, Marian Cramer Project, Amsterdam Present and Absent, Great Fosters, Egham, 2011 No past is mine, no future: look at me! Leighton House Museum, London, 2010 Fusion, Gallery Point-1, Okinawa, Japan 
 Veiled Mozaic, The LOFT at Lower Parel, Mumbai, 2009 Projects at Christ Church Spitalfields, London, 2005 Represented by L'étrangère, London Marian Cramer Projects, Amsterdam Galerie Jean-Louis Ramand, Aix en provence & Paris Kubikgallery, Porto Luciana Caravello Arte Contemporanea, São PauloThis photograph was taken at Great Fosters, which has over four centuries of history, from Henry VIII in the 16th century and Judge Doderidge, Solicitor General to King James I, in the 17th century to Sir Charles Orby in the 18th century and Baroness Halkett, Queen Alexandra's lady in waiting, in the early 20th century. While working in Great Fosters, Ates imagined these characters that once lived in the house. Ates says, 'They were absent; however, through the objects in the rooms, the interiors and the exterior of the building, I wanted to trace the "present" of some of the previous occupiers.' This new body of work confronts the intense dialogue between the past and present in this grand historic house.   Guler's photographs were taken in the majestic settings of the Italian Room, Panel II Room and the Tapestry Room at Great Fosters, complete with 17th century Flemish tapestries and a carved wooden Jacobean chimneypiece. The Italian Room is finished with carved Quattrocentro doors and damask covered walls. The darkness in the rooms, a consequence of the Tudor architecture, plays a significant role in the work of Ates, whose ambiguously veiled female figures illuminate against the dramatic backdrop of rich, heavy drapery. The extreme contrast is one element employed by the artist in order to create the fluid, floating apparitions that have become synonymous with Ates' work. Ates herself is inspired by Dutch Old Master paintings and the darkness and intensity of the works on display are reminiscent of these masters of painting. Her body of work comments on the Western notion of Orientalism and the effects of the cross pollination of cultures on female identity and architecture.   The text was written by Marcelle Joseph, edited by Güler Ates Condition Report:   Condition Report Disclaimer

Ceal Warnants Entitled (Repeat), 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Exhibitions/Awards   2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON.   2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON.   2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL   2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON.   2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON.   2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON.   2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON.   2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE.   2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD.   2011 'EXAM.' - TRANSITION GALLERY, LONDON.   2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS.   2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON.   2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON.   COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE   COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE   SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   About the postcard artworks   When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."  

Ceal Warnants And What?, 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Exhibitions/Awards   2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON.   2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON.   2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL   2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON.   2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON.   2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON.   2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON.   2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE.   2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD.   2011 'EXAM.' - TRANSITION GALLERY, LONDON.   2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS.   2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON.   2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON.   COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE   COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE   SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   About the postcard artworks   When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."

Heidrun Rathgeb Looking Down (Jølster, Norway), 2020 Soft Ground Etching Edition:10 Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) I am a painter- printmaker living in the South of Germany, not far from Lake Constance. My work is based on specific, special moments in daily life. Often I am drawing my children, the landscape around or a particular memory. Over the past 20 years I have filled hundreds of small sketchbooks with personal‚ magic moments. The best of these drawings lead to an etching or a painting with an idea of a light, of an atmosphere and the intensity of a particular moment in time.   Education   Slade School of Fine Art , MFA 1996- 1999 Byam Shaw School of Art , London 1993-1996 Fachhochschule Wiesbaden, Germany , MA in Zoological Illustration(1987-1993) DTS University Sydney, Australia 1990, Schoolarship for Art& Design   Exhibitions   Browse& Darby Gallery London since 2007 until now yearly Gallery Artist's Exhibitions Kloster Siessen , Germany 2017 solo show Royal Academy Summer Exhibition 2019 and 2020 upcoming : Oliver Projects , Woolwich Print Fair , November 2021   Awards: DAAD Schoolarship 1990 DAAD Schoolarship 1997-1999 Heitland Foundation Schoolarship 1996 Artist in Residence 1993 Ladakh , Leh 2018 Bhaltos Trust, Isle of Lewis 2019 Künstlerhäuser Worpswede, Germany 2020 Kulturhuset Vemb, Artist in Residency West Jütland 2021 KH Messen, Norway artist residency for printmaking   Gallery Representation   Oliver Projects, London, Browse and Darby Gallery London, Mothflower.com   About the postcard artworks   The artworks are original etchings in a very limited edition maximum of 10.  

Heidrun Rathgeb Mangata, 2020 Mezzotint Etching Edition:!0 Signed verso 10 x 15cm (3¾ x 5¾ in.)   I am a painter- printmaker living in the South of Germany, not far from Lake Constance. My work is based on specific, special moments in daily life. Often I am drawing my children, the landscape around or a particular memory. Over the past 20 years I have filled hundreds of small sketchbooks with personal‚ magic moments. The best of these drawings lead to an etching or a painting with an idea of a light, of an atmosphere and the intensity of a particular moment in time.   Education   Slade School of Fine Art , MFA 1996- 1999 Byam Shaw School of Art , London 1993-1996 Fachhochschule Wiesbaden, Germany , MA in Zoological Illustration(1987-1993) DTS University Sydney, Australia 1990, Schoolarship for Art& Design   Exhibitions   Browse& Darby Gallery London since 2007 until now yearly Gallery Artist's Exhibitions Kloster Siessen , Germany 2017 solo show Royal Academy Summer Exhibition 2019 and 2020 upcoming : Oliver Projects , Woolwich Print Fair , November 2021   Awards: DAAD Schoolarship 1990 DAAD Schoolarship 1997-1999 Heitland Foundation Schoolarship 1996 Artist in Residence 1993 Ladakh , Leh 2018 Bhaltos Trust, Isle of Lewis 2019 Künstlerhäuser Worpswede, Germany 2020 Kulturhuset Vemb, Artist in Residency West Jütland 2021 KH Messen, Norway artist residency for printmaking   Gallery Representation   Oliver Projects, London, Browse and Darby Gallery London, Mothflower.com   About the postcard artworks   The artworks are original etchings in a very limited edition maximum of 10.

