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Lot 416

Oppenheimer, ‘father of the atomic bomb’, gives his most evocative and accurate assessment ever of the evolution of nuclear weapons, illustrating incredible foresight for the future use of the weapon he created that could ultimately destroy the world and human race -‘If they are ever used again, it may well be by the thousand or perhaps by the tens of thousands; their method of delivery may well be different and may reflect new possibilities of interception and the strategy of their use may well be different from what it was against an essentially defeated enemy. But it is a weapon for aggressors and the element of surprise and of terror are as intrinsic to it as are the fissionable nuclei.’  OPPENHEIMER J. ROBERT: (1904-1967) American theoretical physicist, credited as 'the father of the atomic bomb', The director of the Manhattan Project's Los Alamos Laboratory during World War II, Oppenheimer is the inspiration for the film Oppenheimer (2023) in which he is portrayed by actor Cillian Murphy. An important and significant T.L.S., Oppie, one page, 4to, Princeton, New Jersey, 16th April 1952, to Stephen White of Look magazine, on the printed stationery of the Institute for Advanced Study. Oppenheimer writes to his friend, journalist Stephen White, to thank him for having sent the proof of his article, Russia's Newest Threat: A-Bomb Supremacy, evidently following discussions the two man had engaged in, 'As you say, it is quite along the lines that you discussed with me…..I think that you probably pull the dangers up a little too close in time; and many of the things you say, I do not myself believe to be strictly true. But, like all your friends, I add a “print it”, with the general feeling that you are talking about real things and talking about them in a reasonable way, and that this desperately needs to be done', the physicist continuing to add 'There are a number of reasons - - some developed since I saw you - - why I am reluctant to appear to be a part of just this story. I want to be very sure that I cry no wolves that are not genuine wolves' and further offering White a shrewd quotation that could incorporated into his article, 'I have thought that I wrote something long ago which you can perhaps use. This was in the autumn of 1945 in Philadelphia…..It was published in No. 1 of Vol. 90 of the Proceedings of the American Philosophical Society. The sentence that I think you might wish to quote is “If they are ever used again it may well be by the thousands, or perhaps by tens of thousands”. The rest of the paragraph is: “their method of delivery may well be different and may reflect new possibilities of interception, and the strategy of their use may well be different from what it was against an essentially defeated enemy. But it is a weapon for aggressors, and the elements of surprise and of terror are as intrinsic to it as are the fissionable nuclei.”, concluding 'I do not know whether this will help; but it is meant to be helpful'. A letter of truly remarkable content in which Oppenheimer demonstrates extraordinary foresight for the future use of the atomic bomb. VG Stephen White's article Russia's Newest Threat: A-Bomb Supremacy appeared in the 3rd June 1952 issue of Look magazine. It was deemed important enough by the American House of Representatives that Melvin Price, representative from Illinois from 1945-88, and later chairman of the Joint Committee on Atomic Energy, had the full article contained in the Congressional Records in order to substantiate, and provide additional support to, Henry M. Jackson's address to the House of Representatives 'on the urgent question of maintaining [America's] atomic supremacy and of holding Russian aggression in check'.  White's competently argued article, written in private consultation with Oppenheimer and others, warns of the grave problem facing America from Russia ('the weapon is being turned against us') and informs the reader that 'This reporter has asked blunt questions about the new state of affairs. He asked them even though he knew that no responsible official would give him a direct answer. The law forbids talking for the record. But there was one significant comment each time. When he described the story he planned to write, he was invariably told grimly, “Print it”.' In August 1949, earlier than the Americans had anticipated, the Soviet Union carried out their first atomic bomb test. At this time Oppenheimer was chairman of the General Advisory Committee to the Atomic Energy Commission (created in 1947), a post he would remain in until August 1952, just months after writing the present letter. As chairman of the GAC Oppenheimer argued against the development of a more powerful nuclear fusion-based hydrogen bomb, warning of the enormous human casualties that would result from its use. Nevertheless, American president Harry S. Truman made the decision, in January 1950, to proceed with the development of the weapon, a decision which Oppenheimer officially acceded to despite his views on the hydrogen bomb being well known.  After leaving the General Advisory Committee in 1952, Oppenheimer chaired the State Department Panel of Consultants on Disarmament which urged that the United States postpone its planned first test of the hydrogen bomb and seek a thermonuclear test ban with the Soviet Union, on the grounds that avoiding a test might forestall the development of a catastrophic new weapon and open the way for new arms agreements between the two nations.  

