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Lot 160

USA & Canada. Tour Round the World by Edwin Macaulay, 1902, Books 6 & 7: Canada and United States & Rocky Mountains, first album with thirty-nine gelatin silver print views, mounted back to back, including San Francisco and New York, many captioned in the negative, photographers including A. Loeffler and C. L. Ritzmann, the second album with ten mounted colour photos by Detroit Photographic Company, images approx. 18 x 23cm and similar, a.e.g., orig. morocco gilt, some sl. wear to extrems. and upper cover of first vol. det., oblong 4to (2)

Lot 1

An early 20th Century Mauchlin ware box, transfer print to the centre, 'Rustic Bridge, Totland Bay, Isle of Wight'. Illustrated.

Lot 1

A group of three, including a small oil sketch of a sunset by J Herbert Snell, a cristolean print of a ladies head and a print entitled 'The Tidal Boat'.(3)

Lot 1

D. Curisl...., Il Getto, engraving, limited edition print, a pair, signed in pencil, 8.5 x 11 cm together with a Light Fantastic Group holographic picture of a running man, signed, 23 x 19 cm.

Lot 43

An 18th Century monochrome engraving, 'Veduta della Piazzetta di S. Marco', published by Per il Louisa a Rialto Venezia, together with a restrike print 'Tempio della Sibilla in Tivoli'.

Lot 65

After George Romney - Oval Half Length Portrait of Lady Emma Hamilton as a Bacchante, early 20th Century sepia-toned print, within an oval gilt composition frame, together with a group of decorative prints.

Lot 75

A.J. Simpson - Snowy Mountainous Landscape, woodblock print with gouache, on a signed and dated mount, together with a collection of lino prints, woodblocks, a watercolour and two books, all by A.J. or E. Simpson.

Lot 83

After Roland Batchelor - Humorous Illustration, 20th Century colour print, signed and editioned 136/350, together with a signed book by the artist, and a large collection of decorative pictures.

Lot 108

After Kyil - 'Mr Robert Smithers' (Theatrical Caricature), late 19th Century colour print with watercolour highlights, together with two similar caricatures and a collection of decorative pictures.

Lot 119

After Harry Hall - 'The Merry Monarch Winner of the Derby Stakes at Epsom 1845', late 19th/early 20th Century colour print, together with a similar subject after Herring.

Lot 132

After Sir William Russell Flint - Two Females seated in an Interior, one reading a Book, mid-20th Century colour print, signed in pencil, approx 33cm x 57cm.

Lot 156

Walter Donne - Gallant walking past an Entrance, sepia print on India paper mounted, artist's proof, signed in pencil, together with a collection of 18th and 19th Century prints.

Lot 158

L. Campbell-Taylor - Study of a Girl with Needlework, colour print, signed in pencil together with two others by the same hand.

Lot 162

Janet Fisher - Landscape with Breton Girl tending Goats, a Cottage in the distance, early 20th Century polychrome woodblock print, signed and editioned 5/100.

Lot 548

L. Forbes watercolour Portrait of a girl,signed and dated 18419.5 x 6.5in. and a print 'Cherry Ripe'4.5 x 3.5in.

Lot 581

John Speed colour print Map of The Turkish Empire 15.5 x 21in

Lot 1185

A Japanese polychrome woodblock Oban print, 19th Century, depicting a maiden accompanied by a child with pine trees beyond, framed and glazed.

Lot 1710

A Victorian Staffordshire blue printed earthenware circular sink, the rim with a band of foliate scrollwork above an Italianate landscape print with foreground figures, unmarked, diameter approx 37.8cm.

Lot 522

Mille Miglia 1951 by Nicholas Watts Colour print depicting Villoresi and Cassani in the damaged Ferrari 340 America having earlier slid off the road during the 1951 event. Framed/glazed, 70x90cm.

Lot 3002

An album containing approx 140 mostly machine-print and colour photographs, all views in Sussex including a number of Pulborough and Fittleworth.

Lot 3004

An album containing approx 200 mostly photographic and machine-print topographical views in Sussex, the majority of Henfield and the surrounding villages.

Lot 3005

An album containing 60 postcards, the majority artist cards after A.R. Quinton, A.H. Fullwood and others, or machine-print topographical views, also including a photographic card of a male hockey team and an incomplete calendar for 1978.

Lot 3058

An album containing approx 121 mostly machine-print and colour postcards, all topographical views in Sussex,

Lot 3068

A large collection of mostly machine-print and colour postcards, all topographical views, the majority in Britain.