Heidrun Rathgeb River Boy, Rotach, 2020 Soft Ground Etching Edition:10 Signed verso 10 x 15cm (3¾ x 5¾ in.) I am a painter- printmaker living in the South of Germany, not far from Lake Constance. My work is based on specific, special moments in daily life. Often I am drawing my children, the landscape around or a particular memory. Over the past 20 years I have filled hundreds of small sketchbooks with personal‚ magic moments. The best of these drawings lead to an etching or a painting with an idea of a light, of an atmosphere and the intensity of a particular moment in time.   Education   Slade School of Fine Art , MFA 1996- 1999 Byam Shaw School of Art , London 1993-1996 Fachhochschule Wiesbaden, Germany , MA in Zoological Illustration(1987-1993) DTS University Sydney, Australia 1990, Schoolarship for Art& Design   Exhibitions   Browse& Darby Gallery London since 2007 until now yearly Gallery Artist's Exhibitions Kloster Siessen , Germany 2017 solo show Royal Academy Summer Exhibition 2019 and 2020 upcoming : Oliver Projects , Woolwich Print Fair , November 2021   Awards: DAAD Schoolarship 1990 DAAD Schoolarship 1997-1999 Heitland Foundation Schoolarship 1996 Artist in Residence 1993 Ladakh , Leh 2018 Bhaltos Trust, Isle of Lewis 2019 Künstlerhäuser Worpswede, Germany 2020 Kulturhuset Vemb, Artist in Residency West Jütland 2021 KH Messen, Norway artist residency for printmaking   Gallery Representation   Oliver Projects, London, Browse and Darby Gallery London, Mothflower.com   About the postcard artworks   The artworks are original etchings in a very limited edition maximum of 10.

Lisa Wright Becoming, 2021 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Lisa Wright is an award-winning British artist. She is known for her often large scale paintings that explore the transition from childhood to adulthood.   Education Maidstone College of Art - BAHons (1983-1987) Royal Academy Schools - post graduate (1990-1993) After studying at The Royal Academy Schools, London, 1990-1993, Wright moved to Cornwall, in the south west of England, where she currently lives and works. Her work has featured in numerous solo and curated group exhibitions both nationally and internationally and is held in many important corporate and private collections. Exhibitions/Awards Notable achievements include her appointment as the Royal Shakespeare Company artist in residence throughout the two year period of the RSC's acclaimed 'Histories' cycle of plays, culminating in an exhibition at the Roundhouse- which ran concurrently with the plays- and subsequently at the Royal Academy of Arts London; consistent selection for the Royal Academy's Summer Exhibition for over 25 years; inclusion in the significant 'Art Now Cornwall', exhibition at Tate St Ives 2008 and winning The National Open Art Prize, the Hunting Art Prize, the 2013 Threadneedle Prize and most recently Future Forest 2019-2020 a collaborative project with Tom Piper to celebrate the centenary of The Forestry Commission, England. 2019 - Infinite Forest, Coates & Scarry London, Future Forest collaboration with Tom Piper for Centenary of The Forestry Commission High Lodge Thetford UK 2018 - In The Eyes Of Each, Faction Art Projects New York 2017 - Young Visionaries, PULSE Miami, Coates & Scarry 2016 - New Work, CONTEXT New York, Coates & Scarry Selected Mixed Exhibitions 2020 - The Royal Academy Summer Exhibition, London Revisiting The Decameron - Flowers Gallery (curated by Laura Gascoigne) RWA 168 Annual exhibition Bristol The Rime of the Ancient Marina - The Big Read (Reading no:1 by Jeremy Irons) 2019 - In Edition Bo Lee Gallery London, London Original Print Fair 34 Royal Academy of Art London Advanced Graphics London, London Art Fair London Advanced Graphics London 2018 - IFPDA International New York Advanced Graphics London, London Original Print Fair 33 Royal Academy of Art London Advanced Graphics London, RWA 166 Annual exhibition Bristol 2017 - VOLTA BASEL Coates & Scarry, 2-person presentation with Penny Byrne, The Royal Academy Summer Exhibition, London, RWA Autumn Exhibition, The Royal West of England Academy, Bristol About the postcard artworks These ink studies are informed by a series of paintings which explored the notion of our connection to nature, which is contained within them. These ideas were developed into life size sculptures which formed part of a public space project for The Centenary of The Forestry Commission England 2019-2020. Condition Report:   Condition Report Disclaimer

Lisa Wright Little Folia, 2021 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Lisa Wright is an award-winning British artist. She is known for her often large scale paintings that explore the transition from childhood to adulthood. Education Maidstone College of Art - BAHons (1983-1987) Royal Academy Schools - post graduate (1990-1993) After studying at The Royal Academy Schools, London, 1990-1993, Wright moved to Cornwall, in the south west of England, where she currently lives and works. Her work has featured in numerous solo and curated group exhibitions both nationally and internationally and is held in many important corporate and private collections. Exhibitions/Awards Notable achievements include her appointment as the Royal Shakespeare Company artist in residence throughout the two year period of the RSC's acclaimed 'Histories' cycle of plays, culminating in an exhibition at the Roundhouse- which ran concurrently with the plays- and subsequently at the Royal Academy of Arts London; consistent selection for the Royal Academy's Summer Exhibition for over 25 years; inclusion in the significant 'Art Now Cornwall', exhibition at Tate St Ives 2008 and winning The National Open Art Prize, the Hunting Art Prize, the 2013 Threadneedle Prize and most recently Future Forest 2019-2020 a collaborative project with Tom Piper to celebrate the centenary of The Forestry Commission, England. 2019 - Infinite Forest, Coates & Scarry London, Future Forest collaboration with Tom Piper for Centenary of The Forestry Commission High Lodge Thetford UK 2018 - In The Eyes Of Each, Faction Art Projects New York 2017 - Young Visionaries, PULSE Miami, Coates & Scarry 2016 - New Work, CONTEXT New York, Coates & Scarry Selected Mixed Exhibitions 2020 - The Royal Academy Summer Exhibition, London Revisiting The Decameron - Flowers Gallery (curated by Laura Gascoigne) RWA 168 Annual exhibition Bristol The Rime of the Ancient Marina - The Big Read (Reading no:1 by Jeremy Irons) 2019 - In Edition Bo Lee Gallery London, London Original Print Fair 34 Royal Academy of Art London Advanced Graphics London, London Art Fair London Advanced Graphics London 2018 - IFPDA International New York Advanced Graphics London, London Original Print Fair 33 Royal Academy of Art London Advanced Graphics London, RWA 166 Annual exhibition Bristol 2017 - VOLTA BASEL Coates & Scarry, 2-person presentation with Penny Byrne, The Royal Academy Summer Exhibition, London, RWA Autumn Exhibition, The Royal West of England Academy, Bristol About the postcard artworks These ink studies are informed by a series of paintings which explored the notion of our connection to nature, which is contained within them. These ideas were developed into life size sculptures which formed part of a public space project for The Centenary of The Forestry Commission England 2019-2020.  

