RAUCH, NEO RAUCH, NEO 1960 Leipzig Titel: Signal. Datierung: 1997. Technik: Farbserigrafie auf Velin. Maße: 100 x 69,5cm Bezeichnung: Signiert, datiert, betitelt und nummeriert. Exemplar: 3/25 Rahmen/Sockel: Rahmen. Im Rahmen beschrieben. Provenienz: - Unternehmenssammlung Deutschland Literatur: - Grafikstiftung Neo Rauch (Hrsg.): Neo Rauch - Das grafische Werk, 1993 bis 2012, Ostfildern 2012, S. 78f., Abb. Erläuterungen zum Katalog Neo Rauch Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 1990er Figur / Figuren Druckgrafik Serigrafie Landschaft RAUCH, NEO RAUCH, NEO 1960 Leipzig Title: Signal. Date: 1997. Technique: Colour silkscreen on vellum. Measurement: 100 x 69,5cm Notation: Signed, dated, titled and numbered. Number: 3/25 Frame/Pedestal: Framed. Not examined out of the frame. Provenance: - Corporate collection Germany Literature: - Grafikstiftung Neo Rauch (ed.): Neo Rauch - Das grafische Werk, 1993 bis 2012, Ostfildern 2012, p. 78f., ill. Explanations to the Catalogue Neo Rauch Germany New Leipzig School Contemporary Art Prints 1990s Figure / Figures Print Silkscreen Landscape
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RAUCH, NEO RAUCH, NEO 1960 Leipzig Titel: Das Flugwesen. Datierung: 2013. Technik: Farbiger Giclée-Druck auf Hahnemühle Museum Etching. Darstellungsmaß: 35,5 x 21cm Blattmaß: 41 x 32cm. Bezeichnung: Signiert, datiert, betitelt und nummeriert. Verso mit der Werk-Nr. bezichnet: NR/13/152.I/V Rahmen/Sockel: Rahmen. Provenienz: - Galerie EIGEN + ART, Leipzig/Berlin (Aufkleber) - Sammlung Rusche - Privatsammlung Baden-Württemberg. Erläuterungen zum Katalog Neo Rauch Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2010er Figur / Figuren Druckgrafik Giclée-Druck RAUCH, NEO RAUCH, NEO 1960 Leipzig Title: Das Flugwesen. Date: 2013. Technique: Coloured Giclée-print on Hahnemühle Museum Etching. Depiction Size: 35,5 x 21cm. Sheet Size: 41 x 32cm. Notation: Signed, dated and numbered. Verso inscribed with the work number: NR/13/152I/V Frame/Pedestal: Framed. Provenance: - Galerie EIGEN + ART, Leipzig/Berlin (label) - Rusche collection - Private collection Baden-Wuerttemberg. Explanations to the Catalogue Neo Rauch Germany New Leipzig School Contemporary Art Prints 2010s Figure / Figures Print Giclée print
RUFF, THOMAS RUFF, THOMAS 1958 Zell a. H./Schwarzwald Titel: "17h 51min/-18°". Datierung: 1991. Technik: C-Print mit Diasec Face kaschiert. Maße: 200,5 x 134 x 250 x 177 x Bezeichnung: Signiert, betitelt, nummeriert und datiert Exemplar: 2/2. Sockel/Rahmen: Künstlerrahmen. Im Rahmen beschrieben. Provenienz: - Privatsammlung Deutschland Literatur: - Winzen, Matthias (Hrsg.): Thomas Ruff - Fotografien 1979 - heute, Köln 2001, S. 65, S. 199, Abb., WVZ-Nr. STE 6.05 Thomas Ruff zählt zu den spannendsten zeitgenössischen Fotografen. Er gehört zu der zweiten Generation der Düsseldorfer Schule, die von weiteren renommierten Künstlerinnen und Künstlern wie bspw. Candida Höfer, Axel Hütte, Thomas Struth und Andreas Gursky geprägt wird. Durch Zusammenziehen der Namen wird diese Generation oft auch ironisch die "Struffskys" genannt. Allen gemeinsam ist neben der gleichen Ausbildungsstätte v.a. die Größe ihrer an museale Tafelbilder erinnernden Prints. Thomas Ruff ist dabei der Hauptvertreter einer konzeptuellen Fotografie. In immer neuen Werkreihen - wie z.B. von Interieurs, Porträts, Häusern, Zeitungsfotos, Nachtbildern oder Nudes - stellt er die Fotografie und die Wahrnehmung gekonnt in Frage. Seine Fotografien ziehen uns durch ihre wunderbare Ästhetik in den Bann, sind somit aber auch stets hintersinnige Reflektionen über das Medium selbst. Das hier vorgestellte Werk "17h 51min/-18°" zählt zu der Serie der Sternenbilder, die zwischen 1989 und 1992 entsteht, und gehört innerhalb dieser Serie der Kategorie "Aufnahmen der Milchstraße mit hoher Sternendichte" an. Die Fotografien wurden jedoch nicht vom Künstler selbst aufgenommen. Sie stammen aus einem Konvolut von über 1000 Negativen wissenschaftlicher Aufnahmen des Sternenhimmels aus dem "European Southern Observatory" (ESO) in den Anden. Ruff wählte einzelne Negative aus und aus diesen wiederum Ausschnitte, die er uns großformatig präsentiert. Die Werktitel entsprechen, ganz nüchtern, den astronomischen Koordinaten der ESO-Negative. Bester Technologie und einer mehrstündigen Belichtungszeit sind die Brillanz und Detailgenauigkeit zu verdanken. Das Thema Zeit spielt eine große Rolle für die Fotografie: Die Belichtungszeit, die Entstehungszeit, das Festhalten einer Zeit, das Vergehen der Zeit usw. Und welch anderes Motiv wäre geeigneter, um all dies metaphorisch zu versinnbildlichen? So verlieren wir uns in "17h 51min/-18°", vom Werk umfangen, im Himmel