Lot 248

CINEMA: Small selection of signed prints, magazine photographs, German Film-Buhne booklets etc. by various film stars including Claudette Colbert (signed Volpe print issued in 1962 in recognition of Colbert's Oscar winning performance in It Happened One Night), Robert Mitchum (2), Jane Russell, Dawn Wells, Vanessa Redgrave (A.L.S.) etc. G to generally VG, 7 

Lot 406

ENOLA GAY: A multiple signed colour 24 x 18 print by three crew members of the Enola Gay, the Boeing B-29 Superfortress bomber aircraft which dropped an atomic bomb on Hiroshima on 6th August 1945 towards the end of World War II, comprising Paul W. Tibbets (pilot and aircraft commander), Theodore 'Dutch' Van Kirk (navigator), and Thomas Ferebee (bombardier), the print entitled Atomic Warfare is Born and featuring an image of the Enola Gay in flight, reproduced from a painting by the artist Harley Copic and published by the Buckeye Aviation Book Company. Signed by Tibbets, Van Kirk and Ferebee in bold blue inks with their names alone to the lower white border. Rolled. A few very minor, light stains to the right border, otherwise VG

Lot 473

Sir Hugh Casson: a signed limited edition print "Canons Ashby", 206/300, in strip frame, Michael Carlo: a signed limited edition print, "Late Walk", 191/200, and Bob Sanders, "Early Mist", 82/200, in strip frames, and two other prints

Lot 281

A fragment of a Medieval missal on velum, in double sided glass mount, and a print of a sailing ship, in Hogarth frame

Lot 488

Elizabeth Reith: a signed colour woodblock print, "The Eastgate Seoul Korea", in silvered frame (slight insect damage)

Lot 469

Charles Van Eyk 19-2-76: a signed print, "Mechelen Church, Belgium", in oak frame

Lot 486

Elizabeth Reith: a signed colour woodblock print, "Street scene Soochow", in gilt frame 18 1/2"h x 12 1/4"w including frame14 3/4" x 10" (image size)Condition:No apparent condition issues. 

Lot 489

Elizabeth Reith: a signed colour woodblock print, "Moonlight Soochow", in gilt frame

Lot 475

A 19th century coloured print, the Leaning Tower of Pisa, a 19th century fashion plate, in maple frame, and a number of other prints, various

Lot 472

Rob Piercey: signed limited edition colour print, "Porthmadog" 241/250, two colour prints, two Welsh scenes and three other pictures, in strip frames

Lot 468

John Piper: a signed print, Wymondham Abbey, in gilt strip frame

Lot 483

An 18th century colour print view of "Ripon in the County of York", in Hogarth frame

Lot 137

A large 19th century fox hunting print of for gentlemen mounted on horseback with hounds in the foreground

Lot 139A

Two sporting prints, hunting and racing interest. To include print of newmarket races by J.Moore and reproduction print of the beaufort hunt by Michael Lynne (2)

Lot 154

John Bateman (British, 20th century), "The Man Who Went To A Hunt Ball In A Dinner Jacket", hand coloured print, c.1930, 20x27cm, framed and glazed.