Chloë Manasseh CASA: Meaning home o/ nickname for Casablanca, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I am a British Artist based in Singapore and currently working between Europe and Asia.   Education   I completed my Master in Fine Arts from The Slade School of Fine Art in 2014, where I was the recipient of the Euan Uglow Memorial Scholarship.   Exhibitions/Awards   My work has been exhibited internationally with exhibitions in USA, UK, Italy, Israel and Singapore. I have collaborated extensively with artists, musicians, clothing and interior designers on various projects around the world. Working between painting, print, video and large scale installations and sculptures, my work sits between experience and imagination, and considers the limits of representation in relation to the wholeness of experience.       Notable projects and exhibitions include a projection onto the canopy of the National Gallery of Singapore in conjuction with Singapore's 55th birthday celebrations (SG 2020); 'The Fruitfulness of Forgetting', a solo exhibition at The British High Commissioner's residence in Singapore with Art Porters Gallery (SG 2019); 'Palma Viva', a 14m public installation at Changi City Point (SG 2018); a 25m mural at Facebook HQ Singapore as part of FB AIR programme (SG 2018), 'The Deepest Blue' exhibition at Block 7 Gillman Barracks (SG 2018), a solo show at NPE Art Residency and Gallery (SG 2017), The Woolwich Contemporary Print Fair (UK 2017), Multiplied at Christies Auction House (UK, 2015) and a commission by Università Cattolica UCSC Milan, for Expo Milan 2015 and the Vatican Pavilion at Expo (IT). Previous artist residencies include, Artist in Residence at The Winstedt School, Singapore; The Vagabond Hotel (SG, 2018); South Hampstead High School (UK 2016/17) and The Joshua Tree Highlands Artist Residency, ( CA, USA 2015)  

Chloë Manasseh The Bird's Tale, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I am a British Artist based in Singapore and currently working between Europe and Asia.   Education   I completed my Master in Fine Arts from The Slade School of Fine Art in 2014, where I was the recipient of the Euan Uglow Memorial Scholarship.   Exhibitions/Awards   My work has been exhibited internationally with exhibitions in USA, UK, Italy, Israel and Singapore. I have collaborated extensively with artists, musicians, clothing and interior designers on various projects around the world. Working between painting, print, video and large scale installations and sculptures, my work sits between experience and imagination, and considers the limits of representation in relation to the wholeness of experience.       Notable projects and exhibitions include a projection onto the canopy of the National Gallery of Singapore in conjuction with Singapore's 55th birthday celebrations (SG 2020); 'The Fruitfulness of Forgetting', a solo exhibition at The British High Commissioner's residence in Singapore with Art Porters Gallery (SG 2019); 'Palma Viva', a 14m public installation at Changi City Point (SG 2018); a 25m mural at Facebook HQ Singapore as part of FB AIR programme (SG 2018), 'The Deepest Blue' exhibition at Block 7 Gillman Barracks (SG 2018), a solo show at NPE Art Residency and Gallery (SG 2017), The Woolwich Contemporary Print Fair (UK 2017), Multiplied at Christies Auction House (UK, 2015) and a commission by Università Cattolica UCSC Milan, for Expo Milan 2015 and the Vatican Pavilion at Expo (IT). Previous artist residencies include, Artist in Residence at The Winstedt School, Singapore; The Vagabond Hotel (SG, 2018); South Hampstead High School (UK 2016/17) and The Joshua Tree Highlands Artist Residency, ( CA, USA 2015)  

Carolyn Thompson I'm A Big Fan, 2021 Found Text and Glue on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Carolyn Thompson's practice is grounded in the materiality of printed matter, both as an object and as a medium. Using books, found texts images and documents as source material she explores the content or narrative of such matter through manipulation and appropriation, developing it into new visual and textual versions in the form of altered books, drawings, prints, collages, embroideries and/or installations.   https://www.carolynthompson.co.uk/   Education   MA Sculpture at Wimbledon College of Arts UAL   Exhibitions   Beyond the UK Carolyn has exhibited in Istanbul, Ljubljana, Melbourne, Minnesota, New York, Porto, Prague, Venice and Vienna, in galleries and institutions as varied as Center for Book Arts, New York, Sculoa Internazionale di Grafica, Venice, MAK Vienna, National Technical Library, Prague and Baillieu Library, University of Melbourne. Her work can be found in a variety of collections including Penguin Books, London, MGLC International Centre for Graphic Arts, Ljubljana and Laurence Sterne Trust amongst others, and has been included in exhibitions such as the International Print Biennale Awards 2014 and the Text Festival, Bury Art Museum in 2005, 2009 and 2014. In 2019/20 her series of adapted Penguin books, Post Moderns, was exhibited in solo exhibitions at Laurence Sterne Trust, Shandy Hall, York and Eagle Gallery, London. A piece from this series was subsequently chosen as a semi-finalist for Minnesota Centre for Book Art Prize 2020.   Carolyn is currently Artist in Residence with Chrysalis Arts and North Yorkshire Archives.   Gallery Representation   Eagle Gallery EMH Arts   About the postcard artworks   I'm a Big Fan' and 'The European Urge' are created from collections of sentences and part sentences, all beginning with 'I', cut from eight novels by different authors. When removed from their original context, the statements become ham-fisted stabs at self-revelation and blurted snapshots of confession."

Carolyn Thompson The European Urge, 2021 Found Text and Glue on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Carolyn Thompson's practice is grounded in the materiality of printed matter, both as an object and as a medium. Using books, found texts images and documents as source material she explores the content or narrative of such matter through manipulation and appropriation, developing it into new visual and textual versions in the form of altered books, drawings, prints, collages, embroideries and/or installations.   https://www.carolynthompson.co.uk/   Education   MA Sculpture at Wimbledon College of Arts UAL   Exhibitions   Beyond the UK Carolyn has exhibited in Istanbul, Ljubljana, Melbourne, Minnesota, New York, Porto, Prague, Venice and Vienna, in galleries and institutions as varied as Center for Book Arts, New York, Sculoa Internazionale di Grafica, Venice, MAK Vienna, National Technical Library, Prague and Baillieu Library, University of Melbourne. Her work can be found in a variety of collections including Penguin Books, London, MGLC International Centre for Graphic Arts, Ljubljana and Laurence Sterne Trust amongst others, and has been included in exhibitions such as the International Print Biennale Awards 2014 and the Text Festival, Bury Art Museum in 2005, 2009 and 2014. In 2019/20 her series of adapted Penguin books, Post Moderns, was exhibited in solo exhibitions at Laurence Sterne Trust, Shandy Hall, York and Eagle Gallery, London. A piece from this series was subsequently chosen as a semi-finalist for Minnesota Centre for Book Art Prize 2020.   Carolyn is currently Artist in Residence with Chrysalis Arts and North Yorkshire Archives.   Gallery Representation   Eagle Gallery EMH Arts   About the postcard artworks   I'm a Big Fan' and 'The European Urge' are created from collections of sentences and part sentences, all beginning with 'I', cut from eight novels by different authors. When removed from their original context, the statements become ham-fisted stabs at self-revelation and blurted snapshots of confession."  