und schauen auf Sterne, die Millionen von Jahre alt sind, auf Sterne, die noch ganz jung sind und auf Sterne, die längst erloschen sind und deren Licht noch durch Raum und Zeit wandert. Der Künstler vereint in dieser Fotografie Wissenschaft mit Romantik. Ebenso verweist er auf die Kraft und Schönheit der Natur, wie auch auf den Einfluss, den sie auf uns hat; auch esoterisch, denn die Astrologie folgt der Astronomie stets auf den Fuß. Interessanterweise wird im Werkverzeichnis darauf verwiesen, dass der Sternenhimmel Ruff, der als Jugendlicher die Astronomie liebte, als ein "Motiv für abstrakte Bilder" diene. Somit gehen von "17h 51min/-18°" nicht nur die erwähnten Assoziationen aus. Die Fotografie ist weit mehr als das Abbild von Sternen. Sie zeigt ein abstraktes, grafisch höchst spannungsvolles Bild mit einzelnen oder sich verdichtenden weißen Punkten auf schwarzem Grund - gemäß der oft zitierten Aussage des Künstlers, dass er mit seiner Fotografie keine Abbilder, sondern Bilder schaffe. Erläuterungen zum Katalog Thomas Ruff Deutschland Becher Schule Zeitgenössische Fotografie Fotografie 1990er Nachtstück Fotografie C-Print Sterne RUFF, THOMAS RUFF, THOMAS 1958 Zell a. H./Black Forest Title: "17h 51min/-18°". Date: 1991. Technique: C-print with Diasec face. Depiction Size: 200,5 x 134cm Sheet Size: 250 x 177cm Notation: Signed, numbered and dated Number: 2/2. Frame/Pedestal: Artist's frame. Not examined out of the frame. Provenanace: - Private collection Germany Literature: - Winzen, Matthias (ed): Thomas Ruff - Fotografien 1979 - heute, Cologne 2001, p. 65, p. 199, ill. cat. rais. no. STE 6.05. Explanations to the Catalogue Thomas Ruff Germany Becher School Contemporary Photography Photographs 1990s Nocturne Photography C-print
RUFF, THOMAS RUFF, THOMAS 1958 Zell a. H./Schwarzwald Titel: sub 15 III. Datierung: 2003. Technik: C-Print mit Diasec Face kaschiert Darstellungsmaß: 108 x 160cm Blattmaß: 125 x 177cm. Bezeichnung: Signiert, betitelt, nummeriert und datiert Rahmen/Sockel: Künstlerrahmen. Provenienz: - Privatsammlung Nordrhein-Westfalen. Erläuterungen zum Katalog Thomas Ruff Deutschland Becher Schule Zeitgenössische Fotografie Fotografie 2000er Abstrakt Fotografie C-Print RUFF, THOMAS RUFF, THOMAS 1958 Zell a. H./Black Forest Title: sub 15 III. Date: 2003. Technique: C-print with diasec face Depiction Size: 108 x 160cm. Sheet Size: 125 x 177cm. Notation: Signed, titled, numbered and dated Frame/Pedestal: Artist's frame. Provenance: - Private collection North Rhine-Westphalia. Explanations to the Catalogue Thomas Ruff Germany Becher School Contemporary Photography Photographs 2000s Abstract Photography C-print
SERRANO, ANDRES SERRANO, ANDRES 1950 New York Titel: "The Morgue (Hacked to Death II)". Datierung: 1990. Technik: C-Print. Darstellungsmaß: 126 x 152cm. Bezeichnung: Signiert, betitelt und nummeriert. Exemplar: 2/3. Rahmen: Künstlerrahmen. Provenienz: - Paula Cooper Gallery, New York - Sammlung Prof. Dr. Thomas Olbricht, Essen Ausstellungen: - Neues Museum Weserburg & Gesellschaft für Aktuelle Kunst, Bremen 2001. Erläuterungen zum Katalog Andres Serrano USA Fotografie Nachkriegskunst 1990er Tod Fotografie C-Print Gewalt SERRANO, ANDRES SERRANO, ANDRES 1950 New York Title: "The Morgue (Hacked to Death II)". Date: 1990. Technique: C-print. Depiction Size: 126 x 152cm. Notation: Signed, titled and numbered. Number: 2/3. Frame: Artist's frame. Provenance: - Paula Cooper Gallery, New York - Prof. Dr. Thomas Olbricht collection, Essen Exhibitions: - Neues Museum Weserburg & Gesellschaft für Aktuelle Kunst, Bremen 2001. Explanations to the Catalogue Andres Serrano USA Photographs Post-War Art 1990s Death Photography C-print Violence
TILLMANS, WOLFGANG TILLMANS, WOLFGANG 1968 Remscheid Titel: paper drop (black). Datierung: 2001. Technik: C-Print. Darstellungsmaß: 203 x 134cm Blattmaß: 212,5 x 146cm Exemplar: 1/1. Sockel/Rahmen: Rahmen. Im Rahmen beschrieben. Provenienz: - Andrea Rosen Gallery, New York - Unternehmenssammlung Deutschland Literatur: - Tillmans, Wolfgang: Wolfgang Tillmans - truth study center, Köln 2017, Abb. Wolfgang Tillmans setzt sich in der Werkreihe "Paper Drops" auf verschiedene Arten und Weisen mit dem Medium Papier auseinander. So dient dieses nicht bloß als Träger eines von ihm geschaffenen und gedruckten Motivs. "Papiere sind zugleich Objekte, die über eine visuelle und physische Anziehungskraft verfügen und gleichermaßen ästhetisch wie emotional aufgeladen sind" sagt Tillmans über seine Arbeiten. So hinterfragen seine fallen- und liegengelassenen Fotopapiere, die auf diese Weise die Form eines Tropfens erzeugen, die Bedeutung dieses Materials: Seine Arbeiten sind sowohl chemisch behandelte