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Lot 86

A selection of vintage etched print with aqua tinted colouring

Lot 105

A Framed Print of a Nude, 49cm High

Lot 134

A Framed RAF Print, the Lancaster VC's by Robert Taylor, Signed by Norman Jackson V.C and Bill Reid V.C

Lot 140

A Framed RAF Print, Hurricane by Robert Taylor Signed by Wing Commander RR Stanford-Tuck

Lot 144

A Framed Print Lancaster by Robert Taylor, Signed by Group Captain Leonard Cheshire V.C

Lot 147

A Limited Edition Print, Mandarin Duck and Drake, 61/75, 53cm Wide

Lot 165

A Framed Baqwa Print Depicting African Musician with Drum, 58cm High

Lot 171

A Framed Godfrey Ndaba Print Depicting Three African Musicians, 75cm High

Lot 83

A Pair of Framed Print, Birds of Paradise, Each 40cm High

Lot 92

A Rectangular Upholstered Stool on Turned Supports with Tapestry Print Cover, 66cm Long

Lot 471

Framed map print 'The West Riding of Yorkshire' 54.5cm by 72cm, in glazed frame

Lot 474

Tom Mcguinness, The Allotments, Easington, signed, titled and numbered 118/200, print, framed, 47.5cm by 67.5cm

Lot 475

Tom McGuinness, The Nature Trail, Murton, signed, titled and numbered 94/200, print, framed, 40cm by 65cm

Lot 476

DM & EM Alderson, Study of a Horse, watercolour, Itchy Feet acrylic and limited edition print 'The Harvesters' (3)

Lot 493

Abe Kakepetum, Education of Man, limited edition print, signed and numbered 178/229, with certificate of authenticity verso

Lot 537

Victorian writing box, Victorian rosewood pen box, plant stand and Russell Flint print (4)

Lot 94

Large pair of pottery vases, classical figure and bust, toilet jug and bowl, large pot dog of fo, horse print and mirror

Lot 201

David O'Kane (b.1985) SCARY CHILDREN oil on canvas 84 by 84in. (213.4 by 213.4cm) Born in Lifford, County Donegal and works between Dublin and Berlin. O'Kane graduated from NCAD in 2006 where he studied painting and art history. Later he attended Academy of Visual Arts (HGB) Leipzig, Germany from 2007 to 2012. He has won numerous awards, scholarships and residencies. In 2014 he won the Golden Fleece Award in Dublin. He was resident artist at the Stiftung Starke in Berlin from 2010 until 2013. He was awarded the Derek Hill Foundation Scholarship and Residency at the British School at Rome in 2009. Tom Morton awarded him joint first prize at the Claremorris Open Exhibition. In 2008 his short film 'Babble' was produced by eva and it won an eva open award from the curator, Hou Hanru. He also exhibited in eva in 2009. His proposal for the artistic projects tender at the Serralves em Festa 2008 in Oporto, Portugal was commissioned by the Regina Guimarães. In 2006 he won the R.C. Lewis-Crosby Award at the Royal Dublin Society. He works primarily as a painter, though print and film are also a part of his practice. "These paintings present an amalgamation of signs representing an autonomous reality." said O'Kane of his paintings for the CAP Foundation award exhibition in 2006. His work can be found in the collections of the OPW, Bank of Ireland, AXA, Trinity College, Yale, Princeton and Boston Colleges in the US among many other internationally.

Lot 202

David O'Kane (b.1985) AUTOMATON oil on canvas signed and titled on reverse 64 by 64in. (162.6 by 162.6cm) Born in Lifford, County Donegal and works between Dublin and Berlin. O'Kane graduated from NCAD in 2006 where he studied painting and art history. Later he attended Academy of Visual Arts (HGB) Leipzig, Germany from 2007 to 2012. He has won numerous awards, scholarships and residencies. In 2014 he won the Golden Fleece Award in Dublin. He was resident artist at the Stiftung Starke in Berlin from 2010 until 2013. He was awarded the Derek Hill Foundation Scholarship and Residency at the British School at Rome in 2009. Tom Morton awarded him joint first prize at the Claremorris Open Exhibition. In 2008 his short film 'Babble' was produced by eva and it won an eva open award from the curator, Hou Hanru. He also exhibited in eva in 2009. His proposal for the artistic projects tender at the Serralves em Festa 2008 in Oporto, Portugal was commissioned by the Regina Guimarães. In 2006 he won the R.C. Lewis-Crosby Award at the Royal Dublin Society. He works primarily as a painter, though print and film are also a part of his practice. "These paintings present an amalgamation of signs representing an autonomous reality." said O'Kane of his paintings for the CAP Foundation award exhibition in 2006. His work can be found in the collections of the OPW, Bank of Ireland, AXA, Trinity College, Yale, Princeton and Boston Colleges in the US among many other internationally.