Tinsel Edwards Bathroom Self Portrait with Toothbrush, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."  

Tinsel Edwards Utensils with Yellow Spoon, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."

Tinsel Edwards Colander with Red and White Socks, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."

Helen Fay Mrs Blackbird, 2020 Gouache and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) I am a printmaker who specialises in images of domestic and wild animals. My etchings are sparse and open, all the attention focused on the subject. I try to convey the character and nature of the creatures I draw in the pose and expression of my subject. My images are quite empty, I find inspiration in Japanese printmaking and brush painting. I like the idea of the space being as important as the marks I make.   Education   B.A. Hons in printmaking Sunderland University. MA (RCA) in Natural History Illustration from the Royal College of Art   Exhibitions   Exhibits widely in the UK see website for details Many Galleries in the UK including Glasgow Print Studio and Thompson's Aldeburgh About the postcard artworks   Watching garden birds in lockdown. Their life hasn't changed as ours has in the last year and it's good to see some things going on as usual!  

Helen Fay Blackbird, 2020 Gouache and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) I am a printmaker who specialises in images of domestic and wild animals. My etchings are sparse and open, all the attention focused on the subject. I try to convey the character and nature of the creatures I draw in the pose and expression of my subject. My images are quite empty, I find inspiration in Japanese printmaking and brush painting. I like the idea of the space being as important as the marks I make.   Education   B.A. Hons in printmaking Sunderland University. MA (RCA) in Natural History Illustration from the Royal College of Art   Exhibitions   Exhibits widely in the UK see website for details Many Galleries in the UK including Glasgow Print Studio and Thompson's Aldeburgh About the postcard artworks   Watching garden birds in lockdown. Their life hasn't changed as ours has in the last year and it's good to see some things going on as usual!  

Helen Fay Welsh Pony, 2020 Drawing on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) I am a printmaker who specialises in images of domestic and wild animals. My etchings are sparse and open, all the attention focused on the subject. I try to convey the character and nature of the creatures I draw in the pose and expression of my subject. My images are quite empty, I find inspiration in Japanese printmaking and brush painting. I like the idea of the space being as important as the marks I make.   Education   B.A. Hons in printmaking Sunderland University. MA (RCA) in Natural History Illustration from the Royal College of Art   Exhibitions   Exhibits widely in the UK see website for details Many Galleries in the UK including Glasgow Print Studio and Thompson's Aldeburgh About the postcard artworks   Watching garden birds in lockdown. Their life hasn't changed as ours has in the last year and it's good to see some things going on as usual!  

Karin Bruckner Earthbound, 2020 Cyanotype Weaving and Mixed Media Signed verso 15 x 10cm (5¾ x 3¾ in.) My work is process driven, an ongoing investigation into making marks and layering. Each work on paper becomes a unique piece responding to the materials and techniques at hand, resulting in a widely varied yet distinctive portfolio. At the core of the dialogue between myself and the work is an attempt to push the medium of printmaking to its limits. The Print serves as a catalyst into further exploration, straddling the lines between printmaking, drawing, painting and collage in an authentically mixed media way. The spring board printmaking carries with it the element of surprise and the inevitability of the "happy accident" which I credit for immensely expanding my artistic sensibilities. The work evolves and resides in the space created by Pull and Push.   Gallery Representation:   Susan Eley Fine Art in New York  

Karin Bruckner Bits, 2020 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My work is process driven, an ongoing investigation into making marks and layering. Each work on paper becomes a unique piece responding to the materials and techniques at hand, resulting in a widely varied yet distinctive portfolio. At the core of the dialogue between myself and the work is an attempt to push the medium of printmaking to its limits. The Print serves as a catalyst into further exploration, straddling the lines between printmaking, drawing, painting and collage in an authentically mixed media way. The spring board printmaking carries with it the element of surprise and the inevitability of the "happy accident" which I credit for immensely expanding my artistic sensibilities. The work evolves and resides in the space created by Pull and Push.   Gallery Representation:   Susan Eley Fine Art in New York  

Chitra P Merchant Tree: Presence/Absence, 2021 Watercolour and Pyrograph on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa.   Education   She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she works.   Exhibitions/Awards   2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / WInter Show , London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, UK 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 2016 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair , Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre , Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print , U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print , U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London   Gallery Representation   Candida Stevens Fine Art, Chichester, Sussex   About the postcard artworks   Growing up in India, and having lived in the West, I am interested in the identities ascribed to and taken on by women. 'Eve' is a cheeky take on a popular creation myth (we all know the one!) And 'Free' is an attempt to look at 'The Feminine' , not as gender but as a quality in this largely patriarchal world we live in.  

Chitra P Merchant Free! Feeding Crows, 2021 Ink Pen and Pyrograph on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa.   Education   She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she works.   Exhibitions/Awards   2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / WInter Show , London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, UK 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 2016 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair , Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre , Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print , U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print , U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London   Gallery Representation   Candida Stevens Fine Art, Chichester, Sussex   About the postcard artworks   Growing up in India, and having lived in the West, I am interested in the identities ascribed to and taken on by women. 'Eve' is a cheeky take on a popular creation myth (we all know the one!) And 'Free' is an attempt to look at 'The Feminine' , not as gender but as a quality in this largely patriarchal world we live in.  