Papiere, können Erinnerungsstücke sein oder durch ihre rechteckige Form eine Ausstellungswand unterteilen. Zugleich spielt der Titel "Paper Drops" auf die Auswurf-Funktion eines Druckers an: Auch hier kann es durch Papierstau zu Knicken und Stauchungen kommen, die eine Dreidimensionalität erzeugen und dem Blatt einen weiteren, objekthaften Charakter verleihen. Die Fokussierung Tillmans auf die geschwungene Form des zum Liegen gekommenen Papiers verschiebt den Blickwinkel des Betrachters von der ursprünglichen Bedeutung dieses Mediums als Träger von Informationen in Form von Text oder Bild: Sie bringt sein Werk in einen anderen Kontext, der das Objekthafte in den Vordergrund stellt und offenbart, dass Tillmans "Kunst- und Werkbegriff von Offenheit, Austausch und Gleichwertigkeit geprägt ist". (Vgl. Wittneven, Katrin, in: Kritisches Lexikon der Gegenwartskunst. Ausgabe 106/Heft 14, S. 2-8). Erläuterungen zum Katalog Wolfgang Tillmans Deutschland Fotografie Zeitgenössische Kunst 2000er Papier Fotografie C-Print TILLMANS, WOLFGANG TILLMANS, WOLFGANG 1968 Remscheid Title: paper drop (black). Date: 2001. Technique: C-print. Depiction Size: 203 x 134cm Sheet Size: 212,5 x 146cm Number: 1/1. Frame/Pedestal: Framed. Not examined out of the frame. Provenance: - Andrea Rosen Gallery, New York - Corporate collection Germany Literature: - Tillmans, Wolfgang: Wolfgang Tillmans - truth study center, Cologne 2017, ill. Explanations to the Catalogue Wolfgang Tillmans Germany Photographs Contemporary Art 2000s Photography C-print
WULFFEN, AMELIE VON WULFFEN, AMELIE VON 1966 Breitenbrunn Titel: Ohne Titel. Datierung: 2003. Technik: Mischtechnik (Papier und C-Print, übermalt und collagiert) auf Papier. Maße: 128 x 205,5cm. Bezeichnung: Signiert, datiert, monogrammiert und Nummernvermerk. Rahmen: Rahmen. Dem Werk liegt ein signiertes Zertifikat der Künstlerin vom 15.07.2016 bei. Provenienz: - Galerie Ascan Crone, Hamburg/Berlin (lt. Einlieferer) - Privatsammlung Italien. Erläuterungen zum Katalog Amelie von Wulffen Deutschland 21.Jh. Unikate 2000er Interieur Papierarbeit Mischtechnik WULFFEN, AMELIE VON VON WULFFEN, AMELIE 1966 Breitenbrunn Title: Untitled. Date: 2003. Technique: Mixed media (paper and C-print, painted over and collaged) on paper. Measurement: 128 x 205,5cm. Notation: Signed, dated, monogrammed and number detail. Frame: Framed. The work is enclosed with a signed certificate by the artist from 15.07.2016. Provenance: - Galerie Ascan Crone, Hamburg/Berlin (according to consigner) - Private collection Italy. Explanations to the Catalogue Amelie von Wulffen Germany 21st C. Contemporary Art 2000s Interior Works on paper Mixed media
BECHER, BERND UND HILLA BECHER, BERND UND HILLA 1931 Siegen - 2007 Rostock / 1934 Potsdam - 2015 Düsseldorf Titel: Zeche Gneisenau. Datierung: 1987. Technik: Gelatinesilberabzug auf Agfa-Papier. Darstellungsmaß: 40,5 x 30,5cm. Bezeichnung: Signiert von beiden Fotografen sowie bezeichnet und datiert verso. Rahmen: Rahmen.Wir danken der Photographischen Sammlung/SK-Stiftung Kultur, Köln, für die freundliche wissenschaftliche Unterstützung. Provenienz: - Privatsammlung Nordrhein-Westfalen. Erläuterungen zum Katalog Bernd und Hilla Becher Deutschland Fotografie Becher Schule Nachkriegskunst 1980er Gebäude Fotografie Gelatinesilberabzug Industrie BECHER, BERND UND HILLA BECHER, BERND AND HILLA 1931 Siegen - 2007 Rostock / 1934 Potsdam - 2015 Düsseldorf Title: Zeche Gneisenau. Date: 1987. Technique: Gelatin silver print on Agfa paper. Depiction Size: 40,5 x 30,5cm. Notation: Signed from both photographers as well as inscribed and dated verso. Frame: Framed.We thank the Photographische Sammlung/SK-Stiftung Kultur, Cologne, for their kind scientific support. Provenance: - Private collection North Rhine-Westphalia. Explanations to the Catalogue Bernd and Hilla Becher Germany Photographs Becher School Post-War Art 1980s Buildings Photography Gelatin silver print Industry
BECHER, BERND UND HILLA BECHER, BERND UND HILLA 1931 Siegen - 2007 Rostock / 1934 Potsdam - 2015 Düsseldorf Titel: Kühlturm Zeche Waltrop. Datierung: 1967. Technik: Gelatinesilberabzug auf Agfa-Papier. Darstellungsmaß: 40,5 x 30cm. Bezeichnung: Signiert von Bernd Becher. Rahmen: Rahmen. Wir danken der Photographischen Sammlung/SK-Stiftung Kultur, Köln, für die freundliche wissenschaftliche Unterstützung. Provenienz: - Privatsammlung Nordrhein-Westfalen. Erläuterungen zum Katalog Bernd und Hilla Becher Deutschland Fotografie Becher Schule Nachkriegskunst 1960er Gebäude Fotografie Gelatinesilberabzug Industrie BECHER, BERND UND HILLA BECHER, BERND AND HILLA 1931 Siegen - 2007 Rostock / 1934 Potsdam - 2015 Düsseldorf Title: Kühlturm Zeche Waltrop. Date: 1967. Technique: Gelatin silver print on Agfa paper. Depiction Size: 40,5 x 30cm. Notation: Signed from Bernd Becher. Frame: Framed. We thank the Photographischen Sammlung/SK-Stiftung Kultur, Cologne, for their kind scientific support. Provenance: - Private collection North Rhine-Westphalia. Explanations to the Catalogue Bernd and Hilla Becher Germany Photographs Becher School Post-War Art 1960s Buildings Photography Gelatin silver print Industry