Lot 206

Two taxidermy related framed prints to include framed photographic print of front of Ruben Jones' Taxidermist shop and further print of a gentleman standing next to a skeleton of a stork (2)

Lot 90

John Trickett (British, b.1952), A hare in motion, limited edtion coloured print on canvas (Sally Mitchell Fine Arts, 2018), signed, numbered 3/49 on verso, 39x39cm, framed

Lot 172

William Wood (British, 1769-1810)A portrait miniature of Lieutenant Colonel Henry Davis (born 1763), wearing the uniform of the Light Dragoons, his French Grey coatee with silver lace and buttons, his red collar outlined with silver, his white leather shoulder belt secured with a silver lace shoulder cord. Watercolour on ivory, signed on the reverse, By/ Will: Wood/ of Cork Strt,/ Lond. and inscribed beneath, now/ dead, backed with card signed, E W Thomson/ Miniature Painter/ New Bond Street/ Enquire at Mr Orme's Print Seller, gold frame, the reverse glazed to reveal a ground of plaited brown hair within a surround of plaited blond hair. Oval, 85mm (3 3/8in) highFootnotes:ProvenanceSold Bonhams, London, 23 November 2005, lot 94LiteratureWilliam Wood, Memorandum of Miniatures Painted and Finished by William Wood, 1790-1808, vol.III, folio 5824 or 5830William Wood produced two portrait miniatures of Davis in 1801. The first finished on 14 February and delivered on 22nd February (costing £5 and £5/10/- for the frame). The second began on 15 February, finished on 21 February and delivered on 28 February (costing £10/10/- presumably for both miniature and frame). Both miniatures were framed by Flower. The overlapping time frame of the two miniatures implies that Wood was commissioned right from the beginning to paint two versions. In his fee book, Wood describes the sitter as, 'about 38 years old, shows chiefly right side and looking on'.In this portrait miniature, Henry Davis is wearing his Lieutenant Colonel uniform - a rank he obtained in the 25th Light Dragoons in January 1800. In May of the same year he was promoted to Major. In June 1799 Colonel Arthur Wellesley, later the Duke of Wellington, raised a military force in the north of Mysore, comprising the 25th Light Dragoons and the 73rd and 77th Regiments of Foot. Details of Lieutenant Colonel Davis' military history are limited but it is fair to assume, he served as part of this operation. The regiment disbanded in 1819, when the 25th Light Dragoons returned to Portsmouth on HMS Mangles from Madras.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 414

An early 20th century carved giltwood wall bracket, together with a gilt framed oil on canvas still life signed, a sketch in an ornate giltwood frame, framed photo of Lord Overstone, Henry Freeman lifeboatman and sole survivor of the Whitby Lifeboat Disaster of 1861, one other gilt frame, along with a framed print miniature of Bluchons The Great Pianist Location:

Lot 299

A group of humorous prints, a 1930's iconic print of figures on the Chrysler Building and workers sat eating lunch on a crane working on the Rockefeller CentreLocation: A1B

Lot 132

A selection of pictures and prints to include; an advertising picture for an Edward Hopper exhibition, Jack Vettriano at The Portland gallery a village scene print and various other picturesLocation:

Lot 250

Mixed Pictures to include Ro Mulken, Mowll, oil on limited edition print, Georges Flanet signed prints and othersLocation:

Lot 81

A mixed lot to include a painted relief wall plaque depicting a galleon in wooden frame, a print of a racehorse titled We Three Kings, a wrought iron framed circular convex wall mirror and a Royal Canadian mounted police wall plaque, Location:

Lot 391

A reproduction equestrian Japanese print believed to be originally from the late 16th / early 17th century titled 'Uma - ya - byobe'Location:

Lot 213

A Marilyn Monroe Coco Chanel Hollywood limited edition print by Fairchild Paris, published by Sunday 'B' Morning, numbered 49/250, signed within the print with publisher's label, 75cm x 53.5cm, mounted in box frame Location:

Lot 131

A limited edition print by Lawrence Coulson 121/495 depicting a panoramic seascape of two figures walking along a sandy beach, bears a signatureLocation:

Lot 59

A large framed print depicting Marilyn Monroe Everybody's Dream by Renato Casaro, 98 x 68, signed