Chitra P Merchant Eve, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa.   Education   She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she works.   Exhibitions/Awards   2005: PGCE, UWE, Bristol, U.K 1999: Post Extn Studies in Illustration, UWE, Bristol, U.K 1998: BA Hons Illustration, UWE, Bristol, U.K 1995: Foundation Studies in Art and Design, Leeds, U.K 1993: BA Psychology, Bangalore, India2021: Upcoming show at Candida Stevens Fine Art, Sussex 2020: Royal Academy Summer / WInter Show , London 2019: Solo show at Hidden Gallery, Bristol 2018: Summer Exhibition, Royal Academy, London 2018: Art Rooms Fair 2017: 'Good Nature', Candida Stevens Fine Art, Chichester, UK 2017: Brighton Print Fair, UK 2017: SKETCH 2017, Rabley Drawing Centre, Marlborough, UK 2017: 'Drawn', RWA Bristol 2016: NEO: Print Prize 2016 2016: 'ICON', Candida Stevens Fine Art 2016: 'The Story in Art', Candida Stevens Fine Art 2016: Small Print International, Leicester Print Studio 2015: 'Pressing Identities' West Yorkshire Print Studio 2015: 'In The Studio' Videoed by the Royal Academy of Arts 2015: 'Encre 39 / 93' Atelier aux Lilas, Paris 2014: Royal Academy Art, Painter / Printmakers show 2014: AAF Battersea, London 2014: 'Multiplied', Christies, London 2014: Royal Academy Summer Exhibition, London 2013: AAF Battersea, London 2013: 'Multiplied', Christies, London 2013: Royal Academy Summer Exhibition, London 2012: Winter Show, Rostra, Bath 2012: AAF, Battersea, London 2012: 'BITE' Artists Making Prints, Mall Galleries, London 2012: Bristol Affordable Art Fair 2012: May Open Studios, Spike Island, Bristol 2012: London Original Print Fair, Royal Academy, London 2012: Group Show; Victoria Art Gallery and Museum, Bath 2011: Affordable Art Fair , Battersea, London 2011: 'BITE' Artists Making Prints, Mall Galleries, London 2011: Small Print Big Impression, U.K 2011: Affordable Art Fair, Bristol, U.K 2011: May Open at SPS 2010: Group Show at the Create Centre , Bristol 2010: Invited Artist at SNAP Gallery Bristol 2010: R.A Summer Exhibition 2009: IMPACT '09 2009: RWA Open Print, Bristol, U.K 2009: Solo show at BIYC Bristol, U.K 2009: May Open at Spike Print Studio, Bristol, U.K 2009: IMPRESS, GPC, Stroud, U.K 2008: S, M,L,XL, Spike Print Studio, U.K 2008: Group Show at RUH, Bath, U.K 2007: BABE, Arnolfini, Bristol, U.K 2007: Spike Print, Spyglass, Bristol 2006: Spike Print, Paintworks, Bristol 2005: Solo show at Bristol Old Vic 2004: May Open, Spike Print , U.K 2003: Christmas Show at Spike Print Studio, U.K 2002: May Open, Spike Print , U.K 2002: Christmas Show at Spike Print Studio, U.K 2000: Group Show at Centre Space Gallery, Bristol, U.K 1998: Degree Show at Angel Islington art Gallery, London   Gallery Representation   Candida Stevens Fine Art, Chichester, Sussex   About the postcard artworks   Growing up in India, and having lived in the West, I am interested in the identities ascribed to and taken on by women. 'Eve' is a cheeky take on a popular creation myth (we all know the one!) And 'Free' is an attempt to look at 'The Feminine' , not as gender but as a quality in this largely patriarchal world we live in.  

Bea Denton Out of Darkness i, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."  

Bea Denton Out of Darkness ii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.)   Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Karin Bruckner Smithereens, 2020 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My work is process driven, an ongoing investigation into making marks and layering. Each work on paper becomes a unique piece responding to the materials and techniques at hand, resulting in a widely varied yet distinctive portfolio. At the core of the dialogue between myself and the work is an attempt to push the medium of printmaking to its limits. The Print serves as a catalyst into further exploration, straddling the lines between printmaking, drawing, painting and collage in an authentically mixed media way. The spring board printmaking carries with it the element of surprise and the inevitability of the "happy accident" which I credit for immensely expanding my artistic sensibilities. The work evolves and resides in the space created by Pull and Push.   Gallery Representation:   Susan Eley Fine Art in New York  

Bea Denton Out of Darkness iii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Eleanor Watson Blue Dissolve, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born 1990   Lives and works in London   Education   2018 - September 2019 Masters in Fine Art, City and Guilds of London Art School (Distinction) 2015 - 2016 The Drawing Year, The Royal Drawing School 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design   Exhibitions/Awards   Selected Solo and Joint Exhibitions   2020 - The London Art Fair alongside Suzanne Moxhay with The Contemporary London 2017 - Derby Museum and Art Gallery - Dear Reader, New Court Gallery, Repton - Eleanor Watson 2015 - The Foundry Gallery, Chelsea - Emma Alcock and Eleanor Watson 2013 - The Foundry Gallery, Chelsea - In the First Place Mall Galleries, St. James' - Biscuit. I've kept you half. Joint exhibition with Bartholomew Beal GX Gallery, Camberwell - Dual Exhibition: Benjamin Bridges & Eleanor Watson   Selected Group Exhibitions   2020 - Royal Academy Summer Exhibition A Dream is not a Dream, Purslane Art curated by Charlie Siddick Reaction Exhibition curated by Beatrice Hassel-McCosh The Birds are Singing in the Distant Woods with The Violet Hour 2019 - Tender with The Violet Hour Royal Academy Summer Exhibition 2018 - Art Basel Miami with Cynthia Corbett Gallery 2018 - The London Art Fair with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's The Royal Drawing School, Shoreditch - The Drawing Year 2016 2015 - Cynthia Corbett Gallery - Young Masters New York Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil The Contemporary London at W10 Space - Small Paintings London Art Fair with Cynthia Corbett Gallery, St. Anne's Gallery, and Paper Gallery 2014 - Royal Academy Summer Exhibition 2013 - St. Anne's Gallery - New Contemporary South   Prizes and Residency   2019 - ACS City and Guilds of London Art School Studio Prize 2019 - Slaughterhaus Print Prize 2018 - The Royal Drawing School Dumfries House Residency 2016 - The Jonathan Vickers Fine Art Award 2015 - Jerwood Painting Fellowship - shortlisted 2014 - Young Masters Art Prize - shortlisted 2014 - The Jonathan Vickers Fine Art Award - runner-up 2013 - The Zabludowicz Future Map Prize - shortlisted 2013 - Down Stairs Gallery Residency, Herefordshire 2012 - The Jonathan Vickers Fine Art Award - runner-up 2011 - Hans Brinker Budget Trophy Award - winner 2011 - Prunella Clough Painting Prize - runner-up   Collections   Dumfries House Collection   Jonathan Vickers Fine Art Award   University of the Arts London  