INDIANA, ROBERT INDIANA, ROBERT 1928 New Castle, IN/USA - 2018 Vinalhaven, ME/USA Titel: Polygons. Datierung: 1975. Beschreibung: Serie von sieben Farbserigrafien auf Arches 88. Jeweils: 61 x 56cm (78,5 x 70,5cm). Signiert, datiert und nummeriert. Herausgeber: Galerie Denise René, New York (Hrsg.). Exemplar: Ex. 10/100. Rahmen: Jeweils Rahmen. Jedes Blatt ist mit dem Trockenstempel des Herausgebers versehen. Provenienz: - Unternehmenssammlung Deutschland Literatur: - Sheehan, Susan: Robert Indiana - Prints, A Catalogue Raisonné 1951-1991, New York 1991, WVZ.-Nrn 85-91. Erläuterungen zum Katalog Robert Indiana USA Pop Art Nachkriegskunst Unikate 1970er Zahlen Druckgrafik Serigrafie INDIANA, ROBERT INDIANA, ROBERT 1928 New Castle, IN/USA - 2018 Vinalhaven, ME/USA Title: Polygons. Date: 1975. Description: Series from seven colour silkscreens on Arches 88. Each: 61 x 56cm (78,5 x 70,5cm). Signed, dated and numbered. Publisher: Galerie Denise René, New York (publisher). Number: 10/100. Frame/Pedestal: Each framed. Each sheet provides the blind stamp of the publisher. Provenance: - Corporate collection Germany Literature: - Sheehan, Susan: Robert Indiana - Prints, A Catalogue Raisonné 1951-1991, New York 1991, cat. rais. nos. 85-91. Explanations to the Catalogue Robert Indiana USA Pop Art Post-War Art Post War 1970s Numbers Print Silkscreen
INDIANA, ROBERT INDIANA, ROBERT 1928 New Castle, IN/USA - 2018 Vinalhaven, ME/USA Titel: Numbers. Datierung: 1968. Technik: Zehn Farbserigrafien auf leichtem Karton. Maße: 60 x 49,8 x 64,9 x 49,8cm. Herausgeber: Edition Domberger, Stuttgart/Galerie Schmela, Düsseldorf (Hrsg.). Rahmen/Sockel: Jeweils Rahmen. Im Rahmen beschrieben. Eines von 250 gebundenen Exemplaren. Es fehlt das dazugehörige Portfolio mit dem von Robert Indiana und Robert Creeley signierten und nummerierten Impressum. Provenienz: - Unternehmenssammlung Deutschland Literatur: - Sheehan, Susan: Robert Indiana Prints, A Catalogue Raisonné, 1951 - 1991, New York 1991, WVZ.-Nr. 56. Erläuterungen zum Katalog Robert Indiana USA Pop Art Nachkriegskunst Grafik 1960er Zahlen Druckgrafik Farbserigrafie INDIANA, ROBERT INDIANA, ROBERT 1928 New Castle, IN/USA - 2018 Vinalhaven, ME/USA Title: Numbers. Date: 1968. Technique: Ten colour silkscreens on thin cardboard. Measurement: 60 x 49,8 x 64,9 x 49,8cm. Publisher: Edition Domberger, Stuttgart/Galerie Schmela, Düsseldorf (publisher) Frame/Pedestal: Each framed. Not examined outside the frame. One of 250 bound copies. The accompanying portfolio signed and numbered in the imprint by Robert Indiana and Robert Creeley is missing. Provenance: - Corporate collection Germany Literature: - Sheehan, Susan: Robert Indiana Prints, A Catalogue Raisonné, 1951 - 1991, New York 1991, cat. rais. no. 56. Explanations to the Catalogue Robert Indiana USA Pop Art Post-War Art Prints 1960s Numbers Print Colour silkscreen
KATZ, ALEX KATZ, ALEX 1927 New York Titel: Ada four times series. Datierung: 1979/1980. Beschreibung: Serie von vier farbigen Serigrafien und Lithografien auf Arches. Jeweils: 76,5 x 57,5cm. Signiert und nummeriert. GHJ Graphics, Inc., New York (Hrsg.). Nr. 118: Ex. 72/120; Nr. 119: Ex. 106/120; Nr. 120: Ex. 101/120; Nr. 121: Ex. 63/120. Jeweils Rahmen. Im Rahmen beschrieben. Provenienz: - Privatsammlung Nordrhein-Westfalen Literatur: - Schröder, Klaus Albrecht: Alex Katz - Prints, Catalogue raisonné 1947-2011, Ostfildern 2011, WVZ.-Nr. 118-121, Abb. Erläuterungen zum Katalog Alex Katz USA Pop Art Neorealismus Nachkriegskunst Grafik 1970er Porträt Druckgrafik Mischtechnik Frau KATZ, ALEX KATZ, ALEX 1927 New York Title: Ada four times series. Date: 1979/1980. Description: Series of four colour silkscreens and lithographs on Arches. Each: 76,5 x 57,5cm. Signed and numbered. GHJ Graphics, Inc., New York (publisher). No. 118: No. 72/120; No. 119: No. 106/120; No. 120: No. 101/120; No. 121: Ex. 63/120. Each framed. Not examined out of the frame. Provenance: - Private collection North Rhine-Westphalia Literature: - Schröder, Klaus Albrecht: Alex Katz - Prints, Catalogue raisonné 1947-2011, Ostfildern 2011, cat. rais. no. 118-121, ill. Explanations to the Catalogue Alex Katz USA Pop Art Neorealism Post-War Art Prints 1970s Portrait Print Mixed media Woman