Lot 207

Éilís Murphy (b.1980) UNTITLED, 2005 oil on board; (circular) signed and dated on reverse 39 by 39in. (99.1 by 99.1cm) Murphy obtained a 1st Class Honours in Fine Art Print from NCAD. Her work stems from a fascination with local histories from Co. Mayo that have evolved over time. "I am intrigued by the way a rumour or snippet of a story develops and becomes fact, attaining mythical status by word of mouth." Her practice in 2004 focused on the myths and legends that surround the Tooreen dancehall where the devil was thought to have appeared to patrons there in 1954. Murphy recipient of the CAP Foundation award in 2004. She has been involved in numerous exhibitions throughout Ireland most recently in 2016 at Galway Print Studio exhibition and the Galway Arts Centre.

Lot 211

Veronica Dooley (b.1975) FEMALE NUDE, 1999 charcoal signed and dated lower right 54 by 40in. (137.2 by 101.6cm) Dooley obtained her BA from NCAD in 1998. She works in painting and print, more recently also using photography. Early work involved pressing her own painted body against surfaces, these momentary impressions then often augmented with drawing in charcoal. The body as tool was central to this work. More recent work responds to individual natural landscapes working with photography, printmaking and painting to impress a singular feeling of place. Dooley's work has been included in a number of exhibitions in Ireland including at the RHA Gallagher Gallery. She received the CAP Foundation award in 1998.

Lot 225

Ruth Rogers UNTITLED, 1999 digital print on perspex with label on reverse 17.50 by 23.50in. (44.5 by 59.7cm) Rogers studied at NCAD from 1996 - 1999 obtaining a 1st Class Honours from the painting Department. Her work concerns itself with unmaking something large and unknowable, to create anti-images, a sharp rebuke to the ease with which our culture produces and consumes images. "Essentially I want to set up a sort of push and pull between functioning as straightforward pictorial or compositional devices on the one hand and what we might call narrative devices on the other." Rogers has said of her work for the CAP Foundation Art Award 2000. In this image a circular black mark is inserted into the picture plane so that instead of playing with an inflatable beach ball, a circle of swimmers find an immense black hole hovering over them. A violent interference with paradise. Rogers has also been honoured with the Arts Council of Ireland Artflight Award (Milan/Venice). Exhibitions include a solo show at Kilkenny Arts Festival as well as group exhibitions EV + A, Limerick City Gallery and Absolut Secret, RHA Gallery Dublin.

Lot 232

Éilís Murphy (b.1980) WESTERN PEOPLE, 2005 oil, watercolour and collage signed and dated lower left 21 by 29in. (53.3 by 73.7cm) Murphy obtained a 1st Class Honours in Fine Art Print from NCAD. Her work stems from a fascination with local histories from Co. Mayo that have evolved over time. "I am intrigued by the way a rumour or snippet of a story develops and becomes fact, attaining mythical status by word of mouth." Her practice in 2004 focused on the myths and legends that surround the Tooreen dancehall where the devil was thought to have appeared to patrons there in 1954. Murphy recipient of the CAP Foundation award in 2004. She has been involved in numerous exhibitions throughout Ireland most recently in 2016 at Galway Print Studio exhibition and the Galway Arts Centre.

Lot 242

21st Century Irish School THE CAMEL print titled lower centre 15.50 by 22in. (39.4 by 55.9cm)

Lot 95

Alice Maher ARHA (b.1956) COLLAR, 2003 lambda print; (from an edition of 4) titled on Purdy Hicks Gallery label on reverse 24 by 24in. (61 by 61cm) Purdy Hicks Gallery, London; Private collection Another example from this small edition of four lambda prints is found in the collection Cork County Council and was widely exhibited in Finland, the UK and Ireland.

Lot 110

A print of a grey horse, H.45cm W.58cm

Lot 270

An early 20th century gilt wood pier mirror, with Classical inset print, above bevelled glass plate, 112 x 43cm

Lot 287

19th century Continental School, portrait of a lady, gouache on print, bearing signature 'Ernest Normand', H.45cm W.27cm

Lot 555

A collection of prints and pictures, to include a print after Miro, a print of animals after Picasso, a mixed media anatomical study titled 'Identity - Black - Suspect', and a South East Asian study of deities on fabric, (4)

Lot 557

After Jim Bodrero, a limited edition print, titled 'Team Play', numbered 119/500, 33 x 48cm

