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A group of framed and glazed sets of cigarette cards to include Wills cigarettes of Allied Army Leaders 1917, and others mounted in album leaves, and unmounted, Concorde and aviation memorabilia to include a picture wall clock, a framed photograph of Concorde in a hangar and a print of SpitfiresLocation: LWB/BR
CIRCLE OF HENDRIK GOLTZIUS AFTER POLIDORO CARAVAGGIO (DUTCH 1558-1617) OLYMPIAN GODS, DOUBLE SIDED pen and ink on paper, unframed(16cm x 19cm (6.25in x 7.5in))Footnote: Note: These studies relate to a group of monochrome frescoes by Polidoro of eight Olympian gods in niches that adorned the façade of a house on the Quirinal Hill, Rome. The frescoes are now lost but were recorded in print by Goltzius in 1592. Provenance: Bears the collector's stamp of E. Fabricius, a collector of works by Goltzius (active in Berlin, circa 1920).
STONE CHINA PART DINNER SERVICE 19TH CENTURY comprising ten dinner plates, six soup plates, eight luncheon plates, eight side plates, a covered vegetable dish, and four graduated platters, decorated in the Chinese style with a vase on a table, with flowers and scrolling leaves, black transfer print with blue, red, pink, yellow and green enamels, black 'Stone China' backstamp with red 194 marks(Largest platter 48cm long, dinner plate 26cm diameter)
A rare early 19th Century Tunbridge ware rectangular sewing box, the sliding lid with a colour print of houses with figures in the fore ground titled on a printed label to the front of the box ‘Lady Ann Murrays and Mrs Fitzherberts – Brighton’, the lid revealing eight internal reel compartments in original pink paper, one end fitted with a drawer, 17 x 12 x 8.5cms. From a Connoisseur’s Collection
Mauchline Ware – eleven pieces, comprising a ‘Clark and Cos. Anchor …’, rectangular sewing box (floral print to lid), 21.5cms, a circular reel box (Edinburgh National Gallery and Castle, photographic), 9.5cms, a circular pin cushion (Ripon Cathedral from the River, photographic), 10cms, a cylinder reel box (The Minstrel), 8cms, a cylinder box (floral colour print ‘A Wish’), 9cms, a dome top reel box (South Pier, Blackpool), 8.2cms, a canted corner rectangular reel box, hinges broken, (flowers and scrolls / internal label James Chadwick and Bror.), 10.4cms, a rectangular box (winter rural landscape / internal label James Chadwick and Bror.), 9.5cms, a rectangular box containing reel and brass thimble (Ecole Riggs), 5.8cms, a note book (The Tower of Refuge), 9cms, and a sliding lid pin cushion box, end lacking, 5.5cm, condition generally poor to fair some images chipped. (11) From the collection of Margaret Blakeley
Mauchline ware – thirteen pieces, most with condition issues comprising a rectangular box (Scott’s Monument – photographic/Edinburgh Castle/Holyrood Palace), 15.5cms, another, (View From West Pier, Brighton), 13.5cms, a turret money box (The Ravine Bridge, Belle Vue Park, Lowestoft), 9.5cms, a napkin ring (Dunkeld), a tumbler case (Folkestone), 7.5cms, a lidded cauldron (Tam O’Shanter and Souter Johnny/And at his elbow…..), 7cms, an ivory ground rectangular box (The Belvedere, Victoria Terrace, Weymouth), 8cms, another with sliding lid (New Market Hall, Shrewsbury), 8.8cms, another, (Winchester Cathedral/College Chapel/City Cross), 14cms, another, title obscured, 8cm, another, (floral colour print/Remembrance), 9cms, a comb case (Rustic Bridge), 10.3cms, and a cylinder box (Llandudno Drive), 8.5cm. (13)
A good early 19th Century French cardboard, gilt foil and glass bonbonniere, of canted rectangular form the sides angled and covered in elaborate embossed gold foil on brass ball feet, the lid with a mirror glass panel inset with a coloured print of a French hussar embracing a young woman with cupid looking on, a planter of flowers to one side, some discolouration to underside of mirror, 14.7 x 10 x 5.5cms. From a Connoisseur’s Collection
A rare early 19th Century Palais Royal small format rectangular sewing box with a full complement of fittings, the sides in black printed green paper within black and gilt ‘tooled’ borders, the lid inset with a mirror centred by a black and white print of two putti in a garden with baskets of fruit. The interior with silk squab to lid, the flush fitted ivory velvet base with two slightly variant but apparently original mother of pearl winders, a mother of pearl thimble with gold shield and double copper gilt frieze, a mother of pearl rectangular needle case with gold shield and gilt ferrule, a pair of steel bladed scissors with gold mounts to carved jardinière arms with plain inset silver roundels below oval loops, and a mother of pearl bodkin, 12.7 x 8.4 x 3cms. From a Connoisseur’s Collection
An early print and paint decorated Tunbridge ware sewing pannier, the sloping sides with black lines, the pin hinge rectangular lid with a green and black border enclosing a colour print of Brighton sea front with bathing wagons, figures and boats on the beach, slight scratching to print, swing handle with turned bone mounts, pink paper lined interior, 15 x 11.5 x 14cms. with handle up. From a Connoisseur’s Collection
An elaborate mid 19th Century French ebonised sewing box, of rectangular form the front inlaid with brass lines, the canted lid with tulip wood cross banding and centred by a cut and engraved brass panel. The elaborate interior with mirror to lid within draped and pillared frame, the fitted lower section with a lid centred by a gilt brass dish with a glazed oval print of The Palais due Luxembourgh flanked by angled oval panels each with three gilt crochet hook arms, to the fore a pair of green glass scent bottles with gilt hinged covers with floral enamel tops (one bottle broken and re-stuck) and divided by a tool lid with gilt metal stiletto, bodkin, scissors, needle case, crochet hook handle and replacement English silver thimble, with a further pair of lids with box mounts each with a gilt reel, the section below the gilt dish containing a large selection of English visiting cards in fancy envelopes, box 38 x 26 x 16cms.