KATZ, ALEX KATZ, ALEX 1927 New York Titel: Ada. Datierung: 1994. Technik: Farbserigrafie auf Karton. Darstellungsmaß: 66 x 66cm. Blattmaß: 66 x 67cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Médecins du Monde, Paris (Hrsg.). Exemplar: 5/100. Sockel/Rahmen: Rahmen. Im Rahmen beschrieben. Die Serigrafie basiert auf dem Gemälde "cartoon Ada" von 1991 (Colby College Museum, Waterville/Maine). Das Blatt stammt aus der Mappe "23 Artistes pour Médecins du Monde". Provenienz: - Katharina Rich Perlow Gallery, New York (Aufkleber) - Privatsammlung Nordrhein-Westfalen Literatur: - Schröder, Klaus Albrecht: Alex Katz - Prints, Catalogue raisonné 1947-2011, Ostfildern 2011, WVZ.-Nr. 288, Abb. Erläuterungen zum Katalog Alex Katz USA Pop Art Neorealismus Nachkriegskunst Grafik 1990er Porträt Druckgrafik Serigrafie Frau KATZ, ALEX KATZ, ALEX 1927 New York Title: Ada. Date: 1994. Technique: Colour silkscreen on cardboard. Depiction Size: 66 x 66cm. Sheet Size: 66 x 67cm. Notation: Signed and numbered. Publisher: Médecins du Monde, Paris Number: 5/100. Frame/Pedestal: Framed. Not examined out of the frame. The silkscreen is based on the painting "cartoon Ada" from 1991 (Colby College Museum, Waterville/Maine). The sheet comes from the portfolio "23 Artistes pour Médecins du Monde". Provenance: - Katharina Rich Perlow Gallery, New York (label) - Private collection North Rhine-Westphalia Literature: - Schröder, Klaus Albrecht: Alex Katz - Prints, Catalogue raisonné 1947-2011, Ostfildern 2011, cat. rais. no. 288, ill. Explanations to the Catalogue Alex Katz USA Pop Art Neorealism Post-War Art Prints 1990s Portrait Print Silkscreen Woman
KATZ, ALEX KATZ, ALEX 1927 New York Titel: Alex. Datierung: 1970. Technik: Farblithografie auf Arches (Wasserzeichen). Darstellungsmaß: 75,5 x 54cm Bezeichnung: Signiert und nummeriert. Herausgeber: Kennedy Graphics, New York (Hrsg.). Exemplar: 52/100. Rahmen: Rahmen. Im Rahmen beschrieben. Provenienz: - Privatsammlung Nordrhein-Westfalen Literatur: - Schröder, Klaus Albrecht: Alex Katz - Prints, Catalogue raisonné 1947-2011, Ostfildern 2011, WVZ.-Nr. 31, Abb. Erläuterungen zum Katalog Alex Katz USA Pop Art Neorealismus Nachkriegskunst Grafik 1970er Kopf Druckgrafik Lithografie Mann KATZ, ALEX KATZ, ALEX 1927 New York Title: Alex. Date: 1970. Techinque: Colour lithograph on Arches (watermark). Depiction Size: 75,5 x 54cm. Notation: . Signed and numbered. Publisher: Kennedy Graphics, New York (publisher). Number: 52/100. Frame: Framed. Not examined out of the frame. Provenance: - Private collection North Rhine-Westphalia Literature: - Schröder, Klaus Albrecht: Alex Katz - Prints, Catalogue raisonné 1947-2011, Ostfildern 2011, cat. rais. no. 31, ill. Explanations to the Catalogue Alex Katz USA Pop Art Neorealism Post-War Art Prints 1970s Head Print Lithograph Man
KATZ, ALEX KATZ, ALEX 1927 New York Titel: The orange Band. Datierung: 1979. Technik: Farbserigrafie auf Arches. Darstellungsmaß: 101,5 x 71,5cm Bezeichnung: Signiert und bezeichnet. Herausgeber: Simca Print Artists, Inc., New York (Hrsg.). Exemplar: a.p. 11/11. Rahmen: Rahmen. Im Rahmen beschrieben. Das Blatt erschien außerhalb der Auflage von 80 signierten und arabisch nummerierten Abzügen. Provenienz: - Privatsammlung Nordrhein-Westfalen Literatur: - Schröder, Klaus Albrecht: Alex Katz - Prints, Catalogue raisonné 1947-2011, Ostfildern 2011, WVZ.-Nr. 116. Erläuterungen zum Katalog Alex Katz USA Pop Art Neorealismus Nachkriegskunst Grafik 1970er Kopf Druckgrafik Serigrafie Frau KATZ, ALEX KATZ, ALEX 1927 New York Title: The orange Band. Date: 1979. Techinque: Colour silkscreen on Arches. Depiction Size: 101,5 x 71,5cm. Notation: . Signed and inscribed. Publisher: Simca Print Artists, Inc., New York (publilsher). Number: a.p. 11/11. Frame: Framed. Not examined out of the frame. The sheet is outside of the edition of 80 signed and arabic numbered prints. Provenance: - Private collection North Rhine-Westphalia Literature: - Schröder, Klaus Albrecht: Alex Katz - Prints, Catalogue raisonné 1947-2011, Ostfildern 2011, cat. rais. no. 116. Explanations to the Catalogue Alex Katz USA Pop Art Neorealism Post-War Art Prints 1970s Head Print Silkscreen Woman
Satire - English School (late 19th/early 20th century)A collection of forty-nine periodical caricatures, illustrative of British humour, the majority appear to be mock-ups for Punch titled, pen and ink on paper, the largest 22.6cm x 17.4cm, [archive]The majority of the collection appear to be well-executed copies of caricatures/cartoons whose variants subsequently appeared in print for Punch from 1890-1920. The confidence of execution indicates the hand of a professional draughtsman or artist.