Lot 439

Six Matchbox Lesney Superfast Boxed Models, England: MB-12 Big Bull, orange rollers,MB-21 Renault 5TL, metallic blue dot dash wheels, MB-36 Refuse Truck, blue cab, orange back, MB-55 Ford Cortina, lime metallic green, dot dash wheels, MB-56 Mercedes 450 SEL taxi, dot dash wheels, MB-62 Chevrolet Corvette, metallic red, 5 arch wheels, tampo print to bonnet, all in mint boxed original condition. MB-55 box is fair (6 items)

Lot 437

Six Matchbox Lesney Superfast Boxed Models, England: MB-10 Piston Popper Rola-matics, metallic blue,amber glass MB-21 Renault 5TL, silver, red interior, dot dash wheels,MB-20 Police Patrol Rola-matics white, police label,MB-35 Fandango Rola-matics, red, blue fan, 35 label, MB-45 BMW 30 CSL, orange, 5 crown wheels, BMW label,MB-57 Wild Life Truck Rola-matic white body, Zebra Tampo print, 5 spoke wheels, all in mint boxed original condition. (6 items) Est £70-£90 R£70 2-410

Lot 436

Eight Matchbox Lesney Superfast Boxed Models, England:MB-17 The Londoner Bus Berger Paints, MB-21 Renault 5TL, white body, green/black tampo print Rallye Le Car, MB-27 Swing Wing red/white,MB-22 Blaze Buster, MB-36 Refuse Truck, metallic red cab,MB-42 Mercedes Container Truck ‘Sealand’ MB-50 Articulated Truck and MB-51 Combine Harvester, yellow hubs, all in mint boxed original condition. (8 items)

Lot 59

Ɵ&nbspGARNIER, RICHARD AND CARTER, JONATHANTHE GOLDEN AGE OF ENGLISH HOROLOGY, MASTERPIECES FROM THE TOM SCOTT COLLECTIONFrom a limited print run of 500 copies, The Square Press, Winchester 2015, dj and with protective plastic outer jacket.  

Lot 41

LITTLE RICHARD - A fantastic collection of original Fan Club letters and Memorabilia from the Presidents of the Club Official Magazine Veronica and Derek Day. This colleciton compiles of over 60 original Penniman News plus some of the original metal plates used to print the magazine from 1970. Also in this lot are letters from music people giving insight into the interviews and life with Little Richard. R&B Scene magazines are also included along with a large Scrapbook with the cover pasted on with The Beatles welcome Little Richard back to Pop Recording. The Scrapbook contains a huge amount of cuttings on Little Richard and 4 times more that have not been put into books.

Lot 6

JOHN ROWLANDS - Rolling Stones Limited Edition Signed and numbered print by the photographer John Rowlands. This fabulous full colour image of the Rolling Stones live on stage is signed and numbered by John Rowlands - Number 10 of 20 only - Entitled `Stones` signed LR Professionally framed it measures approx 23 x 18.5 inches. This has a hologram certification. John Rowlands is a Canadian born Photographer.  John Rowlands starting taking pictures of music stars in the 1950s. His first was as a 13-year-old boy and the photo was of Brenda Lee at an Ottawa concert. It became his life’s work, leading him to a life of touring with the stars. Over the decades he has photographed Elvis Presley, The Rolling Stones, The Beatles, Bob Marley, Jimi Hendrix, Alice Cooper and probably most famously David Bowie`s The Archer.

Lot 276

THREE JAPANESE WOODBLOCK PRINT BOOKS MEIJI PERIOD AND LATER 明治及以後 瀧澤清畫 《潜龍堂画譜 魚之部全》、《潜龍堂画譜 山水之部全》 及 《日本產物雜品圖畧》 木刻版畫冊(共三本) comprising: two by Takizawa Kiyoshi, including Senryūdō gafu, Gyorui no bu zen, published Meiji 12, 1879AD and Senryūdō gafu, San-sui no bu zen, published Meiji 14, 1879AD; and a book with listing of Japanese art items Dimensions:22.8cm x 15.3cm each; 18.1cm x 12.1cm Provenance:Provenance: Private Scottish collection, Perthshire

Lot 12

Evil Ernie Returns, Ashcan (2001) first print, by Chaos Comics; together with other Evil Ernie comics; and British and American comics including; Judge Dredd, 2000 AD, Chastity, Ghost Rider etc.