Lot 3069

A collection of 42 mostly photographic and machine-print postcards, the majority featuring aeroplanes.

Lot 3092

PHOTOGRAPHS, ITALY. – An album containing mostly albumen-print photographs of Italy and sculpture, [n.p.: n.d. but circa 1896.] 4to (302 x 242mm.) 68 photographs mounted recto and verso on 18 leaves. (Some fading.) Contemporary half-morocco (worn, spine lacking).

Lot 3113

PHOTOGRAPHS. – A collection of seven mostly albumen-print photographs of engineering interest, circa 1900, together with two albums containing numerous other photographs (a lot).

Lot 3119

PHOTOGRAPHS. – An album containing numerous photographs. [N.p.: n.d. but circa 1900-1915.] The album containing small format albumen-print and other photographs, most captioned with locations or sitters. Contemporary half-morocco (worn). – And a scrap album (2).

Lot 1

Militaria - A black and white photograph of Field-Marshal Montgomery, inscribed and signed 'To: Arthur Porritt / with admiration and / high regard / Montgomery of Alamein / December 1964', 28cm x 22.5cm, framed; and black and white photographic print of a portrait of Field-Marshal Montgomery, the mount inscribed and signed 'To; Arthur Porritt / with my grateful thanks for his care and / attention during times of crisis / Montgomery of Alamein / 1955', 24.5cm x 19.5cm, framed; with A Collection of Field-Marshal Montgomery's Personal Messages to 21 Army Group, 1944-1945, bound in black leather, inscribed and signed 'To: Brigadier Porritt / with all good wishes / B.L. Montgomery / Field-Marshal / Germany 28-8-45'; and another booklet of related interest, (4).

Lot 1

Damien Hirst, b. 1965 LSD signed lambda print 105.5 by 127cm.; 41.5 by 50in. Executed in 2000, this work is number 258 from an edition of 300. Provenance Eyestorm, London Acquired from the above by the present owner

Lot 1

Damien Hirst, b. 1965 OPIUM signed colour lambda print 48 by 43cm.; 18.875 by 17in. Executed in 2000, this work is number 101 from an edition of 500. Provenance Eyestorm, London This work is accompanied by a certificate of authenticity issued by Eyestorm.

Lot 1

Nan Goldin, b. 1953 GUY AT WIGSTOCK, NYC signed on a label attached to the reverse cibachrome print 98 by 65.5cm.; 38.5 by 25.75in. Executed in 1991, this work is number 17 from an edition of 25. Provenance Matthew Marks Gallery, New York Literature Nan Goldin, Nan Goldin: The Other Side 1972-1992, Zurich-Berlin-New York 2000, p.67, illustration of another example in colour

Lot 1

Nan Goldin, b. 1953 DAVID BY THE POOL AT THE BACK ROOM, PROVINCETOWN, 1976 signed, titled and numbered 7/25 on the reverse cibachrome print on perspex 98 by 65cm.; 38.5 by 25.625in. Provenance Yvon Lambert, Paris Literature Walter Keller & Hans Werner Holzwarth (ed.), Nan Goldin/David Armstrong: A Double Life, New York 1994, no. 34, illustration of another example in colour

Lot 1

Inez van Lamsweerde & Vinoodh Matadin, B. 1963 & B. 1961 BIANCA TALKING signed by both on a label attached to the reverse c-print image: 151.5 by 120cm.; 59.625 by 47.25in. sheet: 156 by 124.5cm.; 61.5 by 49in. Executed in 1999, this work is number 3 from an edition of 3. Provenance Matthew Marks Gallery, New York

Lot 1

Thomas Ruff, b. 1958 NUDES KN 30 signed, dated 2000 and numbered 30/100 on the reverse chromogenic colour print image: 52 by 41cm.; 20.5 by16.125in. sheet: 59 by 48.7cm.; 23.25 by 19.25in. Executed in 2000, this work is from an edition of 100 plus 20 artist's proofs published by Frameworks, Vienna. Literature Matthias Winzen (ed.), Thomas Ruff: 1979 to the Present, Cologne 2001, p.250, illustration of another example in colour

Lot 1

Vanessa Beecroft, b. 1969 VB46.032 vibracolour print laid onto board 63.5 by 88.9cm.; 25 by 35in. Executed in 2001, this work is number 1 from an edition of 6. Provenance Gagosian Gallery, New York