A large oval twin-handled flow blue planter decorated in the Chinoiserie style, a retro turquoise glass vase, a Noritake two-plate cake stand and a quantity of decorative pictures to include a limited edition print, 'Southport - Lord Street', no. 161/850, indistinctly signed. CONDITION REPORT Wear commensurate with age, surface scratches. Aynsley and Wedgwood items have no apparent damage. Clocks are not tested. Cracks to the base of the blue and white pierced vase. Wear in the form of scratches to the turquoise vase.
Thirteen various watercolours and prints to include, B Lowe; watercolour of evening winter scene, unattributed; rowing boat in a small fishing cove, Judy Boyes; a limited edition print, 'Middlefell Place, Langdale', no.308/500, indistinctly signed; a limited edition print 'Grasmere Winter', no.14/350, a steel engraving circa 1840 'Egremont Cumberland', a pair of silhouettes of elderly gentlemen and others, all framed, some framed and glazed (13).
Two classic car themed vintage coloured prints, after Cecil Aldin; 'A Check', 58 x 70cm, framed and after Alfred W Strutt; 'We Shall Be Wanted Yet!', 43cm x 68cm, framed and glazed (2). CONDITION REPORT The Cecil Aldin print has foxing throughout, overall discolouration, areas of staining to borders, various tears. The Strutt print has discolouration, very yellow, foxing throughout.
T N LALLY; two oils on board 'Ormskirk', church with candles glowing through arched windows on a snowy winter's evening, 'Blowick Station', steam train entering station with figures on platform, signed lower right, each 51 x 62cm, framed, unattributed; acrylic of a tiger, 40 x 51cm, framed, P Preece; a signed limited edition print, 'First Crabbies Grand National', no.1/250, 49 x 41cm, framed and glazed, an image of a steam train arriving at Manchester Victoria station, a metal framed Yorkshire coat of arms and an Egyptian artwork Tutankhamun and his wife, hand painted on papyrus (7).
A group of signed limited edition maritime prints to include a picture of the Titanic after Ed Walker, signed in pencil to the mount, Norman Coleborune; a signed limited edition numbered 46/250 'Mersey Memories Number One - Mauretania at Liverpool', 144/750 'Mersey Memories Number Two - Britannic at Liverpool', 44/250 'Mersey Memories Number Ten - Heyday of the Port', 38/250 'Mersey Memories Number Twelve - Sylvania at Liverpool' and after Pete Barons; a limited edition print 331/850 of the Cunard Queen Elizabeth, signed in pencil to the mount, 41 x 60.5cm, all framed and glazed (6).
GRIESHABER, HAP Rot an der Rot 1909 - 1981 Achalm Stillleben und Frauenbüste. Farbsiebdruck nach einem Holzschnitt von 1947. 51x59,9cm. Vgl. Fürst 47/12 GRIESHABER, HAP Rot an der Rot 1909 - 1981 Achalm Still life and bust of a woman. Coloured serigraph after a woodcut of 1947. 51 x 59.9 cm. Cf.: Furst 47/12. Keywords: silkscreen, serigraphy, screen print, silk-screen, silk screen, silkscreening, screen printing, Germany, Deutschland, German
A limited-edition print of Bruce Lee from Robert Clouse's martial arts film Enter The Dragon. Printed in colour on Hahnemühle Photo Rag 308gsm fine art stock, this print is entitled Facing the Nemesis and shows Lee during the "museum of horrors" fight sequence with Han (Shih Kien) and his deadly knife hand. This print is numbered four of 10 and is signed in pencil by Michael Allin, the screenwriter for Enter the Dragon. Presented in a rolled condition, the print displays minimal wear, with a small fold in the top-left corner. The lot is accompanied by an image of Allin signing a print. Dimensions: 51.5 cm x 57 cm (20 1/4" x 22 1/2") Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £200 - 300 †
Dr. King Schultz's (Christoph Waltz) costume from Quentin Tarantino's Western Django Unchained. Schultz wore his suit and hat in many scenes, and wore his complete costume as he and Django (Jamie Foxx) plotted how to save Broomhilda (Kerry Washington) from Calvin Candie (Leonardo DiCaprio) in Mississippi. The costume consists of a felt Stetson Derby with a black satin hat band; a grey woollen suit jacket with matching trousers; a pinstripe waistcoat; a white cotton shirt; and a tie. The shirt features a herringbone print and contains a label from "Venice Custom Shirts".There is very minor wear from production use and the hat comes in a Stetson hat box.Estimate: £4,000 - 6,000 M
Tyler Durden's (Brad Pitt) screen-matched bloodied "Sock it to Me" shirt from David Fincher's black comedy Fight Club. The shirt screen-matches to the scene where Durden purposely allowed Lou (Peter Iacangelo) to beat him for holding a fight club in the basement of Lou's Tavern without permission. This blood-stained, light beige cotton shirt features a blue and rust-coloured graphic on the chest. It is in excellent overall condition with significant staining from stage blood throughout and some deliberate wear on the stitching from production. A photo print of the screenshot the shirt matches to is included.Estimate: £5,000 - 7,000 Ω
Fifteen pages of hand-drawn artwork by Trevor Goring and Manuel Cuyas from the comic book adaptation of Terence Fisher's horror film The Gorgon. The adaptation appeared in issues 11 and 12 of The House of Hammer, published in 1977. The pages are hand-drawn in pencil and black ink, with the first page crediting the script to Scott Goodall. Each page features handwritten notes at the bottom, indicating print width. Speech and caption bubbles are adhered to each page. The pages have some wear from production use and age, including some minor creasing, discolouration and staining. Dimensions: 47 cm x 37 cm x 0.5 cm (18 1/2" x 14 1/2" x 1/4") Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £1,000 - 1,500 M AR