Lot 286

Robert Crumb's Your Hytone Comix, No.1 (first print); Mr. Natural, No.1, published by Apex Novelties 1982 (green cover), Mr. Natural, No.2 (fifth print), Mr. Natural, No.3 (sixth print); together with Dirty Laundry Comics, No's. 1 and 2 December 1977; XYZ Comics and Snoid Comics.

Lot 287

Robert Crumb's Best Buy Comics, No.1 (first print).

Lot 294

Skull Comics by Rip Off Press, No. 1 (first print) ( (taller size and "decadence" on page 17 obscured); and Skull Comics, No's. 2, 3 and 5.

Lot 295

Despair, No.1. by The Print Mint; 50's Funnies, No.1; and others; together with other Underground comix - titles include: Bogey Man, No.3, Cosmic Comix, View from the Void, Kingdom of Evil, No.1, Corn Fed Comics, Consumer Comix, Compost Comics, and others. (23)

Lot 302

Marvel Commemorative Edition - A Celebration of Stan Lee (1922-2018)"Captain America #18 - Twenty-First Century Blitz",with the autograph signature of Stan Lee,limited-edition box canvas print, artist's proof 6/9,111 x 75cms, in frame. With Certificate of Authenticity from Washington Green.

Lot 303

Marvel Commemorative Edition - A Celebration of Stan Lee (1922-2018)"World War Hulk #1",with the autograph signature of Stan Lee,limited-edition box canvas print, artist's proof 6/9,111 x 75cms, in frame. With Certificate of Authenticity from Washington Green.

Lot 304

Marvel Commemorative Edition - A Celebration of Stan Lee (1922-2018) "The Amazing Spider-Man #553 - Brand New Day", with the autograph signature of Stan Lee, limited-edition box canvas print, artist's proof 6/9, 111 x 75cms, in frame. With Certificate of Authenticity from Washington Green.

Lot 305

Marvel Commemorative Edition - A Celebration of Stan Lee (1922-2018)"Thor #612",with the autograph signature of Stan Lee,limited-edition box canvas print, artist's proof 6/9,111 x 75cms, in frame. With Certificate of Authenticity from Washington Green.

Lot 306

Marvel Commemorative Edition - A Celebration of Stan Lee (1922-2018)"The Invincible Iron Man #501",with the autograph signature of Stan Lee,limited-edition box canvas print, artist's proof 6/9,111 x 75cms, in frame. With Certificate of Authenticity from Washington Green.

Lot 307

Marvel Commemorative Edition - A Celebration of Stan Lee (1922-2018)"Wolverine #305",with the autograph signature of Stan Lee,limited-edition box canvas print, artist's proof 6/9,111 x 75cms, in frame. With Certificate of Authenticity from Washington Green.

Lot 308

Marvel Superheroes"Wolverine #1",with the autograph signature of Stan Lee,limited-edition box canvas print, 18/195,102 x 70cms, in frame. With Certificate of Authenticity from Washington Green.

Lot 310

After Alex Ross (American, b.1970) "Original Seven", signed, limited-edition giclee print on canvas, 12/195, 51 x 117cms, in frame.With certificate of authenticity.

Lot 311

After Alex Ross (American, b.1970) "Superman: Twentieth Century", signed, limited-edition giclee print on canvas, 30/195, 82 x 56cms, in frame.With certificate of authenticity.

Lot 317

A Forbidden Plant print, depicting Nixon the principal character in the comic series Hard Boiled, signed by Frank Miller and Geof Darrow; together with a shop-sealed hard-bound copy of the graphic album Hard Boiled, by Dark Horse Books.

Lot 324

Tarot: Witch of the Black Rose Deluxe Edition No. 35, with a limited-edition print signed by Jim Balent, numbered 340/500; Sacho: Last Case, in plastic bag inscribed "All the best Michael!" and signed by Alan Nolan.