Eleanor Watson Ring on Ring, A Series of Weddings, 2021 Watercolour Monotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born 1990   Lives and works in London   Education   2018 - September 2019 Masters in Fine Art, City and Guilds of London Art School (Distinction) 2015 - 2016 The Drawing Year, The Royal Drawing School 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design   Exhibitions/Awards   Selected Solo and Joint Exhibitions   2020 - The London Art Fair alongside Suzanne Moxhay with The Contemporary London 2017 - Derby Museum and Art Gallery - Dear Reader, New Court Gallery, Repton - Eleanor Watson 2015 - The Foundry Gallery, Chelsea - Emma Alcock and Eleanor Watson 2013 - The Foundry Gallery, Chelsea - In the First Place Mall Galleries, St. James' - Biscuit. I've kept you half. Joint exhibition with Bartholomew Beal GX Gallery, Camberwell - Dual Exhibition: Benjamin Bridges & Eleanor Watson   Selected Group Exhibitions   2020 - Royal Academy Summer Exhibition A Dream is not a Dream, Purslane Art curated by Charlie Siddick Reaction Exhibition curated by Beatrice Hassel-McCosh The Birds are Singing in the Distant Woods with The Violet Hour 2019 - Tender with The Violet Hour Royal Academy Summer Exhibition 2018 - Art Basel Miami with Cynthia Corbett Gallery 2018 - The London Art Fair with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's The Royal Drawing School, Shoreditch - The Drawing Year 2016 2015 - Cynthia Corbett Gallery - Young Masters New York Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil The Contemporary London at W10 Space - Small Paintings London Art Fair with Cynthia Corbett Gallery, St. Anne's Gallery, and Paper Gallery 2014 - Royal Academy Summer Exhibition 2013 - St. Anne's Gallery - New Contemporary South   Prizes and Residency   2019 - ACS City and Guilds of London Art School Studio Prize 2019 - Slaughterhaus Print Prize 2018 - The Royal Drawing School Dumfries House Residency 2016 - The Jonathan Vickers Fine Art Award 2015 - Jerwood Painting Fellowship - shortlisted 2014 - Young Masters Art Prize - shortlisted 2014 - The Jonathan Vickers Fine Art Award - runner-up 2013 - The Zabludowicz Future Map Prize - shortlisted 2013 - Down Stairs Gallery Residency, Herefordshire 2012 - The Jonathan Vickers Fine Art Award - runner-up 2011 - Hans Brinker Budget Trophy Award - winner 2011 - Prunella Clough Painting Prize - runner-up   Collections   Dumfries House Collection   Jonathan Vickers Fine Art Award   University of the Arts London  

Eleanor Watson Ring on Ring, A Series of Weddings II, 2021 Watercolour Monotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born 1990   Lives and works in London   Education   2018 - September 2019 Masters in Fine Art, City and Guilds of London Art School (Distinction) 2015 - 2016 The Drawing Year, The Royal Drawing School 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design   Exhibitions/Awards   Selected Solo and Joint Exhibitions   2020 - The London Art Fair alongside Suzanne Moxhay with The Contemporary London 2017 - Derby Museum and Art Gallery - Dear Reader, New Court Gallery, Repton - Eleanor Watson 2015 - The Foundry Gallery, Chelsea - Emma Alcock and Eleanor Watson 2013 - The Foundry Gallery, Chelsea - In the First Place Mall Galleries, St. James' - Biscuit. I've kept you half. Joint exhibition with Bartholomew Beal GX Gallery, Camberwell - Dual Exhibition: Benjamin Bridges & Eleanor Watson   Selected Group Exhibitions   2020 - Royal Academy Summer Exhibition A Dream is not a Dream, Purslane Art curated by Charlie Siddick Reaction Exhibition curated by Beatrice Hassel-McCosh The Birds are Singing in the Distant Woods with The Violet Hour 2019 - Tender with The Violet Hour Royal Academy Summer Exhibition 2018 - Art Basel Miami with Cynthia Corbett Gallery 2018 - The London Art Fair with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's The Royal Drawing School, Shoreditch - The Drawing Year 2016 2015 - Cynthia Corbett Gallery - Young Masters New York Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil The Contemporary London at W10 Space - Small Paintings London Art Fair with Cynthia Corbett Gallery, St. Anne's Gallery, and Paper Gallery 2014 - Royal Academy Summer Exhibition 2013 - St. Anne's Gallery - New Contemporary South   Prizes and Residency   2019 - ACS City and Guilds of London Art School Studio Prize 2019 - Slaughterhaus Print Prize 2018 - The Royal Drawing School Dumfries House Residency 2016 - The Jonathan Vickers Fine Art Award 2015 - Jerwood Painting Fellowship - shortlisted 2014 - Young Masters Art Prize - shortlisted 2014 - The Jonathan Vickers Fine Art Award - runner-up 2013 - The Zabludowicz Future Map Prize - shortlisted 2013 - Down Stairs Gallery Residency, Herefordshire 2012 - The Jonathan Vickers Fine Art Award - runner-up 2011 - Hans Brinker Budget Trophy Award - winner 2011 - Prunella Clough Painting Prize - runner-up   Collections   Dumfries House Collection   Jonathan Vickers Fine Art Award   University of the Arts London  

Eleanor Watson Their Gifts, 2021 Watercolour Monotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born 1990   Lives and works in London   Education   2018 - September 2019 Masters in Fine Art, City and Guilds of London Art School (Distinction) 2015 - 2016 The Drawing Year, The Royal Drawing School 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design   Exhibitions/Awards   Selected Solo and Joint Exhibitions   2020 - The London Art Fair alongside Suzanne Moxhay with The Contemporary London 2017 - Derby Museum and Art Gallery - Dear Reader, New Court Gallery, Repton - Eleanor Watson 2015 - The Foundry Gallery, Chelsea - Emma Alcock and Eleanor Watson 2013 - The Foundry Gallery, Chelsea - In the First Place Mall Galleries, St. James' - Biscuit. I've kept you half. Joint exhibition with Bartholomew Beal GX Gallery, Camberwell - Dual Exhibition: Benjamin Bridges & Eleanor Watson   Selected Group Exhibitions   2020 - Royal Academy Summer Exhibition A Dream is not a Dream, Purslane Art curated by Charlie Siddick Reaction Exhibition curated by Beatrice Hassel-McCosh The Birds are Singing in the Distant Woods with The Violet Hour 2019 - Tender with The Violet Hour Royal Academy Summer Exhibition 2018 - Art Basel Miami with Cynthia Corbett Gallery 2018 - The London Art Fair with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's The Royal Drawing School, Shoreditch - The Drawing Year 2016 2015 - Cynthia Corbett Gallery - Young Masters New York Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil The Contemporary London at W10 Space - Small Paintings London Art Fair with Cynthia Corbett Gallery, St. Anne's Gallery, and Paper Gallery 2014 - Royal Academy Summer Exhibition 2013 - St. Anne's Gallery - New Contemporary South   Prizes and Residency   2019 - ACS City and Guilds of London Art School Studio Prize 2019 - Slaughterhaus Print Prize 2018 - The Royal Drawing School Dumfries House Residency 2016 - The Jonathan Vickers Fine Art Award 2015 - Jerwood Painting Fellowship - shortlisted 2014 - Young Masters Art Prize - shortlisted 2014 - The Jonathan Vickers Fine Art Award - runner-up 2013 - The Zabludowicz Future Map Prize - shortlisted 2013 - Down Stairs Gallery Residency, Herefordshire 2012 - The Jonathan Vickers Fine Art Award - runner-up 2011 - Hans Brinker Budget Trophy Award - winner 2011 - Prunella Clough Painting Prize - runner-up   Collections   Dumfries House Collection   Jonathan Vickers Fine Art Award   University of the Arts London  