A cast-autographed paperback copy of J.K. Rowling's novel Harry Potter and the Chamber of Secrets. Published by Bloomsbury, the 39th print-run book features cover artwork of Harry, Ron and Harry's owl Hedwig in the flying car, with an image of Hogwarts School of Witchcraft and Wizardry on the back cover. The title page is autographed in black and blue pen by several cast members from the film adaptation, including Daniel Radcliffe, Emma Watson, Rupert Grint, Tom Felton, James Phelps, Oliver Phelps, Chris Rankin, Matthew Lewis, Bonnie Wright, Justin Finch-Fletchley, Alfred Enoch and Helen Stuart. Some minor crease lines are present on the cover and the book pages display signs of slight discolouration. Dimensions: 2 cm x 13 cm x 20 cm (3/4" x 5 1/4" x 8")Estimate: £1,000 - 1,500 †Δ
A framed Alan Lee print of Isengard dedicated to Sir Christopher Lee from the production of Peter Jackson's fantasy epic The Lord of the Rings: The Fellowship of the Ring. This print was gifted by concept artist Alan Lee to Christopher Lee, and inscribed in black pen with the dedication "To Christopher, who will always be the Lord of Isengard, with fondest regards, Alan Lee."The print is presented in a white wooden frame and has picture-hanging cord at the back. The frame displays only very minor wear. Dimensions: 3 cm x 54.5 cm x 71.5 cm (1 1/4" x 21 1/2" x 28 1/4")Estimate: £400 - 600 M AR
A set of Norman Babcock stop-motion faces, crew gifts, gift box and bag from Chris Butler and Sam Fell's stop-motion comedy horror ParaNorman. These faces were created for and used in filming by Laika Studios, which produced thousands of faces to convey a variety of emotions and expressions. They were then gifted to crew members after production wrapped.Made from 3D-printed resin, the faces are intricately hand-painted to enable consistency between each shot, and are attached via magnets. One face is mounted on a resin plaque - finished to mimic wood - and features a gold plaque. Three faces are displayed in a sectioned wooden box with an engraving reading "ParaNorman Crew 2010-2012" on the left side. The lot is accompanied by a cardboard box containing an instruction sheet, and a paper bag featuring a print of the top of Norman's face. The set displays minimal wear, including minor scuffs on the wooden box, and comes housed within a grey case. Dimensions (plaque display):15 cm x 12 cm x 6 cm (6" x 4 3/4" x 2 1/2"); (box display): 10 cm x 29.5 cm x 5.5 cm (4" x 11 3/4" x 2 1/4")Estimate: £2,000 - 3,000 M
Crixus' (Manu Bennett) costume from the Starz historical series Spartacus: War of the Damned. The "Undefeated Gaul" wore his costume in multiple episodes as he served as a general to ex-gladiator Spartacus' (Liam McIntyre) rebel army.The costume comprises two red leather embossed pauldrons (one labelled "R, Crixus Stunt"); a textured cape-like piece draped over one shoulder; two mismatched brown leather bracers; an Aztec print fabric sash; a heavily embellished red belt with adhered leather strips; a pair of suede briefs featuring chain mail sections; a leather-and-metal codpiece; a stunt rubber sword housed in its scabbard; and a dagger which is affixed within belt loops at the back. Exhibiting a battle-worn appearance with remnants of stage blood, the costume is presented on a custom-made display featuring the series' title artwork, which illuminates via a switch on the back of the base. The lot is accompanied by a Starz certificate of authenticity. Dimensions (displayed): 41 cm x 58 cm x 181 cm (16" x 22 3/4" x 71 1/4")Contains electronics; see electronics notice in the Buyer's GuideSpecial shipping required; see special shipping notice in the Buyer's GuideEstimate: £3,000 - 5,000 †Δ
An autographed print from the promotion of J.J. Abrams' Star Wars: The Force Awakens. This print was obtained from the London premiere of the film, which took place at Leicester Square on 16 December 2015. Printed on photographic paper, the image comprises various members of the First Order, including Kylo Ren (Adam Driver), Captain Phasma (Gwendoline Christie) and several Stormtroopers. The print is autographed in black marker by Harrison Ford, John Boyega and director Abrams. There are signs of minor edge wear, and small marks are present along the bottom edge. Dimensions: 40.5 cm x 30.5 cm (16" x 12")Estimate: £1,000 - 1,500 M
Melina's (Rachel Ticotin) complete costume from Paul Verhoeven's sci-fi action film Total Recall. Melina wore her costume at the Last Resort bar, where she was reunited with Quaid (Arnold Schwarzenegger). The costume consists of a black wrap top; a neon yellow lace bra (size 34A); a red-and-black leopard print skirt (size M); a purple-and-red leopard print belt scarf; a pair of black stockings; a pair of pink-and-black thigh-high stockings; and a pair of black knee-high boots. Accessories are also included, comprising a pair of earrings, two necklaces, three bracelets (labelled "Top", "Mid" and "Wrist"), as well as spare sets of both styles of stocking. The lot is accompanied by three handwritten production tags, labelled either "Melina" or "Rachel Ticotin", and detailing the scenes the costume was intended for. One also includes a handwritten list of the costume pieces. The costume has some wear from production use and age, with some loose threads and plucking. One of the necklaces is missing its hooks and does not form a loop.Estimate: £2,000 - 3,000 Ω
A set of hand-drawn costume sketches for Alexander (Colin Farrell), printed character concept designs, and 11 gold coins from the production of Oliver Stone's historical epic Alexander.The hand-drawn Alexander sketches are rendered in pencil and feature a full sketch and two smaller sketches of his back and head. "Jenny discuss" is handwritten in the top-left corner, referring to two-time Oscar®-winner Jenny Beavan, who designed the costumes for the film. Four pages feature printed concept designs for King Philip II (Val Kilmer), Cleitus (Gary Stretch), Alexander and Alexander's helmet. Two feature handwritten notes from Oliver Stone, labelled "OS". The 11 golden coins are made of plaster in varying shapes and sizes, with a gold-coloured paint finish and raised human faces and animal motifs. The designs have some wear from production use and age. They have creasing, edge wear and tape stuck to some of the edges, and the Alexander print has a tear from the top edge. The coins have scuffing to the paint and very minor chips. Dimensions (largest design): 42 cm x 29.5 cm (16 1/2" x 11 1/2"); (largest coin): 6 cm x 5 cm x 0.5 cm (2 1/4" x 2" x 1/4") Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £300 - 500 M