Lot 1

Gregory Crewdson b. 1962 PRODUCTION STILL (FOREST GATHERING #3) signed and dated 2003 c-print, unframed 30.5 by 40.6cm.; 12 by 16in. Executed in 2003 in an edition of 20. Provenance Acquired directly from the artist by the present owner

Lot 1

Olafur Eliasson, b. 1967 UNTITLED (ICELAND) stamped with the signature on the reverse c-print mounted on aluminium 40 by 60cm.; 15.75 by 23.5in. Executed in 1995, this work is unique. Provenance Galerie Lukas & Hoffman, Cologne

Lot 1

Sheng Qi, B.1965 MY LEFT HAND signed, dated 2006 and inscribed with Chinese characters c-print image: 119 by 80cm.; 46.875 by 31.5in. sheet: 125 by 84cm.; 49.25 by 33in. This work is unique. Provenance Acquired directly from the artist by the present owner

Lot 1

Andy Warhol, 1928-1987 MARILYN colour silkscreen on card 17.7 by 17.7cm.; 7 by 7in. Conceived in 1967 and printed in an edition of 250 for the Andy Warhol Print Retrospective (21st November - 22nd December 1981) at Castelli Graphics, New York.

Lot 1

JOSEP DOMENECH. Silkscreen print, "Morning Light" limited edition number 119/195, signed and numbered in pencil, image 44cm square, framed.

Lot 1

MARK SPAIN. Textured silkscreen print, "Guardian" limited edition number 3/50, signed and numbered in pencil, image 44cm square, framed.

Lot 1

JOSEP DOMENECH. Silkscreen print, "Grace" limited edition number 178/195, signed and numbered in pencil, image 53cm x 23cm, framed.

Lot 1

MARK SPAIN: Textured screen print "Icarus" limited edition number 19/50, signed in pencil, 42cm square, framed.

Lot 1

CLAUDE PRICE. Gouache and coloured print mixed media, study of a cathedral facade, signed, 71cm x 47cm framed.

Lot 1

A 19th Century large framed and glazed print of a young girl holding a pug dog in a garden setting, 76 x 52cm.

Lot 1

MARGARET AULTON. Etching, "Butter Cross, Ludlow", titled and signed in pencil, 22.5cm x 11cm, framed; another print "Bridge at Bradford on Avon", 11cm x 15cm, framed.(2)

Lot 1

STURGEON. Colour print, St Michaels Mount, signed in pencil and number 230/850, blind stamp, image 25cm x 35cm, framed.

Lot 1

After Kemp-Welch, Lucy (1869-1958)-Signed artist's proof coloured print-The Hour of Rest, Shirehorses, 32cm x 66cm-see illustration

Lot 1

Late 19th/early 20th Century coloured print depicting stable interior with pigs and piglets advertising Hillier's Bacon Curing Co. Ltd, Newmarket, Near Stroud, 39cm x 49cm

Lot 1

After Lowry, Laurence Stephen (1887-1976)-Signed artist's proof print-The Football Match, no.782/850 limited edition, 25cm x 36cm-see illustration

Lot 1

After Lowry, Laurence Stephen (1887-1976)-Signed artist's proof print-Market scene in a Northern town, 45cm x 60cm

Lot 1

Militaria-Infantry Training Manual (No.4-Company Organisation) India re-print 1917, Air Raid precautions hand book No.2 (3rd edition), a section/platoon roll book, a leather bound Bible and a quantity of allied military currency (Italian lira)

Lot 449

a pair of prints from Charles Dickens Mrs Bardell and Mr Crummles, and a racing cartoon print My Good Fellows, have any notion where you can get a saw?

Lot 451

a maple framed print of a steeple chase 9 1/2 x 14 inches and another maple framed print

Lot 454

blaeu (John); a map of Kent, hand coloured, 11 x 14 3/4 inches, a small Speed map of Kent, 3 1/2 x 5 inches, and a Bartolozzi print of Henry, eldest son of Charles Brandon (3)

Lot 457

a set of four prints of wild flowers framed as one and four other modern prints after Syd Edwards, two maritime prints, and another print (8)

Lot 466

duck shooting a coloured print published by R Pollard 9 1/2 x 14 1/2 inches

Lot 473

cECIL ALDIN The Atherstone Hunt signed limited edition print 92/250 13 1/4 x 25 3/4 inches image size and another The Pytchley Country, who-whoop at Hazelbeach unsigned 13 1/4 x 25 1/4 inches (2)

Lot 1

After MORLAND; A coloured Print of a Dairy Farm and another "The Shepherds".

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