Lot 424

Muriel Wilson, oil on canvas, flower study, signed, 39 x 29cm and a colour print

Lot 452

Lee Baker, artists proof print of a geisha, signed, 46 x 47cm

Lot 39

Large print - The great white tiger by Anthony Gibbs. Signed in pencil with blind stamp

Lot 40

Large print - Evening on galana by Anthony Gibbs. Signed in pencil with blind stamp

Lot 673

LOT COMPRISING A MASON'S STYLE SANDWICH PLATE, 2 CHINESE PORCELAIN TAZZAS, A DRESDEN HAND PAINTED CUP & SAUCER, A SET OF 3 MINIATURE VASES & A PAIR OF TRANSFER PRINT CUPS

Lot 180

STEVE MCCURRY (AMERICAN b. 1950), SHARBAT GULA, AFGHAN GIRL, PAKISTAN offset lithographic colour print, signed lower right in pen 54cm x 38cm Mounted, framed and under glass. Note: Steve McCurry took his most recognized portrait, ''Afghan Girl'', in a refugee camp near Peshawar, Pakistan in 1984. The image itself was named as ''the most recognized photograph'' in the history of the National Geographic magazine and her face became famous as the cover photograph on the June 1985 issue. The photo has also been widely used on Amnesty International brochures, posters, and calendars. The identity of the ''Afghan Girl'' remained unknown for over 17 years until McCurry and a National Geographic team located the woman, Sharbat Gula, in 2002.

Lot 247

* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008),NADIA AND LUCIANOlimited edition print, signed, titled and numbered 5/100 in pencil27cm x 19cm Mounted, framed and under glass

Lot 70

* HAMISH MACDONALD DA PAI (SCOTTISH 1935-2008),SHORE, PLOCKTONlimited edition lithographic print, signed, titled and numbered 449/600 in pencil25.5cm x 34.5cmMounted, framed and under glass.

Lot 71

* HAMISH MACDONALD DA PAI (SCOTTISH 1935-2008),HARBOUR EDGE, ULLAPOOLlimited edition lithographic print, signed, titled and numbered 54/600 in pencil16.5cm x 25cmMounted, framed and under glass.

Lot 84

* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008),GLENCOElimited edition lithographic print, signed, titled and numbered 581/65038cm x 42cmMounted, framed and under glass

Lot 164

AFTER PICASSO 'Woman with Jug', silkscreen print, 196cm x 94cm overall, framed and glazed.

Lot 194

KEITH HARING 'Love', 1982, limited edition print of 2000, published by Tony Shafrazi Gallery, New York, 25cm x 25cm, framed and glazed.

Lot 195

KEITH HARING 'Leaping dog', 1982, limited edition print of 2000, published by Tony Shafrazi Gallery, New York, 25cm x 25cm, framed and glazed.

Lot 200

KEITH HARING 'Party', 1982, limited edition print of 2000, published by Tony Shafrazi Gallery, New York, 25cm x 25cm, framed and glazed.

Lot 201

KEITH HARING 'Radiant Baby and Dog', 1982, limited edition print of 2000, published by Tony Shafrazi Gallery, New York, 25cm x 25cm, framed and glazed.

Lot 203

SIMON BROWN 'Decanters and Mirror', limited edition print on aluminium 2/3, Richard Young Gallery, 122cm x 163cm.

Lot 478

TOKOKUNI, woodblock print , 26cm x 37cm, framed and glazed. (with faults)

Lot 809

A. D. Jones framed pastel painting on silver paper portrait of a man, along with a pine framed print by Gustav Klimt titled The Kiss.

Lot 373

Large Farm Fieldwork Print featuring Field Marshall at the Straw. Ray Hutchins.

Lot 374

Large Farm Fieldwork Print featuring Field Marshall Tractor theme of Autumn Threshing. Ray Hutchins.

Lot 375

Large Farm Fieldwork Print featuring Massey Ferguson Tractor theme of Summer Reaping. Ray Hutchins.

Lot 725

A box of ephemera including books, pamphlets, programmes, etc., and a Muhammed Ali hand print impression, boxed

Lot 911

A 925 silver photograph frame, 36.6cm, a/f, mounted with an Italian style print

Lot 76

Framed and Glazed Lowry Print of figures by a Harbour with Steam Ships

Lot 82

Framed and Glazed Lowry Print of a Farm Scene

Lot 15

A 1960's signed Antony Brandt limited edition print, Ecstasy, framed

Lot 17

A 1970's Louis Shabner print and one other

Lot 29

A 19th Century print, The Surrender of Napoleon to Great Britain, framed

Lot 31

A Railway Station print, after William Powell Frith RA

Lot 402

A railway print, London transport print and one other

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