An interesting and substantial Falklands collection including Pair: South Atlantic Medal, 1982, with rosette for combat zone service (Lt. D.R. Clarke RN HMS Fearless); GSM 1 clasp Northern Ireland (Lt Cdr D R Clarke RN) GVF, mounted as worn. Accompanying these are the following items from the recipient’s personal archive from the Falklands conflict where he was the Command Planning and Naval Intelligence Officer. Operation and Intelligence hand written shorthand type daily briefing notebook giving movement details of various Argentine vessels, e.g. “14th Apr. Santa Fe (Guppy) suggested as patrolling Arg. exclusion zone or on its way to UK exclusion zone... Santissima Trinidad thought to be type 42 sailed P. Belgrano, Hercules also poss at sea”, 15th April “Irizar prob dep Comodoro Rivaderia may be taking more equipment to Falks.”, “Arg. submarines 3 at sea, San Luis patrolling area N/NE of Falks. Salta shallow water in vic of MEZ, Sante Fe unloc. thought to be further away, unlikely to have travelled towards Asc, nevertheless possible” undated April “after Sante Fe hit directive signalled to SNs San Luis & Sante Fe, pos. means only other sub deployed is San Luis posn unknown, S.Tr (Santissima Trinidad) prob close inshore approx 40nm south of P. Belgr.” undated April “San Luis ordered to depart posn in vicinity area Enriqueta (4630s 5701w) with orders to sink war/airships recog. as enemy (any submarine contact is enemy)”; undated “Arg. fishing vessels/warships and other non naval vessels deployed for surveillance. Poss these have radar enhancement for use in deception role.”; “ Royal Navy Diver’s Log” covering period July 1981 to June 1990, mainly training and drill entries but including “25th May 1982, San Carlos Water, Falklands - night dive (op awkward) on RFA Stromness after reported underwater attack/mining...”; framed print “San Carlos Water, Falkland Islands: May 1982” by D.R.G.M Gardner showing HMS Fearless centre stage surrounded by various other craft including HMS Argonaut, Intrepid, RFA Stromness, Sir Lancelot and MV Norland, the border signed by over 40 dignitaries etc. including Margaret Thatcher, Sir Rex Hunt- Governor of the Falkland Islands, Adm. Sir Sandy Woodward Cdr Task Force, General Sir Michael Rose (then CO 22 SAS), Admirals Fieldhouse, Leach, West, Larken, Dingemans, Generals Thompson, Vaux etc., (all signatures are identified/ listed on the reverse); a display frame of 9 relevant photos including view of HMS Fearless narrowly avoiding an air strike in “Bomb Alley”; an Argentine poster showing 2 jets over bay, the reverse printing translates as “Tribute to the Patriotic Deed of April 2 1982”; an Argentine Nautical Almanac for 1982, the cover marked “Yehuin” which was an oil rig support vessel requisitioned by the Argentine forces in April 1982 for work in the Falkland Islands. She surrendered to the Royal Navy in June 1982 and was commandeered by a crew of 13 from HMS Fearless in June 1982. From that date until 2nd July she operated in and around Port Stanley and Port William flying the white ensign, Lt Clarke being on board until 22nd June; many black and white and other photographs are present including 2 showing an Argentine pilot shot down and recovered aboard HMS Fearless with Michael Rose; a number of San Carlos Anniversary dinner menu invitations, memorial programmes, cuttings, and other books and ephemera including “Falklands 82 HMS Fearless at war, 100 days in the life of an Assault Ship” 44 page booklet listing crew, etc. including Lt Clarke in the Diving Section; a selection of Cdr Clarke’s uniform, an Argentine soldier’s helmet; and an Argentinian Naval greatcoat adapted for use by Cdr Clarke along with many other mementos including personal letters from senior officers and others and later senior briefings. An interesting collection of more than 150 items including newscuttings, photos etc, a full list of items in this lot is available upon request. Plate 1 £1,500-1,600
From a private Singaporean collection Silk lined Sicily lemon print sleeveless midi sheath dress, with original swing tag attached, size EU 46 Matching items from this collection are also included in this sale Dolce & Gabbana Condition: In excellent condition Additional Information: Sold to benefit charitable causes
From a private Singaporean collection White leather with 'Miss Sicily' lemon print top-handle satchel, with D&G dust bag, authenticity card and detachable shoulder strap Matching items from the 'Miss Sicily' collection are also included in this sale Dolce & Gabbana 24cm x 17cm x 9cm Condition: With a small (5mm) pen mark to one of the front corners of the flap (see image), otherwise in excellent condition Additional Information: Sold to benefit charitable causes
From a private Singaporean collection Cappotto Stampa Sicily lemon print midi jacket, with original swing tag attached, size EU 46 Matching items from this collection are also included in this sale Dolce & Gabbana Condition: In excellent condition, with tag Additional Information: Sold to benefit charitable causes Matching items from this collection are also included in this sale
From a private Singaporean collection Sicillian print wooden and leather Carre Mar box bag with D&G dust bag, authenticity card and detachable shoulder strap Matching items from this collection are also included in this sale Dolce & Gabbana 19cm x 14.5Ccm x 7cm Condition: In excellent condition Additional Information: Sold to benefit charitable causes
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