Lot 541

The Amazing Spider-Man: Coming Home, Vol. 21 from the Ultimate Graphic Novels Collection, By Marvel; Dracula Lord of the Undead, Books 1-3; Clive Barker's Hellraiser, graphic novel, by Epic; Judge Death, limited edition print after Gregg Staples; an orginal Vampirella drawing by Flavio Silver; other prints and posters; two Marvel Deadpool Comics; Star Wars and other Marvel comics; British Marvel Comics; and a four-disc DVD edition of Superman the Movie.

Lot 561

Undertaker, No. ½, limited edition, published by Wizard; Razor Convention Book, limited edition signed copy; and sundry comics, magazines, graphic novels and books, titles include Red Sonja, Purgatory, Bubblegum Crisis, Tomb Raider, Witchblade, Chaos Quarterly, Lady Death 10th Anniversary Print Set; The Art of Lady Death, hardbound book, Vol.1, San Diego signed copy etc.

Lot 698

MOTORING, colour framed advert print "Pratt's Map of The Great North Road" 83cm x 30cm

Lot 62

A large coloured print after Gerald Kelly, signed, 21¼” x 25¾” (image), in a glazed frame.

Lot 6

Artificial Flies How to Make Them. By Vernon Bates. Published by Herbert Jenkins. Publisher's pictorial D/W. Fine copy. 3rd print 1962. 95 pages including index. 3¾" x 6½". From single vendors book collection. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99. 30kg box UK £15, EU £40, ROW £60

Lot 782

Militaria Collecting Print and Manuscript. By A. H. Denney. Published by Photo Precision Ltd. Huntingdon. A Balfour Action Book. 96 pages. 1st edition 1973. Publisher's blue boards in pictorial D/W. 7" x 9½". From single vendors book collection. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99. 30kg box UK £15, EU £40, ROW £60

Lot 86

Scientific Dialogues. Intended for the Instruction and Entertainment of Young People: In which the first principles of Natural and Experimental Philosophy are fully explained. Vol III of Hydrostatics. By The Rev. J. Joyce. New edition with improvements. Printed for Baldwin Cradock and Joy, London 1821. This book has a page dedicated in print to Maria and Richard Edgeworth. 235 pages, plus 4 pages of Scientific plates. Nice tight copy of a small volume 3½" x 5½" but lacks front and rear covers. Now very RARE. A Scientific text book over 200 years old. From single vendors book collection. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99. 30kg box UK £15, EU £40, ROW £60

Lot 378

A box of assorted pictures, prints etc to include 18TH CENTURY ENGLISH SCHOOL "Dodo" hand coloured engraving, published September 1st 1798 by Harrison Cluse & Co No. 78 Fleet Street (cut) 14 cm x 8.5 cm, 18TH CENTURY ENGLISH SCHOOL engraving/book plate of marsupial No.d 38 to top (cut) 17 cm x 10.5 cm, AFTER PISTAR "Der Grofse Platz Oder Markt zu Gladbach la grand: Place au Marché de Gladbach" hand coloured engraving, signed H Bishop in pencil lower right, 26 cm x 29.5 cm, AFTER ALBERT DURER "Owl" coloured print and another similar of a hare together with a box containing a 19th Century mahogany mirror and various gilt and gesso mirror parts (two boxes)

Lot 379

AFTER S L CRAWFORD "Arkle, Red Rum, Desert Orchid" limited edition coloured print No'd 213/300, signed in pencil lower right by the artist and jockeys and owners to include Anne Duchess of Westminster, Richard Dunwoody etc 45 cm x 68 cm together with AFTER EDWARD BURNE-JONES "King Cophetua and the beggar maid" coloured print 56.5 cm x 25 cm, E M MARTIN "Old houses Midhurst" watercolour, signed lower right and titled on mount 30 cm x 26 cm and various other pictures and prints (1 box and 1 loose)

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