An attractive George III walnut sewing box of rectangular form inlaid and print applied, the lid with an oval coloured print titled to the interior ‘The Shepherdess of the Alps’ within an oval inlaid frame the borders in leaf and dot inlay within coloured lines, the front, sides and back inlaid with leaf and berry ovals. The compartmentalised interior in original pink paper with a full complement of fittings comprising four white wood cotton barrels, a multiple reel, a pair of glass scent bottles (one chipped), a box form pin cushion, two inlaid sliding lid bead boxes, a later silver thimble, and a fitted netting cylinder, 27 x 22 x 7.5cms.
Three framed needleworks and a print, comprising an oval silk embroidered floral bouquet, some loss, 37cms, another silk work oval of five figures with paper faces, some losses, 47cms, a 20th Century needlework panel in the 17th Century style, 41 x 30.5cms, and a colour print ‘The Dunce’ stained and damaged, 26 x 20cms. (4) From a Connoisseur’s Collection
A fine Baxter style needle packet box, containing four further boxes divided by a red velvet pin cushion, the boxes in patterned gold foil, the outer box with a colour print of a romantic couple within raised green and gilt oval, the interior with two figural print boxes and two floral print boxes in two sizes, some containing French needle packets, 9.7 x 7.5cms. From a Connoisseur’s Collection
A Baxter style needle packet box containing the full set of ten fancy boxes, the outer rectangular box with an oval colour print of an Indian palace and procession including a camel within fancy gilt borders, the interior boxes each featuring a classical style figure within raised floral and other fancy gilt and green borders, outer box, 15.2 x 10 x 1.5cms. From a Connoisseur’s Collection
An early 19th Century white wood, print and painted Pope Joan board with Birmingham retailers label, the circular board rotating on a domed base and decorated to the rim with playing cards and labels ‘Game/Intrigue/Matrimony’ with a central circular lidded compartment with green and black printed label ‘G. Wallington – Perfumer, Jeweller, And Importer of Toys, 58, Bull St., Birmingham’, the lid originally with a knob, 26cm dia., with various bone counters.
A mixed lot, comprising a floral decorated white wood reel box with printed internal label for ‘J and P Coats’, containing buttons, 15cms, an olive wood box containing bone dominos, 14cms, and a mahogany box the lid with internal print of Queen Victoria and her family and containing shanks of silk. (qty) From a Connoisseur’s Collection
Images of Crystal Palace, a colour print of Crystal Palace by George Baxter, mounted, glazed and framed, image 13 x 29cms, two Baxter needle packet prints of Crystal Palace, both mounted, glazed and framed and a Stevengraph – The Crystal Palace in original mount, glazed and oak framed, image 6 x 14cm. (4)
Souvenir of Crystal Palace – a scarce whitewood paint box, of rectangular form, the sliding lid with colour print titled ‘Crystal Palace’ and lower left ‘Myers and Comp., Licencees, London’, paper lined interior with paint tablets, two of four ceramic dishes and quill brush, 11 x 19 x 2.8cms.
Souvenirs of Crystal Palace – seven pieces, comprising a print decorated rectangular wooden box the lid titled ‘Crystal Palace, Sydenham’, 22cms, a Mauchline style knitting needle cylinder (Crystal Palace, Sydenham, Made in Germany’, 22.5cms, a sewing casket ‘A Present From Crystal Palace’, interior complete with six tools, 21.5cms, a black ground Mauchline rectangular box (Flowers / Terrace Crystal Palace), 8.5cms, a small metal casket the lid with reverse glass view of Crystal Palace, 6cms, a bone circular brooch with inset view ‘Crystal Palace’, 3cms, and a commemorative medallion. (7) See also lots 214, 215, 613, 614, 810
A rare early Tunbridge ware print and paint decorated reel circa 1820, of circular domed form, one side with a circular colour print of an institutional building titled ‘Union House’, the reverse with a laurel wreath enclosing ‘A Reward for Merit’, each with a black line border, 2.2cm dia. ± There was in Brighton a Union Charity School for Girls established in 1809. The curriculum for this charity school included “plain needlework, spinning and knitting. (The Brighton Ambulator 1818 by C. Wright). It was in Middle Street close to the Union Independent Chapel which was in Union Street close to Middle Street and funded the school. The chapel was the oldest of the Brighton chapels said to date back to 1688. It still exists and was rebuilt by the Brighton architect Amon Wilds in 1810 and 1825. . I am unable to locate an illustration of the school but there are engravings of this period of the Chapel in Images of Brighton. Tunbridge ware items could be easily obtained in Brighton. Some were imported from Tunbridge Wells and Tonbridge with labels of T. Wise and G. Wise Jun but already by 1809 the were extensive Brighton manufactories such as those of Upton, Morris and Izzard and many retailers of such wares.

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314783 item(s)/page