Liane Lang Edith Cavell, 2021 Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Liane Lang is a mixed media artist with a focus on memorialisation and the animacy of the figure in sculpture.   Education   Lang was educated at the National College of Art and Design in Dublin, took a BA in Fine Art at Goldsmiths College, London, and an MFA at the Royal Academy Schools, London graduating in 2006.   Exhibitions/Awards   She has exhibited widely both in the UK and internationally, including the Musée de Beaux Arts Calais, PS1 New York, Kunstwerke, Berlin and Kunstverein Heidelberg. She won the Photofusion Award, the Tooth Travel Award and the Selina Cheneviere Prize. In 2019 she completed a six-month fellowship at Fundacion BilbaoArte in Spain. 2018 has seen a solo show in London at James Freeman Gallery and her work was included in From Life at the Royal Academy of Arts. She presented a solo exhibition at Lian Zhou Foto Festival in 2018. In 2019 she exhibited a major installation at Kunsthalle Tübingen, Germany as part of Come Back and at the prestigious new James Simon Gallery, Staatliche Museen zu Berlin, as part of Nah am Leben. Her work is held in numerous public and private collections, such as MoMA, V&A, The Art Institute of Chicago, Arts Council England, Royal Academy of Arts, the Saatchi Collection, Deutsche Bank, Kunstverein Bregenz, Ernst and Young and the Collection of the Kunstamt Spandau, Berlin.     Solo Shows 2021 Wirksworth Residency Exhibition 2021 Glorious Oblivion, James Freeman Gallery 2018 Lian Zhou Festival of Photography, China, solo presentation by international artist 2018 Old School, James Freeman Gallery, London 2017 Old School, Eton College Gallery, solo exhibition, curated by Marcelle Joseph 2015 MEM Bilbao Photography Festival, Prize Winner Exhibition 2015 Saatchi Gallery, The Saints 2014 Kaleid 2014, Amnesiac Patina, photographic works 2014 An Idle Brain is Satan's Shoppe, House of St Barnabas, solo presentation, curated by Marcelle Joseph Projects 2013 Monumental Misconceptions, Rosenberg Gallery, Hofstra University, New York, 2013 Fallen, Art First Projects 2012 Permanent Commission The Long Way Home 2011 House Guests, WW Gallery, London 2010 Monumental Misconceptions, KvH Projects, London, 2010 Shadows and Stowaways with Squid/Tabernacle, Dalston, London 2010 Mesmeric Monument at Supernova Gallery, Riga Talks accompanying the exhibition at KIM Institute supported by the British Council, catalogue 2009 La Muralla, Public Commission, Portobello Road, RBKC 2008 Artist at Apsley, Flora Fairbairn Projects 2007 Fondling Germanicus, Kunstverein Heidelberg Selected Group Shows 2019 Heterotopia, Sarean Artspace, Bilbao 2019 Royal Academy of Arts permanent collection display 2018 Ghost Tide curated by Sarah Sparkes and Monica Bobinska 2018 Kukuli Velarde and Liane Lang, James Freeman Gallery 2018 From Life, Royal Academy of Arts, Sackler Gallery 2018 Kunstverein Bregenz, Magazin 4, 2017 Grisaille at Leila Heller Gallery, New York 2017 You see me like a UFO at Marcelle Joseph Projects, Ascot 2015-17 Enthüllt, Berlin and its Monuments, Museum Zitadelle Spandau, Berlin 2017 Der Zauberberg, Iavomirovic-Hughes Gallery, London 2016 Marion de Canniere Gallery, Antwerp, curated by Leigh Clarke 2016 Perfectionsim III, Griffin Gallery, curated by Becca Pelly-Fry 2016 Ikons, Candida Stephens Fine Art, West Sussex 2016 James Freeman Gallery, London, Intruder Alert with Nigel Grimmer 2016 Neo Realism, GiG Gallery, Munich 2016 Märkisches Museum Berlin, Adolph Menzel Ausstellung 2014 Sigmund Freud, 21er Haus Berlin, curated by Joseph Kosuth 2014 Monument, Musee de Beaux Arts, Calais 2014 Folkstone Triennial Fringe, curated by Sarah Gillham 2014 Royal Academy Summer Exhibition 2014 curation, Froward, exhibition of women artists at Eton College, opens 22.11. 2014 Salon 67, new photographic works, SoHo, New York 2014 Onsite, TAP Southend, curated by Mike Nelson and Andrew Hunt 2013 Brighton Photo Fringe, Phoenix Gallery, curated by Daniel C Blight 2013 Royal Academy Summer Exhibition, runs until August 2013 2013 German Historic Museum Berlin, The Last Days, Project for Kulturthemenjahr 'Loss of Diversity', runs to 10 November 2013, Berlin Germany 2013 Leicester University Botanic Gardens, A Change of Heart, Sculpture Exhibition, curated by Almuth Tebbenhoff and Tom Flynn 2013 Purdey Hicks Gallery, London, summer show 2013 RAC Club, Kiss Me Deadly, curated by Jessica Holmes 2012 Photofusion Gallery, AMPS Exhibition     Collections Royal Academy of Arts MoMA Victoria and Albert Museum Kunstamt Spandau Deutsche Bank Saatchi Collection Ernst and Young Jay Joplin Artscouncil England BilbaoArte Fundacion Kunstverein Bregenz Art Omi Collection Numerous private collections   Awards 2019 AN Bursary Award Winner 2018 Julia Margaret Cameron Photo Award Finalist 2016 Cointreau Creative Crew Finalist 2015 MEM Photography Festival Bilbao 1st Prize 2014 Birgit Skiöld Memorial Award of Excellence 2012 Hotshoe Photography Award 2012 2010 British Council Award, Riga 2009 RBKC Artists Award, Budapest 2006 Selina Cheneviere Fellowship 2006 Hugh Merrell Dissertation Award 2005 Henry Moore Foundation Production Award     Residencies 2020 Elephant Lab Residency, West London, January 2020 2020 The Lodge Project, Derby 2019 Fundacion BilbaoArte, Spain 2017 Espositivo Madrid 2015 Eton College Residency Fellowship 2015 Vermont Studio Centre Fellowship 2014 Bogliasco Foundation Artist Fellowship, Genoa 2014 Museum Zitadelle Spandau, Berlin 2013 Art Omi International residency program, Upstate New York 2012 Willums Foundation, Provence 2012 Heart House, residency at Westmoreland Heart Hospital 2011 Matthew Bown Gallery, Berlin 2010 Gallery Supernova Riga, Latvia 2009 Memento Sculpture Park, Budapest       About the postcard artworks Cecilia and Edith are both images from my series Glorious Oblivion, for I which I have travelled around European Cities looking for statues to historic women.  

Daisy Patton Untitled (10th grade 1954), 2020 Oil on Archival Print Signed verso 12.7 x 10.1cm (5 x 3¾ in.) Daisy Patton is a multi-disciplinary artist who was born in Los Angeles, CA to a mother from the South and an Iranian father she never met. She spent her childhood between California and Oklahoma, deeply affected by these conflicting cultural ways of being. Influenced by collective and political history, as well as memory and the fallibility of the body, Patton's work explores the meaning and social conventions of families, relationship, storytelling and story-carrying, and also connection. One prominent series, Forgetting is so long, has been featured in publications such as Hyperallergic, The Jealous Curator, The Denver Post, The Chautauquan Daily, and more.   Education Currently residing in western Massachusetts, Patton has a BFA in Studio Arts from the University of Oklahoma with minors in History and Art History and an Honors degree. She earned her MFA from The School of the Museum of Fine Arts, Boston/Tufts University, a multi-disciplinary program. Patton has completed artist residencies at Minerva Projects, Anderson Ranch, the Studios at MASS MoCA, RedLine Denver, and Eastside International in Los Angeles. She has been awarded the Barbara Deming Memorial Fund grant, as well as the Assets for Artists Massachusetts Matched Savings grant and the Montage Travel Award from SMFA for research in Dresden, Germany. She has exhibited in solo and group shows nationally, including her first museum solo at the CU Art Museum at the University of Colorado. Minerva Projects Press will publish a collection of essays and poetry on Patton's practice in spring 2021. K Contemporary represents Patton in Denver, CO, and J. Rinehart represents her in Seattle, WA. MFA Tufts University/School of the Museum of Fine Arts, Boston; BFA University of Oklahomahonors and awards 2020 Barbara Deming Memorial Fund, Inc. Grant Award 2020 Massachusetts Matched Savings Grant cohort, Assets for Artists of MASS MoCA 2019 Faith and Freedom Award from the Colorado Religious Coalition for Reproductive Choice, May 2019 Nominated for the Smithsonian Artist Research Fellowship (SARF), 2017 Cycle Montague Travel Grant Award at The School of the Museum of Fine Arts, Boston, December 2010   Exhibitions "Burnt Hair Spun Gold" at K Contemporary, 1412 Wazee St., Denver, CO, Sept.-Oct. 2020 "Put Me Back the Way They Found Me," curated by Simon Zalkind at Fulginiti Pavilion, Anschutz Medical Campus, 13080 E. 19th Ave, Aurora, CO, Mar-June 2020 Project Space at K Contemporary, 1412 Wazee St., Denver, CO, Nov. 2019 "Lineages in Bloom" at the Bellowe Family Gallery, Chautauqua Institution, Chautauqua, NY, June-July 2019 "Would you be lonely without me?" at the Texas Capitol Exhibit Space, 1100 Congress Ave., Austin, TX, Apr. 2019 "Forgetting is so long" at The Art Base, 99 Midland Spur, Basalt, CO Mar.-Apr. 2019 "A Rewilded Arcadia" at K Contemporary, 1412 Wazee St., Denver, CO, Oct. 2018 "This Is Not Goodbye," curated by Sandra Firmin, CU Boulder Art Museum, University of Colorado, Boulder, 318 UCB, Boulder, CO, Jul.-Nov. 2018 "Would you be lonely without me?," Art Gym, 1460 Leyden St., Denver, CO, July-Aug. 2018 "Throw My Ashes Into the Sea," solo at Michael Warren Contemporary Gallery, Denver, CO, Jan.-Mar. 2017 "Forgetting is so long," at Front Range Community College, Boulder County Campus, Longmont, CO, Jan.-Mar. 2017 "Forgetting is so long" at Michael Warren Contemporary Gallery, 760 Santa Fe Dr, Denver CO, Dec. 2014   About the postcard artworks "What rituals are useful to locating someone who's gone. Our story has no language. My loss always in communication with your loss." -Ella Longpre, How to Keep You Alive Who do we choose to remember, and how? These ideas are fraught terrain that cross family relationships, identities, and collective memorialization. For some, living memory supports an elongation of our lives-we only succumb to a blank past when our histories are no longer recalled and held by those that once cared for us. A family photograph is such a vessel of retrieving memory. As time accumulates, however, these emotionally laden images become unknowable, missing their necessary translators. Despite this gradual disintegration of previous selves, our bodies are still affected by the actions of our ancestors. Their lives are encoded into our beings through often-complex interconnections, whether through epigenetics or other practices preserved through time. The inherent loss embedded in these discarded photographs is intertwined with the fragility of the body itself. The depicted bodies can both reveal and conceal embodied language, personality, as well as emotional and physical health. These ties to corporeality and lineages hold us in ways that can manifest as a tender embrace or even a suffocation. In "Forgetting is so long," I collect abandoned family photographs, enlarge them to life-size, and paint over them as a kind of re-enlivening, removing the individuals from their formerly static location and time. Family photographs are revered vestiges to their loved ones, but if they become unmoored, the images and people within become hauntingly absent. Anthropologist Michael Taussig states that defacing sacred objects forces a "shock into being." Suddenly, we perceive them as present and piercing. By mixing painting with photography, I seek to lengthen Roland Barthes' "moment of death" (the photograph) into a loving act of remembrance. Bright swathes of color and the use of painted floral patterns underline relationships and connections to the natural world and beyond, adorning and embellishing these relics with devotional marks of care. These nearly forgotten people are transfigured and "reborn" into a fantastical, liminal place that holds both beauty and joy, temporarily suspended from plunging fully into oblivion.